“women with their backs against a raging fire they escaped from” genre
I complete missed this detail!!
Eliot taking his jacket off in The Rundown Job, making himself a more prominent target for the gunman with his bright red t-shirt, just perfection…he didn’t need to do that. Eliot fights in multiple layers of shirts and jackets and hoodies plenty of times, but he did, and now he’s brightly coloured and running at the guy, making himself the most likely one for the bullets to hit.
The clothing colours at the end of that ep also echo the ones at the end of the pilot episode and that is pleasing…but I digress a lot from the point. Point is I was sketching from Rundown and just enjoy the red t-shirt.
Dominic Toretto once said "I don’t have friends, I got family" with that in mind, that will be our intro for today! Although we find that iconic line cheesy as cheese, the audience loves a great found-family setup.
Something about how a bunch of misfits and inconsiderate douchebags developing to be a family of their own in spite of their quirkiness and tragic backgrounds makes us love them more than the typical and already functional groups. Like most families, there is the father, the mother, and the child. The rest is kind of subjective.
I've talked a little bit about actual families via [The Addams Family] but I think Found Families are a different breed. Let's discuss that and explain why we love them so much~
While conversing with a friend I've met on Tumblr. My friend suggested that I should watch the show < Shadow and Bone > based on the Grisha Trilogy by [Leigh Bardugo] The story mainly follows Alina Starkov who lives in a world divided by the haunting dark cloud placed at the center of the three counties known as; The Fold.
Aside from the main plot you can already guess if you know enough fiction. The show features a merry band of dangerous outcasts. The Six of Crows from Ketterdam. Led by the cunning leader; Kaz "Dirty Hands" Brekker.
The team is supported by, Inej Ghafa The Assassin, Nina Zenik The Heartrender, Jesper Fahey The Sharpshooter, Matthias Helvar The Convict, and Wylan Van Eck The Runaway. Like every group that shares this type of beat. The teammates do not trust one another and are only united for the cause.
This will develop as the series goes on and their trust will change from strangers to allies to family beneath the backdrop of a sinfully cut-throat and exciting city. While the series only showed Five of the Six so far. I've grown very quickly to love this group for their chemistry and their respective motivations to stay as a team.
What's so interesting to watch is, despite how typical this trope is. I still couldn't keep my eyes off this concept. It's so much fun to see the Six interact even though for now, it's just Kaz, Inej, and Jesper (also, The Goat; Milo) planning a heist to kidnap our heroine. On the other end of the world, we learn about Matthias and Nina. The Convict and The Witch (Matthias's words, not mine)
Dysfunctional groups like these feel very human. They don't act like they care for the world or for one another but instead, grow in the process.
Similarly, another dysfunctional group called < The Guardians of The Galaxy > shares the same vibes as the Six. Their talent is great but it's their destructive tendencies or personal vendettas that make them less like heroes. Rather, they are people who just so happened to be doing heroics.
Part of the trick in making fun found families is the will to condense the group down to about four or three characters. In most Shonen manga/ anime, the main character (eg, Naruto) is often supported by a lancer character (eg, Sasuke) and the heart (eg, Sakura) There is also the mentor/senior (eg, Kakashi) and it will always be these four. Other examples like Harry (Potter) and Co are good samples of the main trio with a mentor (Hagrid).
It's rare that we find trios with no mentor figure. Such is the case of another show I recently watched, < Lockwood and Co > based on the book series by [Jonathan Stroud] For a quick summary, Lockwood is set in London with one big exception. The city/ world at large is haunted by lethal ghosts (AKA The Problem) and only kids can sense them. Therefore, fight them.
The main cast consists of Anthony Lockwood, the cool and fearless badass gentleman who is strongest with Sight. George Karim, an all-rounder but a highly talented Researcher. Finally, our main character, Lucy Carlyle. An incredibly talented girl who's the most gifted with Hearing and Touch. Unlike the other agencies which are by the book and led by a Supervisor (an adult). Lockwood is purely independent but is unfortunately small and always in trouble with the law due to their incredibly dangerous methods.
Still, they are the best at what they do. Hunting ghosts while solving the bigger mystery behind The Problem. Despite their terrible coordination, the team has proven themselves to be better and far more personal with the cases they crack. Making it less like a job.
They are reminders that less is better. The cast plays the role of Hero, Lancer, and Heart very well and their chemistry is great and funny. Anthony and Lucy will sometimes bud heads, George will do his own thing making two of his partners incredibly proud and, you might see some tender/real moments between them.
Lockwood also removes the typical hero's journey of losing a mentor figure and instead makes the characters each other's mentors. The team relies on one other with their lives to survive every mission and navigate through life as a whole.
It felt more organic for them to grow together because there's a sense for when an adult shares a piece of advice (no matter how good it is) feels very smug and dull. The characters feel like actual teens because the setting for the agency sounds like something actual teens will do. Break the rules and do right for the fun or for some deep-rooted conspiracy that the world has yet to know.
From the dysfunctional groups like the Six or the Guardians to the power of Three. There is one other interesting layer to the Found Family troupe. The Disbanded Found Family.
While most stories tell of how the team came to be, rare stories tell of how they split off and are no longer on speaking terms. For a while, The MCU's Avengers were at war with one another during < Captain America; Civil War > With Steve Rogers and Tony Stark budding heads harshly over the Sokovia Accords.
Seeing a well-rounded team break up is difficult for the characters and the audience because. For all the disagreements they had with one another, they've developed along the way to be close like a family. Seeing them split is like watching a divorce happening on screen and it's heartbreaking and sometimes a little bit awesome because you've got the best of the best competing to declare their superiority.
Perhaps one of the best examples I have seen is through < Kuroko No Baskue > where our main character; Tetsuya Kuroko entered High School and vowed to defeat/ beat some sense to his Former Junior High School Basketball Team with his newfound team; Seirin High
Kuroko's former team is famously known as The Generation of Miracles; an elite team of young talents that excel on the court, thus making them prodigies of their generation.
The Miracles consist of; Daiki Aomine (The Power Forward Beast), Shintarō Midorima (The Star Shooter), Atsushi Murasakibara (The Ultimate Center), Seijūrō Akashi (The Emperor's Eye) and Ryōta Kise (The Perfect Copycat) From the little we have seen, the team is passionate about the sport they play and they share a very brotherly relationship with one another.
As the series develops, we learn more about their personal relationships with Kuroko and with each other. We see the infighting between them and we learn about how their respective egos build. We learn about their vow during graduation and we get to see them reunited once again.
The series as a whole function in two ways. Kuroko develops new relationships with his new team and Kuroko confronts his old team to mend their relationship. It tackles the dysfunctional team setup at its lowest state and rekindles the flame for the respective parties to be healed. Also, it's really cool to see such a colorful cast together.
With that said, it's a wonder for why Found Families are a timeless troupe no matter the settings. But, like how Amanda Waller sets up Task Force X/ The Suicide Squad. Sometimes it's not by choice and it always starts out bumpy.
What I find fun in teams like the ones mentioned is that they share a common language in spite of their unique flavors. The teams are built on trust, a common goal, and the willingness to open up. For all the gimmicks, the core values stay the same.
We, the audience love a good Found Family because in an indirect way. We wanted a group like that. We longed to have a group that we can call family but, the reality of it all is. It's really up to how the characters interact with one another.
Every circle is different and no matter the status or the seasons. All are maintained by the will to reach out. It's something I hope to use for my own team in the process. To have [Them be there for you, Cause you're there for Them too]
Thanks for reading
- Caw4B -
For the sake of my sanity it needs to be renewed
i think it’s noteworthy that parker finds a way, multiple times, to pretend to be with hardison in a con. she kisses him in the first david job, she pretends she’s meeting him to have sex in the wedding job, they pretend they’re getting a marriage visa in the zanzibar marketplace job, and they act like they’ve been making out in the jailhouse job. and i can’t think of a time that she’s done that with any of the others?? tell me if im wrong but i don’t think she’s fake-made-out with anyone else, at least.
i mean, parker stabs or breaks the fingers of guys who flirt with her or touch her. yet in the first david job she kisses hardison. in season one, when she’s still so resistant to touch and her heart is so guarded. its just for the con, of course. but a fake kiss, something she can easily write off - that’s all she can do at that stage. she can’t offer her heart, she won’t let herself get attached, and really it takes until the long way down job (ie season 4) for her to start accepting that she is capable of loving and being loved. in season 1, when she was entirely closed off, a fake kiss is all she can do with her feelings for hardison pretzels. she keeps taking the opportunity to kiss him or be together, without the consequence of Having To Talk About It and all the problems she knows would come with that. her method of coping with Emotions is to let herself get into a bunch of mini fake dating AUs with him lol.
i think its worth bringing up because ive mentioned how sweet hardison is with her, and we all talk about how much he cares for her and shows patience and understanding, but its certainly not one-sided! parker’s enamoured with him since pretty early on. her way of showing it is just different and somehow both far less and way more direct lol. they both put effort into figuring each other out and learning to be in a relationship, not to mention that trying to be capable of a healthy relationship with hardison is one of the biggest driving forces behind parker’s character growth. he’s so important to her (and they’re so important to me <3).
Eliot: ... overconfidence will kill you faster than a bullet any day. Fear's good. Hardison: Oh, I have fear. And doubt. And really serious regrets. I should be fine.
Basically the show
Barnes: You're not to operate this agency without a supervisor.
Lockwood: Not to worry! I have a permit.
Screaming crying and throwing up
anthony lockwood + the hand slide
you’re my son. 🥺
Love her!!
A funny thing about the Greta Thunberg and Andrew Tate is the level of effort each put in. Greta probably spent less than a minute thinking up then writing that post whilst Andrew clearly spent hours on his video, getting his big cigars, putting on his silk robe and ordering a pizza all to prove how he, a 36 year old adult, was unfazed and totally not owned by a 19 year old. And it got him arrested.
This’ll go down in internet history, Greta ruined a sex trafficker life with a tweet.
If you like Lockwood & co, want to see a second season of Lockwood & co, don’t wait weeks to watch it when it’s the biggest genre for getting the axe sooner than you would expect.
Drop it in your background, run while you’re out of the house and start it up again when you get back and put a notepad over it. Watch it tonight, and don’t dole it out like treats. Netflix needs completion not just hours which is depressing because I sure as hell don’t like binging shows anymore than the rest of the country.
We might look okay the way we’re going but I’ve seen shows cancelled in less than a week of it airing.
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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