When She Says She Doesn’t Send Nudes

when she says she doesn’t send nudes

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More Posts from 1lostcass and Others

6 months ago

How I thought Odypen was before I listened to Ithaca saga:

Odysseus: Would you love me if I was a worm?

Penelope: *fond, exasperated sigh and eyeroll* Yes, love.

How I think they are after I listened Ithaca saga:

Odysseus: Would you love me if-

Penelope: Yes

Odysseus:

Peneleope: *looking him in the eyes* Yes.

11 months ago

au where (most of) the kamaboko squad is significantly aged down and giyuu is the one to find them all.

giyuu on a mission stumbling across a boy, aged fourteen, taking out all his anger on demons with no uniform in sight, leading him to remember the anger that sabito held in his heart towards demons.

giyuu goes on a winter mission to find a family slaughtered with the two eldest, aged five and six, huddled together in a closet forcing him to remember what tsutako did for him.

giyuu heading through some mountains on his way to a mission only to be attacked by a feral six year old child, who he painfully realises was left all alone in the world, like when tsutako died for him.

giyuu investigating a town for demons only to find a group kicking around a six year old child for fun, forcing flashbacks of when the townsfolk didn't believe that a demon killed tsutako.

giyuu limping back to the butterfly mansion when he spots a girl, no older than five, being tugged around on a rope like some sort of animal, and gets the instinct that sabito would've stepped in.

so then, he has five kindergarden aged children who call him 'chichi' and a traumatized teenager who is morally inclined towards kindness and is trying to heal by helping to raise the kids.

ensue giyuu struggling with what all the kids personally need, from tanjiro wanting to be the eldest even if he isn't, to nezuko also trying to prove she's useful only making things harder, to inosuke showing off how he's the best by making things worse, to zenitsu and kanao's flinching and abusive pasts making genya himself struggle with remembering his own younger siblings and a still-fresh trauma of calling his brother a murderer.

they would all just bring back memories giyuu repressed as well. he would just be reminded of himself or people he knew basically all the time.

but imagine the hashira's reaction. kagaya's reaction. urokodaki's reaction. the uppermoon's reactions. muzan's reaction to priceless beings held in the palm of a hashira's hand.

a child who knows the sun breathing technique. a girl who knows the exact location of the blue spider lily. a teenager who could eat demons and gain their traits. and as the others grew, starting from water breathing but eventually branching to their own, suited breathing- muzan would know he's in trouble, especially as his kizuki get baked.

shinobu poking fun at giyuu: ne ne, why wont you hang out with us?

giyuu, an exhausted single father of six who works a night job and barely even sleeps during the day due to his kids: just kill me already.

but then when they actually ask, he would say he'd have to watch his kids and explain that he has six- holy fuck how does that loser have six whole children with a woman -children they dont yet realise all were adopted, so they go over with giyuu to the water estate to see if it's true.

so, we've got genya. the reason he's only been aged down a couple years is sanemi. que their absolutely shellshocked reunion. giyuu didn't get the chance to send a crow beforehand that they were arriving, and sanemi had absolutely no idea that his brother had become one of his work rival's children.

but, they can't really tell anybody, with the other hashira being overwhelmed by the five kids. giyuu knew bits and pieces but genya begged not to tell sanemi yet so he complied until that visit.

they both just awkwardly stare at each other the whole time the other hashira are there and everyone notices but just doesn't say anything out of politeness.

then giyuu asks how the kids like his coworkers. they all go around saying how much they liked the hashira then it gets to tanjiro. you can tell he's sort of upset from his facial expression, and dead set on sanemi.

genya and giyuu are horrified as tanjiro says he dislikes them because genya smells nervous and terrified. he then runs off, and the other kids immediately agree with tanjiro before following, so everything just spirals.

genya just dashes after them and tries to make them apologize, but it's just awkward silence all around for the hashira as they just sorta look at each other. it is very tense as giyuu leads them out, and genya finally rallies the children into apologizing. anyone could tell how much they were lying through that entire thing.

then genya also apologizes and bows really deep, and none of them really know how to react until sanemi steps forward to pat genya's head, saying it's not his fault and that kids will be kids. a reference to when genya called sanemi a murderer.

canonically, sanemi immediately forgave genya for that all after it happened, and he only acted hostile after genya joined the corps. so they could have a good sibling relationship build when genya's not a part of the corps.

the hashira then depart, and genya bursts into tears. the children rush to comfort him as they're all overwhelmed with how much relief is steaming off of genya at that moment.

giyuu looks back towards the hashira, where sanemi is looking back. giyuu waves, and from the shadows given by sunset, he can see sanemi did the same.

...and the end, this is all i can think about for a scene. might write this out sometime but feel free to see it. it spiralled once i started.

1 year ago

zoro has gotta consider blaming his bad behavior on bloodloss and a fever because babygurl was not thinking straight (double entendre). all sanji said was "luffy needs us" and zoro started fighting dirty. YOU don't know what luffy needs. YOU just got here. and your cooking is SHIT. sanji is currently pointing at zoro saying 'control ur dog' and luffy nami and usopp are huddled around him petting his head promising he's not usually like this

2 months ago

Writing Tips

Punctuating Dialogue

➸ “This is a sentence.”

➸ “This is a sentence with a dialogue tag at the end,” she said.

➸ “This,” he said, “is a sentence split by a dialogue tag.”

➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”

➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”

➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”

➸ “Use a comma when a dialogue tag follows a quote,” he said.

“Unless there is a question mark?” she asked.

“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”

➸ “Periods and commas should be inside closing quotations.”

➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”

However, if it’s not dialogue exclamation points can also be “outside”!

➸ “Does this apply to question marks too?” he asked.

If it’s not dialogue, can question marks be “outside”? (Yes, they can.)

➸ “This applies to dashes too. Inside quotations dashes typically express—“

“Interruption” — but there are situations dashes may be outside.

➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.

➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”

➸ “Use paragraph breaks to indicate a new speaker,” he said.

“The readers will know it’s someone else speaking.”

➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.

“This shows it’s the same character continuing to speak.”

7 months ago

hope is a skill

6 months ago
“Hey Luf. I’m A Bit Late, Aren’t I? Sorry For That,” Zoro Said. “But I’m Here Now, So You’d
“Hey Luf. I’m A Bit Late, Aren’t I? Sorry For That,” Zoro Said. “But I’m Here Now, So You’d

“Hey Luf. I’m a bit late, aren’t I? Sorry for that,” Zoro said. “But I’m here now, so you’d better wake up quick. We are seeing each other after two days, you know?”

@alazystranger I READ IT!!! IT WAS SO GOOD!!!!! GAHHHH!!!!

I just, I ADORE IT when people write the crew going on an adventure like that- like it's just another filler story in the series or something!!! Like you create ur own little world, and bits of worldbuilding, and you write the crew and their interactions so organically,,, and then the way luffy goes missing feels so well done??? It makes so much sense!!!

PLEASE GO READ THE FIC BELOW U WONT REGRET ITT!!!

archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works
“Hey Luf. I’m A Bit Late, Aren’t I? Sorry For That,” Zoro Said. “But I’m Here Now, So You’d
6 years ago

Reblog if you have read fan fiction better than some published books

Help me prove a point

6 months ago
1lostcass - A Very Lost One
1lostcass - A Very Lost One
1lostcass - A Very Lost One
1lostcass - A Very Lost One
1lostcass - A Very Lost One
1lostcass - A Very Lost One
1lostcass - A Very Lost One

a comic about wine, a wager, and reconnecting through your weird kids

-

this behemoth of a comic is finally done - and just in time for zoros birthday huehue. initially i wanted to make a zolu introspective from an outsider POV and was like you know who would have really funny input on this … mihawk. and then it spiraled into seven pages of mishanks sitting and talking. i thought it would be funny if mishanks ended up doing self imposed couples therapy the day mihawk brought luffys bounty bc well. its kind of hilarious to think abt mihawk realizing shanks was onto something all those years ago after he meets zoro and luffy. like sure this new generation is batshit crazy but my god are they cooking. anyways. cheers. get some kids

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1lostcass - A Very Lost One
A Very Lost One

Hallo, I'm Karla and here everything is either art, head canons or shit posts.

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