“I’d know you in the dark,” he said. “From a thousand miles away. There’s nothing you could become that I haven’t already fallen in love with.”
'Attachments' by Rainbow Rowell
As an adult I have often known that peculiar legacy time brings to the traveller: the longing to seek out a place a second time, to find deliberately what we stumbled on once before, to recapture the feeling of discovery. Sometimes we search out again even a place that was not remarkable itself - we look for it simply because we remember it. If we do find it, of course, everything is different. The rough-hewn door is still there, but it's much smaller; the day is cloudy instead of brilliant; it's spring instead of autumn; we're alone instead of with three friends. Or worse, with three friends instead of alone.
'The Historian' by Elizabeth Kostova
Worlds of Ursula K. Le Guin (2018), dir. Arwen Curry
He said nothing. Very sarcastically.
The Beekeeper’s Apprentice by Laurie R. King
I think it's a response to terrorism. From the time we're little girls, we're taught to fear the bad man who might get us. We're terrified of being raped, abused, even killed by the bad man, but the problem is, you can't tell the good ones from the bad ones, so you have to wary of them all. We're told not to go out by ourselves late at night, not to dress a certain way, not to talk to male strangers, not to lead men on. We take self-defense classes, keep our doors locked, carry pepper spray and rape whistles. The fear of men is ingrained in us from girlhood. Isn't that a form of terrorism?
Dietland by Sarai Walker
Always learn poems by heart. They have to become the marrow in your bones. Like fluoride in the water, they'll make your soul impervious to the world's soft decay.
'White Oleander' by Janet Fitch
I felt like it was my civic duty to let you all know
"Words offer the means to meaning, and for those who will listen, the enunciation of truth."
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