If You Told Vin Diesel Fast And The Furious You Were Gay He'd Be Like "Some People Like Driving Stick…some

I wish I was a lizard.

Happy Birthday jesus 🥳

it's my birthday, bitches, love meeeeeee

can someone just. explain to me what romance is. please. cause I really got no fucking clue and I wanna know but every time I google it I'm met with "picnics and dancing and stargazing and GENERALLY PLATONIC THINGS"

or is this just me being. really fuckin aroace.

🖤🩶🤍💜

ACES!!! Look at this Scientific American article!!! It makes me genuinely so happy to read. We’re making it!!!!

https://www.scientificamerican.com/article/asexuality-is-finally-breaking-free-from-medical-stigma/

Scientific American

Asexuality Is Finally Breaking Free from Medical Stigma

New research on asexuality shows why it’s so important for doctors and therapists to distinguish between episodes of low libido and a consis

You've gotta love Jews more than you hate Nazis.

You've gotta love trans folks more than you hate TERFs.

You've gotta love your unhoused neighbors more than you hate the billionaires.

You've gotta love immigrants more than you hate ICE.

You've gotta love queer kids more than you hate christian fundamentalists.

You've gotta love fat people more than you hate the diet industry.

You've gotta love disabled people more than you hate the insurance companies.

You've gotta love your fellow humans more than you hate the worst that humanity has to offer. You don't have to like every person you're fighting for, and you sure as hell don't have to give up your righteous anger, but hate is ultimately corrosive.

You've gotta love.

In the past fifty years, fantasy’s greatest sin might be its creation of a bland, invariant, faux-Medieval European backdrop. The problem isn’t that every fantasy novel is set in the same place: pick a given book, and it probably deviates somehow. The problem is that the texture of this place gets everywhere.

What’s texture, specifically? Exactly what Elliot says: material culture. Social space. The textiles people use, the jobs they perform, the crops they harvest, the seasons they expect, even the way they construct their names. Fantasy writing doesn’t usually care much about these details, because it doesn’t usually care much about the little people – laborers, full-time mothers, sharecroppers, so on. (The last two books of Earthsea represent LeGuin’s remarkable attack on this tendency in her own writing.) So the fantasy writer defaults – fills in the tough details with the easiest available solution, and moves back to the world-saving, vengeance-seeking, intrigue-knotting narrative. Availability heuristics kick in, and we get another world of feudal serfs hunting deer and eating grains, of Western name constructions and Western social assumptions. (Husband and wife is not the universal historical norm for family structure, for instance.)

Defaulting is the root of a great many evils. Defaulting happens when we don’t think too much about something we write – a character description, a gender dynamic, a textile on display, the weave of the rug. Absent much thought, automaticity, the brain’s subsconscious autopilot, invokes the easiest available prototype – in the case of a gender dynamic, dad will read the paper, and mom will cut the protagonist’s hair. Or, in the case of worldbuilding, we default to the bland fantasy backdrop we know, and thereby reinforce it. It’s not done out of malice, but it’s still done.

The only way to fight this is by thinking about the little stuff. So: I was quite wrong. You do need to worldbuild pretty hard. Worldbuild against the grain, and worldbuild to challenge. Think about the little stuff. You don’t need to position every rain shadow and align every tectonic plate before you start your short story. But you do need to build a base of historical information that disrupts and overturns your implicit assumptions about how societies ‘ordinarily’ work, what they ‘ordinarily’ eat, who they ‘ordinarily’ sleep with. Remember that your slice of life experience is deeply atypical and selective, filtered through a particular culture with particular norms. If you stick to your easy automatic tendencies, you’ll produce sexist, racist writing – because our culture still has sexist, racist tendencies, tendencies we internalize, tendencies we can now even measure and quantify in a laboratory. And you’ll produce narrow writing, writing that generalizes a particular historical moment, its flavors and tongues, to a fantasy world that should be much broader and more varied. Don’t assume that the world you see around you, its structures and systems, is inevitable.

We... need worldbuilding by Seth Dickinson

I sick

WE GOT AROMANTIC TRENDING BOYS!!!! (gender neutral)

LET'S GOOOOOOOOOOOOOO