Small artists you need to understand that when you see an artist who you think has 'made it' tells you not to worry about the numbers and to not fret about getting more likes than reblogs they are not telling you it because they think you are stupid for caring or because they dont need to network to survive they are very likely telling you that because they have witnessed first hand the way the numbers game tears people to shreds in terms of mental health and motivation
i found this guy
i have officially found my new blorbo whoever he is
“Once you accept that Nazis, or pedophiles, or other evil people are subhuman, your definition of “Nazi” can be expanded.” Was literally just thinking about that. I’m hanging onto that quote.
I've been seeing some peculiar beliefs in leftist spaces recently.
• Nazis are literally subhuman and deserve to die.
• Zionism is a Nazi movement
• All Jews are secretly zionists
To an outside observer, these beliefs can look innocent (I am far too guilty of number 1, honestly) but the problem is a lot of people believe all three. By the transitive property, they believe that all Jews are subhuman and deserve to die. That is a very familiar and terrifying sentiment to us Jews.
Be careful dehumanizing literally anyone. Once you accept that Nazis, or pedophiles, or other evil people are subhuman, your definition of "Nazi" can be expanded. It can even be expanded to include groups that were originally targeted in the Holocaust. Do better.
Praise be the potato
GAMER APOLLO
Every day I think about gamer Kristoph. This entire official art is great. Klavier is being a pretty boy, Apollo is intense, Trucy has that autistic stare, Ema is rage quitting in the background… but Gamer Kristoph REALLY gets me.
Just to be clear, Kamala conceded with grace and dignity but it is still well within everyone’s right to demand an investigation and even a recount with due cause despite a winner being declared. U.S.Americans have the right to demand free and fair elections (we don’t have a right to, say, start an insurrection like certain people did after the 2020 election).
Many, including major swing states, (Nevada, Wisconsin, Pennsylvania, and more) have already admitted to data and ballots not being recognized or lost and are recounting or calling for a recount. It usually takes days to count and record votes, a day after a bunch of election tampering is not enough.
If you used a mail-in ballot and haven’t yet, check if it was actually counted and “recognized.” A lot of mail-in voters from swing states found out that their ballots were uncounted today.
They're quite close to their goals, please boost!
Alright, a sort of part two to this post.
I worked on this one with @allseeingmoth
Theory and long convoluted rambles under the cut
So, for context, i follow the headcanon that Sans, Papyrus, and Gaster all are related in some way. I won’t go into detail with that, it’s just the only way to explain some of these discord screenshots.
Entry #17 from the true lab is also important here, and i translated the whole thing because that makes this nice and easy. For those who don’t know, it reads:
“entry number seventeen.
dark darker yet darker.
the darkness keeps growing
the shadows cutting deeper
photon readings negative
this next experiment
seems
very
very
interesting
...
what do you two think?”
(This is actually written in all caps in the entry but i didn’t type it that way so whatever)
NOW. Crazy thoughts time. First off; the next experiment mentioned. What if that’s the roaring? This is a bit of a stretch but… well, to me, Gaster feels like something thats separated from the game. They can’t totally interact with it, just influence bits and pieces. And his question at the end, “what do you two think?” I’ve seen some theories about the two being Sans and Papyrus, but they seem a little far fetched… not that mine isn’t, of course, as i believe they’re talking to Jevil and Spamton. And this is why i think Gaster is Mike.
Below are screenshots of my original thoughts on this.
Now, i do admit, i hyperfixated on Gaster because i found them interesting, and canon may have blended a bit with my fanon, but i’ll try to keep it as unbiased as possible here. I believe the “next experiment” is the roaring because in the entry, they state that “the darkness keeps growing / the shadows cutting deeper / photon readings negative” (for non-sciencey people, photon readings being negative could mean a complete lack of any light OR the opposite of light/negative light). These all point to, well, darkness, “dark darker yet darker” after-all. And what’s in deltarune? Dark worlds. Boom, theres the simple theory.
Now, why is Gaster experimenting with the dark worlds and roaring? Possibly because he’s trying to merge Deltarune, the game, with the real world. Think about the in-game explanation of the roaring:
“When the LIGHT is subsumed by SHADOW
When the FOUNTAINS fill the sky
All will fall into CHAOS.
The TITANS will take form from the FOUNTAINS
And envelop the land in devastation.
The surviving Darkners, crushed by the darkness
Will slowly, one by one, turn into statues...
Leaving the Lightners to fend for themselves
Lost eternally in an endless night...”
It mentions Titans. Who could the Titans be? Us, of course. We see the characters as, well, characters. Fun toys to be played with and explored. If all the Darkners turn into statues, they will be dolls for the Titans to play with.
So what if Gaster is trying to bring upon the roaring, but is also trying to bring Darkners here, alive? Hence the manipulation of Jevil and Spamton. That’s their experiment. Can they merge our worlds while bringing those who were previously only code to life?
Now, of course, this is all fun video game stuff that can’t happen, but it’s fun to think about.
Anyway have an extra little joke i made.
Daily reminder to please PLEASE don’t just read headlines, even if you think the headline tells you everything you need to know, there’s always more to learn about a situation then what can be conveyed in a single catchy sentence.
oooh have you ever done a post about the ridiculous mandatory twist endings in old sci-fi and horror comics? Like when the guy at the end would be like "I saved the Earth from Martians because I am in fact a Vensuvian who has sworn to protect our sister planet!" with no build up whatsoever.
Yeah, that is a good question - why do some scifi twist endings fail?
As a teenager obsessed with Rod Serling and the Twilight Zone, I bought every single one of Rod Serling’s guides to writing. I wanted to know what he knew.
The reason that Rod Serling’s twist endings work is because they “answer the question” that the story raised in the first place. They are connected to the very clear reason to even tell the story at all. Rod’s story structures were all about starting off with a question, the way he did in his script for Planet of the Apes (yes, Rod Serling wrote the script for Planet of the Apes, which makes sense, since it feels like a Twilight Zone episode): “is mankind inherently violent and self-destructive?” The plot of Planet of the Apes argues the point back and forth, and finally, we get an answer to the question: the Planet of the Apes was earth, after we destroyed ourselves. The reason the ending has “oomph” is because it answers the question that the story asked.
My friend and fellow Rod Serling fan Brian McDonald wrote an article about this where he explains everything beautifully. Check it out. His articles are all worth reading and he’s one of the most intelligent guys I’ve run into if you want to know how to be a better writer.
According to Rod Serling, every story has three parts: proposal, argument, and conclusion. Proposal is where you express the idea the story will go over, like, “are humans violent and self destructive?” Argument is where the characters go back and forth on this, and conclusion is where you answer the question the story raised in a definitive and clear fashion.
The reason that a lot of twist endings like those of M. Night Shyamalan’s and a lot of the 1950s horror comics fail is that they’re just a thing that happens instead of being connected to the theme of the story.
One of the most effective and memorable “final panels” in old scifi comics is EC Comics’ “Judgment Day,” where an astronaut from an enlightened earth visits a backward planet divided between orange and blue robots, where one group has more rights than the other. The point of the story is “is prejudice permanent, and will things ever get better?” And in the final panel, the astronaut from earth takes his helmet off and reveals he is a black man, answering the question the story raised.