Reblog If It's Okay For Your Mutuals To Message You And Create An Actual Friendship, Not Just Interactions

character motivations:

fear

hurt

survival

failure

being pressured

instability

desire / hunger

guilt

belief they are doing something good

love

loyalty

vengeance / revenge

inequality

unfulfillment

hatred

honour / dishonour

pride

jealousy

death

humiliation

pain

greed

shame

rejection

loss

power

now say it with me: authors/artists dont owe you moral purity. an author/artist job is not to hold you by the hand & tell you exactly what is Good™ & what is Bad™. you should be able to think for yourself

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A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.

The writeblr side of my dash is pretty inactive, so please interact with this post if you're an active writing blog! My main is over at @brw, so that's where follows will be coming from :)

10/10 dad joke

The most dystopian thing you could do 7 months into a genocide is complain that a genocide is still happening—and it’s even more disgusting when it’s specifically targeted at wanting people to tag Palestinian gofundmes so you can filter them out of your dash. You’re being extremely distasteful when you demand something like that. People are dying.

i hate it when i cant even write a poem about something because its too obvious. like in the airbnb i was at i guess it used to be a kids room cause you could see the imprint of one little glow in the dark star that had been missed and painted over in landlord white. like that's a poem already what's the point