Vegas: Remember when I tortured you and you fell in love with me?
Pete: Vegas.
Vegas: Fine, when I tortured you, you laughed during it and I became obsessed with you forever.
yuta, mark & jaehyun // 240720 mbc music core interview
I think the best part of KinnPorsche, and it really comes to mind with this latest episode, is that every character thinks they’re in a different genre and it’s the funniest thing watching it clash with the reality.
Kinn is just living his best rom-com life where he falls for his sassy but kind assistant bodyguard that he can no longer live with out.
Porsche is basically a YA novel where he falls for his sexy morally ambiguous love interest who’s secretly sweet but *gasp* his past has come to haunt him!
Pete thinks he’s in a dark psychological thriller where he must battle his inner demons and brooding but hot captor to maintain his humanity but it threatens to over take him at any moment as he is torn between his newly found dark desires and the reputation he prides himself on.
Vegas acts like he’s in gothic bodice ripper novel where his entire world becomes the kind, empathic heroine Pete and he will do anything to keep him to himself and Pete is going to help him overcome the truama of his past with his love.
Kim sees himself in this brooding noir style detective film where he must uncover the dark past of his family but oh no he finds himself falling for the pure and sweet ingénue Chay and must wrestle with the dangerous life he leads and the mission he’s devoted himself to and the love of his life
Porchay thought he’s living his Wattpad dream life where he meets his idol and gains his respect as he tutors him and they slowly develop a sweet friendship that turns into a heartfelt romance
They really demonstrate how all the characters are protagonists of their own story, and that’s how they make their decisions, based on the assumptions on the world around them. They think they know the story their in, and that’s the role they have taken, but the tragedy and the complications of these relationships is that they aren’t in a single genre story. They’re people, achingly human people, interacting with other complex people and what is salvation for one is a damnation for the other.
They aren’t in any specific genre (you know, beyond on the whole mafia thing) and that’s where the miscommunication happens, that’s how the drama unfolds, that’s how all these different romances keep missing each other, because they’re all operating on different wavelengths based on the story they think *THEY’RE* in and not stopping to really consider the other perspective.
It’s absolutely hilarious, it’s terribly tragic, it’s utterly beautiful and performed so well by the writers and the actors.
Gatekeep girlboss gaslight
one can instantly free oneself from the chains of identity discourse by simply conceiving of sexuality as something that is dialectical and not metaphysical
macau saying "that was fast!" after pete and vegas kissed is really making me think about what vegaspete looks like from macau's point of view. imagine you're macau, your older brother has been shot four times by the major family and hospitalized. a guy you kind of know because he's your cousin's bodyguard shows up at the hospital and starts taking care of you and your brother. until now you've had like three conversations with him total. after a month of this weirdness you overhear this guy call your brother his owner and himself your brother's pet casually in conversation, and for some reason they start making out about it. like isn't being a teenager already hard enough
I'm the Most Beautiful Count
bottoms (2023, dir. emma seligman)
could the ugly, untalented gays please report to the principal's office?
-William Blum