Ok so i don't have the time to go in and get a screen recorded video with volume but look here
When parker says she wants to kill Dalton Rand, she's looking to Nate. She's asking Nate if they can kill him. Eliot volunteers to kill him. Parker turns to look at Eliot when he starts to speak. Eliot "I don't kill people anymore" Spencer volunteers to kill Rand of his own volition. Parker isn't even asking him, looking to him. He just cares so much about Parker being hurt that he volunteers to do something that hurts himself without being promted or asked personally. This is just something that means so much to me. This is only season 2 but the strong connections are already there
BOTTOMS (2023) + movie references and parallels
Iām crying šš he trusts them so fucking much
Watching The Corkscrew Job and just ...
Eliot trusting Parker and Hardison enough to go into a situation where he's about to have no oxygen. He would hear over the comms that they're facing down henchmen who are trying to stop them. He doesn't know how long it'll take for them to get air flow happening again.
But there's an innocent person to protect and he has faith in his partners. Faith enough to willingly risk his life time and time again - not just in this instance, but all the others we see over the course of the show. Because Eliot knows that Parker and Hardison will do whatever it takes to protect him, just as he protects them.
There's just something so profound about not even having enough air to draw breath - but it doesn't matter, because you know your partners are out there, fighting to get that next breath to you. And it might take longer than expected. It might not go smoothly, hell, it might not even work at all. But it doesn't matter because your faith in these people is greater than the instincts screaming for oxygen.
Eliot can't breathe without them. But he's used to that - he's been living this way for years already. So he holds his breath and trusts.
The way that Grover keeps saying he's 24 when we know full well that satyr's age half as fast as humans.
Can we take a moment for Grover, because at the mental age of 12, he's given charge of another person's life, and his only job is to protect him. He swears to keep him safe and keep him alive. He's failed in the past and that lurks in every dangerous situation they encounter. He keeps bringing up that he's 24 maybe for comedic relief or maybe to remind himself he's had 24 years of world experience, even if he just feels like an overwhelmed 12-year-old, placed in charge of two danger-prone kids who keep trying to sacrifice themselves for each other, on a quest doomed to fail?
The satyrs have been protectors for decades, but It just occurred to me that they're basically just kids trying to protect kids from monsters they probably wouldn't be able to beat.
Hahah true
Sometimes when I'm cooking, I think to myself "would Eliot approve of this or would he have an aneurysm if he saw what I was putting in this meal?" Then I shrug and do it anyways because it's a win-win either way.
Basically the show
Barnes: You're not to operate this agency without a supervisor.
Lockwood: Not to worry! I have a permit.
I believe in you.
One of my favourite scenes hands down
Something about... THIS scene
And... ngngnfnds it's something about Lucy not being herself // Lockwood being TOO much of himself...
The words are coming from Lucy's mouth, but they aren't hers; those are Lucy's hands, but she isn't the one using them... an otherworldly force chose Lockwood to be her scene partner here, and once again it's about external voices seeing Lucy's feelings for him before she knows it herself...
And then there's something about how it's in direct contrast to Lockwood, who is PARTICULARLY aware of himself in that moment... this is one of the few times we get a full scene of Lockwood stripped down to a tshirt+hoodie instead of his usual suit+tie number (my brain is buzzing over this, since I presume the suit is sort of a costume for him, with the purpose of masking his inner self/vulnerability)... AND ALSO because this is arguably the first physical romantic scene they share, and while he is clearly concerned and confused about her behavior, the fact that he is having to reckon with Feeling Something Else Too is written all over his face...
I know this take isn't super book-accurate, but it feels almost allegorical to this idea that Lockwood is the one who is being caught off guard and having to realize his feelings early on... versus Lucy, who is there, and she's participating in the dance, but she's also being stopped from experiencing her feelings to the fullest by something within her...
Anyway, I'm sorry this is an absolute rambling MESS because my brain doesn't quite have its thoughts together, but I needed to post this right now immediately, hope you all understand š
theres something so beautiful about things becoming dirty from their job. like a painter's desk being covered in paint stains, or a gardeners pants having mud stains that wont wash out, or a cutting board being stained from all the foods that have been cut on it. just a clear, distinct telling of "this was used as intended and it shows" an object clearly showing it's been used and loved
Leverage 1x3 - "The Two-Horse Job"
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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