Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:
1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.
2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.
3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.
4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.
5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.
6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.
7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.
8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.
9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.
10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.
These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.
Happy writing!
If you see this on your dashboard, reblog this, NO MATTER WHAT and all your dreams and wishes will come true.
Found this on facebook but reposting to SAVE A LIFE.
Or at least some of y’all’s GPAs.
You’re welcome.
Every time I'm like "IDK this thing that I'm making a post about seems super obvious, this is probably going to be more an exercise in showing ass than helping people" I am mistaken.
What other stuff do you not know how to do in the kitchen that you want to learn?
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Wait a second, am I tripping balls?
favorite thing ever is leaving this gif in Ao3 comment sections
because A: a shocking amount of people don't know abt the 'img src=' trick to add images into comment sections, and B: well over half of the authors seem to really enjoy the sentiment
Put an egg in your ramen. Put scallions in your ramen. Put chili oil in your ramen. Put kewpie Mayo in your ramen. But nori in your ramen. Put tofu in your ramen. Put miso paste in your ramen. Put mushrooms in your ramen.
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Never underestimate the power of subtle body language to help those around you without causing a scene.
I use “stepping in front of insensitive/nosey assholes to block their view of a person they’re starring at” a lot. No words exchanged. Just getting between them (sometimes while starring back at them if they’re being extra weird) and they always seem to either realize what they’re doing or be jolted out of it. Either way it has never ended in a confrontation, just silent looks.
A kinda weird use of body language happened some time ago while I was standing at a bus stop near a train station. Right next to me stood a very short woman who I guessed to be from India based on her looks and dress, and around us were nothing but men. I’m very standard height for a Scandinavian woman so I’ve never felt short or tall in any group, but she looked tiny next to all these men packed tightly around us. I’m not sure why but I felt like she was uncomfortable with all these men towering over her and for some reason my response to that was to subtly change my stance so my front faced her a bit more. Not full on, but the way most friends stand next to each other, while still looking away from her. I don’t know why I thought that would be comforting to her because it could just as easily have come off as threatening, but after a few seconds she moved a bit closer to me. And then a bit closer. And then slightly closer. All without anyone else in the group moving. We stood like that until the bus arrived and then we went to separate seats.
So never be afraid to silently signal to strangers that you’re on their side or that they can fuck right off. People tend to respond better to that than words in my experience unless they’re already looking for a fight.