HA HA HA HA HA HA HA!!

DERRINGER MERYL 💋💋

Watched jjk0 in theatres!

im not ok. this ship and this au got me in a headlock

reading books to ur brother after school

On White Fear & Creating Diverse Transformative Works

So whenever fandom tries to address the question “Why aren’t there more works featuring characters of color?” there are a myriad of (predictable) responses.  One of which is appearing with increasing frequency: “Because we (usually: white creators of transformative works) are afraid of getting it wrong.”

And like.  I’ve already addressed how ‘thinking you’ll get it wrong’ is a failure of both imagination and of craft/skill (and a symptom of the racial empathy gap, which I forgot had a proper name when I wrote that post).  Meanwhile, @stitchmediamix absolutely accurately pointed out that the ‘fear’ being discussed is fear of being called racist, not necessarily fear of failure.

Now, we could go into the whole absurdity of white fragility here, but google is a thing and “white fragility” is discussed all over the place and I trust ya’ll to do the work if you actually give a shit about this subject… which I assume you do, if you’re reading this – but if you’re just here to find a way to dismiss the issue at hand, I’m gonna save you some time and recommend you scroll past.

Writers can also be fragile, especially in transformative works communities, where “if you don’t have anything nice to say, hit the back button and keep your mouth shut” is the primary expectation wrt feedback, and anything that deviates from that is considered a mortal insult (do you vageublog about my fic, sir?).  But if we’re willing to deploy an array of tools to make our writing not-My-Immortal-bad, from spellcheck to wikipedia to in-depth historical research to betas and britpickers and so on, then we should be willing to employ equivalent tools to avoid writing racist stories.

Incidentally, writing stories that erase/ignore extant characters of color, especially if they’re prominent in the source text? is racist.  So avoiding writing characters of color altogether is not the solution to making your writing not-racist.

And, okay.  I feel it’s important to acknowledge here, as I have before, that the Fear of Fucking Up is a very real fear that genuinely does affect people’s enthusiasm for / likelihood to write, regardless of the validity or fairness of that Fear’s origins, and I’m going to be generous enough to assume that there are some people who are acting in good faith when they say “I want to, but I’m scared.”

So. This is for those who are acting in good faith, from the perspective of a white fan who has written fic about characters of color in several fandoms and never gotten pilloried for it, even when I know for a fact (in retrospect) that I’ve fucked up details.

(oh, side note: I know this is mostly tackling things from a writing perspective, but a lot of this can apply to creating transformative works overall with a few tweaks.)

First: realize that the likelihood of getting called out is actually pretty low.  And fans of color aren’t as Mean and Angry and Unfairly Sensitive as some people want us to believe.  (Do you vagueblog about That Dumpster Fire Meta, sir?  /  No, sir, I do not vagueblog about That Meta sir; but I do vagueblog, sir.)

This is not to say that there aren’t people out there who’re more than willing to make a (justified) stink about egregiously racist writing.  But it’s actually very rare to get targeted, especially publicly by a large number of unhappy fans.  Because you know what? most fans, including fans of color, want to just have fun in fandom as much as anyone else.

It’s just, y’know, a little harder for fans of color to ‘just have fun’ when us white fans are showing our asses with stories involving “Dragon Lady” Elektra or “Angry Black Woman” Sally Donovan or “Spicy Latin Lover” Poe Dameron.  And sometimes us white fans only listen to what fans of color are saying when they make a Big Deal out of it. 

That’s not a failure of their ability to stay calm.  That’s our failure to listen before they get loud and organized.  Because I’m willing to bet that people who get called out publicly? got a few polite, private messages about their screwup first, and they doubled down instead of listening. 

Also: there is a thing where, no matter how politely they word their critique, fans of color, especially black fans, are more likely to be unjustly perceived as ‘mean’ and ‘angry’ by white fans.  Again, that’s our failure, not theirs.  Plus, even if they are angry, that doesn’t automatically mean they’re wrong (see: Tone Argument).

Step Two is: pay attention to discussions about racist tropes in fiction.  Yes, even when it’s crit of our favorite shows/movies/characters/etc.  If you understand the Manic Pixie Dream Girl trope and why it’s harmful, or you understand the Bechdel-Wallace test, or you can have a meaningful discussion about Mary Sues, or you can (justifiably) rail about how Bury Your Gays sucks, then you can develop a similar appreciation for racial biases and stereotypes.  And then you can find ways to avoid them.  

No, no one’s expecting you to memorize bell hooks so you can write a drabble about Iris West, or demanding you write a dissertation on media stereotypes wrt the simultaneous fetishization and desexualization of Asian women (who aren’t a monolith, either, but Hollywood doesn’t seem to know that) before you’re ‘allowed’ to write Melinda May in a story, but like.  Pay attention when people, especially fans of color, are talking about common tropes so that you don’t unthinkingly replicate or perpetuate them in your fic.

Yes, racist writing can involve more than just thoughtless parroting of harmful tropes, but my best guess is, ninety-nine times out of a hundred, fanwork getting ‘called out’ in fandom involves those tropes.  So avoiding them takes your chances of getting criticized from ‘low’ to ‘almost nonexistent.’  Less to fear, see?

Step Three is: more research – basically, at least as much as you’d be willing to invest in any equivalent white character.  @writingwithcolor is a great blog, and has links to additional resources; .  If you’re the type to get a beta or a britpicker, find a sensitivity reader or a beta of the appropriate background.  Not all fans of color are willing to do this kind of unpaid labor, just as not all fans are willing to britpick/beta, but they’re out there.  Approach them respectfully, and listen to them if they say that something in your story looks off.

It’s worth noting here that writing about characters of color doesn’t need to involve - and in fact, some advice recommends avoiding - telling Special Stories About Racism.  Stories about characters of color don’t need to be about slavery or civil rights or the constant parade of microaggressions they have to deal with daily in order to be realistic or compelling (or angsty, for those who love writing angst, as I do).  Research can turn up useful information that can inform our choices as writers, but if we don’t share the oppression our characters face, it’s not our job to tell stories specifically about that oppression.

Step Four is: before posting, anticipate the worst.  What will you do if someone says you fucked up?  If your answer is “argue with them and talk over their concerns,” stop.  Remember that you’re not a victim of a ‘mean fan of color,’ but that you’ve probably written something that they consider harmful.  Being told that you wrote something racist isn’t an attack on your moral fiber.  You’re not an irredeemable monster if you fuck up, but your response to being told you fucked up is far more telling.  Acknowledge their concerns, fix the issue if you can, learn from your mistake, and fail better next time.

You cannot improve if you don’t try in the first place.  Failure to try is failure, so try your best, and improve incrementally – just as you already do as a writer with any story.

In conclusion: The 4 Steps to Getting Over Yourself as a White Fanfic Writer: (1) recognize that the likelihood of getting called out is pretty low; (2) educate yourself about the most common racist writing issues, so that likelihood will be even lower; (3) do your due diligence when writing; (4) in case of the worst: apologize, fix the issue, learn from the experience, fail better in the future.

(And again, google is your friend – there are a lot of people who’ve written about this subject, like Kayla Ancrum, Morgan Jenkins, the mods at Writing with Color, Thao Le, and Monica Zepeda, among many, many, others.  I’m merely sharing my own perspective from what I’ve learned from listening to a lot of smart people, in case it might help some of you – if it doesn’t, keep looking, a ton of great resources are out there.)

How to stan the white guy with minimal contribution to fandom's racism problem

Look, I get it. You're obsessed with the white guy. Maybe two of them together. And maybe your series has one or more main Black characters or Asian characters or a brown Latino star. You're here because of the irresistible pull of that white guy (or two), who is fascinating beyond belief. His acting is above anything anyone has ever seen. When you write about him, the words just pour out.

This is a fan-centered space so I feel confident in saying — we've all been there. I'm not going to lie and say I've never been invested in white characters. There's nothing innately wrong with liking white characters (that would be silly).

But when it comes to the characters of color in your chosen media, you have a choice. 

You're unmoved by the Black major characters and find them unrelatable? Ok. If you're not able to keep that to yourself, prepare for a discussion about the empathy gap. Because we literally do not need content about your inability to relate to CoC if the intention is for it to stand as some kind of undebatable truth about the inferiority of CoC.

And then there are the deflections. At the first mention of sidelining CoC it comes like clockwork: They're poorly written! The acting is sub par! The character is just not interesting! It's got nothing to do with race!

Except when it happens over and over and over again, it does. It just does.

I can't count how many times a conversation on Reddit or the Jedi Council Forum (or anywhere, really) started out about Finn and became all about Kylo Ren five replies in. Just today I saw the same thing on Tumblr, a post about the poor treatment of Lucas from Stranger Things, and in the comments people were talking about Billy and his trauma. 

If you stan the white guy(s) and don't want to be perceived as part of fandom's racism problem, do not hijack threads about CoC. Not every conversation has to center your guy. Conversations that center Black characters, and I can't stress this enough, do not take anything away from your white fave(s). Nothing at all. It's not a competition.

Stop making excuses about why you don't like the Black character. No one really cares until you start tearing them down with excuses. Don't come up with meta about how the Black hero is a villain, actually, and the white bad guy is a tortured sweet baby who represents all of the forgotten children of the world. It's not clever, it's not good or interesting meta, it's transparent empathy gap racism. 

And, again, that will be discuseed. You can't believe in "maximum inclusion" and draw the line at discussing racism. Responding to racism is not breaking the fandom social contract. It's a long established part of fandom by now.

It really shouldn't bother white guy stans so much to see a Black character in a major role in genre media to the point where they feel the need to aggressively dismiss them and their fans. Not doing that, at least, should be easy. Not doing that means that maybe that fandom critical post about racism isn't about you.

It's not about white guy characters or even their inevitable popularity. It's about fan behavior toward characters and fans of color, whether it's on Twitter, Tumblr, Reddit or AO3.

I’m right out here for you, just let me in

pull my little ribs around you

Two rules for creating anything.

1) Make it weird.

2) Make it with love.

Talk no Jutsu should’ve affected Naruto as well—each encounter with an antagonist should have forced Naruto to alter his conception of what becoming hokage will mean in terms of the problems he will be working to solve, continuously building on a growing conflict between Naruto’s desire to be adored by the village and serve as its leader and his growing understanding of the many ways it has hurt the people he encounters. Naruto’s empathy should’ve been a starting point to these questions and conflicts rather than their supposed solution. His alliance with Kurama should have required him to actually accept his own anger rather than suppress it, since consciously accepting that anger and working with it rather than pushing it to the depths of his unconscious mind (as symbolized by the cage that Kurama was kept in) would parallel his ability to work with Kurama rather than constantly fighting to hold him back.

In the final fight, these conflicts should’ve reached a final resolution. Naruto’s relationship with Sasuke, which has always pushed him to grow and improve, has repeatedly led him into conflict with the village’s rules, and is what he swore to restore before becoming hokage, should’ve led him to reject his dream of becoming hokage altogether and with it the system it represents, instead seeking to change the shinobi world into something not built on violence and exploitation with Sasuke’s help. Sasuke’s ideas about needing to change the shinobi world and his steadfast dedication to achieving it should have complemented Naruto’s lack of a solid ideology and tendency to be swayed by praise and propaganda, while Naruto’s emphasis on friendship and human connection should have taught Sasuke that it’s okay to care for himself and to accept love and friendship, and that revolutions can’t be achieved alone.

Instead of this, however, Kishimoto sacrifices the intregrity of both Naruto and Sasuke’s storylines and the narrative as a whole in favor of cheap wish fulfillment by painting Naruto as the flawless savior who does not need to change, self-reflect, or sacrifice anything, while Sasuke bears the burden of being evil and wrong and having to change almost everything about himself and simply submit to the village and system that caused him so much suffering.