The hero, normally jovial and humorous in their interactions, steps into a watering hole for villains, shaking with rage, tears running down their face, and with as much patience and calm as they can muster, simply asks "Who did it?"
'You can't kill him!' 'Ugh I am so sick of this idea that killing this monster would make me just as bad as he is!' 'What? No I'm saying I can keep him alive for DAYS while I torture him' '…'
‘I wish for death’ - Twelve-year-old Alma says. She fled bombing and shelling twice before the third place they sheltered was bombed, She was rescued from the rubble only to find out both her parents and all four of her siblings had been killed. She found her 18-month-old brother in an unimaginable state. Her little brother was beheaded from the rubble after the IOF massacred them.
Source: BBC
I drew this back in october a few days after the last episode of season 5. It's been a while but I wanted to post it anyway^^
+ close up
I've been wanting to ask you about Regis's reaction to the Ardyn is an LC reveal (and the Kingsglaive and Titus's) but I know that's something you'll probs want to keep under wraps, because SPOILERS, so instead can I ask how is it that Titus, Cor and Ardyn end up getting along? Like does Ardyn mention doing something Stupid™ that catches Cor's attention and suddenly Titus finds himself looking over the edge of a cliff debating his life choices as the other two egg each other on?
Those are under spoilers yes. So ON TO TITUS, COR, ARDYN FRIENDSHIP.
-Titus is mostly along for the ride in this friendship. Because one is his commander and the other is his King/Glauca’s boss and yet somehow he is the One Braincell™ of the group.
-Cor and Ardyn start to get along for reasons lost on literally everyone else.
-It’s their LC inflicted trauma, if you’re wondering. Cor knows what it’s like to be driven too far by a king and since he assumes that Mors was Ardyn’s tormentor as well-. He sympathizes once he becomes certain Ardyn isn’t going to hurt or be a threat to Regis and Noctis.
-Ardyn accepts his company with vague bafflement at first, since he’s Not Used to Sympathy. But then he figures out why Cor is awkwardly trying to Do the Friend Thing and- well- it’s not really the same. But he appreciates the thought.
-They REALLY start to click after something happens and Ardyn realizes that Cor, for all his serious scowling, is secretly an adrenaline junkie and Fully Down for Chaos of Any Kind (as long as it doesn’t threaten Regis or Noctis or Nox). Ardyn, who is the Ultimate Chaotic Good/Chaotic Neutral figure in this verse, is more than happy to lure Cor into things that give them both an adrenaline high.
-Cor figures out what Ardyn is doing the third time it happens and the tiny part of him that is still the teenager that went to Throw Hands with Gilgamesh is- so very pleased? Like- YES. Someone who understands his need for adrenaline to feel alive. Someone who not only goes along with it but comes up with cool new ideas. Yes this is good.
-Titus Hates Them Both™ (not really). But seriously- YOU TWO ARE ADULTS AND HIGH-RANKING OFFICIALS. STOP DOING STUPID STUFF LIKE THIS. ARDYN AND COR //NO//. Ardyn and Cor as they Do The Thing: Titus, YES.
-Regis honestly finds this very funny. Is mildly alarmed at Cor’s new choice of bestie, but- as long as no bones are broken? I mean- this is probably the first time in years Cor has taken time off willingly when he isn’t hospitalized. Regis is gonna look on the positive side and let Titus and Clarus deal with all the fallout.
-Cor and Ardyn also bond over Quiet Days, surprisingly. Or not so surprisingly, considering Cor is a child soldier who saw War at 13. Sometimes they share a drink. Most of the time if Ardyn is somehow alone in his brooding and titus and Nox haven’t found him yet, Cor will slip into whatever room Ardyn’s in, settle down in the corner and start polishing his sword. No words, no pity. Just- company.
-Ardyn appreciates it a lot.
-He tries not to let it remind him of Somnus and Gilgamesh.
after i posted caps regarding ann’s feelings towards her costume, an anon asked if i had any interest in redesigning it, so here’s my attempt! i also threw together a kinda messy AOA card with it as well. [ process gif here ]
many of the notes above cover my thought process, but under the cut i get a little more into detail on a few specific references i took inspiration from!
note: if you’re gonna get mad that i covered up your 16 year old waifu’s chest, please do us both a favor and block me instead of writing a comment i’m definitely not going to read.
继续阅读
非常好分析使我的眼睛流泪
crying because "a shallow bond" is exactly what caused fyodor's own downfall.
his lack of trust in nikolai, shown by not just taking the antidote right then and there. shown by being cold towards his friend and simply getting in the helicopter with no further words. the fact that, if he had stayed outside with nikolai or even beckoned him in the copter, he'd probably still be alive.
fyodor called dazai & chuuya's bond shallow but never faced the fact that his bonds are shallow as well.
dostoevsky's downfall begins with his sentence, "are you unfit to utilize a gravity manipulator?" with this sentence about chuuya, fyodor sums up his relationships with everyone who cares about him most. he sees them as tools to be used, not people he can rely on.
with ivan, who would literally give his life for him, fyodor brings him into battle once and casts him aside (which, by the way, stupid move fedya. ivan could've saved his ass too!)
with karma, who was nothing more than a boost for fyodor to get back on his feet.
with nikolai, who saw something in fyodor nobody else did, a friend. who tried to form a connection, to see beyond the "demon" in dostoy. who got cast aside anyways because fyodor doesn't see the value in other people's love.
fyodor's lack of trust makes his bonds shallow, which in turn makes him "need" to manipulate others so that he still gets his way. it's a vicious cycle for him, with the path of "trust" and "faith" in anyone else being too long and winding for his ambitious heart. once again, the path straight forward has nothing at the end.