Raphael, Dama Col Liocorno, C. 1505, Galleria Borghese.

Follower of Rembrandt, A man seated reading in a lofty room, 1628-30, National Gallery, London.

Gustave Caillebotte, Vue de toits, Effet de Neige (View of Rooftops, effects of snow), 1878, Musée d’Orsay, Paris.

Gustave Moreau, Galatée (Galatea), 1880, Musée d’Orsay, Paris.

Catullus 101

Multās per gentēs et multa per aequora vectus

adveniō hās miserās, frāter, ad īnferiās,

ut tē postrēmō dōnārem mūnere mortis

et mūtam nēquīquam alloquerer cinerem

quandoquidem fortūna mihī tētē abstulit ipsum

heu miser indignē frāter adēmpte mihī

nunc tamen intereā haec, prīscō quae mōre parentum

trādita sunt trīstī mūnere ad īnferiās,

accipe frāternō multum mānantia flētū.

Atque in perpetuum, frāter, avē atque valē.

Alphonse Osbert, Soir Antique, 1908, Petit Palais, Paris.

John William Waterhouse, The Rescue, 1890, Petit Palais, Paris.

Henri Matisse, Nature morte aux oranges, 1913.

Claude Monet, Soleil couchant sur la Seine à Lavacourt, effet d’hiver (Setting sun over the Seine at Lavacourt, winter effect), 1880, Petit Palais, Paris.

Pierre Puvis de Chavannes, Noli me tangere (La Madeleine), c. 1857, Angers Fine Arts Museum.

René Magritte, L’empire des lumières, 1953-54.