“I don’t know what my goals are, no. Thanks for asking.”
#favbookever
ever notice that the mean voice in ur head that insults u is awful confident for something thats literally never done anything in its life except be mean to you… like… one of us is pathetic and its not me buddy… get a hobby… yikes
Fuck you, Umbridge.
It’s not “uncool” to be smart and prepared and passionate and dedicated. Ignore people who say otherwise.
And kid, you’ve got to love yourself. You’ve got wake up at four in the morning, brew black coffee, and stare at the birds drowning in the darkness of the dawn. You’ve got to sit next to the man at the train station who’s reading your favorite book and start a conversation. You’ve got to come home after a bad day and burn your skin from a shower. Then you’ve got to wash all your sheets until they smell of lemon detergent you bought for four dollars at the local grocery store. You’ve got to stop taking everything so goddam personally. You are not the moon kissing the black sky. You’ve got to compliment someones crooked brows at an art fair and tell them that their eyes remind you of green swimming pools in mid July. You’ve got to stop letting yourself get upset about things that won’t matter in two years. Sleep in on Saturday mornings and wake yourself up early on Sunday. You’ve got to stop worrying about what you’re going to tell her when she finds out. You’ve got to stop over thinking why he stopped caring about you over six months ago. You’ve got to stop asking everyone for their opinions. Fuck it. Love yourself, kiddo. You’ve got to love yourself.
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After a long time a study session for Deutsch. #studyblr #studygram #languagelearning #langblr #studying https://www.instagram.com/p/Bs0UXBhhWgH/?utm_source=ig_tumblr_share&igshid=13sg8rv0iacfq
The choreography in “Rewrite the Stars” is honestly genius.
The whole scene is staged in such a way that for the first half of the song, Phillip is continuously trying to pull Anne back to him each time she tries to pull away. He’s trying to hold her in place at his level, on the ground. Even when she soars up into the air, he keeps trying to literally pull her back down: grabbing on to her hand, her waist, the rope, her hoop. Anything to keep her in place with him.
But for the second half of the song, Phillip stops trying to hold her down and instead follows after her into the air, basically saying through the choreography, “If we can’t be together in my world, can we be together in yours?”
And only once they’re both in the air - the space that reflects the freedom the circus gives them - does Anne allow herself to consider the idea that they could actually be together. Phillip stops waiting for her to stay on the ground with him and puts in the work to be with her, literally scaling the walls of the theater to reach her. In more ways than one, they end up finding a balance and supporting each other’s weight for the rest of the song.
What I’m trying to say is that the choreography in The Greatest Showman is not only absolutely gorgeous, it’s also incredibly deliberate and tells a story through movement and I love it so much.