I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!
(save the images to zoom in on the pics)
She knew how the protocol dictated and it only gave her three minutes at most. If she didn't remove all traces of her hacking into the victim's computer, they would label her a suspect. She was a cyber vigilante, not a murderer, thank you very much. Criminals are very sensitive about the crimes they commit, and the least you could do is to accuse her accurately.
She began severing each connection, leaving behind no trace, but before she could finish, Detective Alvarez zeroed his eyes on the hidden camera and pulled out a notepad from his jacket. Then, he strode across the Persian rug, and bent low until he was right in front of the camera. He unfolded the paper and held it up. On it was one message.
How long have you been watching, Oblivion?
The screen blacked out. All connections severed from the camera.
Finery drips in the gallery with walls the color of fake teeth Under glimmering lights and clacking red-sole heels I shake hands, theirs soft, smooth, unstained, mine with indentations the curve of my paintbrush.
They whisper over hors d'oeuvres and caviar about The color matching their second-floor carpet. I hope it pays my rent.
A child smaller than the canvas wanders Away to a painting, unsticks his fist from his mouth, his eyes wide enough to encompass stars. He stays longer than most until his mother drags him away, apologizing as she rejoins her group.
He understands art a lot more than money right now.
Finally finished creating my website to publish my writings. I would love to collaborate with fellow writers and look over samples of my upcoming works to get your feedback!
They do bad things because they’re scared.
They’re gullible or misinformed. Example: somebody who has been told the heroes are out to hurt them.
They are desperate for interaction, validation, kindness, or attention, and the dark side gives them those things.
They want to change their allegiance, but are pressured by people close to them to stay evil.
They have an otherwise noble goal that they will do literally anything to achieve. Example: somebody who wants to protect their child, even if it means throwing other children into danger.
Writing Tips
Descriptions in Between Dialogue
✧
⤠ how characters interact with the environment
⇝ moving something, picking something up, looking somewhere
⤠ how the environment interacts with the characters
⇝ weather, other character’s actions or movements
⤠ gestures
⇝ facial expressions, body language
⤠ shifts in position
⇝ standing, sitting, leaning, shifting weight, crossing arms/legs
⤠ physical reactions
⇝ body temperature, fidgeting, heart rate, character quirks
⤠ environmental descriptions
⇝ descriptions using the five senses, setting, character’s appearances
⤠ internal dialogue
⇝ emotional reaction to what was said, reflection of past experiences, connections to other characters/settings/actions
➵ I want to reiterate… descriptions using the five senses ; when in doubt, think of the five senses your character is experiencing and pick what best moves the story forward
Reality kisses his sleepless nights, until he dreams of her again.
“Really wish you weren’t here anymore, love,” Milas tells Zimi, sitting by the window of his apartment. When he squints outside, the moonlight gleams too sharply off of the blades of grass.
He needs to tell her tonight. Right here in the dreamscape she made for them to meet across the mountains and rivers between.
She barks out a short laugh, but her shoulders hunch. She begins, “I don’t know who I can trust enough to practice this type of spell. I truly didn’t know I was bothering, hones—”
‘I miss sneaking mom’s pastries to you and spending all night awake because you got a new board game and you’re a horrible, horrible cheater and.’ Words. Words tangle in his mouth, so he blurts out, ‘And, I miss all the ands.’
Quick as a wildfire, she grasps his face with both her hands. He never feels them, but he can see her dark eyes looking into his sandy ones. In these moments, he thinks her a phantom. That the sentinels who swore their loyalty to her killed her before she could cross the city’s borders. With their history, the years stretching like scars on knobby knees and dolls, he could create something real enough to fool him.
Something creaks, like twigs snapping under a wheel. It takes Milas back to the evening before, his hand digging into Elijah’s wheelchair, light stubble not smooth skin, and soft hair brown not black under his hands. When he pulls away abruptly, she puts her hands up in surrender.
The view outside the window fades into fog, but so do the corners of his room. He needs to tell her.
‘I’m sorry, Kazimiera’ he chokes out. ‘I don’t deserve you.’ He slips onto his knees. Promises broken in a heartbeat, heartbeats jackrabbitting with Elijah’s laugh and the way he calls him endearments in something called French, and Milas was such a fool for the litany of mon chou, trésor, amour.
After a pause she says, ‘You kissed someone? ’
He shakes his head vehemently, ‘I didn’t, but I wanted to. I almost did.’
The world stills, or maybe it’s too loud in his head: exile, treason, Elijah. The fog obscures his vision until he can’t see anything past the table.
She grins up at him as if he’s the stupidest person on the planet, and asks, ‘And selfishly hoard your heart all to myself? I couldn’t fit it in the biggest rooms of the palace.’
All air rushes out of his lungs in a sharp exhale, dizzy with relief until he is gasping in short breaths—her forgiveness cooling the splinters under his skin.
When she leans forward to speak in his ear to tell her about him, he is back at the couch with a flickering lamp’s terrible wiring.
He is still talking about him when the fogs submerges him fully.
When he opens his eyes, Elijah’s laughter down the hallway is made of dreams.
now say it with me: authors/artists dont owe you moral purity. an author/artist job is not to hold you by the hand & tell you exactly what is Good™ & what is Bad™. you should be able to think for yourself
As he stands there, brimming with grief, brimming with life, the woman lies there in silence. The woman dies for him. We watch it happen. We read about it happening. We come to know it well.
— The Woman Dies, Aoko Matsuda
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me externally: lit teachers arent pulling text analysis out of their asses
me internally: the reason people and especially students like to blame English for seemingly making up meanings where they cant see it is because literature is an art and art is widely regarded as ‘easy’, ‘anyone can do that’, ‘its stupid and useless’ unlike math and science which are widely regarded as difficult but important subjects so while students will readily admit that they have trouble with math or science they’re more likely to shift the blame when they dont understand a more artistic subject, seeing it as a sign of weakness that they dont get something thats supposed to be dumb and easy rather than seeing it as an important topic that’s just as crucial to their knowledge as any stem subject and just as difficult and in-depth as any math or science can be
Original Work Primary Blog. Sideblog for fanfics @stickdoodlefriend Come yell at me! | 18+
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