*Spoilers For The Most Recent Percy Jackson Episode*

so i haven't read the books but something i so far really love about lockwood & co is the costume design, particularly with Lucy and Lockwood.

Lockwood spends most of the show dressed up in a pretty, pressed suit, sleeves rolled up and tie removed as necessary, but every so often we see him in a plain white t-shirt, a hoodie, but only in his home, only with his team. But even his suit isn't perfectly formal, the fact that he's still kind of a kid peeks through- pink socks and worn-out sneakers and undone top buttons and rolled up sleeves like the layers frustrate him.

Lucy's outfits, once she escapes the ill-fitting, ugly, and ultimately not very protective uniform of her old company, wears clothes that are practical but still very feminine. Thick sweaters and leggings under her skirts and jackets that actually look as warm as they are cute. Her clothes never compromise that she is, at heart, a young girl, without getting in the way with too-tight fabrics or too-loose skirts or any other male-gaze-style costumes.

I dunno, I just love when costume designs reflect things about characters, especially in terms of practicality.

The Pevensie children are too old for their age.

Their mom notices, at the dinner table. She sees no nagging children, no stupid fights. She sees Lucy eating and speaking with perfect manners, Edmund analysing the economy and war with concerning skill, Susan being gracious but poised, like a diplomat.

Their father sees it in Peters eyes the first time they get into a fight. When he moves to punish Edmund for speaking out of turn, Peter calls him out on it. When his gaze meet his eldest son's, he's leveled by the war he sees behind it, the tensed muscle in his arm, the knuckles white around his knife. He's seen that before, in other soldiers. He doesn't know how to react.

Other children notice, too. Talking to all the Pevensie kids at the same time is like being the only one left out of a secret, and the way they touch and tease each other speaks of a history far deeper than their polite demeneor lets on. And when they walk they fall in line, as if there is a natural hierarchy between them.

The first time anyone picks a fight with Edmund, Peter comes home with a three week suspension and blood around his mouth. He looks more alive than you've seen him in weeks.

When Susan gets back in the pool after Narnia, she wins all the contests. Coaches can't explain how to beat her, because they don't understand how she's doing it, either. She seems to almost disappear when underwater.

Lucy, always gay and golden-haired, starts dancing, and never misses a step. She moves with an elegance that no 10 year old should have, and all the girls want to be friends with her

Edmund soon becomes the best student in his faculty. He always seems to know the right thing to say, and teachers laud his ability to think through complex problems. His mouth does get him in trouble sometimes, but the boy seems uncatchable, always talking his way through the cracks. And if not?

No one actively fears Peter, but everyone is a little scared of him sometimes. He's tall for his age, sure, but there is something else, some other air that seems to give him an authority far beyond what's normal for a teenage boy. He's nice enough, but teachers can't stand it, and bullies learn very quickly that pissing him off means missing teeth and black eyes.

The Pevensies are not quite inhuman, but not fully mortal, either

The beautiful thing as you get older is that you realize so many “rules” are made up and you can just do whatever. Posters can go anywhere in the house not just my room. I can sit down while cooking a meal or taking a shower. I can make the same thing for breakfast lunch dinner for a week straight. I can roam around the house shirtless. I can wear a dress with jeans. The world is my oyster key word my and I can live as I please embracing little things such as this

Ok I just finished rewatching The Rundown Job and so far I have -

The most ridiculously peacocking display of competence porn. What do you mean "'sup Eliot." What do you mean "who needs luck". Where is your damn shame? Where is hundred more episodes of just like this? 10/10 worth every watch.

'I've got a hacker *enter bf*, and a thief *enter gf*'

Only Parker noticing 'too many cops'. It's such a cool detail throughout the show how observant she is just offhandedly, unlike Eliot who observes actively.

Parker pretending to promptly fall asleep as soon as they're in the truck, only to have the handcuffs off in seconds.

"What do they say about me? I hope they gave me a cool nickname." I'll bet all the kudos on my most popular fic that he hacks into his own pentagon file regularly to make up his own nickname.

"Hell your girlfriend's already out of the cuffs" *Parker smiling and sliding them off* AND IT'S DIRECTED NOT TO HARDISON, HER EXPLICITLY STATED BOYFRIEND, BUT AT ELIOT, THEIR BOYFRIEND.

Putting Hardison in those glasses. Those damn glasses. I need a glass of water jfc it's hot in here

'For better or worse, we change together'. Aaaaaand that's on wedding vows.

"I'll drive." "Hold on." "Exactly." "No, I mean hold on. (Our gf is a former gateway car driver)". "Oh. Oh you mean. Yeah."

The hand on the wrist and eye contact and saying 'I'm not afraid. I got the best thief and the smartest guy I know chasing this guy'

HAND ON THE BACK OF THE NECK AND PULLING CLOSER 'HEY LISTEN TO ME YOU'RE THE SMARTEST GUY I'VE EVER KNOWN HARDISON I NEED THAT BRAIN TO GET ME TO HIM. GET ME TO HIM'. Screaming crying frothing at the mouth et cetera et cetera

Figuring out the job TOGETHER

This is Hardison. Hardison likes his personal space. These are Parker and Eliot. Parker and Eliot also like Hardison's personal space.

The eyes on each other's lips during unlocking doors and saying thank you

'Kiss for luck?' the sequel: love boogaloo

HACKING THE MF CAR HORN WITH AN SOS THROUGH A MOBILE PHONE

"BOOM MY BOY THAT'S WHAT I'M TALKING ABOUT!!!" first of all that's his boy so jot that down

Also side note this episode shows the fascinating way Hardison uses his brain and I wish we saw more of it because it's fascinating how he derives what he does from the few bits of data he gathers

"He's on the train!" "Yeah well so am I." "When you pick him out of the crowd-" "No. I'm ON the train! 🙄 Never mind..."

Two good ole boys behind the wheel 🎶 chasing the target and their gf in a million dollar car 🎵 two good ole boys-

*Hanging by her fingertips from a running train roof almost mashed into pulp by signage" WOOOOOO HOOOOO

The way Parker picks him out, not by using thief sense, but mastermind sense that he's immune -> got vaccinated -> pain in the arm. Brilliant way to pick someone out from a crowd while not raising panic

Keeping him talking till she takes the briefcase that he HANDCUFFED to himself right under his nose. How? Well, she's Parker.

"I kept one diamond. Sorry." I love her

Finally "kiss for luck" the trilogy comes to an end

*casually endangers self* "Fire is the only thing that kills it right?"

"Don't do that to me, I can't lose you. Do you understand? I can't lose you. Don't scare me like that. I can't-"

Eliot Spencer: *Barks 'Alright!' at the guy touching him to literally patch up his bullet wound.* Also Eliot Spencer: *ditches crutches so he can lean on his girlfriend and boyfriend*

"I work with them now." Would you like to stay for dinner? "Honor among thieves? Something like that." WOULD YOU LIKE TO STAY FOREVER??!!!

"I don't do hospital." "I told you, he takes getting shot very lightly." Uh huh, you know what I smell? LOVE. In the air! Might be some blood from those bullet wounds too ig.

What a show.

I adore them

Evolution of Eliot/Hardison hugs over the years.

And the one time that Eliot really needed a hug:

Leverage S02E08/S03E10/S04E01/S04E07/S04E10/S05E09/Leverage Redemption S01E16/S02E06.

My pettiest and most tenacious gripe with supernatural is that when Lucifer is not taking a vessel but projecting his own image of himself, he should be played by Jared Padalecki. I know that for whatever mysterious reason they wanted Mark Pellegrino back but I just think this was a huge missed opportunity.

Lucifer considers Sam's body his rightful vessel, as much his own body as it ever was Sam's. In the cage he should have presented himself this way when he wasn't actively possessing Sam, and Sam's hallucinations should have been of his own cruel smirk. It's consistent with Lucifer's characterisation, his objectification of and entitlement to Sam. And it's impact on Sam would be so powerful.

After Lucifer, he avoids mirrors. Looks away from the impala's night-darkened windows lest he catch his reflection. His stomach turns at old photos of himself. He doesn't have many, but he's held onto some of his family. In one with Dean, his arm is slung easily around his brother's shoulder, both of them with beers in hand and matching smiles. It's a rare memory of peace, an image he's treasured for years, and when he looks at it now he feels panic crawling up his throat. He grits his teeth to hold back the snarl of "get away from him". He never looks at his hands any more, when he changes the car's oil or cleans the guns. He touches other people as little as possible. Everything's different. His body makes him an invader in his own life. He was born unclean, a soul tainted from the start, but now he looks into his eyes and sees a monster.

Okay, somebody can correct me if I'm wrong- but at the end of The Nigerian Job, when the team was convincing Nate that they should keep doing what they did- Eliot's whole argument was Nate. Nate falling apart. Nate needing the chance. Nate not being able to walk away. Nate.

Then, suddenly Eliot became the whole team's body guard. (Something he's grunt and gruffed about.) Yet. Yet. Somewhere (I say it was The Iceman Job and The Inside Job,) Eliot's brain switched from protecting the team to protecting Hardison and Parker. (Again correct me if I'm wrong.) Suddenly his job became more about having Hardison and Parker's back than having Nate's back. Maybe I'm the only one whose noticed- but Eliot become more softer with both Hardison and Parker after those particular jobs. Sure he keeps that gruff, sarcastic wit about him but there's often tones of... protectivness(?) when he interacts with them. Almost like he's telling other people around them- whose in ear shot- that Hardison and Parker are his. Like he's possessive.

Now, I'm not saying Eliot just stops caring about the rest of the team. I mean- he beats up Sterling for Nate and in Redemption Eliot is following Sophie around a handful of times. Their are even times where he has Breanna's back and Harry's. But he seems to treat those situations like a case. He compartmentalizes those situations. With Hardison and Parker- he doesn't. It's like his brain won't let him. He sees Hardison and Parker and it's like- all bets are off.

And on the flip side- has anyone noticed that Parker and Hardison seem to be the only ones that know how to... defuse (is that the right word?) Eliot? Like even Maria couldn't get Eliot to relax in The Hurrican Job. (Of course that's probably because Eliot was hiding who he was to her.) But Eliot always seems to be more relaxed when he's around those two.

In The Iceman Job after when Hardison tries to hug him? Eliot wasn't really fighting it. (I would know- I do that to my brother ALL the time when he tries to hug me.) In The Inside Job- when Eliot went to attack that employee- Parker stopped him. In The Double-Edge Sword Job, when Eliot is furious because an abusive ex comes after a women that they tried to hide- it's Parker that calms him down. It's Hardison who pays off the bartender when Eliot attacks Sterling. It's Parker who is always by his side or close to it. It's Parker who trusts Eliot when their in the back of the van with Vance. (Yes, Parker trusts Hardison too, but Hardison is a hacker- not a protector.) It's Eliot who Hardison listens to when he's not confident. It's Eliot who grabs Hardison from the coffin. It's Eliot who crouchs behind Hardison as Parker flips around him. It's Eliot whose hands are shaking when he they have half a second on a bomb.

Eliot Spencer is Hardison's and Parkers. They own him. In the same way Hardison and Parker are his. He owns them. (Does that make sense?)

For the record- I don't know why I'm pointing all of this out. It's just interesting to me... I guess.

Poseidon and Sally being good co-parents is really healing something in my child-of-a-divorcee heart. Sally can JUST summon him and he will JUST arrive.

"you won't want to hear it"/"no, but tell me anyway" MEANS SO MUCH TO ME. Like yes! Poseidon bearing part of the mental load means a lot to me.

the dichotomy between an attack dog vs a guard dog is like. an attack dog is sent out to carry out violence. it's starved and abused to ensure aggression. it has no other purpose outside of Attacking at the whim of its master. it's constantly on guard because a threat can come from any direction at any time. it's the dog chained up in a basement that's only set loose when there's something to kill.

but a guard dog is protecting instead of attacking. instead of being sent out to fight, it comes home to defend the house. it may be constantly on watch for an external threat, but it is content to lay with the sheep until a wolf comes to the door. the guard dog has a warm place to sleep, and is well fed and treated like a member of the household. it's free to leave at any time but it stays to protect the house anyway. do u get it. do u understand.

after arouind 9pm all music sounds better and all fanfic reads better BUT all thoughts become 97% less reliable. trust me im science