just felt my heartbeat between my thighs seeing this gif đ© can't wait to watch this movie tomorrow goddamn
credit to @gydima original gifset
lil galentines treat
todayâs lectionary textsâacts 5:27â32, psalm 118:14â29, revelation 1:9â11a, 12â13, 17â19, and john 20:19â31âare so densely interwoven itâs practically rabbinic. itâs the second sunday of easter, which historically functioned as a liturgical echo chamber for the resurrection. but todayâs selections arenât just liturgical fillerâtheyâre deliberate theological architecture. acts 5:27â32 put you into a post pentecost context where peter and the apostles, fresh off their spirit induced empowerment, confront the sanhedrin. the line âwe must obey god rather than menâ (ΎΔῠáŒÎœÎžÏÏÏÎżÎčÏ ÏΔÎčΞαÏÏΔáżÎœ ÎŒáŸ¶Î»Î»ÎżÎœ áŒą Ïáż· ΞΔῷ) is almost a second century anachronism. it anticipates martyrdom theology, rooted in texts like daniel 3 and 6, but also anticipates justin martyr and tertullianâs apologetics. it reframes civic disobedience as divine allegiance.
psalm 118 functions as a hinge text. it's the last of the hallel psalms (113â118), used during passover, which already overlays a liberation motif onto resurrection. âthe stone the builders rejectedâ (v. 22) gets picked up in matt 21:42, mark 12:10, luke 20:17, and here again as a kind of post easter hermeneutical key. the rejected messiah becomes the cornerstone of a new ekklesia. it's also worth noting how this psalm was used in second temple processionals. what begins as royal liturgy becomes political protest. revelation 1:9â19 layers on the apocalyptic. john of patmos positions himself in exile âbecause of the word of god and the testimony of jesusââa deliberate mirroring of the acts narrative. christ appears âlike a son of manâ (áœ ÎŒÎżÎčÎżÎœ Ï áŒ±áœžÎœ áŒÎœÎžÏÏÏÎżÏ ), drawing straight from daniel 7, but recoded with roman imperial aesthetics: golden sash, bronze feet, sword mouth. itâs not just christologicalâitâs anti imperial polemic. domitianâs empire is the beast; the risen christ is pantokrator. then john 20:19â31. locked room. fear. sudden appearance. peace (ΔጰÏÎźÎœÎ· áœÎŒáżÎœ), said twice. jesus breathes on themâenephĂœsenâan echo of gen 2:7 and ezek 37. this is a new creation moment, a new adam breathing life into a new humanity. and thomas, often unfairly dubbed âdoubting,â functions more like a johannine stand-in for the reader. he gets to touch the wound (typos), an embodied epistemology. and yet, the final beatitudeââblessed are those who have not seen and yet have believedââextends the narrative beyond history into faith. the whole text folds time like a chiasm. so yeah. today is about post resurrection defiance, counter temple theologies, radical reinterpretations of jewish liturgy, imperial subversion via apocalyptic aesthetics, and an invitation to epistemic humility. itâs theology as resistance literature.
nathan mackinnon actually isn't real he's apart of your imagination
oh have the turns have tabled.. we have lando folding in half this time because of oscar
oscar: âsei matto (youâre crazy)!â lando: folds in half oscar: âandrea is gonna be so proud of us!â lando: folds in half again
helloooo, can you write a michael afton fic where you and him move in together after college? like they have fights and stuff and are just living together but it's messy with his trauma and stuff
here you are!
is there some kind of note of these words of wisdom?
charles: "yes, there is. but it's an inside joke. we are keeping track with my engineer, some of the discussions that happen over the 7 years that are funny... and we call that the 'words of wisdom'."
james seeing remus start to transform: âuh oh. going beast mode.â
remus, actively in agony: âi am literally begging you to stopâ
scarily sleep deprived and the concept of james potter unironically using the phrase âbeast modeâ has reduced me to tears