It's with a heavy but hopeful heart that I watch Palestinian families fundraise on here, slowly accumulating the precious little money to go around that they need to survive. However, not everyone is so lucky. A lot of Palestinians that have not had that kind of luck, that did not get early verification, that did not get massive platforms behind them from large bloggers, have approached me in my inbox, asking me kindly to do what I can for them. It kills me that I have so little to give myself, but I've seen this platform collectively raise enough to change someone's life. I've made a list of Palestinian fundraisers that are extremely low on funds, in the hope that drawing attention to people who have not been lucky at all can help turn that luck around. I know most of us can't possibly give enough to get all of these families safe in one go. But please, reblog this list. Pick one or two fundraisers, give what you can, and then keep track of it. Slowly, collectively, we can make a difference in these people's lives. Share and donate as much as you can.
Finally finished creating my website to publish my writings. I would love to collaborate with fellow writers and look over samples of my upcoming works to get your feedback!
me externally: lit teachers arent pulling text analysis out of their asses
me internally: the reason people and especially students like to blame English for seemingly making up meanings where they cant see it is because literature is an art and art is widely regarded as ‘easy’, ‘anyone can do that’, ‘its stupid and useless’ unlike math and science which are widely regarded as difficult but important subjects so while students will readily admit that they have trouble with math or science they’re more likely to shift the blame when they dont understand a more artistic subject, seeing it as a sign of weakness that they dont get something thats supposed to be dumb and easy rather than seeing it as an important topic that’s just as crucial to their knowledge as any stem subject and just as difficult and in-depth as any math or science can be
from an indie author who's published 4 books and written 20+, as well as 400k in fanfiction (who is also a professional beta reader who encounters the same issues in my clients' books over and over)
show don't tell is every bit as important as they say it is, no matter how sick you are of hearing about it. "the floor shifted beneath her feet" hits harder than "she felt sick with shock."
no head hopping. if you want to change pov mid scene, put a scene break. you can change it multiple times in the same scene! just put a break so your readers know you've changed pov.
if you have to infodump, do it through dialogue instead of exposition. your reader will feel like they're learning alongside the character, and it will flow naturally into your story.
never open your book with an exposition dump. instead, your opening scene should drop into the heart of the action with little to no context. raise questions to the reader and sprinkle in the answers bit by bit. let your reader discover the context slowly instead of holding their hand from the start. trust your reader; donn't overexplain the details. this is how you create a perfect hook.
every chapter should end on a cliffhanger. doesn't have to be major, can be as simple as ending a chapter mid conversation and picking it up immediately on the next one. tease your reader and make them need to turn the page.
every scene should subvert the character's expectations, as big as a plot twist or as small as a conversation having a surprising outcome. scenes that meet the character's expectations, such as a boring supply run, should be summarized.
arrive late and leave early to every scene. if you're character's at a party, open with them mid conversation instead of describing how they got dressed, left their house, arrived at the party, (because those things don't subvert their expectations). and when you're done with the reason for the scene is there, i.e. an important conversation, end it. once you've shown what you needed to show, get out, instead of describing your character commuting home (because it doesn't subvert expectations!)
epithets are the devil. "the blond man smiled--" you've lost me. use their name. use it often. don't be afraid of it. the reader won't get tired of it. it will serve you far better than epithets, especially if you have two people of the same pronouns interacting.
your character should always be working towards a goal, internal or external (i.e learning to love themself/killing the villain.) try to establish that goal as soon as possible in the reader's mind. the goal can change, the goal can evolve. as long as the reader knows the character isn't floating aimlessly through the world around them with no agency and no desire. that gets boring fast.
plan scenes that you know you'll have fun writing, instead of scenes that might seem cool in your head but you know you'll loathe every second of. besides the fact that your top priority in writing should be writing for only yourself and having fun, if you're just dragging through a scene you really hate, the scene will suffer for it, and readers can tell. the scenes i get the most praise on are always the scenes i had the most fun writing. an ideal outline shouldn't have parts that make you groan to look at. you'll thank yourself later.
happy writing :)
If any of y’all didn’t know, there’s a free online library, aka
https://openlibrary.org/
and I found like, twelve ebooks I’ve been wanting to read on there, and blasted through like three of them during the course of a boring-ass shift.
The most dystopian thing you could do 7 months into a genocide is complain that a genocide is still happening—and it’s even more disgusting when it’s specifically targeted at wanting people to tag Palestinian gofundmes so you can filter them out of your dash. You’re being extremely distasteful when you demand something like that. People are dying.
reblog this if you're ok with spam boops i'm about to be such an overachiever
Obligatory if you don't want a goal either because you don't think you'll do it or because you have one that works for you, then this post isn't for you just ignore or reblog for someone else ^_^
These range in difficulty because I wanted there to be something approachable for everyone
1: Write 200 words everyday
2: Write 400 words everyday
3: Write 500 words everyday
4: Write 50 words everyday
5: Write a sentence everyday
6: Write one paragraph everyday
7: Write a chapter every week
8: Write 1k words every week
9: Write a short story/one-shot every week
10: Write a short story/one-shot every month
I did my best w/ these, again you don't gotta do any if either these are still too big for you [I get that !!] Or if you have a bigger/smaller goal that you do that works for you [or if you simply write better when you don't have a daily/weekly/monthly goal in mind]
My personal daily goal is 200 words a day, which I've been doing the past few days successfully, but who knows if I'll be able to keep it up, but ya know - still good !!!!
10/10 dad joke
Can I engulf each sigh from your starlit mouth until it dissolves into my blood? I swear I can feel it bubble with laughter when I do.
Original Work Primary Blog. Sideblog for fanfics @stickdoodlefriend Come yell at me! | 18+
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