We need to bring back fanfics where the author talks to the characters in the chapter notes and occasional intertexual asides, and through this medium the reader gradually becomes aware of a whole secondary metanarrative concerning the interpersonal dramas of the notional "actors" playing the characters in the fic.
hugging them from behind, laying their head on the other's shoulder
breathing in the other's smell
whispering to each other
cuddling on the couch
walking hand in hand
playing with the other's hair
softly smiling at each other from across the room
telling each other how proud they are of them
leaning into the other person
feeling for the other's hand
pressing a kiss onto the other's hair
humming a melody together
playing with the other's fingers
holding each other's gaze
absentmindedly massaging each other
resting their hand on the other's thigh, slowly stroking it
handing the other one a hot cup of tea, their hands touching for a moment
moving closer in bed
reassuring touches
telling each other I'm here
cuddling in the first morning light
hiding their face in the other's neck
telling each other how much they love them
eating from each other's plates
brushing against each other, even if there is enough room
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"Can I hold your hand?"
"Is it okay to kiss you?"
"Can I hug you?"
"Can I call you later?"
"Is it okay if I sleep here tonight?"
"Can I touch your hair?"
"I would love to spoil you, can I do this for you?"
"Can I tell people about us?"
"Would you allow me to walk you home?"
"Is it okay to randomly text you?"
"Can I take a picture of you?"
"Can I use a picture of you as my background?"
"Is it okay if we cuddled while watching the movie?"
"Would you let me take care of this for you?"
"Are you okay with me calling you my girl/boyfriend?"
Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.
Here are some strategies to smoothly transition between different pacing levels:
Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.
Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.
Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.
Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.
Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.
Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.
Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.
See my post on pacing for more! β€
Intimacy is not just about sex. It's having heart-to-hearts, staying up all night talking, sharing childhood memories, thoughts, fears, dreams & hopes for the future. It's uncontrollable laughter, direct eye contact and feeling each other without touching - it's exchanging energy
writers and artists will go "this isn't good enough." my brother in christ, you're creating something new out of nothing and expressing yourself creatively. your productivity and unrealistic standards of perfection do not define you or the worth of your art. you're doing great.
Hello, I am Bilal from Gaza ππAfter nearly 150 days, we were forced to leave Gaza after the war destroyed everything around us, leaving behind a homeland, a home, and unforgettable memories. Every day we lived under the bombardment was a struggle for survival, and the hardest decision was when we had to look for safety elsewhere. Egypt was our destination, and although the conditions here seemed like a lifeline, the challenges we faced were no less difficult than those we left in Gaza.
The situation here in Egypt is complicated; we live with some family members, but life is far from stable. The conditions are difficult, whether in terms of the high cost of living or psychological instability. The biggest challenge we face now is the legal status; we live without a residence permit, which further complicates matters. Every day we live surrounded by fear and anxiety, and without official papers, it is difficult for us to find work or continue living normally.
Despite all these challenges, we have not lost hope in achieving our goal, which is to raise 5,500 pounds sterling to achieve financial stability that will help us start over. Thanks to the support of our friends, we are close to achieving this short-term goal, with just under Β£100 left. This small amount could be the difference between continuing in these difficult circumstances and moving on to a better life.
Every small step towards our goal brings us closer to the security and stability we seek. You can find out more and support us via the link https://gofund.me/ba5b76e9
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βomg youβre so creative. how do you get your ideasβ i hallucinate a single scene in the taco bell drive thru and then spend 13 months trying to write it
Hello , I am Purity from Gaza-palestine and I am 21- years- old. I am diagnosed with diabetes type 1, recently I have become extremely sick and lose weight due to lack of enough money to get my insulin. The situation is getting worse day by day I really need your support argently.As a diabetic person, I find myself in a difficult situation and I'm in need of assistance for me to survive. Thank you in advance every 1 dollar can save a person's life. As you can imagine,I am really struggling to get my medication if you don't mind kindly support meπππ.