Writing Anything Dark Is So Annoying Cuz Now Anyone I Know Who Reads It Is Like, "are You Okay???? 🥺"

Write Believable Intelligent Characters

╰ Let their intelligence show in how they notice things

Smart people aren’t always the ones talking, they’re the ones observing the tiny detail that everyone else misses. They connect dots faster. They clock micro-expressions. They’re already ten moves ahead while everyone’s still arguing about step one.

╰ Don’t make them know everything

The smartest characters have gaps. A genius hacker who can’t do small talk. A professor who’s never seen Shrek. An expert in ancient languages who has zero street smarts. Give them blind spots, and suddenly they feel real—not robotic.

╰ Let their intelligence shape how they argue

A clever character doesn’t always win by yelling louder. Sometimes they cut deep with one sentence. Sometimes they bait someone into proving their point for them. Or smile while delivering verbal chess moves that leave everyone stunned two scenes later.

╰ Smart doesn’t mean wordy

Sometimes the smartest thing your character can say is nothing. Sometimes it’s “Huh.” Or one line that lands like a hammer. Intelligence isn’t just about complexity, it’s about clarity. Bonus points if they say the thing everyone else was dancing around.

╰ Show them solving problems, not just explaining them

Whether it’s picking a lock or defusing a political standoff, let them act. Watching them think on their feet, adapt, and surprise people is way more compelling than giving them long-winded monologues about the history of poison.

╰ Let them struggle with being misunderstood

A smart character might say something that’s totally logical but lands like a slap. Or they assume people see the obvious when they don’t. Intelligence can be isolating. That tension makes them human.

╰ Don’t make them the author’s mouthpiece

If your “smart” character exists to deliver the moral of the story, they’ll feel like a soapbox in a trench coat. Let them be flawed, biased, wrong sometimes. Let them learn. Otherwise, they stop being a character and start being an essay in disguise.

╰ Make their intelligence emotional, too

Book smart is one thing. Emotional intelligence hits differently. Maybe they’re intuitive. Maybe they know how to read a room. Maybe they see through someone’s bravado in five seconds flat. Brains plus empathy? Lethal combo.

╰ Smart doesn’t mean nice

Intelligence can be cruel. Calculated. Detached. Don’t be afraid to let your clever character weaponize their smarts if that’s who they are. Sometimes the coldest characters are the ones who know exactly how to hurt you—and choose not to. Or do.

I find it frustrating and uncomfortable in fiction when children are used as props to make parent characters feel good about themselves, and as a reward for a romantic arc, rather than being characters with their own identity and agency.

And I think I feel that way because so often because in real life, many parents bring a child into the world simply as a reward for feeling successful in their romance, and to be props to make them feel good about themselves, rather than understanding that their children are full people with their own identity and agency that has to be respected.

Reading a book: “Ah, yes, brilliant. That totally makes sense. How clever!”

Attempting to write a book: “I am a complete and utter fraud. Who gave me permission to wield words? Someone revoke my keyboard.”

Forced Proximity Dialogue Prompts

Haven't done one of these in a while.

"Come on, this isn't funny." "I'm not joking. It's locked."

"Is that the only tent we have?"

"There's only one bed." "Well, darlin', I'm not sleeping on the floor, so I guess we'll have to share."

"I'm your bodyguard. It's in the job description to protect you at all times." "Well, could you at least 'protect' me from over there?"

"You have got to be kidding me. I have to share a room with you."

"What do you mean there's only one sleeping bag? You had one job."

"Quit following me!" "I was hired to follow you, princess, better get used to it."

"What the hell is that noise?" "Uh, yeah, slight problem. We're out of gas."

"Where are you going? We're in the middle of nowhere!" "Yeah! And whose fault is that?"

"Look around, love. In case you hadn't noticed we're snowed in. So unless you plan to freeze to death, we'll have to find a way to keep each other warm."

"I may be stuck with you, but I don't have to like it."

"Is now a bad time to tell you I'm claustrophobic?"

"Your heart's racing. Now, I know being pressed up against me is exhilerating and all, but I'm trying to concentrate on picking this lock."

"What are you? Afraid?"

"Uh. Slight problem. We're trapped."

"Well, which way, smartass?" "Uh. We might be lost."

When your Character...

Gets into: A Fight ⚜ ...Another Fight ⚜ ...Yet Another Fight

Hates Someone ⚜ Kisses Someone ⚜ Falls in Love

Calls Someone they Love ⚜ Dies / Cheats Death ⚜ Drowns

is...

A Ballerina ⚜ A Child ⚜ Interacting with a Child ⚜ A Cheerleader

A Cowboy ⚜ A Genius ⚜ A Lawyer ⚜ A Pirate ⚜ A Spy

A Wheelchair User ⚜ A Zombie ⚜ Beautiful ⚜ Dangerous ⚜ Drunk

Funny ⚜ In a Coma ⚜ In a Secret Society ⚜ Injured ⚜ Shy

needs...

A Magical Item ⚜ An Aphrodisiac ⚜ A Fictional Poison

A Coping Strategy ⚜ A Drink ⚜ A Medicinal Herb ⚜ A Mentor

Money ⚜ A Persuasion Tactic ⚜ A Quirk ⚜ To be Killed Off

To Become Likable ⚜ To Clean a Wound ⚜ To Self-Reflect

To Find the Right Word, but Can't ⚜ To Say No ⚜ To Swear

loves...

Astronomy ⚜ Baking ⚜ Cooking ⚜ Cocktails ⚜ Food ⚜ Oils

Dancing ⚜ Fashion ⚜ Gems ⚜ Herbal Remedies ⚜ Honey

Mushrooms ⚜ Mythology ⚜ Numbers ⚜ Perfumes

Roses ⚜ Sweets ⚜ To Argue ⚜ To Insult ⚜ To Kiss

To Make False Claims ⚜ Wine ⚜ Wine-Tasting ⚜ Yoga

has/experiences...

Allergies ⚜ Amnesia ⚜ Bereavement ⚜ Bites & Stings

Bruises ⚜ Caffeine ⚜ CO Poisoning ⚜ Color Blindness

Facial Hair ⚜ Fainting ⚜ Fevers ⚜ Food Allergies

Food Poisoning ⚜ Fractures ⚜ Frostbite ⚜ Hypothermia

Injuries ⚜ Jet Lag ⚜ Kidnapping ⚜ Manipulation ⚜ Mutism

Pain ⚜ Paranoia ⚜ Poisoning ⚜ More Pain & Violence

Scars ⚜ Trauma ⚜ Viruses ⚜ Wounds

[these are just quick references. more research may be needed to write your story...]

Writing Resources PDFs

i think a lot of people (even other autistic people) forget that special interests are listed in the diagnostic criteria as restrictive interests (“Highly restricted, fixated interests that are abnormal in intensity or focus”) that are often very disabling.

for many autistic people, special interests aren’t some fun thing; it’s having no impulse control and spending too much money on things related to our special interest (if we even have control over our own money at all), it’s struggling with or being unable to hold conversations that aren’t related to our special interest, its being unable to do daily activities such as eat or sleep or work because our special interests take up all our time.

idk. i don’t want to come off as gatekeep-y because that’s not my intention but i just think it’s important to make the distinction between a restrictive interest in autistic people vs just being really interested in something.

bitch this is all you’re gonna get. this life, this face, this body. you better not ‘maybe in another universe’ your way out of everything. sit your ass down and face this. go make tea and have a picnic and read a goddamn book. kiss your loved ones, send that damn text, and hug your siblings. this is all you’re gonna get.

Ok the update with the circle profile pics is distracting to look at

sometimes the best writing happens when you stop overthinking and just let the words flow

Writing Angsty Scenes Without Making Them Cringe

Alright, so we all love a good angsty moment, right? That scene where everything feels like it's falling apart, emotions are running high, and your character's world is just burning around them. But… writing those scenes without slipping into "oh no, not this again" territory? Yeah, it can be tricky.

Angst is powerful, no doubt, but it can get cringey fast if you’re not careful. So, how do you make your readers feel the hurt without rolling their eyes at the drama? Here are some thoughts (because we’ve all been there)

1. Keep It Real No one—and I mean no one—has perfectly poetic, life-altering thoughts while they’re in the middle of an emotional meltdown. If your character’s going through it, make sure their reactions feel raw, maybe even messy. Show us their confusion, anger, and fear in a way that makes sense for them. Don’t just throw in a monologue about the meaning of life or have them collapse in a rainstorm. (Unless it’s really necessary. Then, okay, fine, but be careful!)

2. The Little Details Hit Harder Sometimes, it’s the small, unexpected details that pack the biggest punch. Instead of a dramatic sobbing fit, maybe your character’s hands shake as they try to make a cup of tea or they notice a tiny crack in the wall that they never noticed before because they’re spiraling. It’s those little, relatable moments that make the angst feel real, not overdone.

3. Embrace the Quiet Moments It doesn’t always have to be yelling or crying to show that your character is struggling. Silence can be loud. Sometimes it’s the things unsaid that carry the most weight. Maybe your character withdraws, or they’re stuck staring at the ceiling for hours. A pause in the conversation, a long sigh, or a blank stare can be just as gut-wrenching as full-on breakdowns.

4. Avoid the Obvious Clichés (If You Can) Okay, this one’s a bit tricky. It’s not that you can’t ever have rain scenes or broken mirrors (I see you, “symbolism”), but if you’re gonna go there, give it a twist. Maybe instead of staring out a window during a storm, they’re in a brightly lit, overly cheerful room that just doesn’t match how they’re feeling. Play with contrasts. Make the environment work against their mood rather than mirroring it perfectly.

5. Let the Angst Breathe Don’t feel like you need to dump all the angst in one scene. Let it stretch out a bit. Give your characters space to process (or fail to process) over time. A lot of times, readers will feel more for a character who’s quietly unraveling over several chapters than one who explodes all at once. It makes the eventual breakdown hit harder when it does happen.

6. People Are Weird When They’re Hurting They joke at the wrong times. They say things they don’t mean. They shut people out, or they get way too clingy. Don’t be afraid to make your characters react in unexpected or contradictory ways—people do that when they’re feeling too much. Let your characters be complicated, because real people are.

7. Subtle Can Be Stronger Not every angsty scene needs a screaming match or someone running away dramatically. Sometimes, a single line of dialogue or a character’s slight change in expression can hit like a freight train. Try letting things simmer. Hold back when it feels like you should go big, and you might surprise yourself (and your readers) with how much more intense it feels.