When It Comes To Tumblr Posts That Rewire Your Brain, I Really Do Appreciate "you Could If You Weren't

fuck it. be creative even if you never really *make* anything. write out plot synopses of stories and then move on. design OCs you'll never use. make mood boards and concept art and don't do anything with them. life's too short to forget everything that inspired you and creation doesn't have to be "complete" to be worth the time you put into it.

42+ ways to fix a story in progress

(Also posted on: 42+ ways to fix a story)

Here is a list of (some) ways to fix a draft or story in progress. I started it in the observation journal when I was struggling with some story changes.

In summary, these can be reduced to intensify; focus/tighten; swap/invert. But in a tight spot, specifics are often more useful. And making the list was also important, because it reassured me I knew all these techniques, and had used them before, and should calm down.

List 10 terrible endings (adapted from a Helen Marshall exercise), or just 20 endings. Or 100…

Re-outline it

Map it onto another story (I like to quick-outline fairy tales until one resonates, and then identify the parts to strengthen)

Fill it out as a synopsis questionnaire (I used to use Sue Dennard’s 1-page synopsis to trap story ideas)

Ask — what is the story behind the story?

Change the place

Change the era

Genderflip main character

Genderflip everyone

Change the genre

Change the adjectives

Describe the story in one emotion, & align/adjust

Do the same for each scene/section (see also three moods)

Flip (main) character’s personality (quiet to loud, etc)

What happens after

What happens before

What’s happening at the same time

It’s a metaphor for: ___

Pick/change emotional note for end

Scene-map

Match to 3-act structure

Match to 5-act structure

Give characters a preoccupation or secret

Start it later

Start it earlier

End it earlier

End it later

Map it onto a song

Blow something up

Make everything worse

Change [define & intensify] the aesthetic

Explain the reasons

Invert

Make it/ the weak bits A Whole Thing

Make it/ the weak bits a Good/Bad Thing

Make it/ the weak bits The Shape of the World

Tell from a non-obvious point of view (see also: by whom and to whom, and some less common points of view)

Change the type of character in the role (think archetypes and stereotypes)

Change drama – pose (?)

Change motifs

Change sentence structure

Change form, shape (e.g. list, pastiche, non-fiction)

And to these I’d add:

change voice, and

change age.

I might add more as I go. But in the meantime: hey, my debut collection of short stories, KINDLING, is now out from Small Beer Press (in the USA, and coming soon to Australia). It includes the new story “Annie Coal”. And if you look closely at the journal page above, you’ll see that was the story I was editing when I made this list.

The Author's Darling

So I follow a lot of people who post a lot about OC/self-insert positivity. And that's genuinely great. I love people's OCs and self-inserts. But occasionally, I will see someone, in an attempt to Defend The Honour of OCs and self-inserts, defend a particular kind of writing mistake. And that pisses me off, because it does everyone a disservice.

There are plenty of people who write OCs and self-inserts who do not make this writing mistake, and equating the two is unfair to every OC writer who works hard at their craft. There are also plenty of people who write canon-character-only fanfic or original fic who do make this mistake-- and that hurts both them and their potential readers.

The mistake I'm talking about? Writing a sort of character I'm going to call an Author's Darling.

I'm going to talk about what Author's Darlings are, why they're bad, how you can avoid writing one, and what an Author's Darling isn't. I put a cut in this post, because it's long.

What is an Author's Darling?

An Author's Darling is a character who cannot fail at anything that matters to the author of their story.

What this looks like in practice depends on the author-- different authors prioritize different things. Some authors think their Darling should be stone-cold badasses and never lose a fight. other authors are fine with their Darlings getting knocked out every time they try to throw a punch, but would be very upset if their Darling got rejected romantically.

Plenty of characters succeed at most things they try. Superman wins most of the fights he takes on, but he's not necessarily a Darling. But if you look at a character and you can say, "oh, this character would never lose a fight", or "everyone loves this character and would never get mad at them"? You've got an Author's Darling on your hands.

And- especially in fandom- a character can be a Darling in the hands of one author and a perfectly fine character in the hands of another. Steve Rogers/Captain America is an example of a character who gets Darling-ified a lot. Captain America is supposed to be a shining example of The Best that humanity has to offer- he's virtuous, strong, brave, and oh so pretty. It's easy to fall into the trap of making him incapable of failing at whatever you want him to do, whether that's "punching a lot of Nazis" or "supporting Bucky in his recovery". But a lot of writers manage to thread the needle and write Cap as the lovable, flawed person he's supposed to be.

Why are Author's Darlings bad?

Well, two reasons:

Writing an Author's Darling is a really good way to give yourself writer's block, especially when it comes to the plot. If your character can't fail at anything important, this means that it's really hard to build tension. If your character is going to automatically succeed at anything that's important to the plot, all you're writing is "and then they win, and then they win, and then they win". It can get pretty monotonous pretty quickly, especially if you're writing genre fiction. You can run out of ideas, or your inner critic can go "this isn't how stories work???? the FUCK???" and block your creative flow. If your character can't fail at anything- important or not- it's hard to come up with a good story for them at all. You know how sometimes you get a character rattling around your head but you can't get a plot for them at all? One of the first steps in fixing that is making sure you're not writing an Author's Darling.

Writing an Author's Darling makes people not want to read your work. Now, look. I know everyone says "you should write for yourself, and screw anyone who says otherwise!" But let's be honest here: it sucks to spend hours working on a piece of writing, post it, and then get, like, 2 hits and no kudos, or 1 tumblr like from your friend who likes everything that crosses their dash. It's incredibly demoralizing. Author's Darlings are one of the big factors that make people stop reading a story. As soon as a reader gets the sense that the protagonist can't screw up- that they're "too perfect"- the tension in the story is gone. There's no reason for them to keep reading, because they know the character's just going to Press The Win Button And Win. So they'll click out without saying anything, and you'll wonder why no one's reading your fic.

What isn't an Author's Darling?

This section is haunted by the ghost of Mary Sue. If you're reading this list and you're new to fandom/young, you might wonder why I'm calling out certain specific things; this is a fandom war you missed, don't worry about it.

An Author's Darling is not a character of any specific gender. Male, female, and nonbinary characters can all be Author's Darlings.

An Author's Darling is not necessarily an OC. In the current fandom climate, it's way more likely that a Darling will be a 35-year-old canon male character the writer calls "babygirl".

An Author's Darling is not necessarily a self-insert, but it's really easy to make a self-insert into a Darling. There's a reason people recommend that newbie writers avoid self-inserts- it can be really hard to write a character based on yourself that screws up something important. It takes a lot of vulnerability and courage to write, and it's not something you want to show everyone.

An Author's Darling is not an "overpowered" character or a "cool" character. Your character can have sixteen katanas and do air dashes and still not be a Darling- and your character can be a powerless human in a superhero setting and be the biggest Darling to ever Darling. Having "too many" powers or standing out "too much" in the setting is often a symptom of a Darling- if you don't want your character to fail at anything important, and being The Coolest Person In The Room is important to you, you're going to make your Darling overpowered and good at everything. But it's not the thing that makes an Author's Darling bad.

An Author's Darling is not a 'perfect' character, or a character without flaws. There's a lot of overlap in the Venn diagram, don't get me wrong... but you can load up a character with "flaws" that don't matter to you. A lot of dudebro male writers, for example, will make their Darlings emotionally constipated, mean, and Bad At Relationships. These genuinely are character flaws... but these writers don't give a flying fuck about the character's relationships. They're happy to let their Darling fail at this stuff to prove he's FLAWED!!!- but try and make them write a fight scene their Darling loses, and they'll break out in hives.

Why should I care? Writing is supposed to be fun, and writing characters failing is not fun for me.

Writing is a craft. It is no different from knitting a sweater, making a stop-motion film, or trimming a bonsai. There are ways to do it well, and there are ways to do it poorly.

It can be fun and rewarding to knit a shitty sock with holes in the heel where you forgot how the pattern works and weird lumps in the calf. It is more fun and rewarding to get good enough at knitting that you knit socks you can wear.

Similarly, it can be fun and rewarding to deliberately write stories about overpowered Author's Darlings that are boring to read for anyone who isn't you. But it is more fun and rewarding to get good enough at writing that you write stories other people will want to read.

And you know, maybe you don't care about that. Everyone needs a hobby that they're bad at and have no interest in getting better at; it keeps you humble. Maybe writing is yours.

But plenty of writers do care. And tarring every writer who writes OCs and self-inserts with the same brush- the brush of "this is supposed to be fun! we're writing deliberately bad things! yay!"- is an insult to anyone who writes OCs and cares about their craft.

If you want to write well, you should be aware of what an Author's Darling is, and if possible, you should try to avoid writing them. If you don't care about writing well, that's fine- but please avoid implying that every OC or self-insert character is badly written in this particular way.

Art by Julia Sidorenko

The fall stoat is here!

If you'd like this baby as a print, it's part of the rewards of the month on my ko-fi (along with a sword bookmark)

Saying that a certain group of people is too privileged to complain about the way that things are is its own sort of defense of the status quo

I'd just like to clarify some things about Senator Cory Booker's marathon Senate speech in protest of the present administration and everything they are doing to the American people.

Senator Booker was NOT allowed to sit down, eat, or use the bathroom during his speech. Sitting or leaving the room to use the bathroom would be considered yielding the floor. Eating would have interfered with his speaking and the person who has the senate floor must continue to speak, except when listening to questions that they will then answer.

He only took occasional sips of water.

The person who previously held the record for longest speech on the Senate floor did have bathroom breaks and also did things like read from the encyclopedia.

Senator Booker did not do that. His speech was to point out the damage that this administration is doing and he stayed on that subject.

Senator Booker's speech did reach many people. It wasn't a silly stunt that was done so that he could take the record for longest speech. He wanted to show the country that democrats will do something to bring attention to the problems we are facing. That democrats are listening to them.

Senator Cory Booker spoke for 25 hours and 4 minutes to "make good trouble."

I finally made the meme I've had in my head for over a year

u ever see someone with extremely fucked up views (or actions) and think wowww if a couple of things in my life went the tiniest bit differently that would have been me