Regardless if Pete is just manipulating Vegas, so he can get out of the chains and escape, I pray Pete has the best mind-blowing sex with Vegas...
then, he leaves him while he sleeps in bliss right next to him
and takes his hedgehog when he sneaks out leaving Vegas all alone with his chains.
Take the book too for good measure!
0:33-0:38 - Behind The Scenes : KinnPorsche The Series EP.7[Part2]
The most important thing is not winning the battle, but we need to win the war. I will definitely seek my revenge later >PETE<
Directors and editors, I salute y'all for the intentional edit.
Why in the world would you like toxic characters? Why are you so proud of that? What is it even to be proud of? What's wrong with you?
Well, my dear Anon. If you only knew how many times I've asked myself those very same questions…
And the answers always come down to: It’s fiction.
And even though fiction is a vital part of life (just like any other art form) and you can learn a lot from it (you have no idea how many toxic people I’ve been able to avoid, before they even found out my name, thanks to my love for toxic characters and seeing their red flags), fiction is also just fiction.
The characters aren’t real, even though they can seem like it. Just because I love a character that's toxic as fuck doesn't mean I would condone real people who behave that way.
Also, I’m not hurting anyone with my obsession with toxic characters. It’s not like I'm forcing anyone to think like me (and for the love of all things holy, don't do that!).
Besides having a healthy obsession with the toxic characters I love, I’m not very emotional (for lack of a better word) about what I watch. I can be intrigued by toxic characters without either excusing their behavior and actions or hating them (because there’s enough hate in the world for me to do that shit). I can watch taboo topics and other shit that most people find triggering and not be triggered (even though I see the taboo topics for what they are). I can watch problematic stuff and see beyond it to what’s really being said (even though I see the problematic stuff for what it is).
But that’s just me. And I would never force my perspectives on anyone else because I know the majority isn’t like me (which is a good thing, btw).
So, if you don’t vibe with my shit, block me. I don’t mind.
Trust me. I’ll survive. You’ll survive. The world won’t fall apart. We’ll both be okay. Just block me.
Because I will keep loving my favorite toxic fatherfuckers. I won't excuse their behavior and actions. But I will love them.
And the only one who can stop me is ME. But I don’t want to because I love all the shades of toxic bitches and their red flags.
Like Boston from Only Friends.
And Todd from Not Me.
And Chalothon from The Sign.
And Ray from Only Friends.
And So from House of Stars.
And Yai from Big Dragon.
And Way from Pit Babe.
And Boeing from Only Friends.
And let's not forget Vegas from KinnPorsche!
And Yoden Ryoji from Dangerous Drugs of Sex.
And Yong Jie from HIStory 4: Close to You.
And Rio from The Novelist.
And Ritsu from To the End of the World With You.
And definitely Ming from My Stand-In!
I love them all because I have issues. But so do all of them, which is precisely why I love them.
Thank you for your ask.
Fun Fact: If you like the cinematography on KinnPorsche and Big Dragon, it's because it's from the same people who did I Told Sunset About You and I Promised You the Moon
Joy Maneerat Srinakarin - I Told Sunset About You -> KinnPorsche
also did Great Men Academy
Ratchanon Kaeosaart - I Promised You The Moon -> Big Dragon
So if you ever watch these series and think, "Wow, those colors seem intentional" or "Do those chains and bars mean something?", the answer is yes. The cinematography is a character in itself. Instead of watching acting, you are watching the entire series reinforce the acting because the camera movements, angles, placement, colors, lighting, and so much more support the storytelling process.
Sidenote: If you're enjoying the cinematography on The Eclipse, the same person, Suthipong Teerasakul, is scheduled to do the cinematography for the upcoming OhmFluke project 609 Bedtime Stories, which will also have the same director and screenwriters as The Eclipse.
I’m not joking when I say: masochism as a survival tactic. masochism as a skill. masochism as an upper hand. life is full of pain, those of of who’ve figured out how to enjoy it and transmute it and use it are so fucking ahead of the curve.
Episode one of Chaser Game, and these two got beef.
Like beef beef.
Expensive-ass-steak beef.
They did this in front of God and all their coworkers.
They did not give one fuck!
And this was AFTER they kissed!
They were in love!
Like gay rainbows love.
But this one is hella pissed now!
It's color coded in the present.
So even though we are getting shots of the past.
I think we are also getting some of the future.
I love when I have to go sail the high seas as a pirate to get good stuff like this.
Let's see how long it takes me to find next week!
OUR DATING SIM episodes 7-8
Don't stop talking about Palestine 🇵🇸
Anyway, welcome to the family, my in-law.
LEE JONG HYUK & LEE SEUNG GYU [ESQUIRE KOREA INTERVIEW]
They are a gift that keeps on giving, honestly. The fact that these things keep popping up in my youtube feed is a blessing.
Oh, and the results of this selfie session:
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