When people ask me where I am from I am puzzled because I am many people and many places. I am more than two cultures blended and reconciled. But don't you be fooled, I say because wherever I go I carry the bright colors of the beautiful city that sheltered my childhood, my native Guayaquil #PerlaDelPacifico. Here at el #Malecon2000 a few years ago. #Ecuayorker #TransnationalChild
Happy Birthday to one of my many Feminist icons Bell Hooks!šš½š @femalecollective
Celia Cruz
āBecause to suffer for love is good. The pain all sweet somehow. In the end.ā
-Sandra Cisneros [[Woman Hollering Creek]]
Truth seen at MCAD. By Jonathan Herrera: http://www.phabiocrafty.com
Spreading the truth!Ā "My paintings are made to cause pain, to scratch and touch people's hearts. To show what the Man does to the Man." - GuayasamĆn.Ā
"Mi pintura es para herir, para arañar y golpear en el corazón de la gente. Para mostrar lo que el Hombre hace en contra del Hombre" -Guayasamin
Love love love! Always Learning and growing alongside with the strong and caring sista Sonie. #sisterhood #partnersincrime (at Terraza 7)
The Guardian: What is some advice you have for women who want to write online?
Ayesha Siddiqi, EIC of The New Inquiry: The voice is your head thatās asking how dare you is the voice produced by an environment thatās going to be challenged by your daring. The risk of undervaluing what you have to offer, especially for women of color, is so much greater than the risk of overvaluing it. Your contribution may not be grand, but its absence is going to be deeply felt and be part of a much greater void in our culture and history.
Ćrbol de la vida, Violeta Parra.Ā
99 aƱos y presente en la juventud del mundo.Ā
<3Ā
Elementary school in Baltimore where kids get meditation instead of detention - WTF fun facts
I am an indigenous-mestiza-afrodescendent trans-national Latina sister from the picturesque South American city of Guayaquil and brought up in East Flatbush, Brooklyn. I love and respect my journey in exploring my browness and my womanhood.
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