something i see a lot in the dungeon meshi fandom is attributing izutsumi's personality traits to her being a cat. and while ryoko kui definitely gave her cat-like traits intentionally, she's a talented enough writer to also give her a backstory with reasons for those traits. for example, her tendency to only do and eat what she wants.
izutsumi's character arc revolves around freedom. she grew up caged in a circus. and although she was fed enough to survive, this was only because a living catgirl attracted more customers than a dead one.
[id: first image is izutsumi as a child framed behind bars and standing on all fours, making it clear how skinny she is. a hand in the foreground holds out a bowl of what appears to be kibble. narration says “thrown in a cage and given food every once in a while… is that what you would call ‘being raised’?” in the second image she is now sitting on the floor of her cage and eating a rat. end id]
look how skinny she is! we see her eating what appears to be... kibble? oats? and then a rat that she possibly caught for herself. she had no choice but to eat anything she could.
[id: part of the dungeon meshi manga. a slightly older izutsumi is tied to a post and tade sits next to her to say "we've got a roof over our heads, beds, food, and clothes. they've got everything here. is there someplace nicer than this out there?" izutsumi thnks for a moment and says "i hate that someone's already decided what i'm going to eat tomorrow. my name, the clothes i wear, where i sleep, where i go next... here, all of that's been decided by another person... even though, come tomorrow, i might want to eat something else instead. that's why i'm leaving." at this, tade cries out in shock. end id]
when she's taken into the nakamoto household they begin to treat her much better. she's on about equal footing as tade, who also had a rough living situation before being taken in, and tade loves it there! they get healthy and tasty food and they're not sleeping in cages. but izutsumi still isn't free. she can pass off her chores and vegetables to tade and disobey in any way she can but she can't leave. maizuru even put a collar on her, further dehumanizing and trapping izutsumi.
when izutsumi joins laios's party, she's finally 'free', but it's not the kind of freedom she wants. she has to eat even more food she doesn't want or else she'll starve. but the difference now is that she's can leave at any time, and if she stays, she's treated as an equal. they're not feeding her monsters because they see her as inferior. they're all eating the same food so they can reach their goal(s). and this is part of izutsumi ultimately learning that in order to do what she wants, she has to be willing t do the things she doesn't want to
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Artist : 一春虫虫人 (weibo / twitter)
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my favorite running bit in the dunmeshi manga is when there's a panel showing everyone's reactions to something and izutsumi is just
Thinking about the way dungeon meshi does queer horror. Using horror to tell queer stories is already subversive, but dungeon meshi subverts it even more
Normal queer horror is like. A monsterous desire and immortal love of something isolated/hated and the uncontrollable but suppressed need to consume someone to live and they only die if you break/pierce their heart. its great.
In dungeon meshi, the group is STARVING. they do things the way they're expected to and they're so deprived that eventually, one of them is consumed by that monsterous desire.
Then when Falin becomes a monster, she doesn't eat Marcille because she doesn't NEED to, Marcille already offered herself up as part of Falin by mixing her own blood with the dragon's for the resurrection.
Also Marcille is a monster too!! She doesn't need to be turned by Falin. She's a 'witch' doing black magic for one but she's also very vampiric
Her name is super vampirey especially given one of the translation spellings was Marcilla, an annogram of Carmilla*. And Marcille is very similar to Marceline from Adventure Time so it's a name with heavy connotations to me. Also her staff is Ambrosia which means immortal.
*ps Carmilla is the original modern vampire that inspired Dracula and also a lesbian. she used annagrams of her name to disguise herself across hundreds of years.
Marcille is like. a vampire in that death is a big part of her theme. She can breathe that immortality into someone else using her resurrection black magic and death is a huge part of her character. She wants them to live as long as she does. To make them immortal. Like. Like a vampire.
But once again this is subverted!! she doesn't 'turn' Falin, she makes her undead by giving her own blood instead of taking Falin's. Falin becomes a monster not because she's attacked or turned, but because her DNA, something INHERENT about her is now intertwined with the monster. so a god-like figure merges them. Then the only way to free her from that frenzy and grant her autonomy again is to finally consume her. something inherently lesbian about all that i think idk about you
rattles these two around in my head
A very experimental art for me, i want to try out some new style. ihnmaims radio drama got me in a chokehold and possessed me to draw this.
Also I'm giving Ted zero gyatt cus that man did not deserve it.
Note :
- the binary translates as "HATEHATE" on repeat.
- the pair of punchcode tapes representing AM's talkfield, are from the original short story. The left one is "I THINK, THEREFORE I AM" and the right is "COGITO ERGO SUM".
โอ้ยปวดตา
20 | he/they/it | just thinking about a certain cat... could be transgender but who knows...
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