physics girlies unite
slaughter-house five - kurt vonnegut / orpheus and eurydice - catharine adelaide sparkes / user sawasawako / orpheus mourning the death of eurydice - ary scheffer / metamorphoses - ovid / orpheus and euridice - enrico scuri / talk - hozier / orpheus and eurydice - michel martin drolling
THE INTERVIEW WITH THE VAMPIRE ; AMC productions.
The look on lestat's face! Like he is angry that he's doing this when he wants to give louis attitude for being a mean bitch to him hours ago, but then he hears her and is a little, if not a lot, intrigued about her.
Now that they're playing daddies to little Claudia, they're are absolutely going to discuss the clothes, ah yes, the joy of parents.
This was probably the funniest part of the episode😂😂, lestat being his usual sarcastic self.
He really has been away from children for too long😂
No comment, teen problems😂
This fight! They act so much like a family now, parents fighting over their teenage vampire daughter. Despite the fact that lestat is overly annoyed most of the times about Claudia's antics he doesn't entirely hate the concept.
This scene is almost a depiction of the possible consequences, –although the argument here subsides–, of Claudia's curiousity.
Louis told Claudia to be careful when digging around and troubling lestat with questions because as knew all to well, that past troubles some people.
This was a beautiful scene. Louis introducing Claudia to the idea that love works the same for all –objective in basics and free for subjective interpretations of the nuances. He answered her questions with just a few words but did so gently, not rebuking her, not confusing her more, just telling what it really is. This scene says so much about Louis and his acceptance of his sexuality throughout his years with lestat.
He's embraces that part of his identity.
This show!!! I mean the way they've portrayed Anne Rice's vampires on-screen, as eternal beings with having subtle shades of humanity. Of being murderers, almost like apex predators in their own habitat but still having the similar concerns of failure as a parent, of hurting their loved ones. And sometimes, of hunting the wrong prey, which is clearly the humane side of them bothering.
EPISODE 4, S1
where do i exist if not within your voice? if not within the way you touch, or the way you say my name?
amber leigh
Hannibal would go feral for young hugh dancy i just know it
"What if I told you I'mma mastermind?"
"It was all by design; cause I'mma mastermind"
Poor man, the literal theme of this episode was "confuse TF out of Marc", "make Marc cry", "make Marc cry some more", "why TF is Marc not crying yet again?", "If you won't, then I'll make Marc cry" and "because Marc just has to cry".
His whole story and trauma of it broken down and presented. It was a crucial episode.
I like the idea that both the identities were acknowledged as seperate conscious in the afterlife, like even the goddess was entirely confused about the whole alter business because humans have literally managed to advance almost all shit's to next level of course.
The fact that both Marc and Steven dutifully ignored the last coffin (aka Jake the cabbie, really just a baby) and so the scales never truly balanced and only balanced after Steven died? Like Marc just saw Steven die and the goddess is like "ohh, the scales balanced?". I was heartbroken to see Steven gone. So will be Layla.
Marc with his hands on his waist and literally stating flatly, "Bitch, we mental. Why else?"
The happiness that man felt about being dead rather than crazy won my heart, of course Marc- priorities. But still, to a man who's been broken in terms of mental space almost his whole life- that must have been to precious of clarity. His brother's death for which he blamed himself, his mother's hate, her violent abuse- both mental and physical, his trauma serving in military (from where he got discharged due to him often escaping into his fugue state- his mental disorder, the chaos causing him to be a liability for military), then as a mercenary (because that's apparently the only job he could get with what skills he had), then almost dying- like he literally was going to shoot himself to end the pain. Then killing in the name of protecting and delivering justice. Trauma, trauma, trauma.
And the way Marc believed that he chose his life as khonshu's avatar because he couldn't live like anything else but a killer- because that is what he always was (probably thinking of his brother, oh god).
Steven finally understood though that khonshu had manipulated Marc from the beginning.
Also, I think Jake knows of both Marc and Steven because he could kill the bitches who'd bother them, possibly because he knew of Marc's skills, like Steven could do shit when he realised he was Marc in a way, atleast with the physical abilities.
A little from my weekdays....
Currently I'm studying HTML, watching interview with the vampire and reading the book at the same time, having fun comparing the differences between the masterpiece written and the adaptation for this century!
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