Hi Jo Sorry If This Isn’t What You Normally Write And You Can Ignore It If You Want. I Would Just Love

hm.....................................

my theory….

Haha i get tashi sweat and you dont

OMNOMNONMONMONMNOMNOMNONM

let's be friends | tashi duncan x reader (patrick zweig x reader)

warnings: SMUT 18+, cheating

It starts with a look.

Not a dramatic one. Not a sweeping, heart-stopping, violins-in-the-distance kind of look.

Just a glance. Too long. Too soft. Too knowing.

You’re sitting cross-legged on the floor in Patrick’s living room, a beer in one hand, your chin tipped back with laughter—warm and open and a little too loud—over something Art said that wasn’t even that funny. The TV flickers in the background. Someone’s half-finished drink sweats on the coffee table. The room smells like takeout and fabric softener. And Tashi watches you laugh like it’s something private. Tashi’s on the couch behind you, sprawled out like she owns the place—because she kind of does. And when you tilt your head to glance up at her, something in her expression sticks.

It’s not surprise. Not amusement.

Interest, maybe.

And then it’s gone.

You blink. You sip. You look back to Patrick, who’s started ranting about some guy on the challenger circuit who swings like a puppet.

But it lingers. A seed planted.

---

The first time you met Tashi, she barely looked up from her phone.

You’d just started seeing Patrick—two dates deep, that giddy sweet spot where everything is effortless and full of potential. He brought you to a casual post-practice dinner with Art and Tashi, like it was no big deal. Like it wasn’t them.

Art had been polite. A little cold, but not unkind. Tashi had nodded at you once, then gone right back to whatever was happening on her screen.

You weren’t offended. You were the new girl. You were used to that.

But later that night, she’d called you smart. Offhand. Like she’d been listening the whole time.

After that, you started seeing them more. Group hangouts. Drinks after matches. Late nights in Patrick’s apartment where everyone ended up on the couch together, legs tangled and shoulders pressed close.

Tashi was magnetic without trying. Loud in bursts. Quiet in corners. She made fun of Patrick constantly. She never complimented you directly, but she remembered your favorite lollipop flavor, which bar bathroom had the clean mirror lighting, which playlist you always skipped the third song on.

At first, you thought she just liked knowing things.

Then you started noticing the way she looked at you when she thought you weren’t looking.

And the way your stomach flipped every time she did.

You told yourself it was fine. You were just becoming close. Girls got intense sometimes. Friendships could blur at the edges.

But the edges kept blurring.

And she never did anything about it.

Until she did.

---

One night, Patrick’s out getting another round, and Art’s halfway into an argument with the bartender about the definition of a double.

Tashi leans in close. Not too close. But closer than she usually sits.

“Do you always stare that much?”

You freeze. Your beer is halfway to your lips.

“I—what?”

She’s smirking. Lazy. Crooked. Her knee bumps yours.

“I’m just asking,” she says. “Because if you do, I could get used to it.”

You blink. The music is too loud. The lights too warm.

Then Patrick’s back with drinks and a stupid grin, and everything rearranges again.

But you’re not the same after that.

Neither is she.

And you both know it.

---

It doesn’t happen all at once.

It happens in moments. Small, dumb ones.

You start riding with her even when Patrick offers. You ride with her on slow mornings and fast ones, in silence and with music blaring. You ride with her because it’s easier. Because it feels better. Because it’s starting to mean something, even if you won’t admit it. You find yourselves pairing up on game nights, trading insults and high-fives that linger too long. Fingers brushing. Knees knocking. Looks held for just a beat too long. You steal sips of her drinks. She steals fries off your plate. You start texting her things that don’t need responses. She starts answering them anyway.

She starts calling you by your last name, in a voice that’s always teasing, always warm. You start finding excuses to touch her—grabbing her wrist to show her a song, brushing hair out of her face like it’s natural.

One night, you fall asleep on her shoulder during a movie, and when you wake up, she’s still there. Arm around you. Her fingers tangled lightly in the hem of your shirt.

Neither of you mention it.

But the next day, she texts you a selfie from her car, lip gloss perfect, eyebrows smug, with the caption: still waiting on my cuddle review.

You laugh harder than you should.

You send her a voice memo back. “Four stars. You run hot and you snore.”

She sends another photo immediately. This one’s worse. Or better. Her middle finger is up. Her lips are still curved in that smile you’re trying very hard not to memorize.

Five stars now? she asks.

And maybe it’s just fun. Maybe it’s just harmless.

But it doesn’t feel harmless when she watches you in group settings like you’re the only one there. It doesn’t feel harmless when you dream about her hands. When you wake up aching.

It doesn’t feel harmless when she shows up to a hangout in a tank top that’s definitely not for the weather, and you can’t stop staring.

And it definitely doesn’t feel harmless when she catches you.

When she licks a little melted ice cream off her thumb and says, without looking up, “You know, you’re allowed to want things.”

You don’t answer.

But you want.

God, you want.

And that’s the part that starts to ache.

Because Patrick is good. He’s kind. He kisses you like he means it and holds your hand like he’s proud of it. You like him. You really do.

But every time his lips find yours, every time his hand slides across your back and pulls you close, there’s a flicker of something traitorous at the base of your skull.

What would Tashi taste like?

It’s not a conscious thought. It’s not even loud. It’s just there. Present.

And when you open your eyes after a kiss, gasping, dazed, flushed from how sweet he always is with you—there’s still a name pressing soft against the edge of your thoughts.

And it isn’t his.

---

One night, it’s just the two of you. Rain tapping against the window, some old movie playing quietly in the background. Patrick’s hand finds yours where it rests on the couch cushion, fingers linking with yours like he’s done it a thousand times.

He kisses you slow, soft, like he wants you to feel how much he means it. And you do. You kiss him back, warm and grateful, even as something coils in your chest.

When you pull apart, he smiles against your cheek. “I’m really glad you get along with them,” he says, voice low. “With Art. With Tashi.”

You nod, pressing your forehead to his shoulder.

He laughs a little. “Tashi’s hard to impress. But she likes you. You know that, right?”

You swallow. You try to keep your voice even. “Yeah.”

“She told me she was glad we were dating.”

That makes your chest clench in a way you can’t explain. Your heart aches, confused and guilty.

Patrick presses a kiss to your hair. “You’re my favorite person. And I think it’s kinda cool that my favorite people are becoming friends.”

You close your eyes.

You wish that was all it was.

---

It happens on a night that feels like any other.

You’re at her place. Music low. A bottle of wine cracked open even though you both swore you were only staying in for a quiet night. There’s a half-hearted movie playing, and she’s sitting close enough that your knees touch. Not in a dramatic way. Not even on purpose. Just enough to feel it.

You're laughing at something she said—something ridiculous and small, and the sound sticks in the air between you. She watches you for a second too long. And you feel it.

Your stomach turns over. The kind of flip that’s not new anymore, but still dangerous.

She shifts on the couch, facing you more fully. Her fingers drum lightly on the stem of her wine glass. You don’t know what you’re saying anymore. Your mouth keeps moving, but your brain is stuck on the way her eyes flick down to your lips.

The tension stretches—taut and humming and painfully quiet.

And then she says your name.

Soft. Careful. Not a tease. Not this time.

You stop.

Tashi leans in. Just a little. Enough.

“Tell me to stop,” she says.

You don’t.

So she kisses you.

It's not rushed. It's not wild. It’s gentle. Testing. The kind of kiss you give when you’ve thought about it too many times to pretend you haven’t.

You gasp against her mouth before you can stop yourself. Her hand comes up to cradle your jaw.

And when she pulls back, she doesn't move far. Just enough to murmur—

“Don’t you wanna?”

Your chest rises too fast.

And you nod.

You really, really do.

She kisses you again, deeper this time. Her hands are on your waist, sliding under your shirt, fingers spreading across your skin like she’s trying to memorize you by touch.

You moan—quiet, shocked by how fast it unravels you. Tashi catches it with her mouth, her tongue slipping past your lips with such practiced ease it makes your thighs press together.

“You always this easy to kiss?” she whispers, tugging at your shirt. “Or is it just me?”

You breathe out a laugh—shaky, dizzy. “It’s you.”

She grins against your skin. “Thought so.”

She’s pushing you back onto the couch before you realize it, hovering over you with one hand braced beside your head and the other sliding down your body.

When her hand slips under the waistband of your pants, your hips buck. You gasp again, louder this time, and she watches you—eyes heavy, lips parted, like she’s starving.

“You gonna let me?” she asks.

You nod, too fast.

She hums, pleased, fingers slipping lower, slow but deliberate. The first press of her thumb to your clit has you whimpering.

“Fuck,” you breathe.

“God, you sound good,” she mutters, kissing your neck, your jaw, your cheek. “Been thinking about this every time you wore something tight and acted like you didn’t know what you were doing.”

“I didn’t,” you gasp.

Tashi laughs. “Liar.”

And then she’s inside you, two fingers curling just right, and you’re gone—hips rolling, back arching, her name a broken whisper on your lips.

She takes her time. Watches every twitch, every breath. Brings you right to the edge and holds you there, kissing you slow until you’re trembling beneath her.

“Let go,” she whispers. “Come on. Let me have it.”

And when you do, it’s with a cry you couldn’t hide if you tried.

You collapse into her, flushed and panting.

And she kisses your shoulder like she's done it a billion times before. Maybe she has. Just not in real life.

---

After that night, nothing feels casual anymore.

You don’t talk about it. Not directly. But the way she touches you changes—more often, more deliberate. She stands too close. She doesn’t look away as fast.

And you let her.

You let her every time.

But it twists something sharp in your stomach when you see Patrick. When he kisses your cheek or brings you coffee or grins like he still thinks he’s the only one who gets to make you blush.

You can’t meet his eyes when he says, “Tashi says we should all hang out again this weekend. You in?”

You say yes.

You always say yes.

But it feels like lying now. Even though it technically isn’t.

Technically.

You think maybe you were fine until the second time it happened. The second time Tashi kissed you like she couldn’t help it. The second time she made you come with her mouth on you and a growl in her throat.

Because this time, when it’s over, she doesn’t move.

She stays. Curled up behind you on the couch, hand splayed on your stomach like she belongs there. Like she wants to be there in the morning.

You lie there wide awake, her breath warm on your neck, and you realize something you really didn’t want to know.

You’re not the only one who caught feelings.

And now it’s harder to pretend.

Tashi holds you like it means something. Like it has meant something. And you let her, night after night, long after the tension gave way to touch.

But something shifts in the quiet. In the way she presses her face into your neck when she thinks you’re asleep. In the way her fingers twitch when Patrick texts you.

You start noticing things.

Like how she doesn’t meet your eyes when she says his name. How she jokes about him less now. How she touches you softer after.

It should make you feel wanted.

Instead, it makes you feel split down the middle.

Because Patrick’s still sweet. Still good. Still smiles at you like you’re his whole world.

And you keep smiling back.

Even as part of you starts to wish he wasn’t in this picture at all.

---

It happens by accident. And then, almost instantly, it doesn’t feel like one.

You're at Patrick's. All of you. A lazy Saturday stretched too long, half-dressed in your comfiest clothes. Tashi’s curled in the armchair. You’re on the floor with your back to the couch, between Patrick’s knees. He's absentmindedly running his fingers through your hair while watching something dumb on TV.

And Tashi says something—something that makes you laugh. You throw your head back, and she catches your eyes. The smile she gives you is soft. Real.

Patrick notices.

You feel his fingers pause against your scalp.

“You two have been really tight lately,” he says, not accusing, not suspicious. Just curious.

You freeze.

Tashi shifts, unfazed. “She’s fun,” she says. “You did good.”

Patrick hums. “I mean… yeah. You’re both fun.”

There’s a beat.

Then he says it.

“I’d be lying if I said I hadn’t thought about it.”

Your heart stutters.

“Thought about what?” you ask, even though you know.

He leans forward, chin on your shoulder, voice low. “You and her. Together.”

You don’t speak.

You feel the way Tashi goes still across the room.

Then Patrick adds, quieter—

“If I walked in on something… I wouldn’t be mad.”

He squeezes your shoulders once. Just once. Then gets up to grab more drinks.

And the silence he leaves behind is electric.

You look at Tashi.

She’s already looking at you.

And there’s no hiding now.

---

He brings back beers and popcorn like nothing happened, and you pretend for a while. All of you do. The show keeps playing. The room keeps breathing. Patrick settles back into the couch behind you like the air hadn’t just changed.

But then you stand to stretch and say you’re gonna help Tashi grab something from the car.

There’s nothing in the car.

You don’t even make it to the door.

The moment it closes behind you, she grabs your wrist and pulls you in. Mouth on yours. Desperate. Sharp. Messy.

You kiss her like it’s your last chance.

“Is this what you want?” she breathes against your lips.

You nod. Hard. “Yes.”

Then Patrick’s voice calls out from the other room—“You two making out in there?”

Silence.

You look at her. She’s breathing hard, lip bitten, pupils blown wide.

Then he steps into the hall.

Patrick sees you both—disheveled, pressed together, the heat still clinging to your skin like fog.

He smiles.

“About time,” he says, and walks toward you.

You don’t move. You can’t. You expect tension. Jealousy. Confusion.

Instead, he kisses you. Then her.

“Next time,” he murmurs, “just ask if I wanna watch.”

And when Tashi grabs his shirt and pulls him in, you realize this is happening. Not a fallout. Not a crisis.

Just heat.

Just yes.

And when the three of you stumble into the bedroom, laughter and tension and hunger all tangled up in your mouths and hands, you think maybe it was always going to end like this.

Messy.

Beautiful.

Loud.

Tashi’s mouth is on yours again the moment you hit the bed, her hands already dragging your shirt up, exposing skin she’s seen but never rushed. Patrick’s behind you now, his breath hot at your ear as he lifts it the rest of the way, tugging it off like it’s a ribbon, not a barrier.

“Pretty,” he says, voice low and rough, as his fingers graze down your spine.

Tashi kisses your shoulder. “We know.”

Clothes hit the floor like they’ve been waiting. Hands overlap. You don’t know whose grip is tighter, whose mouth is lower, only that you’re unraveling fast and you haven’t even been fucked yet.

Patrick slides down first, tongue slow and sinful between your legs, while Tashi kisses you through every twitch of your body. When he moans against your clit, it sends a shock straight through your spine.

“Jesus,” you gasp.

“Not quite,” Tashi whispers, fingers sliding into your mouth as she watches you fall apart. “But close, right?”

It doesn’t stop. It just layers. Hands, lips, sounds, heat. You feel Patrick’s cock brush your thigh as Tashi pulls you into her lap, and when you sink down onto him, it’s all dizzy, all stretch and pleasure, with her mouth right at your ear.

“You’re so fucking good like this,” she purrs. “Look at you. Perfect.”

You ride Patrick with Tashi’s hands on your hips, her mouth on your neck, all three of you lost to it, to each other.

And when you come again, it’s Tashi who whispers you through it, and Patrick who groans into your skin like he’s been waiting his whole life to hear the sound you make falling apart between them.

You don’t know how long it lasts. You don’t care.

It ends in breathless laughter, bodies tangled, limbs sticky and flushed.

And when you finally open your eyes, they’re both still there.

Watching you.

Touching you.

Smiling like they’ve always known.

Like this was never a mistake.

And somewhere on the floor, someone’s sock is inside the popcorn bowl. Patrick swears it’s not his.

No one believes him.

-----

tagging: @kimmyneutron @babyspiderling @queensunshinee @hanneh69 @jamespotteraliveversion @glennussy @awaywithtime @artstennisracket @artdonaldsonbabygirl @blastzachilles @jordiemeow

He’s like a toddler exhausted a long hard day of playing with blocks for an hour

the cry I let out

Send me 15 million dollars if you want to see him again

im going to kiss you on your incredible, beautiful brain

Good Luck

This is basically the beginning of The Atlantic City Story verbatum, with you as Jane, and some differences + personal touches. Because of this, you don't need to have seen ACS to understand what's going on (in my opinion). Just a little thing I wanted to write to warm up my ACS writing muscle since I plan to write for Arthur more in the future.

SFW

2.3k words

If you haven't seen it, Arthur has a gambling addiction, and you participate in gambling at a casino. Reader (Jane) grows up with an implied neglectful and sometimes abusive mother, and there are flashbacks to this childhood. Reader is in a strained marriage. I picture you being around Arthur's age and married young instead of Jane's age in the movie.

It felt like you’d caught him; finding him out there, sitting in the quiet rain on a lone bench, the streets abnormally still for the city. Maybe it was like tunnel vision, all that you could hear or see was him, whoever he was.

The rain made dashes in the air like stitches, straight diagonal lines cutting through to the asphalt, illuminated by the single streetlight by the fence. The grass behind it looked like it went on forever, like an ocean you could swim through if you wanted. You’d never seen the sky so pitch black, the light pollution of the city sucking the light from the stars like parasites. The streetlight was the only star in the sky, strong and bright and sturdy. There under the starlight, just a little to its left, was the one bench. One star, one bench. It was curious. Even more so that on that one bench was him, that man from the roulette table. Him alone, under the star and under the rain, staring off into the ocean and lightless night.

It was a rash decision, one you couldn’t help but make. There was always something wrong with you and you’re well aware of that– self awareness must count for something– but knowing that you have a tendency to fuck things up didn’t stop you from fucking things up again.

When you were a kid you’d run away regularly, packing your little school bag with the things your small mind deemed the most important (a change of clothes, a juice box, your favorite toy, some sidewalk chalk) and sneaking out the back door of your childhood home. It was easy when all you had to do was wait for your mother to drink her favorite juice and fall asleep by the TV, oblivious to the program and to your footsteps creaking the floorboards. When the screen door was shut and it was just you and the cicadas, your little feet ran, carried you as far as they could take you.

Down the block and through the grass, running and running until your legs gave out. Then you’d choose a tree to sit under, catching your breath under the summer sun and pull out the juice box you’d packed. Drinking it slow, letting it sit on your tongue cause you knew that you wouldn’t be able to get another one out here on your own. In the meantime, you’d watch ants crawl beneath blades of grass, earthworms crawl around the gargantuan stones in their paths, birds land on the branches above you. You could hear those cicadas sing and the birds caw and the worms slither in the dirt, and all you could think of is “I wonder if she’s noticed yet.”

Now you were running from your home. Not the one with the box TV and the drunken mother on the floral sofa, where your presence and lack-thereof were felt the same, but the one you’d grown to call yours. It was modest and it was owned, and it was all thanks to your husband Michael. You’d never be able to afford it without him.

When he’d be gone, for work or for play, you found yourself revisiting those times under the trees. Wondering how long you’d really be there until a neighbor found you or a patrolling cop who thought it strange to see you there, alone. Had it been minutes? Hours? Surely not days, never a full one. You were never that lucky. Even now. The day would end and you’d look up from your thoughts and find Michael home, and eventually he’d end up on the couch asleep, the TV flashing frames on the wall.

You don’t really enjoy gambling, if you’re being honest, so you’re not quite sure what led you to Atlantic City. Maybe it was the lights, maybe it was because it was so far away from that couch, The hotel bed was admittedly nicer than your own. The bathroom was also nicer, much larger than the one back home, the mirror spanning wide across the wall above the double sink. Drying your hair from the rain, you mind stayed on the man on the bench. How his eyes weren’t quite at the roulette table, how his hands fidgeted with the chips. They were strong, his hands, the skin smooth and uncalloused or scarred. His fingers long and nervous, always moving against something or each other. You’d watched his hands almost the whole time you were there. You kept picturing those hands as you got ready for bed. How they worried, how they gave up when he didn’t win and left for the rain.

The bed’s so much emptier without someone on the other side. Michael, is he asleep on the couch again? Has he noticed? The tears fell freely, there was no one there to hide them from tonight. In the quiet, the never ending quiet, you almost missed the sound of his breathing behind you. Almost. You noticed he wasn’t there, you always did.

It’s hard to sleep with a mind like yours, but you managed.

There’s a nice view from your window, a perfect one of both the sea and the pier. Just to the corner peaked the ferris wheel, big and silent and unmoving. You’d smoke on the balcony if you had a pack with you. There at your bedside your phone finally buzzed, and from here you could see the contact name pop up. Maybe you should check if they sell any at the gas station a block down.

They do.

It’s quickly stuffed into your coat pocket, leaving straight from the gas station to the casino, your phone still back in your room. There’s something appealing to you in that loud, depressing trap. The ringing machines, the clicking sounds of chips on tables and balls spinning to determine someone's fate, the shuffling of cards and nervous laughter of the patrons. This could be their shot, the temporarily embarrassed millionaires. One more time, pull the level one more time. Play the cards one more time. Toss the ball one more time.

What really led you there was him, the man with the hands and no name. Something told you that he would be there again today.

He is. You spot him at the same roulette table, in the same hat and shirt but dry now. The jacket he wore last night is gone, though. Last night you watched, so today you decided to play. Observing silently at the table was weird, anyway, so you set down two twenties. Surely losing that won’t hurt as bad. Pink chips totaling forty dollars slide to your end, the head of the table, and you find your own fingers flipping them with worry. So is he. He’s watching the wheel with this almost acceptance that he won’t win, yet he’s clearly still here, still trying. How long as he been there? He puts down his number, then the other participants, and you just choose a random one. You’ve never done this before, having no clue if this is a game of chance or skill but you can only assume the former. You bet 44. He bet 24.

The wheels spins and the ball is tossed. Round and round and round forever. The casino feels so loud, it’s like you can hear every anxious prayer to whatever higher being will have mercy on them today. There’s a machine a ways away that rings loud, someone shouts at another one about it being rigged. The dealer is reminding people no more bets, not until it lands. He takes a breath, hitched and ready to release when it’s allowed, but he doesn’t. He holds it, never taking his eyes off the ball. You never take your eyes off him.

“Six. Black and even.”

It takes him a moment to let it go. Someone else won, another woman at the table, and the dealer hands her the chips. You do it all again, and when you place your bet on twenty-six, he does too.

The ring of the ball falling into place sounds like a dim bell. Everything else goes quiet when you hear it, and this time you let your eyes hopefully fall to where it spins and stops.

“Twenty-six. Black and even.”

Someone at the table stands and leaves and you find a smile growing on your lips. How unexpected. You were ready to lose again, you were alright with it. It felt good. He finally looks away from the table, letting another breath go. Looking up, catching your eye and dropping it, you see the hint of a smile on his. When he speaks you’re surprised.

“Thank you.”

You’ve moved to stand next to him, next to the wheel, as the dealer hands you your chips. “Me?”

“Yeah, you had the twenty-six.”

You don’t really think about it when you move to the newly empty seat next to him, removing your coat and hanging it on the back of it. “I guess I’m lucky.”

Again. This time, several numbers: Thirty-six, three, twenty-nine, eleven. He places them on the same spots you do, like you’re his good luck. The bets are set, the wheel spins again, and your eyes fall back to his hands. They’re closer now, and maybe you’re confident enough to think they worry a little less as they still on the table.

He properly looks at you when it lands, the corner of his mouth pulling up. His hands grip the edge of the table slightly before letting go, tapping the green fabric on it proudly. He’s got a pretty smile when he lets it. Maybe you are lucky.

“Thirty-six. Red and even.”

When you’d come home it was always a mess. Whether it was a neighbor or a cop, your mother would open the front door with her unbrushed hair and bitten lips and stained nightgown and scold you right there in front of them. “Fuck, kid. How many times I gotta tell you to stop running off? I can’t sleep five minutes without you trying to kill yourself and worrying the neighbors. I got work, you know.”

She worked long shifts at the bank and then the diner, trying to make enough for the two of you. She was always tired by the time she got home. You always had to walk to and from school, pack your own lunches, learn how to do the laundry yourself. She always said she just needed a minute to relax, give mommy a minute to relax and she’ll be right there, but that minute would stretch until she had to get ready for her shift the next morning.

“My feet and back are damn tired and I don’t have time to follow you around this house, watching if you’re gonna go off and get hit by a car. I hope you have a kid like yourself one day, you’ll finally understand how hard I’ve got it. Get to your room.”

You’d lie on your belly on the floor, tracing patterns into the old carpet of your bedroom. There wasn’t much to do. Toys were expensive. You had a few, sure, but not the ones in the commercials that would play. Hot Wheels with customizable racetracks and big Barbie Dream Houses and shiny little action figures with movable arms and legs. You had Legos that the kid next door stopped playing with, and a hand stitched doll your mother made, your teddy bear from infancy, and a bike that’s had a flat tire since last spring.

There was a small bookshelf by the door with books you either finished reading or didn’t care for, some stolen from your mother’s room that confused you and spoke about things you’ve never heard of. Behind the dresser that you’d move, there were crayon drawings on the yellowed walls you’d sometimes add to before moving the dresser back. When you didn’t want to do that, it was back to lying on your stomach and tracing on the carpet.

Sometimes you’d hear kids next door playing, yelling at the other to pass the ball or to watch their cool trick. You’d look out your window but they’d always be just out of view. It was like a radio show with no dial to switch stations. Then you’d smell the cooking coming from downstairs and hear the knock at your bedroom door, and your mother would pass you your plate. She’d sit there on the floor in front of the bedroom door with hers, and there you’d eat in silence.

The next day, your mother would have forgotten about it, and you’d already start wondering about how far you could get next time.

He doesn’t play Poker, says there’ll always be someone there smarter than him. “I’m not smart but I’m smart enough to know I’m not gonna be the smartest.”

Hearing that, put that way, makes you laugh. You guess he has a point. It’s not about skill. You don’t need skill to have luck, you suppose. You either have luck or you don’t, and you’ve thought until now that you’ve had none. You like how he puts it: “With roulette it’s all chance. It’s just you and the universe.”

The chips are turned to cash at the counter. $900 for him, $950 for you. Considering your starting bet was forty, you feel pretty good. Good enough to stop. He chooses to stop today, too. It’s like he walks lighter down the hall with the cash in his pocket. He offers to take you to a cheap diner he knows, like a celebration of your win. Taking his good luck out to dinner, and he doesn’t even know your name.

He almost floats across the floor. You think about him just the other night, under the rain, under the single stranded star. He’s a different man with money in his pocket, that much you can tell of the stranger. Your phone is still on the nightstand back in your room, but you know by now that Michael’s stopped calling. Stopped trying. You wonder when he noticed.

He tells you his name is Arthur.

gripping onto my vintage ghostface figurine and giggling with glee

LOVE ME TO DEATH .ᐟ

part one ・ part two

summary: After surviving the Stanford massacre, you try to start over—move away, change your name. But Art, Patrick and Tashi were never caught. Strange messages and disappearances begin again, and the paranoia you thought you’d buried resurfaces. You’re not sure if you are being hunted… or if they’re luring you back in to finish what they started.

cw: 1.5k words. apt!scream au. paranoia and stalking. psychological trauma. gaslighting. violence (implied). threatening messages. fear and dread. obsession. loss of control.

genre: psychological horror / slasher / thriller.

taglist .ᐟ @blastzachilles, @lvve-talks, @jordiemeow, @strfallz, @222col, @soulxinxthexsky, @diyasgarden, @jinxedbambi, @lexiiscorect, @religionlost, @bluestrd, @jclolz22, @magicalmiserybore, @destinedtobegigi, @fwaist, @idyllicdaydreams, @sohighitscool, @shahabaqsa0310

You don’t dream about the knife anymore. You dream about the silence that came after it. The moment you realized no one was coming. The moment their hands let go of your throat—not because they took mercy, but because they wanted you to live.

You were their final girl. And you didn’t ask for that.

After the attack, the cops found your dorm soaked in blood—whose? You never knew. Your screams woke up the entire west quad after escaping the athletic building lockers. You gave them names—Tashi Duncan, Patrick Zweig, Art Donaldson—and you gave them details. You told them where the rest of the bodies were buried; little secrets the killers had told you before letting you go. Which drawers held the Ghostface masks. What the blood under your fingernails meant.

But they were already gone. No phones. No footage. No fingerprints. Like the whole thing had been a story you made up during a psychotic break.

But you know the truth. They let you live. And monsters don’t vanish forever.

You moved across the country six months later.

New name. New school. No tennis courts. No whispers of Ghostface. You enrolled in a tiny liberal arts college in Vermont where no one had ever heard of Tashi Duncan or her star-crossed boys. You found an apartment—alone this time. No roommates. No shared keys. The walls were thin, and the pipes moaned in the winter, but at least it was yours.

You even got a therapist. Sometimes you lie to her. Sometimes you don’t. Mostly, you tell her you’re fine. Mostly, you try to believe it because life goes on.

But it starts with little things, at first. A knock on your door when no one’s there. A lightbulb unscrewed. A voicemail filled with static. You chalk it up to anxiety. Or trauma. Or both. The mind plays tricks when it’s lived too long in fear.

Then you find a postcard. No return address. No note. Just a photo of Stanford’s tennis courts. You stare at it for hours. Your hands don’t stop shaking for days.

You start checking your locks.

Twice. Then three times. You push furniture in front of the door. You stop answering calls from unknown numbers. You carry a knife in your jacket, one in your bedside drawer, and a third tucked between your mattress and the wall.

You tell yourself it’s just leftover fear; a scar from a time when your life wasn’t your own. But sometimes, at night, you hear the floor creak, and you know you locked the door.

You see her at the grocery store, just for a second. An hallucination, a dream, something real. A flash of dark curls. Her beautiful skin. That posture you could recognize anywhere—the cocky, impossible tilt of someone who never lost anything in her life.

Tashi.

You drop your basket. Run to the end of the aisle. Gone. You ask the cashier if they saw her, they say no one matching that description came in tonight.

You don’t sleep anymore. You stop going to the store. You stop going anywhere.

You install a camera. Just one, to be sure. Outside your door. You check it every night like a drug you can’t escape, refreshing the feed, watching for a shadow that never appears. Until one day it’s turned around, facing the wall.

Your therapist says you’re experiencing PTSD-induced paranoia and you simply nod at her.

But in your gut, you know, they’re still out there. And they’re not done with you.

The power goes out one night during a storm.

You light a candle. Sit in the kitchen. Try to calm the breathing that’s too shallow, too fast. You try not to think of knives or black robes or dripping masks. Then your phone buzzes. A single message. No number that you recognize.

“Still bleeding, final girl?”

You drop the phone. The screen cracks. You throw up in the sink that night, sweat spilling through every pores of your body with the fear consuming you. It’s like an awake-nightmare.

You go to the police the next morning. Again, like you had done before; a few days after Stanford, a week after Stanford, a month after Stanford – remembering the paranoia.

You tell them someone is stalking you. That you’ve received threats. That you survived a massacre and the killers were never caught. They write it all down.

They promise to look into it. They never call back. They never did.

You start to think you’re losing your mind.

You hear music sometimes. A tennis match broadcast faintly through the walls. A whisper behind your head when you’re brushing your teeth. You hear your name in the shower steam. You unplug everything. Cover mirrors to not see behind yourself. Start sleeping in the tub with the door locked, a knife in hand and every noise waking you up.

But they keep getting in. Somehow. They always get in.

You wake up one morning to find a trail of red shoe prints across your carpet and you almost throw up again. They are tiny tennis court prints. A racket on the table of your living room—you haven’t played tennis since Stanford. You never wanted to hear about it ever again.

Like someone dipped them in blood. You call the cops again. They don’t find anything, no prints, no camera footage; nothing.

The next time you see Patrick, it’s in a dream.

He’s sitting in your kitchen. Perfect posture, one leg crossed over the other, sipping tea from your mug like he’s lived here all along. “You’re slipping,” he says without looking up.

“I’m not.” You try to convince yourself – him, it’s all the same. Your heart is in your throat with the fear you feel. He’s not real, he’s not here; but he still has that hold onto you that you can’t escape. “You’re unraveling,” he continues. “It’s okay. You weren’t meant to live through it. That’s why it hurts so much.”

You try to scream, but your voice is gone. Patrick finally looks at you, and he’s wearing the mask. The scream is his now. Quiet and observing.

You try to leave town after a few days. Throw clothes into a bag. Book a motel two states away. You don’t leave a note. You don’t tell your therapist. You just go.

Halfway down the highway, your car dies like it was meant to be. Completely.

You sit on the shoulder, shivering, dialing roadside assistance. Then you check the trunk. Inside—under your spare tire—is a Ghostface mask. And a photo of you sleeping in the Vermont apartment.

You stop fighting it after that. You stop trying to convince anyone. No one believes the girl who lived. No one believes the crazy girl.

And they’ve made sure of that. They’re not just stalking you anymore. They’re gaslighting you from the inside. Everything around feels like a joke they created; a world just for you to suffer the lies and manipulation.

The final straw is the rabbit. You find it on your porch one morning. Tiny. White. Gutted. Its throat slit clean, like a signature – like something to remember them by. Pinned to its side is a note written in perfect, feminine script; the handwriting of Tashi that you can visualize back on the Stanford books.

“You should’ve died when we gave you the chance.”

You move the next day. You don’t care where. Anywhere but here.

The new place is better. Brighter. Busier.

There are windows that face the street, and you can see people. Real people. Families. Kids on bikes. Joggers with golden retrievers. It helps. For a while. You let yourself laugh again. Smile at strangers. Go out with friends you made in the tiny city.

You even start writing about what happened. Not for anyone else. Just for you. Just to get it out of your body before it rots you from the inside. Your therapist says it’s good progress. That you’re reclaiming your narrative.

That you’re healing. That you can be better.

And then, on a rainy Tuesday morning, you get a package. No return address. Inside: a VHS tape and a matchbook from Stanford’s campus bookstore. You don’t own a VHS player, but your neighbor does.

You tell her it’s for a film class and you watch it alone. It’s footages of you, in your old dorm. Sleeping. Showering. Crying into your pillow after the attack. You see Tashi in the corner of one frame. Art in another. Patrick whispering into the camera, smiling.

“We missed you.”

The walls start closing in again. You don’t sleep. You don’t eat. You let yourself go.

You start hearing tennis balls thudding in the hall at night. You find your own handwriting scribbled across mirrors. You find locks broken that were never touched.

Sometimes you think about just walking into the woods, into the dark, into paranoia. But that’s what they want. They want you gone; but why?

So you start preparing. Not to run. To fight. To take back what’s yours. You buy cameras, wire your windows, train yourself to wake at every sound. You read books on serial killers, on survival, on how to set traps.

You wait. Because they’re coming. They always do. And this time, you’re not going to let them write the ending. But deep down; you know what you really fear.

Not that they’ll kill you, but that they’ll love you while they do it.

And that part of you… will love them back.

ava. ava. ava. ava. ava. ava. ava. ava. ava.

crack in the door | patrick zweig x reader

a/n: i have maternal instincts for patrick zweig in the sense that i want to bear his children. had an idea and had to get it out literally tonight

warnings: SMUT 18+, pregnancy mention, not proofread

There’s a knock at the door that doesn't belong to Sunday.

You know the rhythm of your mailman’s hands, the two quick taps of the UPS guy, the heavy slap of your neighbor’s fist when he’s locked himself out again. But this—this knock is soft. Hesitant. Like it doesn’t want to be heard.

You set Levi’s plate down—half-eaten grilled cheese, blueberries arranged in a smiley face—and pad over barefoot. You glance through the peephole.

And your heart stutters.

Patrick.

You haven’t seen him in four years, and yet, there he is, standing in the yellow hallway light like a memory that refused to stay dead. The light buzzes above him, casting long shadows across the floor, washing him in a hue too warm for how cold it feels. Your stomach flips. Your knees lock. Seeing him again is like stepping into a dream with teeth—familiar and sharp all at once. He looks older—leaner, scruffier, more hollow around the eyes. A duffel bag slung over one shoulder. His hands twitch at his sides, curling and uncurling, like he's not sure whether to knock again or bolt down the hall and disappear.

You open the door slowly. The air between you is thick and sour with things unsaid.

He speaks your name like a confession. Soft. Sacred.

Your voice doesn’t come. Your stomach tightens. Your throat burns.

And then, behind you—

“Mama?” Levi’s voice, high and curious, drifts out from the kitchen. “Mama, where’d you go?”

Patrick’s entire face changes. He stiffens, like someone just knocked the wind out of him. His eyes—those same eyes that used to kiss every inch of your skin—dart past you.

And then he sees him.

Tiny feet padding across hardwood. A flash of soft brown curls and wide, blinking eyes. Your son. His son.

“Is that—?” Patrick breathes, but the question dies on his lips.

You step halfway in front of Levi, like instinct, like muscle memory. Like heartbreak.

“His name is Levi,” you say. “He’s four. He likes dinosaurs and peanut butter and books with flaps. He’s shy at first but never stops talking once he starts. And he thinks thunder is just the sky saying 'I love you' too loud.”

Patrick’s mouth parts. Closes. Opens again.

“I—” He’s not crying, but his voice sounds like it wants to be. “I didn’t know how to come back.”

“I didn’t ask you to.”

Silence.

“Mama,” Levi whispers, wrapping his arms around your leg, looking up at Patrick with open, trusting eyes. “Who’s that?”

Your heart breaks cleanly in two.

You look at Patrick. Let him drown in it.

“That’s no one, baby,” you lie. “Just someone I used to know.”

---

Patrick always used to knock on your window, never your door.

The first time he did it, you thought it was a rock or a branch. The second time, you nearly screamed. The third time, he was already halfway in your room, grinning, breathless, tasting like cigarettes and strawberry gum.

“You should really lock your window,” he said, pulling you in by the waist.

“You should really stop breaking in,” you answered, but your smile gave you away.

Those were the good days. The days when he was still fire and promise and you believed you were the only one who saw the man behind the racket. When he played like he had something to prove and kissed you like he had something to lose.

When the world hadn’t taken his shine yet.

You lay together in your tiny bed, limbs tangled, the night soft around you. He whispered dreams into your collarbone. You traced his jaw with your fingertips like a prayer. He said he’d win for you. Said you made everything feel less heavy.

And you believed him.

Even as the losses came. Even as the press called him a burnout. Even as he lashed out, shut down, pulled away.

Until one night, you held up a stick with two pink lines, and he couldn’t even look you in the eye.

“I can’t be this,” he said. “I can’t be someone’s dad when I don’t even know who the fuck I am anymore.”

You begged him to stay. You told him love would be enough.

He left anyway.

The door slammed so hard the windows rattled. You stood there, frozen, stick in hand, the silence ringing louder than any scream.

It wasn’t just the leaving. It was what he took when he left. The belief that things could still be okay. The sound of his laugh echoing through your walls. The security of two toothbrushes in the cup by the sink.

He didn't say goodbye. He didn't say I love you. He just looked at you like you were the one hurting him, and walked out like he had somewhere better to be.

You didn't sleep that night. You laid in the bed where he used to lie, and wondered what was so unlovable about needing him.

In the weeks after, you didn’t tell anyone. You couldn’t say it out loud, not yet. Not until you had something to show for all the ache.

You kept your hand over your belly every night, like a promise. Like maybe, if you held it long enough, the ache would shift into something softer. You whispered into the darkness what you never said aloud: that you hoped the baby wouldn’t inherit the hollow. That you prayed they would never learn the weight of being left. You imagined holding them for the first time, imagined the sound they might make—laughter, a cry, a breath taken for the first time and given to you. Some nights, your palm rose and fell with the gentle flutter of movement beneath your skin, and you let yourself believe that maybe you weren’t completely alone. That maybe something was listening.

If he wouldn't stay, you would.

The pregnancy was not kind. Morning sickness that didn’t stop in the morning, aches in places you didn’t know could ache, and a hollow, gnawing loneliness that settled behind your ribs like mold. There was no one to rub your back when the cramps came. No one to hold your hand at appointments. You learned to read ultrasound screens like maps to a place you were terrified to reach alone.

You taped the first photo to the fridge and stared at it through tears. A blurry, black-and-white smudge. Proof. Anchor. Punishment.

You bought a secondhand crib off Facebook Marketplace and put it together yourself, swearing softly when the screws wouldn’t line up. Painted the walls a soft sage green, not because you liked it, but because it felt like the kind of color people chose when they still believed in peace.

At night, you whispered to your belly. Told him stories about heroes. About bravery. About love that stayed.

You never said Patrick’s name aloud, but some nights, when the air was too still and the weight of it all was too much, you dreamed of him walking through the door. You dreamed of forgiveness. Of soft apologies and strong arms and maybe’s that could still be real.

And then you’d wake up alone. And cry in the shower where no one could hear.

You didn’t get flowers when Levi was born. There was no one pacing outside the delivery room, no hands gripping yours through contractions, no voice telling you it was going to be okay.

But you did it. You screamed him into the world, heart breaking open and filling all at once.

And when they placed him on your chest, tiny and warm and blinking up at you like you were the only thing he knew—

That was the first time in months you remembered what it felt like to be loved without conditions.

Motherhood came at you like a tidal wave: no warning, no mercy. The nights were the worst. Not just because of the crying, but because of the silence in between. When the world went still and you were left alone with your thoughts, your fears, your memories. You held Levi in your arms like he was both shield and sword.

You learned the patterns of his breathing, the way his body curled into yours like he’d been there before, in another life. You learned to eat with one hand, sleep with one eye open, cry without making a sound.

The first time he smiled, it was crooked—just like Patrick’s. It hit you so hard you had to sit down. You laughed and sobbed into his blanket and told yourself it didn’t mean anything. That it was just muscle memory. A coincidence. Nothing more.

But everything reminded you of him. The curve of Levi’s jaw. The way he furrowed his brow in sleep. The quiet intensity in his gaze when he was focused on something—like building blocks or pulling the cat’s tail. He was made of you, yes. But he was stitched together with pieces of a man who had vanished.

You tried to be enough. Every bath time became a ritual. Every bedtime story a litany. Every scraped knee a prayer.

You never let Levi see you cry. You waited until he was asleep, until his breaths came soft and steady, until the lights were out and the apartment felt like a stranger’s house. Then you let the grief in. Let it climb into bed beside you like an old friend.

There were days you hated Patrick. Hated him for leaving. For making you strong when all you wanted was to lean. For making you lie when Levi asked why he didn’t have a daddy like the other kids at the park.

You always said the same thing: "Some people take a little longer to find their way."

And then you held him tighter. Because you knew—when Levi looked at you like you hung the stars, when he clapped after you made pancakes, when he said, “Mama, I love you more than dinosaurs”—you knew you’d do it all again.

Even the heartbreak. Even the waiting.

Even the door that never knocked—until today.

---

He comes back on a Tuesday. You’re still in your work-from-home clothes—soft pants, yesterday’s sweatshirt, hair twisted into something barely holding. Levi is at school, and the silence in the apartment feels like a held breath.

When you open the door, Patrick’s hands are stuffed into the pockets of his coat. His eyes flick up, then down, like he’s not sure where to look. He’s shaved. Mostly. Still looks like he hasn’t slept.

“I didn’t want to do this in front of him,” he says.

You nod once. Then step aside.

He walks in slowly, like the space might bite. You close the door behind him and lean against it, arms folded. He turns in the center of your living room, gaze moving across the walls like they might tell him what he missed. There’s a drawing Levi made of a green scribbled dinosaur taped beside the thermostat. A tiny sock abandoned near the coffee table. A photograph on the bookshelf—your smile tight, Levi’s toothy and bright.

Patrick presses his lips together. Doesn’t say anything. The silence stretches between you like a string pulled too tight, fragile and humming with things that might snap if touched. He stares at the walls, the crumbs on the floor, the drawing of a green dinosaur taped beside the thermostat like it’s a museum relic of a life he wasn’t invited to. Every breath he takes feels like it costs him something.

You don’t either.

He turns to you, finally. "I don’t know where to start."

"Start with why you’re here."

His jaw flexes. He looks down, then up again. "Because I never stopped thinking about you. Because I thought leaving would protect you. Because I hated the version of me I was becoming, and I didn’t want him to ever know that man."

"You don’t get to talk about him like you know him."

The words come fast. Sharp. You weren’t planning to say them, but they’re out before you can stop them. Patrick flinches like they cut deep.

You swallow. Try again. Quieter.

"You left. And we stayed. That’s the only truth that matters."

Patrick nods. Doesn’t argue.

"I want to be in his life," he says. "If you'll let me. I—I know I have no right to ask. But I’m asking. Anyway."

You look at him for a long time. Long enough for your throat to ache. For your eyes to blur.

You think about Levi’s face when he colors in the sun yellow every time. The way he runs down the hall with his shoes on the wrong feet. The way he says, mama, mama, look, like you’re the only one in the world who ever truly sees him.

You nod, once. Slowly.

Patrick’s breath catches.

"You’ll start as a stranger," you say. "You’ll earn your way back in. Brick by brick. Word by word. I won’t let you hurt him."

"I won’t," he promises. And you almost believe him.

You point to the couch. "Sit. I’ll make coffee."

And he does. And you do. And for the first time in four years, the apartment doesn’t feel quite so haunted.

---

The change is slow. Measured. Like the seasons shifting before the trees notice.

Patrick starts showing up more often. Not just when he says he will, but earlier. With snacks. With books for Levi. With hands that fold laundry without asking. Sometimes you find your dishes already washed. Sometimes he takes the trash out without a word.

You don’t trust it. Not at first. Not really.

But Levi laughs more. Sleeps easier. Starts drawing pictures of three people instead of two.

Patrick never pushes. Never raises his voice. Never tries to reclaim what he left. He plays the long game—quiet, consistent, present. And that consistency starts to chip away at your defenses in places you didn’t know were still cracked.

You catch yourself watching him. The way he kneels to tie Levi’s shoes. The way he listens—really listens—when your son talks about dinosaurs or clouds or how loud the sky can get when it’s excited. You hear the soft laugh in Patrick’s chest when Levi calls thunder a love letter. You feel it in your bones.

You try not to let it in.

One afternoon, while Levi is still at school, Patrick asks if you want to take a walk. Just around the block. Clear your head.

You almost say no. Almost slam the door of your heart before it even creaks open. But you grab your coat anyway.

You walk in silence. Leaves crunching underfoot. He stays a step behind, like he doesn’t want to crowd your space. The wind cuts sharp through the collar of your jacket.

Out of nowhere, he says, “I should’ve stayed.”

You stop walking.

He keeps going for a few steps before he notices, then turns around.

“I know that’s not enough. I know it changes nothing. But I did love you. I still—” He stops himself. Looks away.

You don’t realize you’re crying until you taste salt.

You press the sleeve of your jacket to your eyes, angry at the weakness, angry at the memory of who you were before. Angry that some part of you wants to believe him.

“I can’t do this again,” you whisper. “I can’t survive loving you twice.”

He takes a step closer. Doesn’t touch you.

“You don’t have to. You don’t have to do anything. I’ll love you from a distance if I have to. I’ll show up. I’ll keep showing up. I just—needed you to know.”

You shake your head, stumbling backward. The tears come harder now. Not the gentle kind. The ragged, breathless, body-buckling kind.

You don’t even remember falling to your knees, but suddenly you’re on the ground, sobbing into your hands. All of it—years of holding it together, of being strong, of never letting anyone see the mess—it all spills out.

And then he’s there.

He doesn’t touch you. Not right away. He kneels beside you, his hands palm-up on his thighs, waiting. Quiet. Steady. And somehow, that’s worse. That he’s learned how to wait. That he’s here.

You want to scream at him. You want to collapse into him. You want to run.

But mostly, you want to be held.

And after a long moment, you let him.

You wake up the next morning expecting silence.

It’s muscle memory now—waking before the sun, padding into the kitchen with half-lidded eyes and heavy limbs, bracing for another day of doing it all on your own.

But the apartment doesn’t greet you with emptiness.

There’s the soft clatter of dishes in the sink. The low hum of someone speaking—gentle, amused.

You freeze in the hallway, bare feet pressed to cold tile, heartbeat thudding in your throat.

And then you hear it.

Patrick’s voice. "Okay, buddy, but the cereal goes in first. Not the milk. Trust me on this one."

Levi’s giggle echoes like sunlight in a room too small to harbor his birghtness.

You move forward slowly, quietly, until you’re standing just beyond the edge of the kitchen. Patrick is crouched beside Levi at the counter, helping him pour cereal into a chipped blue bowl. He’s still in yesterday’s hoodie, hair a mess, barefoot like he belongs there.

He doesn’t see you at first. He’s too focused on Levi, steadying the carton as milk splashes too close to the rim. There’s something soft in his posture. Something heartbreakingly domestic.

Levi notices you first. "Mama!"

Patrick straightens immediately. His eyes meet yours. There’s a flicker of panic there, quickly masked.

"Morning," he says, voice quiet.

You nod, swallowing down whatever this feeling is—this lump of disbelief and longing and something dangerously close to hope.

"I didn’t want to wake you," he adds. "Levi asked for cereal and… I thought I could help."

You look at your son, cheeks full of sugar and joy.

You look at Patrick, standing in your kitchen like it’s sacred ground.

And for the first time, you don’t feel like running.

---

The days start to stack.

Patrick picks Levi up from school on Fridays. He folds the laundry you forget in the dryer. He learns how you take your coffee without asking and starts leaving it on the counter—right side of the mug facing out, handle turned the way you like it. He hums sometimes when he cleans up, soft and aimless. It makes your chest ache.

You fall into rhythms again. Not like before. Slower. Cautious. But real.

One evening, he stays later than usual. Levi’s fallen asleep on the couch mid-cartoon, a stuffed dinosaur clutched in one arm. You’re washing dishes. Patrick dries.

Your hands brush once.

Twice.

By the third time, neither of you pulls away.

You look up. His eyes are already on you.

Something lingers there—warm and pained and dangerous.

You open your mouth to say something, anything, but he speaks first.

“I miss you.”

The plate slips from your hand into the sink. It doesn’t break, but the splash feels final.

“I can’t,” you say quickly, too quickly.

“I know,” he says. “But I do.”

You dry your hands and turn away, pressing your palms flat to the counter to steady yourself, trying to remember how to breathe like you used to—before he walked back in.

“You don’t get to say that to me like it means nothing,” you whisper. “Like you didn’t leave. Like I didn’t have to scrape my life back together alone.”

“I know I don’t deserve it.”

“Then stop acting like you do.”

He’s quiet for a long moment. When he speaks again, his voice is low. “You think I haven’t punished myself every day since?”

You spin around, suddenly angry. “And what, I’m supposed to forgive you because you feel bad? Because you missed a few birthdays and now you want back in?”

“No,” he says, stepping closer. “You’re not supposed to do anything. But I’m here. I’m not running this time.”

“You broke me, Patrick.” Your voice cracks. “And now you want to build something new on the ruins like it’s nothing.”

He’s in front of you now. Too close. The space between you charged, buzzing.

“I don’t think it’s nothing,” he says. “I think it’s everything.”

Your breath catches. The air shifts.

His hand lifts—hesitates—then cups your jaw.

And you let him.

Because the truth is, you’ve wanted this. Wanted him. Even if it terrifies you.

His lips brush yours, tentative, like a question. When you don’t pull away, it deepens. He kisses you like he remembers. Like he regrets. Like he’s starving.

You back into the counter. His hands find your waist. Yours find his hair. You pull him closer.

It’s messy. It’s breathless. It’s years of anger and ache colliding in one impossible kiss.

When you finally break apart, his forehead presses to yours.

“I still love you,” he breathes.

And you close your eyes.

Because maybe, just maybe, you still do too.

---

He kisses you again, harder this time.

But it’s different now. Slower. Like mourning. Like worship. He takes your hand, and you follow, barefoot through the dark.

The two of you stumble back toward the bedroom, the one you once shared, where his cologne used to cling to the pillows and laughter used to live in the walls. Now it smells like lavender detergent and your son’s shampoo. Now it holds the weight of everything that’s happened since.

He kicks the door shut behind you with a soft thud, and the silence that follows is thick with ghosts.

You lie down first. He joins you like he’s afraid the bed might refuse him.

Your mouths find each other again, and it’s like no time has passed, and also like every second is a wound reopening. His kiss is deep, aching, soaked in apology. You pull at his hoodie, and he helps you out of your clothes with hands that remember everything—every freckle, every scar, every place you used to let him in.

He touches you like you might slip through his fingers again. Fingers grazing your ribs like a benediction, lips following like he's asking forgiveness with every breath. The inside of your knee, the curve of your belly, the dip of your collarbone—he maps them all like he’s afraid you’ve changed, and desperate to prove you haven’t.

When he finally sinks into you, it feels like grief.

He gasps like he’s never breathed without you.

You wrap your limbs around him like armor. Like prayer. You hold on because if you let go, you might disappear.

He moves like he remembers. Slow. Deep. Devotional. Not trying to make you come—trying to make you stay.

Your eyes lock. His forehead rests against yours. And it’s not lust anymore. It’s penance.

“I’m sorry,” he whispers, voice threadbare. “For everything I lost. For everything I made you carry alone.”

Your fingers press to his jaw, tremble against his cheek. “You don’t get to be sorry now,” you breathe. “But don’t stop. Please… don’t stop pretending this could still be real. Don’t stop making me feel like I’m not the only one who kept the light on.”

You fall together like a storm collapsing. No crescendo, no clean ending. Just trembling limbs and bitten lips and all the years that weren’t spoken finally breaking open between you.

After, he doesn’t move. You’re tangled up, forehead to collarbone, his thumb brushing soft circles into your spine like he’s trying to say everything he can’t.

You don’t speak. Words feel too small.

You fall asleep in the bed where he first kissed your shoulder, in the bed where you cried alone, in the bed where you dreamed he’d come back.

And this time, when you wake up, he’s still there.

His eyes already on you.

Like he never stopped looking.

---

The morning light is soft, gray around the edges. You blink slowly, still tucked against him, your body sore in ways that feel almost sacred. There’s a pause before reality settles, before memory floods back in. His chest rises beneath your palm. He’s warm. Solid. Still here.

You sit up gently, careful not to disturb the quiet. But Patrick stirs anyway, eyes still on you like he was never asleep.

“Good morning,” he murmurs, voice low, gravelly.

You nod. Swallow. You don’t trust your voice yet.

There’s a beat. He doesn’t push. Doesn’t ask what last night meant. Just watches you, eyes soft, full of something he doesn’t dare taking the risk of naming. Something close to hope.

You slip out of bed and grab your robe, tying it loosely as you move through the morning light. You half-expect him to vanish while your back is turned, but when you glance over your shoulder, he’s still sitting there, eyes trailing after you like they never stopped.

You make coffee with shaking hands. The kitchen smells like warmth and cinnamon, the candle you forgot to blow out last night still flickering quietly on the counter. You pour two mugs, unsure if the gesture means too much or too little.

When you return to the bedroom, Patrick is sitting on the edge of the bed, shirt tugged over his head, hair wild from sleep. He looks up like he wants to say something, but doesn’t.

Instead, you hand him the mug.

He takes it like it’s sacred, fingers brushing yours with a hesitation that feels reverent, his gaze catching on yours with something close to disbelief. Like he’s afraid the mug might vanish if he holds it too tightly.

And then, footsteps.

Tiny ones.

The soft shuffle of socks against hardwood. A bedroom door creaking open. Levi’s voice drifting down the hallway: “Mama?”

Your breath hitches.

Patrick stands quickly, not panicked but present, like he knows this is delicate. You move toward the hallway just as Levi turns the corner, hair a mess of curls, pajama shirt twisted from sleep. He rubs one eye and stares at you, then at Patrick behind you.

He blinks once. Steps forward.

And then, small and serious:

“Are you gonna be my daddy again?”

You exhale like someone just punched the air out of your lungs.

Patrick lowers to a knee, eyes level with Levi’s. “Hey, buddy,” he says, voice soft, unsure.

Levi looks at him like he’s made of starlight and storybooks. Like he’s a wish come true.

Patrick’s throat works. “I… I’d really like to be. If you want me to.”

Levi nods, serious, like it’s a very important decision. Then he climbs onto the bed and curls himself into your side, tiny fingers finding Patrick’s hand.

You don’t say anything.

You can’t.

But when Patrick squeezes Levi’s hand, and Levi doesn’t let go, something in you cracks open.

And for the first time, the pieces don’t scatter.

They start to fall into place.

---

Later, after breakfast is made and half-eaten, after Levi has gone back to coloring at the kitchen table—his tongue poking out the corner of his mouth in concentration—Patrick lingers by the sink, coffee mug long since empty.

You wash dishes beside him, quiet.

“I used to lie,” he says suddenly, voice barely above a whisper. “To everyone. About why I left. About what I was doing. About you.”

You pause, fingers wet and soapy in the sink.

He keeps going, eyes fixed on a spot just above the faucet. “I told people I wasn’t ready. That I needed time. That I didn’t want to hold you back. But the truth is… I was scared. Not of being a father. Not really. I was scared of what you’d see when everything in me started to rot.”

Your chest tightens.

“I thought if I stayed, I’d make you miserable. That you’d look at me one day and see someone you pitied. Someone who used to be something. And I couldn’t—I couldn’t take that.”

The silence blooms, wide and brittle, as Levi hums softly in the background, his small voice painting innocence across the sharp edges of the truth hanging in the air.

“I would sit outside playgrounds,” Patrick says, his voice thinner now. “I’d watch kids run around and wonder if any of them were mine. I used to see this one boy who had curls just like Levi’s. And I’d imagine what it would feel like if he looked up and called me Dad.”

You stare at the bubbles in the sink. They pop, one by one.

“I thought I was punishing myself by staying away,” he says. “But it was cowardice. It was me choosing the version of pain that didn’t involve looking you in the eye.”

You set the dish down. Turn off the water. And you say nothing, because there’s nothing to say. Because guilt is not a gift, and grief is not a currency. But hearing it—letting him say it—somehow makes it heavier.

And still.

You don’t ask him to leave.

But you do walk outside.

The morning has shifted. Clouded over. You sit on the steps, arms wrapped around yourself, the chill crawling into your sleeves. You hear the door creak behind you and then close softly. He doesn’t follow. He knows better.

There’s a lump in your throat the size of a fist.

You think about all the versions of yourself he never met. The woman in the hospital bed, sweat-soaked and screaming, holding Levi against her chest with shaking arms and blood beneath her nails. The woman who sat awake at three a.m. night after night, bouncing a colicky baby in the quiet because there was no one else to pass him to. The woman who pawned her violin, sold the gold bracelet her grandmother gave her, whispered I’m sorry to her own reflection just to keep the lights on. The woman who smiled at Levi even when her eyes were raw from crying. The woman who learned how to fold pain into lullabies and grief into grocery lists. You became a mosaic in his absence—sharp-edged and shining. You held yourself together with coffee spoons and lullabies, with baby monitors and the ache of resilience. You wore your grief like a second skin, stretched tight and stitched through with hope you never admitted aloud.. And now he wants to stay. The one in the hospital bed. The one who learned how to swaddle with trembling fingers. The one who sold her violin to pay for rent. The one who laughed, even when it hurt, because Levi was watching.

You think about what it cost to become someone whole without him.

He didn’t get to see the becoming.

And now he wants to stay.

You close your eyes. Rest your forehead on your knees. Breathe.

Footsteps approach. Small ones.

Levi climbs into your lap without a word. He curls into you like he did when he was smaller, like he’s always known how to find your center.

“Do you still love him?” he asks.

You press your lips to his hair. “I don’t know what to do with it,” you whisper.

Levi’s voice is soft. “Maybe we can love him different now. Like a new story.”

And something inside you breaks.

Not the way it used to.

Not shattering.

Cracking open.

You look toward the door, and through the window, you see Patrick still standing there—his forehead resting against the frame, like he’s praying to the quiet.

You don’t run to him. You don’t forgive him.

But you do stand.

And this time, when you open the door, you leave it open behind you.

Just enough to tell him… ‘try again.’

-----

tagging: @kimmyneutron @babyspiderling @queensunshinee @hanneh69 @jamespotteraliveversion @glennussy @awaywithtime @artstennisracket @artdonaldsonbabygirl @blastzachilles @jordiemeow

i want to line them up and tuck them into bed with the blanket just below their chins all snuggly

meet… STANFORD ERA LESBIAN!ATP .ᐟ ★

a/n: hi guys the much promised part two of lesbian!atp headcanons… stanford edition! so sorry it took me three weeks to get these out i am in an insane slump right now…… i’ll be free soon (hopefully) i have so much i want to get out. and also thank you @peariote some of these are taken from conversations we have had… and thank you @diyasgarden my lovely for helping me flesh out tashi. anyway. please enjoy. smiles. 

CW: hints at nsfw

ART - VISUAL ARTS MAJOR .ᐟ

– VISUAL ARTS MAJOR ART who swears you’re her muse. Always begging you to let her use you as a model for whatever she’s working on, he’s positive her work simply turns out better when it’s of you. Nevermind the fact you’re almost always nude. 

– VISUAL ARTS MAJOR ART who is always covered in charcoal and paint, to the point he’s like a magnet. Even if she’s not doing a project with those mediums, it still finds its way onto him. Little do you know it’s because you said you loved the way she looks with it one day, and she’s never looked back.

– VISUAL ARTS MAJOR ART who loves that he has to learn photography because it means she can always capture moments of you for forever. Always has a camera on him whenever he’s with you to make sure she doesn’t miss anything. Anything from being in the shower to falling apart under her. She even teaches you photography just so you can take photos of her between your thighs or when her hands are too busy elsewhere to hold a camera.

– VISUAL ARTS MAJOR ART whose exhibitions always feature at least one piece of you, whether it be painting, photo, or sculpture, and are always dedicated to you. Whenever he sneaks you in for ‘early access,’ he always shows you these with the biggest grin on her face. She swears one day he’s going to do an exhibition solely of you (Never including the nude pieces. Those are hers and hers only). You know she will.   

PAT - FINANCE MAJOR .ᐟ

– FINANCE MAJOR PAT who went into finance for his parents, who want her to take over after graduating. He absolutely hates it, but listens and goes for the four years anyway. Their grades are average, simply because she cannot care enough to do more than scrape by. Despite the hatred, she still becomes the biggest finance bro possible. 

– FINANCE MAJOR PAT who has in fact been attempted to be recruited to a frat before. Walking past a tent during rush week had them handing him a form until they opened their mouth and spoke. This is his favourite story to tell when trying to get someone into her bed (“Come on, I was basically a frat brother. I can show you a good time too.”).

– FINANCE MAJOR PAT who is somehow at a new party every night. Brings a new girl home every night too, partially in thanks to the frat story above. Is known around campus for being the biggest sleazebag ever, but no one really cares if it means they get a night with her. 

– FINANCE MAJOR PAT who meets you and decides maybe you can change them. A one night stand where you treat her the best he’s ever been treated absolutely changes her world, and one night turns into two, and then three, and then she decides maybe there is more to life than just sleeping around and finally locks you down for herself (but it does take time for her to get used to just the one person, and there are some flirting incidents in the beginning). 

TASHI - COGNITIVE SCIENCE MAJOR .ᐟ

– COG SCI MAJOR TASHI who is the most disciplined person in college. Like poster girl of discipline level discipline. She creates a schedule and actually sticks to it. As you spend more time with her, you eventually catch onto it as well, and start doing most things together.

– COG SCI MAJOR TASHI who is incredibly dedicated to her studies. One of the top students in her classes. She is always studying whenever she has time, but hates not being around you. Her favourite kind of date is studying with you at a library or cafe, where she doesn’t need to choose between you and her work. 

– COG SCI MAJOR TASHI whose favourite courses are the natural sciences, particularly chemistry and biology. Something about learning how the body’s natural chemicals and processes draws her in, but she wants to make a difference with it, to make it mean something. So she minors in sociology alongside cog sci. 

– COG SCI MAJOR TASHI who eventually takes the MD and PhD route, so she can do research and help in a medical setting. She spends her time in class one day, volunteering at a hospital and shadowing a doctor the next, and uses what she learns to do exactly what she wanted to. To do something bigger than herself.

tag list: @artstennisracket @glassmermaids @jordiemeow @cha11engers @kaalxpsia @apatheticrater @tacobacoyeet @tigerlilywl @newrochellechallenger2019 @compress1repress @artspats

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loosely (heavily) inspired by talia's edgy sixth grade poetry. hope you enjoy. comments and critiques welcome as always.

When he was about six or seven, he picked up a racket for the first time. Something to get his small body’s endless amounts of energy out. A way for his parents to spend even less time with him. He remembers poking the tip of his pinky finger through the netting, curling his small fingers around the handle, and suddenly he felt whole. He spent the rest of that day bouncing around the otherwise neglected court in his backyard, playing against the gate. He fell, scraped his knees, and grinned down at the peeling skin, the dotting red of blood rising to the surface. A battle scar of sorts. When he came back inside, the sky had grown dark. His parents had forgotten to make him dinner. He couldn’t have cared less. He slept it with it next to him that night, body thrumming with excitement at repeating the same routine when the sun rose. Patrick Zweig was a child once, full of potential for being something.

Tennis stuck around just like the circumstances that bred his attachment to it, a huge house without the love of a home, a neglectful set of parents that felt love was fulfilling obligations. He struggled to understand how he came from them, someone so vivacious, so full of passion for the very act of living, them having died the second they met one another, and refusing to let go and live again. He felt things too deeply to let himself be sad. Sad didn’t exist for him. Sad was too little. He felt everything in extremes, including a deep-rooted melancholy that only tennis could distract him from. His parents had hired a coach, spent the money on a ball machine. He stands tall at his side of the net, moving swiftly, brash as his voice, uproariously as his laughter. Eyes laser focused at all times on the ball, the machine. He couldn’t wait for the day that there would be another person to focus on. He wouldn’t stop some days until he felt numb, certain that his legs would scream from soreness the next day. Until he forgot that he knew how to feel at all. Patrick Zweig was a soldier, racket wielded like a shield at times, a sword in others, defending himself from the knowledge that this was all he had.

He didn’t miss his parents the way other kids did when he got shipped out to Florida. He didn’t necessarily miss his house, either, outside of the convenience of its large size. He remembers his bunkmate, Art, who he hadn’t learned to care for like it was his job yet, crying on the first night there. He wanted to help, really, but what was there to say? It was late, later than two young boys should be up, and he found his bare feet traveling across old, scratchy carpet and into Art’s bed. There was no acknowledgement between the two of them when he wrapped his arms around Art’s shaking body, nor when Art turned around to hold him right back. It didn’t feel uncomfortable for any longer than a second, like the needlepoint pinch of a shot before all you feel is the application of a bandage. Art fell asleep, eventually, and he watched for a while, as soft breaths left his parted lips, the heat noticeable against his chest. His leg had gone numb about 30 minutes ago, but he wouldn’t move until Art did. Patrick Zweig was a blanket, soft, warm and looking to shelter. 

Tennis and Art were second nature, just the way his vices were. He was prone to a night of drinking, sneaking through the dorm halls to find some of the older students’ stashes of cheap beer, smoking cigarettes because he saw it in the movies and was horrified when he began feeling his hands shake when there wasn’t smoke in his lungs, and then there were the girls. Girls who wore too short skirts and had long, pretty legs for him to hold onto, girls who smiled with teeth and had glinting canines that would leave marks in his neck if given the chance, girls who had voices like a siren, and just a call of his name set his mind racing. He thought dating was just liking someone’s presence for a long time. Simply enjoying their proximity, their being, their taste. He wishes he’d learned that wasn’t true before Tashi. No one had ever really told him otherwise. It’s not like his parents were a great example to base his future romantic endeavors on. She handled him with care, in her own way. Let him ease his way into sharing himself with someone that wasn’t Art. She wasn’t gentle, necessarily, but careful. She held his face when they kissed, he remembers. Like he couldn’t keep it up himself. Like he was fragile. It killed him when she let go of him, some argument that never needed to happen had they both not been scared to let things be more than physical intimacy. Patrick wanted it, needed it, craved it like it was air and he’d had his head held underwater. He regretted every bit of harshness that he’d shown, even if he did mean some of it. She was allowed to be mean to him, it was still her attention. He had no right to act otherwise, he'd done nothing to deserve someone like Tashi's kindness. He left, and wanted her to realize that she was losing something beautiful, or at least, something with the potential to be. He doesn’t know what idea hurts worse: the idea she never realized, or that she did, and still let him go. Patrick Zweig was glass, soft and delicate until it shatters, and slices through you like you’re nothing more than paper. 

He imagines the sound that Tashi’s knee might have made sometimes, when he’s got nothing else to distract himself with. He wants to know what the sound of an angel losing its wings, crashing down to human mediocrity, sounds like. He saw it, though, the look on her face. So scared of feeling powerless she wouldn’t even cry with her world crumbling around her. She wasn’t strong, she wasn’t brave, she was just really, really stubborn. Maybe that’s why she’d started screaming when she saw him. Because he could read her. Because if she yelled loud enough, she’d be back at the Open, crying out victory. If her voice was the loudest, engulfing everyone else’s, she’d still won some kind of game. Art, though, didn’t need to do what he’d done. Art hurt him just to stand at Tashi’s side. He’d still forgive him, if he was given the chance. In fact, he did try. His messages never went through. Tashi picked up a call once, one placed in a lonely, slightly drunk stupor. They’d laughed back and forth, banter, insults that he considered playful. His were, anyway. He thought they were making it back to normalcy, until Tashi’s clear, crisp voice said “Go to hell, Patrick” and the only sound left behind was the dull beeping of an ended phone call. He stopped trying after that. Patrick Zweig was a dog, whimpering, waiting by the door for his masters to come home and kick him again. 

He stopped winning soon after that. He had no one to win for, not even himself. He’d left himself in the doorway of that little med area beneath the Stanford tennis courts. He wonders what they did with him. Was he swept away by a janitor with the other garbage? Stepped on beneath Art’s shoe? Silently, he hoped the failure, the constant code violations, would grab their attention for just a moment. It’s better that they think him pathetic than not think about him at all. He’s somewhat grateful for having hit rock bottom, because he no longer recognized himself without some kind of struggle. His parents had stopped caring years prior, and then again, they probably never cared at all. Tennis no longer a refuge, but an obligation, a way to make just enough money to buy himself some food, the gas to fuel his car. The car that’s become his home when no one is there to help him otherwise. Sex has become the refuge. Sex he doesn’t even want to be having anymore. He hardly feels anything but cotton sheets beneath his body, and that spurs him to keep going. Keep going and sleep. He usually leaves, regardless of if he wants to. Sometimes it’s nothing, leaving without notice. But there are times where he’d do anything to be a better man, someone these women deserve. He remembers a girl from White Plains that he would’ve let himself try something with, had he not been so scared. It made the nights leading up to his inevitable departure, wrapped up in her sheets, all the more painful. He watched her face contort and tried to memorize it, though it faded with time, like all things do. He liked knowing he’d done something for her, even if it was killing him inside. At least he’s still capable of doing something good. Patrick Zweig was a cigarette, burning from the inside out just to give someone else their fix, and he loved the ache. He was addicted to it. 

When he met you, he was prepared to make the most of his future loss. He would do anything to make his temporary stay something worth it. He would be good for you, even if he’d be nothing but destructive if he stayed. He didn’t know how to be anything other than self-sabotaging, really. He recognized the look in your eyes as one he’d had years before, youthfulness, passion, a need to make something of yourself, a hope to do that with someone accompanying you. Maybe he liked that he could treat you will, living vicariously through you, giving a version of himself the love he likes to think he deserved, but knows he didn’t. But, little by little, you chipped away at the layers of jadedness buried beneath his skin. He remembers one night, in your bed, you’d held his face for hours, silent, just looking at him, rubbing your thumbs over the stubble on his cheeks. He didn’t touch you in return. He was still scared that anything he laid a hand on would be ruined by him, would ruin him right back. Your hands didn’t come away bloodied, your eyes never turned cold, and when you did speak, it was never above a whisper. When you’d fallen asleep that night, bathed in moonlight, he knew. There was no avoiding the inevitability of being human. He’d forgotten that he still was one. But you’d cultivated him like a seed, feeding him tenderness he’d never been afforded until all he could find it in himself to do was give it back. He blossomed back into something under your hands. A man who laughs freely and touches without shame. The lover he’d always hoped to be, somewhere down the line. Patrick Zweig is just a man, and he’s happy to be something so simultaneously simple and complex. He’s happy to just be.