For someone who was never meant for this world, I must confess I’m suddenly having a hard time leaving it. Of course, they say every atom in our bodies was once part of a star. Maybe I’m not leaving… maybe I’m going home.
Gattaca (1997)
I’m Not There (2007)
Raiders of the Lost Ark (1981) dir. Steven Spielberg
Mean Streets (1973) | Dir. Martin Scorsese
Tony / David Proval
A loyal subject of these second-rate years, I proudly admit that my finest ideas are second-rate, and may the future take them as trophies of my struggle against suffocation. I sit in the dark. And it would be hard to figure out which is worse; the dark inside, or the darkness out.
Joseph Brodsky, from Sit By The Window (via 4eternal-life)
Hansel and Gretel (2007) | dir. Pil-sung Yim | South Korea
Cinematography by Ji-yong Kim
Withnail & I (1987) | dir. Bruce Robinson
The film is a testament to the potency and sadness of friendship and the compromises required for the transition from adolescence to adulthood.
“To pronounce oneself immune to the charms of Withnail & I is to declare oneself a philistine, a Puritan and a snob.” - Kevin Jackson, 2004
At the end of Bruce Robinson’s much-loved journey through the dying months of the 1960s, Withnail (Richard E. Grant) walks Marwood ( Paul McGann ) through Regent’s Park on the way to the station. As his friend vanishes from his life, Withnail stands in the rain and quotes one of Hamlet’s soliloquies to the watching wolves.
Set at the fag-end of the 1960s, Robinson’s comedy of bad manners sees two struggling twentysomething actors – flamboyant, melancholic narcissist Withnail (Richard E. Grant) and his unnamed, unassuming friend (Paul McGann) – pursue booze, recreation, work and the meaning of life in Camden Town and the Lake District. Based on Robinson’s own experiences, this labour of love achieved cult status on the strength of its endlessly quotable dialogue and brilliantly eccentric performances (notably Richard Griffiths’ Uncle Monty and Ralph Brown’s Danny the dealer). The beautifully sodden photography and a cannily evocative pop soundtrack help fix the mood. The script references Bruce Robinson’s own acting work in Franco Zeffirelli’s Romeo and Juliet (1968).
I shall be dumped where the weed decays, and the rest is rust and stardust.
Vladimir Nabokov, Lolita (via quotespile)