so can we start hunting down white liberals now or what
I believe wholehwartedly that with every kid of the golden trio - Ken, Rome and Shiv - there has been a moment or multible moments when they were young (2 - 8 y.o) where they accidentally called Connor "Dad".
with some editing here and beta reading by @raelwrites the loml, my biggest motivator, there, we have a first part to the series!;
enemies steve harrington and reader, follows along with 'weirdo on maple street'
[if anyone wants to be tagged let me know]
 objectively, you suppose you could call steve a nice-looking guy. attractive, perhaps. maybe even dateable. subjectively, you know, deep in the very marrow of your bones, steve harrington is probably the worst person you have ever had the displeasure of knowing.
 sure, tommy hagan was a douche and carol perkins was a stuck-up bitch but steve- oh, but king steve âthe hairâ harrington was so so much worse. and there wasnât really anything that made you feel this wayânot anything you could sensibly give as reasoning anyway. yet the way he strutted about, flocked by his little gang of bullies, like some overgrown peacock just made your blood boil and skin flush with anger.
 which is why, when nancy wheeler strode up to you with barbara in tow, you were not only worried but mentally figuring out where steve would be that during lunch to give him a good bollocking because nancy looked frazzled.
 ânance-â you slammed your locker shut. âlovely to see you.â it wasnât. you were still half convinced this whole dating steve thing was a ploy to get you two acting civil with each other. never going to happen, sorry nance.
 she started with your name, â-listen,â this should be good. âwe were invited to a party...â oh god. âwould you be willing to come with us?â
 fuck.
 âhow much choice do I have, exactly?â your hunch said not much.
 âplease?â called it. âwe would really like it if you could come.â damn nancy and your fondness for your friends all to hell.
 you shift, throwing an arm around the ginger beside you, âyeah, alright.â you sigh, âbut Iâm only going for barb and free booze.â which was only partly a lie, so you didnât even feel that bad saying it.
 barbara giggles, exclaiming your name with a light shove to your shoulder. âItâs tonight by the way, weâll pick you up.â
 tonight? âbut Itâs a tuesday.â who hosts a party on a fucking tuesday? âguys?â you go ignored as the bell rings immediately after, getting drowned out by the noise of scurrying bodies of passing students. nancy and barbara quickly bid their goodbyes and you solemnly schlump your way to next period, walking slower to prepare for an hour of sitting in the same room as steve.
 fucking tuesdays, man.
 the more you thought about it, the more you paced around your room. whoâs hosting the party? neither nancy nor barbara would answer you when you asked repeatedly during class, which... definitely suspicious.
no matter, whoever it was and whoever was there, you would be the best dressed in attendance. whatâs the point of going out if you canât look hot whilst doing so?
you quickly spritzed some perfume when someone honked their horn outside your house, the girls had at least told you enough to know that it would be late evening when they came to grab you. you had slipped on your shoes and were prepared to leave before calling out to anyone still in the house.
 it was a cold night, though what november night isnât. glad for the jacket you grabbed before leavingâeven the short jog to the car had managed to leave a slight chill in your bones.
âwell donât you look like a million bucks-â and a call of your name greeted you as you situated yourself in the middle seat, flashing a grin at barbara as you tugged the seatbelt across.
 âwhy thank you, mâlady. and you both look dazzling, as always.â flattery will get you everywhere. currently, you were hoping that the flattery would get you at least the address for the party, or how many people might be there.
 âyou smell like a million bucks too, jesus, just how rich are your parents?â nancy remarked, having turned to face you from the passenger seat.
 âenough that dior is my regular perfume, now-â you clap your hands together and lean forwards over the centre console. âdonât try to distract me, nance, where are we going?â if you were going to get any answers before arrival, you knew the only way was to just pester them enough that you got a reply out of annoyance. âcâmoooon! just an itty-bitty name?â resting your elbows on your knees, you clasp your hands together in mock prayer.
 âyouâll find out when we get there.â you get a light shove to your face from nancy and huff a little in your seat. you couldnât even fiddle with the music, a rule you three had declared at the start of your friendship.
âpassenger seat passengers have control of music.â you had declared promptly and firmly when nancy had tried to reach from behind you to change the mix tape.
 âyouâre just saying that because you donât want to listen to madonna.â barbara chimed in from beside you, glancing at you before concentrating back on the road.
 âIâll listen to madonna plenty if youâll stop trying to change it to her while Iâm enjoying kiss- hey!â you slapped away a giggling nancyâs hand from the radio in time to prevent the song from being changed.
 âyou say that-â nancy began, still giggling through your name, âbut I know you listen to abba, Iâve seen the tapes!â
 âyouâve seen shit, nance! ignore her, mustâve hit her head on the door.â you remarked, thwarting yet another attempt by the girl at reaching the radio.
 barbara merely laughed at you two, resolved to stay out of the radio debacle.
 though, on the way to the café after school you kept your promise, and the car was filled with four voices singing physical attraction.
 âbarbara, pull over.â nancy suddenly exclaimed. to your knowledge, parties were usually held at a house, not in middle of a road. while the girls were busy talking you looked around the neighbourhood, surely something had to be familiar enough to pinpoint a location.
 âhe just wants to get in your pants.â barbara scoffed from her seat. wait what?
 âwoah-ho, hey⊠who wants to get in whoâs pants?â you unbuckled your seatbelt quickly to shuffle forward, shoulder buckling with the back of nancyâs seat slightly.
 âsteve-â barbara began, and suddenly the secrecy made sense.
 you recoil at his name, shouting out a protest, âwhat? nance, love, weâre going to steveâs?â
 âhe invited nance to his house, his parents arenât homeâŠâ barbara began listing, but you had gotten the message loud and clear at the first mention of his name.
 âcome on, you are not this stupid.â barbara continued, and you knew now why this street was unfamiliar, if steve had to live somewhere here then you would have found every means possible to avoid even walking on the same pavement as him.
 âtommy h and carol are gonna be there.â nancy rebukes, though itâs kind of a shit reply. those two have been having sex since like seventh grade.
 âtommy and carol have been having sex since, like, seventh grade.â this is why you liked barbara. she even agrees with your thoughts.
 you decided to splay across the back seat while the pair continued talking, knowing whatever they talk about would involve steve, and thatâs not a conversation you want to ever willingly partake in. plus, itâs not like you wanted to walk home at night in the cold when you were in a perfectly comfy and warm car.
 âwoah woah woah, why is nance stripping?â you sat up, watching in confusion as the girl removed her jumper.
 âis that a new bra?â barbara questioned, face slack in disbelief. despite nancyâs negative reply, it probably was. you had raided both of their closets on multiple occasions for fun enough to recognise that you did not recognise the bra nancy was wearing.
 âjesus, girl. if you wanted to fuck, we couldâve found someone for you, didnât have to go start dating steve fucking harrington for some mediocre dick.â when your comment went ignored save for a stifled giggle from barb, you left the car to follow the other two with a sigh.
 goddamn steve.
âall Iâm saying is, you need to consult your friends when making these sorts of big decisions.â you were gesticulating wildly, needing to find some way to get rid of the slurry of emotions churning inside of you. âand you donât get to blame this on my totally reasonable dislike of steve either. barb totally agrees with me, right?â you slung your arm over her shoulders, pulling her lightly into your side to stop the full body shaking.
 âbarb, chill.â nancy chimed in from your other side, ignoring your comments.
 barbara leaned into you a little more, âIâm chill,â she replied.
 before you could make any further comment on the situation, the double doors in front of you three opened to reveal none other than the king himself.
 steve spares a fleeting confused glance at you before speaking, âhello ladies.â god he looked like an idiot. one hand on the door and the other on his hip, steve grimaced at you, âhello-â he grits your name out. there was a half-formed hope in you that it would shatter his teeth as he said it.
 you take a bow, âyour highness,â you mock. if youâre stuck here, might as well have some fun, ey? âso, dweeb, whatâs on the agenda for tonight? swapping books?â you push past steve, knocking shoulders as you go.
 âsacrificing virgins to the old gods, should be right up your alley, freak.â steve taunts back, moving out of the way to let nancy and barbara in.
 you twirl around to face steve, tugging your jacket off, âyou flatter me, harrington. if anyone here needs to be scared of a virgin sacrifice itâs you.â you toss your jacket over the banister. the closer your stuff is to the door the faster you can high-tail out of steveâs house.
 you followed the others to the back porch of the house, throwing comments out about the dĂ©cor to barbara. though it mightâve been a nice house, you would never admit that while steve was within earshot. the smug bastard would hold it over you for the next century.
 when the shrieking began from carol, you had immediately thrown out your disdain for the pool, âif anyone so much as attempts to throw me in Iâll cut your hair off while you sleep.â you wouldnât actually do that⊠probably. but the others at the party didnât need to know that.
grabbing a deck chair, you dragged it closer to barb. nancy was completely enamoured by the beast that is harrington and wouldnât be good company so you sat as close to barbara as you could.
 âthatâs not even remotely attractive.â you sneer, watching as steve shotguns one of the beers in the cooler. âhow did that even happen? nancy and steve, god.â you werenât really sure what barbara thought about the couple, having not been able to talk to her without nancy around but you were comforted by the displeased face she held. âif steve hurts a single hair on her head Iâm gonna rip his out.â barbara giggled at that, so you smiled. barbaraâs laugh could probably cure cancer.
 âyeah, sheâs smart you douche!â tommy let out, which gained your attention because tommy being right was a once in a blue moon occurrence. he followed that statement up by crushing a can against his head and chucking it to the ground. like you said, once in a blue moon occurrence.
  âoh, come on nance youâre not seriously gonna shotgun that are you?â you exclaim, waving the hand that wasnât across barbâs shoulders in the groupâs general direction.
 you were ignored in favour of steve starting a chant as nancy pulled open the tab. tommy and carol joined in, speeding up and then hollering when nancy threw the can on the ground, empty. who knew all it took to get nancy wheeler to let loose was the grating voice of steve harrington?
 âbarb, you wanna try?â nancy asked, already moving towards the cooler.
 âwhat? no.â and though you werenât asked, you shook your head along with barbara. âno, I donât want to. thanksâ
 nancy picked up a can while steve chimed in with his own, unwanted, goading. âitâs fun! just give it a-â nancy was cut off, though, by yet another soft protest from barbara.
 ânance, she said no. cut it out.â you moved to sit up, preparing to stand if necessary.
 âjust- just give it a shot.â and with that barb stood up, having taken the can nancy gave her. you watched, tense, from your seated position just behind her as she moved the small blade to puncture the can. even before the motion was made, you were beginning to stand up and when barb suddenly dropped the can and blade all together you huddled up to her, cradling her bleeding hand.
 âfuckinâ told you shitheadsâŠâ you grumble, inspecting the cut as best as you could in the low light.
 âwhereâs your bathroom?â barb asked, voice shaky. to which steve, useful for once, quickly pointed out the directions for both you and barb. past the kitchen and to the left. easy enough to remember.
 âhe better have a fucking first aid kit in there-â you quickly opened the door for barb before stepping in after her. âhowâs the hand? does it feel swollen? heating up?â you moved to rummage through the cupboards as you question, hoping to find at least a bandage.
 âheating up? is that meant to happen to cuts?â barb sat down on the closed toilet seat, smiling faintly at the sight of you rushing around as much as you could in the enclosed space. âIâm ok, really. it looks worse that it is, I promise.â
 you make a positive noise from inside the cupboard, having found both a disinfectant for cuts and some bandages. âIâll only believe you if you let me help take care of it-â you start, moving to crouch next to the girl and taking her injured hand in yours. âitâll sting, probably.â you warn before slowly dragging the cloth dipped in disinfectant across the cut, stopping every so often as barb flinches.
âet voila! one bandaged hand to go.â it took barely 10 minutes to complete, but any spare moment with barb you would take. âletâs go find nance before she gets eaten by harrington.â
 the both of you exit the bathroom laughing, though it dies the second you notice nancy on the stairs, following behind steve and wrapped in a towel.
 ânance,â you called out.
 ânancy,â barbara joins, âwhere are you going?â she asks once nancy turns to look at you.
 ânowhere⊠just, upstairs. to change.â because that doesnât sound suspicious. and sure, she looks like a wet puppy, but youâre reminded instantly of the conversation had in the car. âI⊠fell in the pool. why donât you go ahead and go home, Iâll just⊠Iâll get a ride or something.â
 âwhat the fuck?â you whisper, yeah super fun party nancy, thanks for the invite. you canât help but scowl at her.
 ânanceâŠâ nancy repeats your names back at you. âthis isnât you.â
 âIâm fine.â that sure sounded like a goodbye. âjust⊠go ahead and go home, okay?â well, how nice.
 nancy turned and walked up the remained stairs, and you scoff at the interaction that just occurred.
goddamn steve.
 âwe can head back to mine, I can make us some food and we can marathon some tapes left from last week,â you suggest, moving to grab your jacket you knew you had hung on the banister. it wasnât there. âfuckers moved my jacket, hold on.â you took the stairs two at a time to quickly get to the second floor when barb called out.
 âIâll wait outside.â
 making a noise of agreement, you knocked on every door as loud as you could, knowing only the party guests were in the household. âhey shitheads! whereâs my jacket?â you bang on a few more doors before stumbling across your jacket on the floor in front of you.
 at this point, you really wanted to leave. so, with a scoop of your jacket and a cursory pat down the pockets to check everything is where it should be, you hop down the stairs giddy at the thought of spending more time with barb.
 âgot my jacket!â you called out. you glance around the living room before moving to the back porch only to still not see barbara anywhere. âbarb?â you call out again, confused at the sudden vanishing of her presence. did she not want to hang out with you? isnât that a kick in the heart, huh.
âcouldâve fucking said something, at least.â you scoff. thatâs another friend to abandon you in one night, not even an hour apart.
you shrug your jacket on while looking around despite there not being a trace of barbara anywhere. with a grimace you turn around to head out, ignoring the rustles of the bushes in front of you, no point in standing around when you had a nice warm bed calling out your name back at home to nap and wallow in.
die girlies reading this đ„°
Haiiiii !! I love the way you write and I wondered if I could request a gnreader x steve if that's okay and if u still have time! Like maybe a scene where Steve visits a music store to get somebody of the group (maybe Robin, Dustin or someone else) a birthday present but he's totally stumped nd doesn't know what to get and by total coincidence the Reader is there and helps! (i hope this isn't too over the top or that i wrote too much??)
You can ignore this bit if it limits your creativity in any way but maybe the Reader's a total airhead who seems to be addicted to the word dude and has kind of an cali valley boy vibe (but also a total metalhead ofc)
Thank you and i wish u a very comfortable day/night and send u lots of virtual hugs!
(ïŸïŸâŻ'â'âŻ)ïŸïŸ*ăâđ
gn!reader | thank you for the req!! virtual hugs right back at ya
Not once in his life has Steve been in a record shop.
Similarly, not once has he shopped for Robin and it was far beyond him what she generally liked.
Clothes â what if the stuff he bought didnât fit her style? Food â did she have some allergies that he didnât know about?
After much contemplation and a tip from Max, who had so graciously played messenger pigeon for him, heâd decided that it was only appropriate to buy her⊠something to do with music. Heâd seen the bulky record player sitting on the end table by her door, the shelf under bare of actual records and, at this point, collecting dust.
The bell jingles as he steps into Daveâs Records on the far side of town, nose flooded with the scent of something musty and lemony window spray.
The air is cold, lights dim and displays colored orange by the sunset through the large glass windows. Heâd figured it was wise to go at the tail end of the shopâs hours â more time for him to spend stalling because, in reality, he had no clue what Robin liked. Other than stuff on the radio, sheâd never mentioned her music to him.
A sharp voice cuts suddenly through the Queen plays softly over the speakers hidden in the ceiling, shouting something unintelligible from the back of the store.
Steve peeks around the corner, seeing you in a heated argument with the shopâs owner.
âTwenty dollars for this is absurd, dude,â you borderline yell, hand slamming in a fist to the glass countertop. âDonât be crazy, come on!â
The shopkeeper merely shakes his head. âTwenty. Take it or leave it.â
To his better judgement, Steve turns to the shelves to continue browsing in favor of interjecting. The selection is overwhelming â bands heâd never heard of, popular stuff that was an equivalent of working two weeks on minimum wage.
Thereâs a loud groan and a clattering sound, then angry footsteps approaching him.
âTwenty!â you exclaim softly from beside Steve, hands deftly flipping through the different cardboard jackets of red, purple, black, blue. âTwenty is absurd, donât you think?â
âI dunno,â he says, staring intently at his sneakers looking pristine white next to your beat-up Converse, your laces tuned gray and rubber toes smeared with dirt and grime. Sharpie doodles litter the edges â sloppily-done stars, stick figures, other stuff he couldnât make out long faded by the sun.
The white tips of your shoes turn to face his.
âHuh?â
âLike, I mean I donât really know whatâs a reasonable price,â Steve says quickly, pretending to be pointedly interested in whatever Overkill was. âI never shop here.â
âOh.â You turn back to the display, lips set into a tight line.
The music fades out, leaving the air still and silent and stifling save for the whirring of a fan somewhere in the back.
Thereâs the scuffing of the carpet as you toe at a fraying line of loose thread, hands falling to your sides. âDidnât take you for someone who likes metal,â you comment offhandedly in a way he suspects is only to fill the silence.
âWhat?â Steve glances up, then back to the display in front of him to realize he was, in fact, looking through the metal stuff that Robin definitely had no interest in. ïżŒâOh. Iâm, uh, shopping for a friend.â
âCool,â you say, hugging your choice of record to your chest. âOkay. Bye, then.â
You turn on your heel, halfway disappeared around the stand towards the counter to browse elsewhere, business finished in the metal section.
Steve squeezes his eyes shut, deliberating for a moment, before reaching out to tap your shoulder before you can get too far.
âCould you help me really quick?â
He can see you considering it, cogs clicking in your brain before you offer a slight grimace.
âSure, if itâs fast,â you say with palpable hesitance, âI have a⊠thing.â
âSo, my friend Robin-â
âRobin Buckley?â
Steve gapes. âHuh? Howâd you know?â
You start off towards the front of the store, weaving in between displays and stacks upon stacks of records.
âWho else in this town is named Robin?â you ask, stopping in front of a bunch of stuff Steveâd never taken the time to listen to. The Smiths, Depeche Mode, INXS. âAnd I know her from school. You shopping for her birthday?â
Steve reaches up, the fabric of his windbreaker crinkling as he rubs the back of his neck. âYeah, actually. I know she has a record player and she likes music, so-â
Thereâs the switch lightbulb over your head, eyes lighting up as you adjust your cap. âOh, sure. We talk about music all the time,â you say, turning back to the stand.
Your fingers brush against the tops of numerous records before settling on what Steve canât make out beyond a pinky-reddish blob with black around the edges.
âMan, she loves The Cure,â you state matter-of-factly, holding out your choice to him. âShe never stops talking about âem. And I know she doesnât have this one âcause sheâs been talking about saving up for it. So Iâm sure sheâll like it.â
Steve takes it with hesitance, staring at the cover. Pornography. Nice.
âThanks,â he says, still squinting and trying to make out the faces on in middle. He looks back up. âReally. Thanks.â
âItâs no problem,â you say back, shooting him a quick, tight-lipped smile. âIâd better go. Nice meeting you.â
âYeah, byeâŠâ He watches your retreating finger as you disappear into the sunny parking lot, eventually making his way up to the counter on his own.
He slides the record across the counter, mildly disturbed by the guy with a cigarette between his lips.
âTwenty dollars,â he says.
They need more esims!
summary: âDr. Lecter?â You blink a few times, convinced that youâre dreaming. The manâs gleaming eyes and concerned expression seem a bit too realistic to be conjured by your sleeping mind, though. Youâre not sure if youâve ever seen him look worried. You quickly decide that you donât like it.
âHannibal, please,â the doctor responds nonchalantly. You stare at him in utter confusion. Just what is happening right now? You thought you were dreaming, but this feels a bit too vivid. âWhat are you doing out here?â
read from the beginning here.
ao3 version | Spotify playlist
warnings: kidnapping, canon typical blood/violence/gore, mentions of animal dissection (just the words "animal dissection")
You fall in and out of consciousness. One moment, youâre roughly dragged along the ground past Alanaâs house; the next moment, thereâs a blindfold secured over your eyes and youâre situated in what you guess to be the trunk of a car. You feel every minute bump in the road and you swear the driver is intentionally hitting potholes, if only to jostle you around more. At some point, you feel your vision fadingâeven amidst your best efforts to remain awake. You know you need to stay conscious to escape, but your body refuses to obey your commands.
The next time you wake, youâre met with an incessant, throbbing headache. You wearily blink your dry eyes open, wincing as light sears into your vision. Left with nothing but a buzzing silence and your thoughts, you berate yourself for letting your guard down. You had forgotten the nature of the people you were investigating. Youâre in danger. You take a deep breath around the gag in your mouth and try to remain calm. Thankfully, your blindfold must have been removed at some point.Â
Surveying your surroundings, you find a dilapidated dining room with dusty trinkets lining the walls. Thereâs a fanciful chandelier hanging over the luxurious dining table, which has seven empty seats. Youâre located at the back head of the tableâyour wrists bound to the arms of the chair you were placed in. There are mere ropes holding you to the chair, but somehow, you can hardly even move, let alone try to get out of them. You must have been druggedâwith something potent enough to remove all traces of physical resistance from your system. You canât do anything more than make your fingers twitch from where theyâre resting on the edges of the chair arms. Moreover, when you do manage to move them, your hand twitches sporadically. Thatâs definitely not a good sign.
Itâs hard to stay awake, even though you know you need to be conscious and aware of your surroundings to keep yourself safe. Thereâs nothing to occupy you except for the monotonous ticking of a clock in the hall behind you, your blurred vision, and your aching limbs.Â
At one point, when you drag yourself out of the void of unconsciousness, you find that you have a companion. Frederick Chilton is sitting in the chair on your right. You blink at him blearily and try to get his attention, only to remember that youâre both gagged and nearly unable to move. Upon closer investigation, it looks like heâs unconscious. You donât stay conscious long enough to learn anything about Chiltonâs situation or see your captor. Weirdly enough, your captor has been strangely absentâleaving you to decay amidst molding walls in solitude. Each time you fight off unconsciousness, you notice that Chilton is more roughed up. Your captor has a grudge against him, and it doesnât take you long to put the pieces of the puzzle together. Ironically, by trying to protect Alana, you only ended up putting yourself in more danger. If you had the strength, youâd shake your head in disbelief.Â
The opportunity to speak with your captor finally comes the next time you wake. The man, evidently finished with torturing Chilton for the dayâjudging by the blood soaking through the manâs shirtâtightens the ropes around Chiltonâs wrists. This is your chance. âGideon?â You feel yourself asking. It comes out muffled because of the gag. Your voice is dry and raspy; your entire mouth is dry and the words almost seem to bounce around restlessly.Â
You blink at the figure. It looks like Hobbs. But, no, it canât be HobbsâHobbs is dead. You blink and try to peel away the Minnesota Shrikeâs cloying visage. The sickly emerald tones in his eyes fall away to reveal a sharp blue-eyed gaze. Dr. Abel Gideon is looking at you with interest; Chilton is no longer the subject of his attention. You cast a hateful gaze at Chiltonâs prone form, feeling a momentary stab of satisfaction at seeing him hurt. You have to rip yourself from those thoughts to focus on Gideon, who is now standing next to you.Â
âI must say, you were out for quite a while,â Gideon hums. You canât tell if heâs speaking to himself or to you. He turns your chair ninety degrees to make you face him. âPerhaps I overdid it with the drugs. I havenât been at the operating table in quite a whileâŠâ His focused musings are eerie. The man is treating you as if youâre an experimentâan animal on his dissection table. Eventually, Gideon sighs and removes the gag from your mouth.Â
âWhy did you take me?â You ask immediately. Thatâs the first thing you want to know. You can justify Chiltonâs presence hereâhe worked with Gideon in the past and nearly convinced him he was the Chesapeake Ripper. Youâve never done anything of the sort, however. Youâre not a mental health professional, nor have you even spoken to Gideon aside from the single conversation you had through the bars of his cell.Â
Unsurprisingly, Gideon doesnât answer your question. Youâre not even sure if he can hear what youâre saying. âSay hello, Frederick.â Your assailant says instead, momentarily stepping aside to make sure you can see the man in question. Frederick Chilton cannot say hello, since several of his organs have been evidently removed and he is unconscious. You grimace. You donât like the man, but you donât think he deserves to be mutilated so cruelly. You swallow hard. âMight as well have some fun before I dispose of you properly.â
It takes you a moment to comprehend that statement. You look up, only to find that Gideon isnât looking at Chilton anymoreâheâs looking at you. You take a rattling breath in. Gideon walks away for a treacherous moment. Your heart is racing in your chest, so loudly that its rhythm reverberates in your ears. Heâs back a moment later with a knife in hand. His fascination with Chilton is gone. The psychiatrist lies neglected in his chair, unconscious but ignored. For the first time in your life, you envy Frederick Chilton.
âDr. Lecter is rather fond of you. Perhaps if IâŠâ Gideon breaks off. Quick as lightning, he drags his knife along the skin near your left eye. You scream and writhe in your bonds, but he only smirks. You know thatâs going to leave a nasty scar. That must be the point, you think to yourself faintly. He wants to leave a mark on you. âI forgot how enjoyable this was.â You want to kick at him, but Gideon must sense your thought process because he quickly steps out of range.Â
Youâre left to slowly dissipate in your chair, the uncomfortable sensation of warm blood trickling down your face. At one point, you feel droplets fall from your eye in a manner rather similar to tears. The next time you blink, your vision is crimson-tainted. Your vision doesnât seem to be affected, other than the blood falling into your eyes. The entire left side of your face is stinging. This time, when you feel your eyes slip shut, you donât fight it.Â
You have no idea how much time passes after that. Itâs clear that the drug is still in your system, because you canât keep yourself awake for more than what you assume to be an hour or two. Chilton remains a steady, silent presence at your side. Each time you wake, you realize that he looks no better than before. You can hardly focus on him, thoughânot when itâs been several days (you can assume) since youâve had anything to eat or drink. Your limbs are cooperating with your commands a bit more than before, but you know youâre still nowhere near your usual level of fitness.Â
The ugly sound of a chair scraping against the ground jerks you out of your thoughts. Gideon is dragging a chair towards the tableâa chair that is inhabited by a redheaded woman that looks far too familiar. It doesnât take you long to recognize where you know her fromâsheâs Freddie Lounds, the same reporter who has been dragging your reputation through the mud all these years. Gideon pushes her to a place at the table at your left, opposite Frederick Chilton. Dread stews in your chest. This feels more significant than you can currently comprehend. Gideon stands at the other end of the table, his gaze contemplative as he looks from Chilton to Lounds, before finally settling on you. You immediately dislike the strange resolve in his eyes.Â
âChoose.â
âWhat?â You say.Â
âChoose,â Gideon repeats. There is nothing short of complete, utter sincerity in his voice. âChoose who lives and who dies.â You stare at him in disbelief, wondering if you misheard him. Evidently, you didnâtâGideon is holding a gun in his right hand and seems to be waiting for your command. Thereâs an entertained smile on his face. He must be enjoying this spectacleâseeing you come to terms with the fact that you will be the cause of an onlookerâs death.Â
You glance between Freddie Lounds and Frederick Chilton. Who should live? Who should die? You have both of their lives in your hands right now. Freddie shoots you a wide-eyed look. Frederick looks equally terrified and his eyes are begging you for help. You experimentally tug at the ropes binding your wrists to the chair. Unsurprisingly, they donât budge. You try to think of a way out of this. It takes you a few moments to remember that you do have a weaponâa dagger concealed in your boot. However, itâs nearly impossible to reach without informing Gideon of its presence. It seems youâre well and truly cornered. You have no choice but to kill.Â
You contemplate who to save. Itâs a macabre thought, but a necessary one nonetheless. Youâre sure that your hesitation would only encourage Gideon to kill both Lounds and Chilton. You take a deep breath. Chilton worked with Gideon on numerous occasions, and manipulated him into thinking he was someone else. Lounds wrote some unsavory things about you, but sheâs ultimately innocent in all this. Sheâs nothing but a bystanderâa civilian in the wrong place at the wrong time. You take a shuddering breath in. Â
Gideon is waiting expectantly. You return his gaze and incline your head towards Chilton. In a true show of cowardice, you canât say his name. You donât want to utter his nameâdonât want to succumb to the reality that he will die because of you. The smirk on Gideonâs face widens impossibly, showing crooked pointed teeth and a truly maleficent elation. You watch as he pulls a gun from his beltâevidently stolen from his prison transportsâand cocks it. Gideon steps around the table and moves to stand a mere few feet away from Chiltonâfar too close for him to miss. The gun is steadily aimed at Chiltonâs temple.Â
Gideonâs finger squeezes the trigger. Your heart is thundering in your ears, but you know what you need to do. Your arms are trapped but, thankfully, your ankles arenât bound to the chair. You lean forward and kick Chiltonâs chair as hard as you can.Â
The gun fires.Â
Chilton falls to the ground. The bullet resides in the wall behind him, leaving the drywall to crumble around the entrance point. You wait for a puddle of crimson blood to grow on the floor, turning the carpet red. Nothing of the sort is present. Frederick is unscathed.Â
âWell, well,â Gideon remarks, putting the gun on his belt for a minute to deliver a slow, mocking clap. The applause echoes in the hollow space around you, creating a horrible rhythm. Freddieâs eyes are wide and the expression on her face is indecipherable; it almost looks as if sheâs truly seeing you for the first time. âYou think youâre clever, do you?â You donât elect to respond.Â
âFine,â Gideon remarks. âYouâve made your choice.âÂ
Gideon cocks his gun and pushes it against your own temple this time. He raises an eyebrow, as if daring you to utter your last words. You stare back at him defiantly, heart in your throat. Just as his finger squeezes the trigger once more, you rock your chair to the side with enough momentum to send you crashing down to the ground. You sense the cold metal of your dagger resting against your ankle, and it only takes a second of manipulation for the dagger to fall down to the floor. From there, you twist and lean back until you can grasp at it with your bound hands. You maneuver to the side and duck under the table to guard yourself from the onslaught of gunfire. With the momentary coverage, youâre able to cut through the ropes binding your wrists to the chair. The effort is rather awkward and certainly hurts, but youâre miraculously able to get your hands free. You idly wonder if Gideon is giving you this time to break free of your bonds, if he wants the thrill of the hunt. The thought makes your stomach turn. You crawl under the table and jump out at the side. Youâre quickly met with the business end of Gideonâs gun and a malicious smirk. You dive to the side and roll, swiftly getting to your feet and wielding your dagger.Â
In a gunfight, the person with a dagger is far outmatched. Right now, Gideon has the upper hand, since he has a gun. You need to fight offensivelyâfighting defensively will get you killed here. You also need to be unpredictableâfight dirty, use common household objects as weapons. Perhaps most importantly, you need to move the fight elsewhere. Otherwise, Chilton and Lounds could be injured in the conflict. Knowing this, you decide to turn and duck down the hallway behind you, confident that Gideon will follow after you. Sure enough, you hear his footsteps follow you through the hall. You sprint down the hall, ducking around corners until you come across a small supply closet. Itâs just barely big enough to stand in and you do so, before pressing your lips together and holding your breath.Â
âReady or not, here I come,â Gideon announces, his footsteps echoing in the eerily silent hall. The floorboards in front of the closet creak and you have to put a hand over your mouth to stifle your breathing. The killer pauses in his tracks just outside where youâre hiding.Â
You duck down instinctually and a bullet rifles through the closet door where your head had been just seconds ago. Gideon shoots another bullet a short distance from the first and it nearly skims the top of your head as youâre bending down. Eventually, he must decide that youâre not in the closet, because he continues walking forward.Â
You take the gifted opportunity and shove the closet door open, before lunging forward and stabbing Gideon in the back of the neck. He lets out a pained hiss and claps a hand over his neck, before turning around and firing at you. That shot seems far too close for you to dodge, but soon Gideon is lunging at you and the thought slips to the back of your mind. You bend low and manage to tackle him to the ground, before making a grab for the gun. Your effort fails as Gideon throws you off of him with ease. Quick as lightning, he pushes you into the ground and chokes you. His gun meets the side of your head and his grip on your neck tightens, effectively robbing you of breath.Â
Your vision is beginning to blur. You know youâre near the end; you donât have much air left. You try to kick out at him, but Gideon doesnât budge. Your hand scrabbles for purchase on his relentless grip, trying to free your airway. In the scuffle, you somehow lost your dagger. You blindly reach behind you with your free hand, praying that it fell to the floor behind you. To your surprise, your hand closes around something sharpâyour dagger. You donât hesitate to stab upward into his left eye. Gideon screams and instinctively loosens his grip on your neck. His hold on his gun is loose; you twist to the side, ignoring the inexplicable stab of pain in your side when you do so, and rip it from his grasp. Gideonâs left hand covers his eye and his right hand reaches out towards his gun, which youâre now holding. You donât give him the chance to get it back, instead putting the pistol to his temple and firing.Â
Gideon falls backward, hitting the ground with a loud thump. You push yourself up to a sitting position before twisting to kneel, desperately hacking and coughing as you regain your breath. Youâre certain youâd never been closer to death than in that awful moment, with Gideon looming over you with a devilish smirk on his face. You mustâve bitten your cheek somehow, because thereâs the coppery taste of blood in your mouth. It hurts to swallow. Once you regain your breath, you stumble up and brace yourself against the wall. Gideonâs corpse burns into your vision.Â
Laughter reverberates in your ears. Garret Jacob Hobbs stands further down the hall, a brilliant maniacal smirk on his face. There is nothing but malicious glee in his eyes. Your first victim regards your latest. You blink and Hobbs becomes Franklyn Froideveaux. Franklyn stares at you with hollow, unseeing pits for eyes. His skin rifles outward, exposing the mess of bloodied organs residing in his chest and stomach.
For a fraction of a moment, the pendulum swings before your eyes. Gideonâs body is still in front of you but, when you blink, itâs gone. You hiss and grit your teeth hard, trying to rip yourself out of this reverie. This is your design. This is your design. Your bullet carved a neat hole in his forehead, allowing crimson droplets to flow down his face and onto the ground. The wound on his neck must be adding to the accumulating puddle of blood.Â
Thereâs a stifled yell from behind you and youâre broken from your thoughts. You turn your back on Gideonâs corpse and run back to the dining room, only to meet the eyes of Freddie Lounds. âMiss Lounds,â you remark, wincing at how raspy your voice is. The effort to speak feels slightly uncomfortable. You continue anyway. âIâm sorry, let me help you there.â You move toward her and use your dagger to cut the ropes binding her wrists. Then, you cut the gag off from where itâs knotted at the back of her head. Freddie doesnât say anything, but she does rub her wrists with a pained grimace. You immediately feel guilty. Somehow, it feels as if itâs your fault that sheâs here.Â
Thereâs a strange expression on Freddieâs face as she regards you. She almost looks⊠worried. âWhatâs the matter?â You feel the need to ask. Freddie wordlessly points at your torso. You look down and grit your teeth, feeling a brutal pain ripping the breath right from your chest.Â
Thereâs a bullet lodged in your sideâthe oblique, you remember from your lectures. You immediately remember the shot from earlierâthe one that came far too close to dodge. In the heat of the battle, you hadnât noticed. Now, you wince and bring a hand down to exert pressure on the wound. Freddieâs staring at you in disbelief. For a long moment, thereâs nothing but silence as the two of you remain quiet. Then, Freddie inexplicably moves towards the table and grabs a napkin. She hands it to you and you thank her, pressing it up against your side. Unsurprisingly, the fabric is quickly growing bloodstained. You take a deep breath and try to look over your shoulder, despite the pain it triggers in your side. It seems the bullet didnât exit your body.Â
You weakly grasp at the wall, before slowly sliding down until youâre seated on the ground. Thereâs a bead of sweat trickling down your neck. Your adrenaline was pumping before, bringing your attention away from the inexplicable discomfort at your side. Now, however, all you can focus on is the throbbing pain.Â
âFreddie,â you remark. The reporter raises an eyebrow. âCan youâŠ?â You break off, looking at the phone mounted to the wall in the other room. Itâs just barely visible from your current position on the ground. Freddie seems to understand what youâre saying, because she runs over to the phone and dials 911. You raspily tell her to mention Jack Crawford and she does, from what you can hear.Â
âTheyâre on their way,â Freddie says. Itâs the first time sheâs spoken since Gideon first brought her into the dining room. Your vision is blurry at the edges, but you can still make out the shell shocked expression on Freddieâs face. She looks completely out of her elementâstartled and disturbed, as if the world has just flipped on its axis. Guilt finds a way into your heart again.Â
âIâm sorry.â You manage to say, past the bloody taste in your mouth.Â
âWhy are you apologizing?â Freddie asks. Sheâs squinting at you in suspicion.Â
âMy fault,â you respond through gritted teeth. Somehow, the effort to talk is now met with a harsh twist of pain that bolts through you like lightning. You continue to apply a rather shaky pressure to the wound, grimacing when you see the napkin is now crimson. Freddie gets up and grabs a few more napkins, before squatting down next to you once more.Â
âItâs not your fault,â Freddie murmurs, shaking her head and averting her eyes. She looks relatively unharmedâat least, physically speaking. She is justifiably shaken by the events that transpired. Freddie changes the napkin in your hand for a fresh one. You whisper a word of gratitude and she nods, her lips drawn tight in a flat line.Â
Time drags on. Everything around you is fuzzy. Freddie hovers over you, a surprisingly worried expression on her face. You try to reach out to her, weakly reassure her that sheâll be okay, but you canât move. Everything burns. The adrenaline you had earlier must be wearing off, because now youâre intimately aware of all your wounds. Blood trickles down your lips, likely creating a rather gruesome pictureâif Freddieâs expression is anything to go by.Â
It feels like it takes years for help to arrive. You know it canât be more than fifteen minutes, yet it feels as if you wait for an eternity. When you finally hear the distant sound of a door getting kicked in, you canât help but let out a small relieved breath. Admittedly, even breathing hurts. You feebly adjust the napkin against your side. You hear the familiar words of agents announcing their entrance to the building. In moments, there are several agents entering the room. A tactical medic approaches you within moments. Thereâs blood seeping down your skin and soaking through your clothes. You donât have the strength to do anything except exert a weak pressure on your wound. Your breaths are harsh gasps and increasingly hard to come by. You blink.
Itâs hard to be aware of your surroundings. You manage to fight the urge to remain in this dreary darkness and your eyes flutter open. Youâre reclined on a stretcher in an ambulance, with several straps preventing you from movement. Your vision is swimming, but you can vaguely make out faces looking over you. You blink a few times in an attempt to clear your sight; when your vision finally returns to normal, you feel fear strike through your heart. Hannibal is sitting at your side, a sharp gleam in his eyes. His brows are pinched in what you assume to be manufactured concern. Thereâs a paramedic at your side asking you questions, but the words all sound garbled. When you look back to Hannibal, you swear you see him smirking. A trick of the light, you tell yourself. Your heart starts thundering in your chest and a machine begins to beep incessantly. You donât want to be so vulnerable in front of the Chesapeake Ripper, but you donât quite have a choice. Your vision falls to black within a few moments.Â
You manage to catch glimpses of the starry night sky, then the white ceiling of what must be a hospital. When you realize youâre being wheeled through a hospital hallway, you canât help but grow more nervous. Youâre tightly secured to the stretcher and you feel trapped. Thereâs an oxygen mask secured over your mouth and nose. You grimace instinctually from the pain shooting through you, rippling up your torso and down your skin. You try to move your hand, but you can only slightly bend your fingers. Alarms are blaring.Â
Several nurses hover over you. Theyâre trying to speak to you, you think. You canât answer. Thereâs nothing but overwhelming pain. Your fingers are twitching again. A tear slides down your cheek. The light above is blinding. Your hand is restless. You canât stop fidgeting.Â
Suddenly, Hannibalâs hand is on your forearm. His grip is incredibly loose but the pressure is somehowâregrettablyâreassuring. Before you can contemplate the meaning behind the gesture, youâre slipping into unconsciousness once more. This time, however, you donât wake. Instead, youâre left to drown in your own dreams and nightmares, removed from reality.Â
taglist [comment if you'd like to be added/removed]: @its-ares @tobbotobbs @xrisdoesntexist @gr1mmac3 @tiredstarcerberuslamb @yourlocalratwriter @kingkoku @kahuunknown
Character/s: Connor, Kendall, Shiv, Roman, Logan
Word Count: 2,054
Warning: addiction, drugs, alcohol, death mention
Tag: @locke-writes
A/N: Idk how angsty this is on a scale of 1-10, but I can tell you it's actually very sweet and very heartbreaking. Baby Roy is going through it!!! I love them!!! Feedback is always appreciated đđđ
Dependence Pt. 1 / Dependency Pt. 2
Being The Youngest Roy Would Include Pt One.
Being The Youngest Roy Would Include Pt. Two
The first number you called was Loganâs. The next was Kendalls. The last was Connorâs. Slurred, sleepy, assuring him you were going to be okay. You would be okay because the shaking had stopped, you were warming up again, you were feeling better. You couldnât keep your eyes open though, the lids too heavy. Curled into a ball in the booth, cradling a stranger's phone, slipping into unconsciousness. He said something, something that sounded sad, panicked. You were going to be okay, you felt so light. Your pulse is barely there. He yelled again, but it was incoherent. You were tired, the exhaustion setting deep into your bones. If you just put your head down, if you shut your eyes for a moment, then you could get some sleep. Youâd be alright. The last coherent words from your mouth was an apology: Iâm so sorry, Iâm fucked up. Iâm sorry. . . You were so light, so far away. It felt nice. No more anger. No more rage. No more self-hatred. Finally, you were free. Free from it all, free from him, from life.Â
He peered over your crib, taking you all in. you were a few months old, just staring up at him. Your eyes are so wide, so new to the world. You slept in the nursery theyâd all been in, though things were different. Boxes of things had been placed in the corners, on the floor of the closet, as if you were only a temporary guest. You reached up, cooing at the mobile. Zoo animals spinning round and round. Your mother and Logan off somewhere, doing something, unbothered by the little life they created. You were a quiet baby, as if you already knew what was coming, as if you could sense the irritation in your fathers voice every time you cried, hissing at your mother to quiet you down. Neither of them were fit for this kind of job, as young as he was, Roman could sense it. When your smile fell, he picked you up, out of the crib, and sat back in the rocking chair. A few whimpers was all you let out, as if you were already bottling it up inside. He remembers how small you were, how sorry he was. Not just for your father, your mother, the both of them terribly one minded, only ever thinking of themselves, but for this life as well. It wasnât easy, that much heâd learned in his short life. It would never be easy. The money, the luxury, it helped, but it could only do so much cushioning. A fresh bruise throbbed over his eye. That day, in your cramped bedroom where it seemed like they put just about anything in, he made a promise to you. Heâd never let you get hurt. Heâd never let them hurt you the way they hurt him. You smiled up at him, all gums, like you knew what he was saying, like you were thanking him. It would not be an easy job. Pacing the floors of the emergency room, the realization struck him like a slap to the face: he failed. He failed you. He hadnât protected you from anything, especially your father. He didnât do what heâd promised you.Â
You stood to the side of Shivâs bed, blankie thrown over your shoulder. You were too frightened to wake her, not wanting to scare her, so you were as still as possible. Your breathing ragged from the nightmare, your cheeks still wet. Lately, you've been having one every night. Your room, without the toys, without the decorations, without anything, felt more like a prison than your bedroom. You were being punished again. Quietly, you tiptoed down the hall, down the stairs, to where their bedrooms were. The boys doors were shut, but Shivâs had been left slightly open. You took that as a sign, taking the handle in your chubby little hand. Her room had looked the same since you could remember. She slept soundly on her side. Barely above a whisper, you called her name. Shivy? Over and over again until she stirred. She used to jump when you came in, when you woke her, but this had become routine the last few weeks. If it wasnât her, it was Ken or Rome. One of them always woke up to you in their bed, unable to bear yours any longer. A nightmare, youâd confess. Theyâd nod, understanding all too well, making room for you beside them. She doesnât say anything, wordlessly moving to the other side, opening the blankets. You climbed up next to her, making sure Blankie got there too. She let her arm fall on to you, holding you close. Sheâd always remembered the way you smelled. Sweet, sweaty, warm. Her face buried in your hair, tightening her grip. You were so small, so scared. She couldnât fall back to sleep until she heard your shallow breathing even. You never had any nightmares with her. Thatâs what she thought of you when she saw you in that bed, how she was living a nightmare, that if sheâd been there for you, if sheâd let you climb into her bed, none of this would have happened.
Heâd asked you to dance at your mothers wedding. It was one of the first times in a long time you werenât drinking yourself to bed. Sheâd been married four, five times. It wouldnât last long, they never did. You were just thankful she decided not to have anymore kids. Though, what did that say about you? He found you sitting at one of the many tables, watching everyone else dance. He held out his hand. It took you a moment to realize just what he was asking, shrugging before you stood, taking his hand. Sheâd invited your brothers and sister despite not knowing them very well, needing bodies to fill up chairs. She invited everyone she knew every time, though the guest list grew smaller and smaller with every debut. There were only so many last names a woman could collect before people stopped caring. Sheâd whined about it to you before she walked down the aisle, calling them ungrateful and selfish for ruining her day. She seemed happy now, swaying in the arms of another Logan-type, her veil lifted by the wind. Picturesque. He leads you to the dance floor, his hand on your back, the other in yours. Kendall seemed content, a rare occurrence for him. He looked nice, dressed in a lightly colored suit for the summer wedding, smiling down at you. You placed your head against his chest, taking him in, grateful for his presence in that moment. You hadnât realized how unhappy youâd been, how taxing doing this all over again was. Your mother wasnât the root cause for your problems, but she didnât help. It felt like every day was her wedding day. Every day it was about her, her wants, her needs, and it was all a disaster. In the end she got what she wanted, in the end she was the only one left smiling. You caught him watching you think, unsure of what his mind was doing. He remembered it like it was yesterday. You seemed so grown up, so worn down. Not like the baby he remembered. He hugged you a little tighter, not wanting this moment to pass. Now it was too late. You looked so defeated, so young, it scared him. What could he have done to stop this? Surely there was something, something he could have done to prevent this. He never should have let you go.Â
That night is burned into his memory forever. You were crying, sobbing into the phone. You were so scared, so alone. When he got the call, he moved without thinking. He got in the car and started driving, trying to keep you on the phone. You dropped a pin in the middle of nowhere. You were so tired. Not just exhausted, but you ached in the marrow of your bones. You were so done with this life, with everything. Youâd hoped, in your moment of desperation, of sincerity, that your father would care. That he would come to your rescue, save you from yourself. Instead Connor pulled up to the sidewalk youâd been sitting on, opening the passenger side door for you. You wiped your tears with the palms of your hands, unable to say anything, to defend yourself, your actions. He didnât yell like you were expecting, he didnât ask a million questions or patronize you. Internally he was lost. Should he drive you to the hospital? Back to Dads? In the end, he brought you home, to his place. You wanted to thank him, to apologize for being such a mess, but all you could do was press your head against the cold window and cry. You werenât sure what time it was, what day it was, the last time you slept. Days, probably. He grabbed your hand, the other on the wheel, rubbing his thumb against the back of it. That made you cry harder. Connor hated to see you like that. You were his baby after all. He squeezed your hand off and on, three times. I love you. You were small in his car, fragile, covered in bruises. The bags under your eyes were so dark, so painful looking. Heâd never forget it, the way you flinched at the sight of him, like you were waiting for an explosion. He wasnât angry or disappointed, he was petrified for you. If he could go back, would he have done anything differently? Heâs not sure. Would changing anything have an impact now? You were sleeping, IVâs in your arms, wires stuck to your chest, the hospital gown hanging off you. You were skin and bone. The rings around your eyes so black, so bruised. He didnât think you could look worse after that night, and yet, again, youâve proved him wrong. He didnât think it could get worse. He squeezed your hand three times, over and over again, so it would be the first thing you felt when you woke up. I love you. I love you. I love you.
They say when you die, your life flashes before your eyes. That didnât happen to you, not even when you were sure you were gone for good. Instead, it was your life that flashed before their eyes. All the best moments, the worst, the things they had and hadnât done as older siblings, all their failings. Someone called an ambulance. They used Narcan and charcoal. You were covered in sickness, shaking, gasping for air. In and out of it, not wanting any of them to see you like this. It was you and the nurses, everyone else left to wait in the emergency room, trickling in as soon as they got there. You hadnât slept in days, exhausted, sobbing. The nurses held you as you cried out, sucked from the blackness back to real life. Everything hurts. Everything stung. Everything youâd done came flooding back. Regret sat heavy on your chest. You were almost gone, so close. It was so light, so airy. You screamed, wanting to go back, wanting to be back there, in that booth, in the club, far away from here. The frustration at yourself suffocated you. It was inescapable. There was no running from it anymore. They gave you something to calm you down, letting you sleep. Finally, It wasnât the same kind of floating feeling, but it was close enough. Your brothers and sister sat beside you, scared to touch you. You were so little, so broken. Of course you wouldnât do well, they thought. Of course you shouldnât have been left on your own like that. Of course this happened. Connor held your hand, the only one brave enough to touch you. They werenât sure what they were going to do or say when you woke up, but they could feel it on the tip of their tongues: the sadness, the anger, the apologies, the hurt. They knew, whatever they did, they had to be there for you, like theyâd been before. When you cried. When you had nightmares. When you were getting better and when you fell again. Theyâd be there for everything.
Yes, this is exactly what it looks like. (there are also a bunch of euro trash songs on there oops) these are just a bunch of songs i think kurt might also like ( á”áŽá” )â©
My personal fave on there: Fahradsattel (ofc)
Is there anything I can do to help Palestinians besides call my representatives and beg them to stop killing people?
This is a great question. There are a few things you can doâjust off the top of my head:
BDS (Boycott, Divest, Sanction) https://bdsmovement.net/
Direct Action https://www.palestineaction.org/
Urge your University/School/Organization to put out a statement denouncing Israel
Organize a Protest/Participate in a local one
You might already be doing this but while calling your reps, tell them that as a voter, you're unwilling to support them in the upcoming election unless they urge the White House to take a stand against Israel and stop funding them
Share art/writing/films around Palestinian culture
If you're part of a union, ask them what they're doing to urge their industry leaders to take a stand against Israel + pressure the White House OR urge them to start a strike/walkout/etc if they're not doing anything already
Talk with your friends IRL about Palestine, whether in an activist capacity or watching a movie or literally anything
Reach out to a mosque to see if you can help them with anything
See if your city/state council has put out a statement in support of Gazans. If not, try to push them to do so.
Donate to Palestine Legal or Direct Action if you have some money to spare
KEEP TALKING ON SOCIAL MEDIA!!!!!!!! PLEASE!!!!!!!!!!!!
I know some of these don't feel like they have as big of an impact on helping Palestinians, but we do need to make an effort not to forget their humanity in the face of continued erasure and the media's sensationalist rhetoric.
Talking on social media and postingâwhile not seeming like a lotâdoes SO much. I know in USAmerica, it's like yelling into a void, but political analysts are saying that most of the "Global South" has completely lost any amount of goodwill it may have had the past few years. Hopefully, countries will start to put sanctions and embargoes en masse on the US and Israel soon.
Our goals here are BOTH short-term and long-term. We hope for the life and liberation of the Palestinian people, so anything that you can think of might help at some point in the future is encouraged to at least try.
If anyone else has any more ideas, feel free to reblog and add on. Thank you for asking, and here is to a liberated Palestine where Palestinians can live and thrive without fear.
Connor Roy attending each of his siblings graduation and screaming "THAT'S MY BROTHER/SISTER!" and applauding the loudest. Proud dad photographs after.
Him with the biggest proudest smile with his left arm around their shoulder - Ken with a small smile with his right arm around Connor - Roman looking amused but happy at the same time at Connor - Siobhan leaning her head towards Connor and grinning.
Logan Roy not attending because of "important business"