Whatever our souls Are Made Of, His And Mine Are The Same.

i'll eat you up i love you so!

if you saw this on twt no you DIDNT

I am very disappointed in the people praising the censoring / editing of Roald Dahl’s books.   Let me tell you a little story.   About five years ago I decided to re-visit Treasure Island.  I found an unabridged version.   I was surprised to discover that Long John Silver had a black lover.   Because the book used the term “n–ress” the mention of her was removed from many American editions of the book when I grew up.

Note: I am not saying they removed the N word.  I am saying they removed her *all together.* I didn’t know Long John Silver had a love interest until I was in my thirties and read an unabridged version of the novel. It revealed so much about the story that I hadn’t noticed before. 1.  That Long John Silver believed in love despite what was considered a cultural norm of the time.  He didn’t care about what others considered proper and he was in love. 2.   It shows that even Robert Louis Stevenson acknowledged the existence of interracial couples and yet no movie version I can think of addressed this until the TV series Black Sails. 3. It helped remind me of the culture of the era in which Treasure Island takes place and when it was written, the stigma against interracial relationships that existed in America right into the twentieth century and in some places is still a thing. Sometimes books tell us more than just a story.   They show us how a world was once viewed.   I felt like this was an important discovery, that Long John Silver had a black lover (or wife).   And I was even a little angry that I had been robbed of this in previous readings of the book.   I think the removal of words like “Fat” and “ugly” from Roald Dahl’s books does us a disservice.   It “cleans up” the past and denies a chance for us to learn some of the less pleasant aspects of the past and how and why language has changed since then.    What should be a teaching point and experience is lost in the name of sensitivity.   I felt cheated and it even felt a little racist that Long John Silver’s love interest isn’t mentioned in many editions of Treasure Island.  And I feel that one day there may be similar feelings if people discover they aren’t reading the original versions of Dahl’s books. Try to remember the original reason Ray Bradbury wrote Fahrenheit  451.  It wasn’t about an evil government taking away people’s blooks. It was about this group and that group getting offended at various titles until they just banned everything to try to make everyone happy.    

Dante's Inferno References in Hozier's song "First Time" (+ a lil' song explanation) !!

Guys, I know I did the whole "Dante's Inferno references in 'Unreal Unearth'" already but I have thought of more things particularly with "First Time" and it's context of being in circle one, 'Limbo'.

Firstly, important context that 'Limbo' isn't so much a punishment as it is a placeholder in Inferno. It's for the unbaptized and virtuous pagans, essentially those who did not believe in God and therefore could not enter heaven, but also didn't do anything bad enough to be punished in the other eight circles. The punishment is to live eternally in circle one whilst feeling an infinite sensation of emptiness that is meant to represent the lack of God in their lives.

Now, moving onto the song and the GENIUS that it is.

"And the soul, if that's what you'd call it, uneasy ally of the body, felt as nameless as a river, undiscovered underground." The lost souls of Inferno find their way to their assigned circle by using the 'transportation system' of the five rivers of the Underworld. The first river that Dante and Virgil encounter is the river Acheron that Charon, the Greek psychopomp that transported souls through the underworld, delivers them down to arrive at Limbo.

Another one of the five rivers of the Underworld is the well-known river Styx that souls had to cross over in order to enter the afterlife. All of these things are referenced in this one lyric.

"And the first time that you kissed me I drank dry the river Lethe." Here, Hozier mentions another one of the five rivers. Those who drank from the Lethe would experience mental oblivion, unable to remember anything. Souls who were to be reincarnated usually drank from this river in order to forget their past lives. Hozier is also referencing the idea of being reborn, as he does throughout this whole song, but instead he's reborn by the relationship he has with his partner.

"As it was, and ever shall be, unearth without a name." This lyric seems to be a reference to the 'Glory Be' prayer - "As it was in the beginning, is now, and ever shall be, world without end." As aforementioned, Limbo's punishment is a never-ending emptiness; It's described as sorrow without torment, something so deprived that rational minds couldn't comprehend it. Hozier's "unearth without a name" mirrors the prayer's "world without end", showing that Limbo has the same infinity that God intends the world to have, but Hozier cannot even put a name to the feeling of Limbo, only that it is underground.

"Some part of me must have died/Some part of me came alive the first time that you called me 'Baby'." This lyric repeats throughout the whole song with minor changes, and references back to that idea of being reborn that Hozier establishes from the very start of the album with "De selby (Part 1)". The album compares Hozier's relationship with his partner to the journey of 'Inferno', and here we see Hozier effectively 'dying' as the relationship begins, allowing him to enter Limbo reborn as who his lover made him.

"These days I think I owe my life to flowers that were left here by my mother. Ain't that like them, gifting life to you again?" Since we have the context that Hozier is now 'dead', this lyric can be seen as his mother leaving flowers on his grave, literally gifting his body life. In the following lyrics, Hozier compares his life in Limbo to the life of the flowers gifted to him.

"This life life lived mostly underground, unknowin' either sight nor sound, 'til reaching up for sunlight just to be ripped out by the stem." Flowers are birthed beneath the soil on Earth, as Hozier has been reborn beneath the world in Hell, both lives lived underground. The theme of darkness that is regularly visited in both 'Inferno' and the album is shown here "unknowin'...sight", where the darkness of Inferno simulates a sort of blindness. The second half of the lyric references that loss of hope in Limbo, mirroring it to the idea of a flower being torn away from its only purpose of growing - similarly to how a soul is torn from its only purpose of living.

"Sensing only now it's dyin', drying out then drowning blindly, bloomin' forth its every colours in the moments it has left." The literal meaning of this lyric is the act of pulling flowers from their roots to simply put them in vases of water. The metaphorical meaning is Hozier attempting to hold up hope in Limbo. "Unreal Unearth" is very clearly a breakup album, and "First Time" tells us the compressed story of the relationship from beginning to end. We can take this song as Hozier beginning to lose faith in his relationship but desperately holding on, the way flowers know they're dying in a vase but continue blooming nevertheless.

"To share the space with simple living things, infinitely suffering, but fighting off, like all creation, the absence of itself. Anyway." Again, this references the ideas of flowers dying in a vase whilst trying to live cut off from their roots. The idea of "infinitely suffering" gives us that imagery of Limbo, but "fighting off...the absence of itself" also emphasises Hozier's attempts to rekindle this relationship the way flowers ignore the prospect of death in the hopes of living for a few moments longer. This little "anyway" at the end gives us the impression that, like Limbo, this is hopeless, and, as the flowers will, Hozier's relationship will die.

"When I was young I used to guess, 'Are there limits to any emptiness'?" The whole third verse shows us the final breaking of the relationship, but this lyric shows us that specific hopelessness that is felt in the decay of love. It really wraps up the idea of Limbo in this relationship; this soft acceptance that their love has died no matter how hollow it makes Hozier feel.

I personally think he is once again a MASTERMIND. Relating the death of a relationship to the wilting of flowers, especially flowers forced to stay alive, is perfect, like are you kidding me. Anyway, yes! That's my extra fathoming of "First Time" because there is simply too much to say.

If anyone else has anything to say, please lmk because there's nothing more I love than a Hozier deep dive :]

at the wedding

While I do dislike the interpretation that posits Heathcliff just being Catherine’s “whip” (because I think Heathcliff is more complex than that) I must say that I like how Heathcliff’s revenge makes Catherine Earnshaw truly central to the Earnshaw/Linton family history in a way she otherwise wouldn’t be. If you want to truly understand Wuthering Heights (both the estate and the book), “Hareton Earnshaw 1500” on the entry door is deceptive, “Catherine Earnshaw- Heathcliff - Linton” is the true family history. Hareton’s real power and final victory is due to him having his aunt’s eyes, not due to him being “the true heir”.

(Of course there is a discussion to be had regarding how only a man’s love can make a woman relevant but that’s for another day).

you can’t be anti-immigration and helpol. you just cant. xenia is such an integral part of this religion. good will. hospitality. kindness to strangers. being anti-immigration goes against all that. if you’re helpol and anti-immigration do better.

x

I hope you know that it’s always this

I feel so sane so normal abt them

Why would Baal say this

“The undeserving maintain power by promoting hysteria,” Moneo said. “The Atreides art is the art of ruling without hysteria, the art of being responsible for the uses of power.” —Frank Herbert, The God Emperor of Dune (1981) p 471

[Scott Horton]