Thinking about how the two children in dunmeshi were both sold into slavery and how their enslavement differed. 
Thistle was given to the Royal Family as a trophy, a sign of status because he was an elf. Although he was doted upon and “treated as a second son,” Thistle was clearly a different race, of different stature and ultimately a companion for Delgal.
Despite being a child for the entirety of their relationship, Delgal used Thistle to vent his anxieties and worries to him. Here is an uncomfortable and tragic scene where Delgal is absolutely distraught about the death of his father, with the kingdom being taken over. And it is Thistle, the child, who was supposedly seen as a son to the king too, is comforting Delgal.
This ultimately culminates in Delgal placing the responsibility of the Kingdom’s health on Thistle (who, again, was his elf child slave.)
Kui places obvious signs the mental toll it’s taking on him, and his anxieties and worries drive him to self harm and endless stress.
(We see how Falingan recognises him as a burdened baby and hugs him 😣 so cute…)
(EDIT: This is an edited panel of Thistle! Sorry, I should have mentioned that… I think it’s cute. The original says “His Majesty will return soon, when he does, let’s have a grand celebration.” Thank you to the commenter for pointing this out.)
Thus, Thistle was shaped into a child desperate for approval from his owners, to the point that his deepest wish was to ensure the safety of the Golden Kingdom, forever freezing himself and the citizens in time. It is only towards the end of the story where Delgal realises this all happened because of the mental burden he placed on Thistle.
I believe the The Lion keeping its hold on Thistle for so many years compared to the comparitively instantaneous period it kepts Marcille/Laios is partly because of Thistle’s youth. The other Dungeon Masters became mad, yes, but Thistle was unable to ever be convinced to relinquish the book, as he was too dogmatic, too vindictive, just like the child he is.
On the flip-side, Let’s compare Izutsumi. Like Thistle, she has no idea where she came from as she was sold into sorcery and slavery. While Thistle’s trauma came from the emotional abuse suffered by his owners, Izutsumi’s was very physical. She is part cat, part human, thus a beast man.
Izutsumi is even sold to Toshiro’s family as part of his all-female guard, and as a result of her escape attempts she is also cursed to never be able to escape them. Unlike Thistle, Izutsumi absolutely abhors the violation of her body, as well as her lack of freedom. She not only wants to escape slavery, but wants to lift her Beast-man curse and go back to being a human.
It makes it sadder when Izutsumi eventually discovers that it is impossible for her to life the curse. This is because she is a cat who had a child’s soul imbued into her, and removing the curse would remove her personality and revert her into an animal. This implies that the person who trafficked her murdered her human-child self to do so.
Despite this, Izutsumi is the complete opposite of Thistle. She is rebellious, unshakeable, and extremely self centred. All of this is a result of a life where she’s had to fend for herself. However, just like Thistle, she is still childish in her wants and needs and thoughts. While Thistle took on the responsibility the entire fate of the kingdom, Izutsumi wants nothing more than to do whatever she likes.
Whereas Thistle was a status trophy for the royal human family, Izutsumi was a sick science experiment for a trafficker.
Izutsumi is never able to remove the physical effects of what her traffickers did to her, and spent her life fending for her freedom, so she struggles to understand why anyone would take on unpleasant tasks or selfless responsibilities.
She’s also very inept at doing things like emotionally comforting her big sister figure (compare this scene to how Thistle comforts Derghal.) She hates emotional physicality, doesn’t crave approval, but like a cat, and like a child, she craves warmth of another when she sleeps (so cute!)
Meanwhile, Thistle is never able to shake off the emotional effects of what his traffickers did to him, and spent a millennia desperately clawing his way towards their demands to appease them, and struggles to ever stop for a moment and think, “I’m a child, why is this my responsibility?”
There is one thing that they have in common though — it’s that they entirely refuse to depend on others. That’s so tragic for two children to think. ☹️ This concludes my analysis of the two most prominent children in Dunmeshi.
(Sorry I didn’t put more Izutsumi panels, theres a ten photo limit..)
There’s just something extremely touching about watching Izutsumi work through a wide range of emotions when she sees Marcille cry for the first time.
She’s sleeping on Marcille’s lap when it happens—something she hadn’t willingly done since her human consciousness was subdued in the Golden Country.
Izutsumi was initially very embarrassed when she remembered showing Marcille such unbridled affection when her monster (cat) side had full control in Melini. But now, shortly after, she did it again without any fuss, seemingly over this embarrassment.
But when she notices Marcille crying—not crying expressive tears over a situation with low stakes, but tears of real sorrow and loss—Izutsumi physically recoils.
She reacts with the childlike fear and panic that one feels when someone they heavily rely on and trust (like a parent or teacher) shows vulnerability, doubt, or weakness. She lashes out, trying to use words of reproach to get Marcille to stop crying. Or, in childlike terms, to try to force Marcille’s pain go away.
When that doesn’t work, we see her physically struggle as she tries to sit by and wait it out. But Izutsumi can’t do it.
Marcille’s pain causes her so much intense distress that Izutsumi immediately offers physical affection as a response—something she has not done for anyone up to this point.
When Senshi told the party about his traumatic backstory, Izutsumi did not touch him. She did support him, tried to offer words of comfort, but she did not embrace him like the others did. Maybe she didn’t know how; maybe she didn’t have a proper example on what comforting someone looked like. But she saw all three of them reach for Senshi, she saw them hold him in their arms, and anchor him as he cried.
This is the first time another party member has cried out of sadness since that moment. It’s possible that she saw how the others helped Senshi, and maybe, subconsciously, she saw that it worked. That it made him feel better.
She is clearly unused to it, and has her own rollercoaster of emotions as Marcille gratefully accepts the comfort Izutsumi is offering her. But it helps. It helps Marcille immediately, and Izutsumi knows this.
These acts of vulnerability are foreign to her, and thus make her feel uncomfortable, but she lets Marcille lean on her afterwards anyway. She wanted Marcille to be okay, wanted it so badly, that she accidentally overcame an emotional obstacle she never even knew she had.
A very experimental art for me, i want to try out some new style. ihnmaims radio drama got me in a chokehold and possessed me to draw this.
Also I'm giving Ted zero gyatt cus that man did not deserve it.
Note :
- the binary translates as "HATEHATE" on repeat.
- the pair of punchcode tapes representing AM's talkfield, are from the original short story. The left one is "I THINK, THEREFORE I AM" and the right is "COGITO ERGO SUM".
โอ้ยปวดตา
'That means my curse can dispelled as well!! Please, just help me get rid of this animal spirit possessing my body!!'
I freaking love the Izutsumi pictures we took at Babelsberg, everything was perfect that day and it's so much fun cosplaying her. :3
Photos - @misskrone
Man, thinking of Izutsumi is making me cry. Like, the succubus chapter and the monsters taking on the form of her mom (that she thinks what her mom looks like but she doesnt remember, she was taken/implied kidnapped when she was very very young).
How at first she was frozen and her small, cracked voice, calling her, "Mom?".
Then, the next without effort kills her 'mom' and the agony that she thinks that she doesnt have a human heart, that she's a heartless monster. Thinking how easy it is to kill her. Until, a big cat monster appears. As the fight stops, she looks at the cat monster and questions why it doesnt affect her. The realization that she does have a human heart, it just beats alongside the monster heart. That she's slowly starts to accept who she is, I mean she still has the desire to go back to being human, but she does start to not hate herself. And the fact that nearly her whole life being carted around, she was never alone. Her monster part protected the little girl, gave her its strength and agility.
I'd like to believe that's where the part where this snip of her thinking of herself, comes to fruition
Of all the directions to take a potential spinoff, I can't think of a prompt with more potential than "Izutsumi and Inutade go on a road-trip adventure".
As a duo, the two characters are perfect foils with an excellent dynamic that's just begging to be built upon. Likewise both characters individually have plenty of room for further growth. This parallels Dunmeshi's world as a whole, which is basically nothing BUT untapped potential. What better way to explore it further than through a pair of young warriors who know nothing of the lands and peoples beyond their home?
Narratively, it would be extremely easy to set up. Inutade is sent to retrieve the escaped "Asebi," but Izutsumi refuses to return until she's killed the wizard that originally turned her into a beast-man. Izutsumi (falsely) promises that she'll return and never attempt to escape again, IF Inutade helps her with this first.
Thus begins the adventure of the cat and the giant! Two foster-sisters, seeing strange sights, getting into hijinks, and bonding as fellow oddities within this world where their kind is rare.
To tie it back to Dunmeshi, you could use the story to explore the cuisine of different cultures, and how a society's approach to food can define its wider values.
20 | he/they/it | just thinking about a certain cat... could be transgender but who knows...
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