Godzilla Singular Point Revealed In A New Super Robot Wars Y Preview Trailer!!!!

So I found out SP Godzilla’s face is supposed to look like an Oni, a very important selection of demons in Japanese mythology and to this day often used to represent dangerous, evil, and demonic forces.

This would also pair nicely with the Rodan Tengu,(A widely known dangerous Bird Yokai), we see on the mural.

Heck, the narrative of a monster army apocalypse almost definitely takes inspiration from Hyakki Yagyō (百鬼夜行, “Night Parade of One Hundred Demons”), also transliterated Hyakki Yakō, is an idiom in Japanese folklore. Sometimes an orderly procession, other times a riot, it refers to an uncontrolled horde of countless numbers of oni and yōkai. 

As a terrifying eruption of the supernatural world into our own. It has more than one thousand years of history, and its role as a popular theme in traditional storytelling and art, a great deal of folklore has developed around the concept.

It still widely used to this day, the most use of it was just a few months earlier it was used as the central plot element of Monster Hunter Rise known as the rampage.

ONE WILL FALL

Some Godzilla Singular Point Episode 2 GIFs.

Betterman (1999)

GODZILLA

AQUATILIS

GIFs of Godzilla Aquatilis's epic appearece in Episode 6 of Godzilla Singular Point. As seen in the episode, it seems that this Godzilla (Unknown if he is Godzilla Ultima's first form or a relative species) is hunting the pack of Mandas seen in the other epsodes and looks like we have at least 9 Mandas! If this Godzilla is hunting 9 Mandas he must be really strong. The classic theme plays when he shows up but this time around we can hear more of it, and from what i could tell it's an extended version of the classic theme and i could hear the Trailer 1 theme in it too! The full version must be awesome!

Digelos defeated, and his horns too!

• Ultraman Arc Episode 3

G-Fest Special 3

Godzilla vs Gigan

Kaiju-Eiga International Resurgence (2013 - Present)

A period during which the production of new, high-profile, studio-led kaiju features reaches an unprecedented high for the first time since the 1960s, with the genre encompassing non-Japanese films and taking on a much broader international definition. The genre’s influence is recognised and acknowledged more commonly in the Western world, and the term “kaiju” finally enters the general vernacular worldwide.