Some Night Elf Inspired Items I Drew For A Roleplay Event!

Some night elf inspired items I drew for a roleplay event!

The Mysteries of Elunite Ore

- Headcanon Speculations -

Elunite Ore, a rare mineral considered blessed by Elune Herself, is one often sought after; and yet shrouded in mystery. As many priests, priestesses, templars, and other devotees of the Goddess may strive to incorporate Elunite into their armaments and regalia, the quest for obtaining and fashioning this material is one that has spanned many lands and generations. This is a compendium on the nature of Elunite from various geologists, theorists, and researchers across Azeroth.

Earthly Origins

The origin of Elunite’s terrestrial formation is not entirely understood by Sisterhood scholars, nor by lithic experts of the world. One of the oldest proposed ideas is rooted in the ancient legend of Elune and the Well of Eternity: that she once dwelled in its depths during the day, and rose into the sky as the moon each night. Due to her strong former connection to this font of arcane power, it is surmised that Elunite may actually be crystallized remnants of the great well; whose leyline rivers once nourished the planet. One theorist believes that because all modern moonwells contain traces of the Well of Eternity, and are damaging to demons and scourgeblight, this could explain the similar holy properties of Elunite. However, others claim that it finds its beginnings as a simple, mundane ore embedded within the earth, which is eventually augmented with Elune’s blessings once it is exposed to the surface and directly shone upon by moonlight. More mythical sentiments say that any ore can become Elunite if the goddess wills it, and that finding it is an extremely rare and divine auspice. It is believed that processed Elunite is a multi-faceted metal whose properties can change depending on imbuement from various moon phases and other major lunar events, such as eclipses. While some think it is ever-shifting, varied accounts of miners and blacksmiths with the remarkable ability to shape Elunite describe that its qualities are determined by the state of the moon on the exact night that the ore is extracted from the earth. Either way, this is a succinct list of their observations:

Full Moon Properties: Bolsters the wearer/wielder’s healing capabilities, and is often inlaid into staves and suturing needles. Full Moon Elunite is also highly damaging to demons and the undead; therefore anyone on a demonic or undead purgation mission may seek out a weapon of this influence to aid in expunging corruption.

Waxing Moon Properties: Becomes a material which houses additional mana, that can then be tapped into for a small increase in magical reserves until recharged beneath the next waxing moon. Those who carry moonwater or the liquid fire of Elune may opt for this particular metal to house these sacred substances.

Quarter Moon Properties: Contains a natural abjurative energy which is typically used in the creation of Elunite shields, talismans, librams, wards, and armor for those who exercise a more defensive combat style, or wish to protect themselves magically against unholy forces.

Waning Moon Properties: Often the choice for Elunite accessories and other ephemera, which are usually crafted with the eventual intent of Elunarian sacrifice. When an item of waning moon Elunite is offered up, its physical form is completely consumed in exchange for a singular blessing, protection, or spell. Lunar liturgical glyphs or words of power are typically engraved on these accessories with particular spellwork in mind, although a priest/priestess may sacrifice a blank slate piece and incant one spell of choice with a greater potency.

New Moon Properties: It is said that New Moon Elunite is magically similar to the blessing of shadowmeld, allowing for easier camouflage into surrounding environments and quieter movements. Those who wish to make use of the protection offered by chainlinks or armor plates, while still retaining obscurity, may seek to have their regalia crafted with this semi-noise-dampening material. This offshoot of Elunite is additionally often sought after for the creation of arrowheads, shurikens, and other projectiles; as its magick may be utilized for brief invisibility before it dissipates and its physical counterparts reappear.

Solar Eclipse: Solar-eclipsed Elunite is often chosen in the creation of rings (such as archery thumb-rings) that are usually beset with moonstones and other blessed gems, whose imbuements can strengthen one's physical or magickal attacks.

Lunar Eclipse: Lunar-eclipsed Elunite is typically the choice material for divination tools: such as pendulums, scrying mirrors, and spirit-speaking quills. Some also craft ritual daggers with this material for the purpose of collecting flesh to be offered in Elunarian flame sacrifices.

Artisanal Knowledge

Another unknown characteristic of Elunite is how an artisan attains the ability to gather and shape the ore. It seems that precious few across Azeroth have this exceptional privilege, the two most prominent having once resided in the boughs of Darnassus. Elanaria and Mathiel have not been seen since the Burning of Teldrassil, but much can be gleaned from the stories of those who once worked with them. Many miners and blacksmiths are incapable of grasping the techniques surrounding Elunite, which poses some intriguing theories. The simplest is that the secrets of this ore are strongly protected, and seldom taught to others. Another that some have posited, is that the way to gain the privilege of crafting with this mineral requires proving oneself by performing an act of protection or preservation in defense of the goddess’s domain. She then assumedly rewards this deed with the artisanal knowledge of Elunite, or it then becomes malleable to that specific person. Elanaria supposedly tasked her trade partners and trainees with sacred missions such as slaying satyrs actively corrupting moonwells, and ending the suffering of oathbound shades. The late, self-cursed Captain Elura was said to wear a precious medallion, though we do not know if it was of Elunite make. Some theorize it was simply requested as a physical token of proof for the task; while others believe it was Elunite indeed, which is why Elanaria wanted it retrieved. If the medallion was shaped of this hallowed ore, the fact that Elura still wore it even in death may speak to its deep reverence, a spiritual binding property, or a partial immateriality.

Because of its sanctity, and the profound cultural respect for it among Kaldorei, crafting with Elunite may be more common among the Sisterhood of Elune; but still heavily guarded from the rest of the world. It could be that there is a sect of the Sisterhood devoted to sacred artisanry such as this; or, the Sisterhood may commission lay craftsmen who possess the means to Elunite. This material is also said to be utilized in profession tools such as sewing needles for mooncloth tailoring, quill nibs for lunar inscription, and rune rods for Elunarian enchanting. Hippogryph riders of the Sentinel Army, as well as individual riders, may commission blessed Elunite hoofshoes for fortified hind leg attacks, periods of extended wear on the back legs, when the creatures grow old, or are unable to fly; as some claim that they ease pain. Additionally, some equip saber, owl, and chimera companions with Elunite armor, claw/talon caps, and adornments just as they would wear regalia themselves.

In regards to metalworking with Elunite, some theorize that cold working (shaping metal at or below room temperature) may be the superior method as opposed to the extreme heats used with common minerals. Byproducts of Elunite smithing, such as the coal that is left behind from this process, may be used within braziers. It is said that Elunite coals, and the flames that burn from them, are resistant to water quenching; and as such are often used in settlements or outposts with heavy rain and snowfall. The most prevalent theory as to how these fires continue to burn posits that the coals themselves must be open to the skies, as the flames are “kindled,” so to speak, by the energies of the moon each night. Members of the Sisterhood are said to carefully wrap and gift Elunite coals to patrons on various holidays for people to place within the hearths of their home as tokens of spiritual protection and good will. Communal events organized by the order additionally use Elunite coals in cooking fires as an added method of blessing food stores; which some claim temporarily defends against illness, strengthens the body, and fortifies the spirit.

As of today, it is unclear whether or not Elunite can be alloyed. It could be that those who are able to work with the ore simply refuse to do so for fear of dampening its sacred properties; or, its inherent magick may be rendered useless or significantly weaker when alloyed with other common metals. In matters of corrosion, Elunite proves particularly mysterious. It would stand to reason that the goddess’s ties to water might strengthen the ore against rusting and deteriorating over time; although, there have not been any ancient Elunite artifacts recovered as of yet, perhaps implying that the material cannot withstand the elemental ravages of the eons. One possible argument against this is that because the ore is tremendously sacred, there may be ways to reshape or reuse the material; and that is why no timelost Elunite relics have been recovered.

Lore and Legend

Ancient, yet unsupported stories, say that Luminarian was one of the first to uncover the mysteries of Elunite; his name supposedly a pseudonym of sorts to commemorate his luminary works, and the ability to shape this luminous ore. While Elunite was fabled to be the reason for his rise to prominence, many speculate that he eventually abandoned the craft in favor of arcane creations; hence his lasting fame as a magesmith, and as the creator of mythical weapons like Felo’melorn and the Prismatic Blades. It is also rumored that the legendary Ta’Kierthan Songblades may have been forged of Elunite, considering they were crafted by a renowned Kaldorei priest: many of whom employ music and singing in their devotions and spellwork. The art of bardic weaponry seems to be an elusive one, perhaps completely lost to the ages, but nonetheless a technique that Elunarian scholars still seek in the ruins scattered across the lands of Azeroth. Those who traveled through the Dark Portal nearly forty years ago, as well as Draenei refugees, have noted a striking similarity between Elunite and some regalia found on Draenor, as well as others bequeathed directly by the naaru. No one is certain where these pieces are originally from: some claim that they once belonged to adventurers and were merely traded through many hands, while others are convinced that Elune and her blessed ore could have connections to the naaru, and that the ore may be on other planets throughout the cosmos. Elunite-imbued leggings were also recovered from the forest troll stronghold of Zul’aman; though how they got there is anyone’s guess. A commonality between all of these items is an increased critical strike chance, as well as greater potency for both damage and healing via magical spells. Two of the three also provide a passive mana restoration over time (much like moonwells), perhaps owing to the nature of Elunite’s inherent power.

Architecture:

Blackfathom Deeps, as we know it today, was once called "Lathar'Lazal," or "Seat of the Sky" in Darnassian. Long ago, this was a temple to Elune built by Queen Azshara with the aid of Sharas'dal (her tide-scepter) in the ages before the Sundering. Pelagic imagery still endures in the architecture of these sunken ruins, described at one point to have contained "gem-encrusted bridges and effervescent lakes." Motifs of fish-head fountains, wave-inspired stonework, scale-like patterns, and ionic columns are repeated in the masonry and pottery of the forlorn halls. It is unclear what the seafoam-colored stone the temple is made of, though it is interesting to note that it almost bears a resemblance to a body of water's surface: like the way a pool shifts and shimmers with the light. Some kind of material borne of the sea, melded together with the queen's Sharas'dal, or a common mineral of the region? They could also simply bear cracks and signs of weathering considering the age of the temple, but watery stone would be fitting symbolically.

Azshara's Influence:

"Whenever she [Azshara] walked the bridges of Lathar'Lazal, nearby schools of exotic fish would array themselves in colorful patterns. She even kept a colossal sea giant bound to one of the lakes. She used her scepter to make him perform tricks and feats of strength, much to the delight of the watching Highborne. Curious night elves from the far corners of the empire journeyed to Lathar'Lazal to study the mythical creature and his habits."

Perhaps Lathar'Lazal was a bustling tourist attraction then in the days of the empire, both for education and entertainment. With such tourism drawn to the temple, I wonder if the nearby land/city of Zoram benefited from this economically.

The passage above seems to imply that the Highborne rather enjoyed the spectacle of the imprisoned sea giant, and this poses an interesting dichotomy to the original purpose of the temple: a house of Elune, simultaneously hosting a creature trapped against its will. Such an exhibition created by Azshara here speaks to her penchant for show and amusement, and possible disregard for the faith. If only a historical record existed of a priestess's personal journal or the like; and whether she would be disappointed with such behavior, or complacent in the suffering of other races/creatures as night elves often were during this era.

Tideweaver:

Queen Azshara, even before her naga transformation, always had a fascinating dominion over water, both with her scepter Sharas'dal and the Well of Eternity. Supposedly Xavius was the one who actually gifted the queen with this ornate weapon that later shaped the temple:

"A night elf named Lord Xavius presented the queen with a jeweled scepter, etched with delicate magical sigils. He promised Azshara that so long as she kept it close, it would bring her prosperity and great power. Azshara held the scepter aloft, and the jewels shimmered in the light of the moons like brilliant stars. The sight of the queen and her gift was so beautiful that it brought many of the attendant Highborne to tears."

An enigmatic man of terrifying skill and power, I do wonder where Xavius procured this weapon in the first place; as its design does not appear to be of Kaldorei craftsmanship. Perhaps it hails from the ancient jinyu culture, the primordial titans, or some other past world power. Examining its details, what do you think of Sharas'dal's origins?

"Queen Azshara's enchanted scepter afforded her great power. Imbued with the Well of Eternity's potent waters, it held sway over the rivers and the seas, aquatic creatures of all kinds, and the life energies that stirred within Azshara herself."

In the Tablet of Balancing Tides, it is stated that:

"The whispers of Elune and Neptulon play on the tides, their words etched in stone are a tribute to the balance of their power."

I find it interesting that Azshara utilized a form of magic half-intrinsic to the moon goddess. Did she derive some of her aquatic power from Elune, or use a different magick entirely? The descriptions of Azshara wielding the scepter use language that speaks to a command over water, rather than a unity with the elementals, spirits, and goddess.

This item's flavor text also mentions Neptulon--Elemental Lord of Waters--interestingly now a sworn enemy of Queen Azshara and her naga forces in the present day.

The Moonshrine Ruins:

This place supposedly once hosted a moonwell, with an area known as the Moonshrine. The foundations here might suggest that before the Sundering, Lathar'Lazal could have been built just upon the shores, or expanded out into the sea itself with the tides embracing the temple all around. Swimming beneath the waters of the Moonshrine, there appear to be large pillars supporting the walkways here; much like a pier.

The Inner Sanctum:

Crescent imagery is prevalent inside of the sanctum, as well as sets of 3 seats, perhaps symbolism of the triple moon (waxing, full, and waning or the maiden, mother, and crone archetypes) holding some importance in the rituals carried out here. These could also represent a large meeting space, high-ranking priestesses for ritual, a council of leadership, divisions of the temple, seating for observers, or something else entirely. They face partitioned rooms with crescent moon symbols.

If we look at the central dais of the sanctum, (Azshari statue and cultist altar notwithstanding) there is a raised platform with a pyramid-like structure carved into the ceiling. Perhaps a skylight once existed here to let in moonlight for lunar rites, or this area hosted something of great importance to be kept safe inside the sanctum.

The Moondoors:

The moondoors are an especially interesting piece, and the last apparent threshold of the Seat of the Sky. Upon passing through, there are only a handful of pillars flanking the sides of the cavern. They seem to accompany each other in pairs on each side - marking a possible entrance, exit, or some other pathway to the temple. While I am unsure of their true purpose or the mechanism to unlock them, the various square pieces are almost akin to a puzzle. This model is used in other Kaldorei architecture and I've long been intrigued by their possible uses. These moondoors are typically used as entrances to the tall, thin ivory towers of Kaldorei ruins. Perhaps Elunarian priests or arcanists weave (or wove) intricate spellwork rooted in the arcane, or the moon cycle in order to lock these types of barriers. What was intended to lie beyond them is anyone's guess: powerful artifacts, sacred relics, enshrined lore, or even concealed secrets.

"The Great Sundering shattered the glorious temple, sinking it beneath the waves of the Veiled Sea."

I hope you enjoyed these musings! There's something equally fascinating and solemn looking back at the remnants of the Kaldorei Empire - in the shadows of glory that once eclipsed the continent.

Cathedral of Eternal Night: Lost Sanctum of the Sisterhood of Elune

Cathedral of Eternal Night, perhaps called "Azshal'adora" in Darnassian.

These were the uppermost chambers of the Temple of Elune, now known as the Tomb of Sargeras. The corrupting emerald fires of fel magic slowly creep through the entrance of these once hallowed halls, but remnants of the Sisterhood's former glory still endure further into the Cathedral.

Hall of the Moon:

When traversing the dungeon, there are rooms to the side of the main path that may be opened and fully explored. These circular spaces contain what could be old moonwells, outlined with pillows and embraced by floating flowers overhead. These were likely places of meditation or communion with Elune, but I could also imagine these pools being used for healing, cleansing, scrying, stargazing, etc.

Perhaps a coincidence, but when inspected closer, these flowers have eight main petals; similar to how there are eight notable phases of the moon. (I wonder if eight is considered a lucky or holy number in Kaldorei society?)

Windows of stained glass adorn the walls and the ceilings here, filigree and diamond-shaped motifs (like the Tears of Elune) being repeated in the lower levels of the temple as well. Despite this being an indoor place of worship, it's clear that keeping moonlight visible/sensed was important in the Cathedral. In some rooms, it appears that the moonlight from outside shines directly into the pools, perhaps imbuing them with lunar blessings. This could have also just been a way for priests of Elune to feel closer to Her even when inside.

Countless scrolls and bookshelves can be found in all rooms, many of them housing a plethora of desks. Eerily, some still have an open scroll or book laying atop their surface with bookmarks in place, untouched by the sands of time.

I'm curious as to what texts are hidden here, but I suppose there's a few obvious things that come to mind. They could be prayers the Sisters were trying to commit to memory, songs of the Elunarian faith, stories/legends about the Well of Eternity, sacred texts of the Goddess, students' notes/textbooks, and more; as this could have also been a place of learning for newer inductions into the Sisterhood as well.

Perhaps the writings in this repository could make for interesting RP adventures in retrieving old texts, relics, lore about ancient Kalimdor, or attempts at discerning old Elunarian spellwork, prayers, stories, etc!

The small tabletop game on the right also caught my eye. Pieces of arcane crystal float above the board, maybe an old version of Kaldorei/Highborne chess.

Another detail in some of these areas are the looms resting to the side of the moon-pools: this could have been a place where mooncloth or holy vestments were created or blessed, as evidenced by one of the sub-zones here being called "Sacristy of Elune." A sacristy is a place where "a priest prepares for a service, and where vestments and other things of worship are kept."

Chapel of Tranquil Song:

An easily missed side-room leading up the first set of stairs is the Chapel of Tranquil Song. It is a small church with two sets of pews, and a fallen crescent-harp. This room further reinforces the idea that music and song have been a prominent aspect of Elune worship, and I think this could be an interesting take on healing in RP as well. Calming singing and instruments like the harp could possibly help heal wounds alongside the lunar magic of the Goddess, akin to an Elunarian bard.

The Twilight Grove:

The next level of the Cathedral is called "Twilight Grove," a large platform housing ethereal flowers that glow like stars with a font of moonlight (almost like a silver lake) pouring in through the ceiling. Agronox's dungeon journal entry describes these as the "Hanging Gardens," which he once tended to before his fall to corruption. I find it interesting that these plants seem to flourish hanging upside down, rather than growing on the ground level. Some petals and leaves also seem to be translucent, reminiscent of a spirit or the like.

I am unsure what these herbs are exactly, but perhaps they are specifically nourished by moonlight. Maybe priests of Elune utilize celestial herbs of some kind that bolster the magic granted by the Goddess, grant visions/spiritual boons, or emanate a calming aura in places of worship. It could also be that mundane herbs may be grown near a moonwell or a font like this one, and with time are imbued by Elune's blessings.

Chapel of the Sentinels:

This chapel is yet another Legion reference to a group called the Sentinels existing before the War of the Ancients. The others mentioned are in Tel'anor (resting place of WotA heroes) upon the plaques of the Windstrikers and Latara Feathersong.

Windstrikers: "Marksmen without peer, their skill with a bow was an inspiration to generations of archers. Their family developed the gauntlets the Sentinels wear, carefully articulated mail links that empower our archers to this day."

Latara: "Here lies Latara Feathersong. A huntress of the Sentinels, she led the vanguard in many campaigns. Her bravery and compassion were endless."

Maybe this order existed before the Sundering, with special places reserved for them like this chapel, and was simply revived in name by Tyrande Whisperwind a few centuries later.

The Emerald Archives:

A grand library containing innumerable books of all categories, it seems that these archives contained Highborne enchantments as well. Before the Sundering, there may have been an emphasis on Priestesses being educated/learned in many different areas of study, including knowledge of the arcane. These are the books we see from Thrashbite's dungeon journal entry:

Satirical Animated Book: an animated tome overflowing with stifingly satirical writing. As the tomes open, all sound is magically absorbed into the ancient pages, silencing all players for 5 seconds.

Fictional Animated Book: An ancient work of fiction springs to life, the magical runes leaping from the page to fetter would-be readers. Slows all players.

Biographical Animated Book: Account of a long-forgotten sorcerer's life can prove to be dangerously beguiling. Entrancing narrative charms a random player, but breaks if their health goes below 30%.

All of these fire arcane bolts at the party. Books as weapons in mage RP is something I'd never thought about, but makes so much sense!

There is an achievement for this boss fight called "Steamy Romance Saga," implying that even erotica could have also been kept in the library.

A mural to the left of the Emerald Archives depicts a Kaldorei woman bearing a shield (likely the Aegis of Aggramar that was kept here prior to the Sundering) and a spherical protection spell against green flames from what appears to be a dragon.

The way leading to the next area is called "Path of Illumination."

Chapel of Tears:

Another side-room on the way up the winding staircase is named the Chapel of Tears. This could have been a place of safekeeping for the Pillar of Creation: Tears of Elune, or a chapel of mourning. Somehow, a fel-infused Fal'dorei (nightborne spider) has made a nest here.

Other references to Elune's tears:

Tearstone of Elune

The Sisters' Tear

Mu'sha's Tears

Tears of the Goddess

Elune's Tear

Tears of the Moon

In any case, references to tears of Elune crop up all over Azeroth, most of which possess some kind of restorative/cleansing/life-giving powers. I believe that while the tears could certainly represent sadness of the Goddess, they could also represent tears of happiness, as the Pillar of Creation is described to "embody the dream of what Azeroth could be," and maybe the strong healing magic imparted by them is rooted in hope. I feel that Elune's connection to water could also be another avenue for RP, perhaps harnessing rejuvenating aquatic magic alongside the lunar blessings of Elune.

Sacristy of Elune:

The pinnacle of the Cathedral is known as the Sacristy of Elune, with areas of now-empty shelves and pillaged chests. The stained glass has been turned a fel-green, broken open and shattered onto the floor. The name suggests that this was once a place where sacred items were kept, such as vestments, furnishings, sacred vessels, and Elunarian records.

Given the ancient origin of the Cathedral, this could have been a prominent place that mooncloth was created: "Tailors tell that the first recipe for mooncloth was scribed by Elune herself." It is unknown if a tailor must use felcloth and purify it in a moonwell to eventually create mooncloth, or if any cloth can be used with the proper rituals/spells/blessings.

Hope you found this interesting, thanks for reading!

"Andu’lun-adala-ande’nar." (May the moon light your way.)