Something I Love About Sophie's Character Is That It Must Take So Much Effort And Talent To Be Able To

Reblog if you think asexuality is a legitimate sexuality.

I'm trying to prove something.

For a minute, just for a minute, you made it feel like home. Maren and Lee in Bones and All (2022)

I've seen a lot of praise for the Netflix Lockwood and co. adaptation. I haven't read the books, enjoyed the show. Lots of people already said a lot of positive things about this series concerning plot, characters, and so on that I largely agree with

You know what hasn't really been talked about?

How BRIGHT and WELL LIT everything is. Like, this show mostly happens at night, with characters running around with torches to see anything, because their job has to be done during the night.

But I can still SEE EVERYTHING.

I noticed that in the graveyard scenes especially. The sky is pitch black, we know it's the middle of the night. But the grass in green and I can SEE IT.

Love them for not going down the path of GOT, DC, and so many more. Of saying "well, it's the middle of the night, so nobody can see anything, and neither can the audience".

Instead they went "we told our audience it's the middle of the night, we're showing it to them, but we're also giving them the opportunity to see what actually happens on screen".

Amazing.

god every time i watch leverage i'm just reminded that like. they didn't HAVE to put in the amount of effort that they did! they didn't NEED to keep nate's storylines about his addiction and his son and his father consistent. they didn't NEED to stretch out the parker/hardison slowburn so elegantly. they didn't NEED to give tara goddamn cole a character arc despite her being in the show for like half a season!

but they did!! they did all of these things!!! and they also dedicated entire episodes to team-building (the rashomon job), they also kept sterling consistent, they also made the goddamn RUNDOWN JOB like. this show did not have to be as good as it is!! but it really is just SO GOOD

Lockwood and co I will avenge you. Tis the season

Studios are so obsessed with trying to find the next cash cow that they will kill the calf before it's weaned from its mothers milk.

I couldn’t put into words why that scene left such an impact on me but you just did perfectly and might I say OUCH.

THIS SCENE IS SO MULTI-FACETED AND I LOVE IT SO MUCH AND I HAVE TO TALK ABOUT IT!

Anthony being touch starved and Lucy touching him so tenderly like that affects him so much from the get-go obviously cuz it fulfills that need. It also highlights their quickly burgeoning feelings/connection with each other but in the CRUELEST way cuz the reason she's touching him is not because she wants to but because she's possessed.

But, its not only just that she is acting in love with him (making the connection between them so hard to ignore) when its not really her that hurts but she's acting as if she loves him while he (his role) is HURTING her. With Anthony's past being so traumatic, you just KNOW he internalizes that shit even though its not really even Lucy talking and its not even him she's talking about. It hurts him to have Lucy act in love with him but also she's acting as if she has to FIGHT to believe he's not hurting her. She's acting as if loving him is causing her physical pain and that's horrifying for him cuz the one thing Anthony absolutely believes is that he hurts the people he loves. So to be slapped in the face with his growing feelings for Lucy but in a way that pulls at all of his trauma strings in the harshest soul twisting way?

Right after that you have Lucy reliving how Annabel choked to death to seal the traumatic incident with a cherry on top, finalizing Lockwood's internal fear that he kills the people he loves and is left alone.

Not to mention as the series goes on we see that Anything absolutely cannot STAND the idea of having hurt Lucy or her being unhappy with him even though he makes stupid decisions. Almost as if this incident triggered in him a crippling desire to never hurt her... So she'd never look at him like that again. Like he's everything... But also as if he destroyed everything in her to the point she fears him.

So in quick summation we have:

Lucy acting in love with Anthony under possession of a ghost while he very much does have growing feelings for her; and the love the ghost in her playing out being an abusive kind, the kind you have to convince yourself isn't harmful, forcing Anthony to relive his trauma and self-depreciate even more about the fact that it's hard to love him because all he can leave behind for his loved ones is hurt. Combine that with the traumatic way she relives Annabel's death and Anthony's genuine worry of Lucy's possession being... well... dangerous as is.

This scene is so beautifully acted. Ruby and Cameron's chemistry is insane. The way they portrayed that much range of emotion in such a short but impactful scene early on.

EDITED TO ADD: I also forgot to talk about the costuming cuz its the softest we've seen Lockwood in the whole series. All three characters are in their pajamas but Lockwood specifically is in a simple gray hoodie. Something that invokes comfort and relaxation. He's tense during the scene because of the situation but he's completely vulnerable as well. There's absolutely nothing for him to hide behind. No witty quips will work when Lucy can't hear him and he's fearing for her life, no physical force can be used to fight her either... And his emotional barriers are all down too. Not only because of the unexpectedness from the multi-targeted assault on his emotions but because he didn't exactly have time to prepare for such a thing occurring either. @locklyleiscanon pointed this out i think but Lockwood uses his suit as an armor. And he's not wearing it. There's no weapons near him. He's completely defenseless when it comes to Lucy in this moment as well as all the warring emotions that are overtaking him.

The first time I watched the scene my first thought was literally how soft and vulnerable Anthony looks. I didn't even have reference for the rest of the show (that he wears suits almost always) but it was a striking detail. Not just the vulnerability on Lockwood's face but in his body language and clothing as well.

Here's an edit I saw that made it all easiest to visualize and word for me:

Props to the person who made the edit cuz the close up scene and the slow motion at Just the right moment makes this so plainly visible to see.

This incident is simultaneously the best and worst thing to happen to Lockwood regarding his feelings for Lucy. It shows him early on just how much he needs her, but reminds him of all the reasons why he can't have her.

Leverage OT3 Casual Touches

(Cont.)

This is mainly for @werewolfsmile and anyone else who wants to shout into the void with me about this ot3!

So far season 4 started off strong with lots of little ot3 moments I’ve been clocking on my latest rewatch. Today I watched “The Office Job” through “The Gold Job” and wanted to recap. Ngl it isn’t much…

Still good things but it was a lot of what we already see which is still beautiful. But mainly it was a lot of leaning, being in each others spaces, and a lot of the handshake. (For the purposes of this post I’m skipping “The Girls Night Out Job” and “The Boys Night Out Job” simply because those two are a whole other beast of ot3 moments that I would like to gif separately and also not a lot of touching (besides the handshake in the boys night) which is what we’re focusing on here.)

“The Office Job” is my favorite comfort episode of Leverage. Everything about is pure gold. Despite Hardison and Eliot arguing the whole time about a sandwich they still manage to pull together in the end and have one of the funniest moments in the episode which is of course topped off by the handshake. Once again mainly in each other’s spaces or leaning this episode.

“The Lonely Hearts Job” also such a great episode of basically the ot3 parent trapping Nate and Sophie and Eliot out here doing the absolute most showing he knows his team in the end of the episode.

As for casual touches a lot with Eliot and Parker (I feel like there’s always more with Eliot and Parker in trying to find more with Eliot and Hardison but mainly they just always lean in each others spaces and orbit each other, compared to Eliot and Parker which sometimes have a similar but different dynamic due to comparing how Parker in the beginning of the series was very adverse to touch. Not from Hardison and Eliot now though:)).

This scene starts out with them with a gap but they gradually get closer (I know this can happen when scenes are reshot. As I always say though let me read the subtext how I want. They were further apart then they got closer soooo)

My favorite thing is the shoulder bumping as they’re walking out. All I have to say.

Here they’re betting whoever gets the highest bid gets a steak which is super cute later because Eliot loses and puts up a fight about making it but then totally has heart eyes and smiles when he “loses” that argument too. Why wouldn’t he make his boyfriend a steak. There’s also a later scene I totally forgot to gif when they’re getting the guy flirting with Sophie out of the way and he calls Hardison (who’s in character) an idiot and I know Eliot did not need to take him down as hard as he did all I have to say.

And once again we have the leaning in each others spaces, shoulder touching, and once again the handshake. None of the other bachelors were standing this close on stage just saying.

Then we have “The Gold Job” where Parker literally gets up to sit next to Eliot? Wonderful. But then there’s some shoving but for context the whole scene was kinda tense because Hardison was running his first con. But then right before the camera changes Eliot moves closer!!!

But then they end up further apart again which I’m assuming may be due to reshoots.

Just generally the comfort between all of them gets me in these scenes. They’ve come a lot way and even though the beginning of season four I feel like shows this a lot more I’m still glad I’m finding scenes with their casual touches as I’m finishing out season 4.

That’s all I have for tonight :D I’m finishing up season 4 tomorrow so I’m sure I’ll be adding to this later.

Hope you like my gifs :) haven’t gifed in so long but I’m happy I’m learning again. Quality still needs work though.

Bonus:

Here’s a bonus gif of Eliot looking like he’s blowing a kiss in the button cam footage in “The Office Job” because I thought it was funny. This is once again getting added to my “why didn’t I notice this before” list. I just wanna know for whom Eliot. :)

Rewatching Narnia has made me realize two things:

all of them, in those first few scenes especially, are just so young. like they are children children. when you watch Narnia as a kid yourself, you don't really notice but wow theyre really all infants in that first film???

The Pevensies without a doubt are the most accurate representation of siblings in any movie ever

Listen this is an irrefutable fact; young dracula was the peak of vampire television. Just a lil kid tryin to be normal and his crazy vamp fam? Love it. Odd kid who wants to be a vampire that dresses up in capes all the time? Who hasn't? Van Helsing the WOODWORK teacher like who comes up with these things. Honestly loads of the stories on CBBC were bops, like Wizards vs Aliens was my first time seeing like someone be gay and being a somewhat main character, plus that show was awesome, Wolfblood's soundtrack made up my childhood, oh and Merlin of course, and Leonardo that just followed Leonardo Davinci's everyday life like what???- there's probs more but these are my mains anyway. Kids shows are so cool