barbie is not an "anti man" movie at all. it's so obvious to me that the kens were written like idiots not to call all men idiots (well... maybe a little) but instead to show how easy it is for someone to get taken advantage of. it's important to remember that while the barbies and kens are played by and written as adults, they function in the real world and overarching narrative as adolescents that don't know very much about the world.
reading ken as a young boy, he's initially nice to the girls around him (if insecure, lonely, and feeling pretty disrespected) but as soon as he steps into the real world, he sees all these men who feel very secure in their masculinity and self-assured, and he wants that for himself. he falls into the trap of the patriarchy much like a lot of young boys in real life fall into extremist right wing ideologies. but ken's insecurity never really goes away, it just gets covered with faux fur and headbands and country music. it's why he cries and admits to barbie that leading was hard. he never really wanted to hurt the barbies at all, he just wanted to feel confident and accepted by everyone, but especially barbie.
ken was never the problem by himself. he wasn't made into the world hating women. he was manipulated and turned into a misogynist by society.
It's about how Mello is a martyr doused in Catholic imagery and about how Near believes in no God, but he believes in Mello. It's about how Near's flimsy spirituality is a Tarot spread and Mello's unspoken faith is sacrificing yourself to save another; a sacrifice he couldn't not make because Mello is meant to be a martyr. It's about Near who had no faith being haunted by the ghost of his own creation that he couldn't not create; because Near is meant to be the haunted.
FLAPPER FANNY SAYS, by American cartoonist, Ethel Hays (1892-1989).
Weak Hero is such a fun Webtoon! A bit of an unexpected hit in the school action/martial arts genre becauseâŚ
Every single high school/middle school character is so embarrassing and at least one other character knows it. Nobody has escaped a callout about their grimdark/chuuni/tough guy behaviour except for Big Ben. Big Ben only escapes this by being made fun of for being a dumbass instead, and everyone secretly respects him the most for being generally a good guy.
All the antagonists have friends and enemies of their own! Their friendships are genuine and, in some cases, have developed from much more parasitic relationships as the characters grow.
The central conflict of the story, which is about a bunch of kids fighting each other in various centralized crime rings, is actually about poverty as a direct result of systemic corruption??? Like, half of these children have less than no interest in getting into fist fights, and have ACTIVELY TRIED TO AVOID FIGHTING ONE ANOTHER, but have been steered into it by the interests of ??? corrupt property developers ??? and politicians manipulating a deeply corrupt school system ??? There is actually a pretty well actualized subplot here that is thoughtful about the root of the problem and the failure of many attempts to resolve it???????????????????????
The kick off of the WHOLE STORY is a kid attempting (and succeeding) to fight against corruption with legal resource provision for the poor at no profit THROUGH THE SCHOOL SYSTEM and GRANTING AGENCIES, who is then harmed by other children in response to a loss of privilege that occurs DIRECTLY because of the elevation of others out of suffering.Â
The key antagonist is locked in a little math competition with the main character. This math competition is clearly friendly??? Both of them would prefer academic pursuits if they werenât driven into their current positions in essentially a criminal underworld, and both make regular attempts to leave said underworld (Donald just wants to be business-facing!!!!).
References homophobia as an aspect of school bullying without the narrative itself being homophobic. Many characters feelings towards those closest to them are open-ended and, upon having other characters reference it (re:Â âboyfriendsâ and homophobic jokes), there is no real denial of feelings.Â
Not every character can fight, and in fact one of the key current conflicts, in a beautiful parallel to the start of the story, is kicked off by a character who cannot fight using his head to try and do something good for his community. Very cyclical, very nice.Â
Before Barbenheimer, there was âApocalypse in Pink,â the August 1983 theme of fashion/culture magazine SPECTAGORIA. The issueâs controversial imagery of Barbie-esque models attempting to stay gorgeous and glamorous amidst nuclear annihilation sought to, in the words of editor/photographer Sera Clairmont, ârevel in the morbid absurdity of the new American condition,â an âanxiety vibrating underneath all our plastic smiles.â
âItâs The Hot Pink Cold War,â Clairmont wrote in her introduction. âItâs âMaterial Girlâ on the radio and âWarGamesâ at the drive-in. Itâs âGirls Just Wanna Have Funâ interrupted by the emergency broadcast signal. Weâre told to look sexy, dress fashionable, make money, and spend money, but be sure weâre just the right amount of terrified about the bomb. Get that Malibu dream home, keep working on that perfect body, sip cocktails by the pool in your little pink bikini and watching the stocks go up â but STAY VIGILANT! and for Godâs sake vote Republican, because that dream home could melt into a pink plastic inferno at any given moment. Just donât stop smiling as the blast liquefies your skin into bubbling ooze like a Barbie doll in a microwave - itâs bad for the economy.â
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NOTE: This is a work of fiction created by me. This alternate reality horror story is part of my NightmAIres narrative art series (visit that link for a lot more). NightmAIres are windows into other worlds and interconnected alternate histories, conceived/written by me and visualized with synthography and Photoshop.
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"But I finished [Near and Mello] together as a set, and although they arenât particularly laid out as such, I still feel a bit like theyâre twins." âObata Takeshi
whatever our souls are made of, his and mine are the same:
i. low sky, mahmoud darwish. ii. the world is a sphere of ice and our hands are made of fire, ritika jyala. iii. kadan, 2008. iv. the dreamers, gilbert adair. v. @nathanielorion vi. nagiko, 2016. vii. elektra, sophokles (tr. anne carson). viii. wishbone, richard siken. ix. inbred, ethel cain. x. the boy who, tirol. xi. monster portraits, del samatar and sofia samatar. xii. in the field, @nathanielorion xiii. death note, "use" ch77. xiv. gut symmetries, jeanette winterson. xv. mystic union; fire and wine: poems, john gould fletcher. xvi. @inukai_0055, twitter. xvii. the carnivorous lamb, agustĂn gĂłmez-arcos. xviii. my sister, the serial killer, oyinkan braithwaite. xix. the beatrice letters, lemony snicket (text); a quiet visitor, holly warburton (art); @unpardonablesins (edit). xx. ada, vladimir nabokov. xxi. this is how you lose the time war, amal el-mohtar. xxii. the borgias, s3e10, showtime. xxiii. @antaarf xxiv. @vilicity xxv. @boymiffy
I have no idea why the sky is blue, but I do know that my love is true. Haylee Morice
this shouldnât have to be said but if someone who struggles with cognitive issues such as fibro fog, autism or adhd etc has difficulty speaking or getting their point across, do not point it out. im talking about stuttering, misremembering words and definitions, using the wrong words in place of other ones, mixing up words or merging them together. you are allowed to help us find the right word but wait for us to ask first and give us a chance to find it ourselves. blurting out random words causes a lot more confusion for us and we often end up losing our train of thought.
also, in a similar vein, we may pause to think about what weâre going to say next, and itâs important that you not interrupt. for me, my train of thought is already on the verge of derailing. if i stop talking mid-sentence, give me a second to find my words and sort out my jumbled mess of a brain. donât start speaking like weâve finished our sentence and please donât just abandon the conversation. itâs very frustrating, especially when you make jokes or tease us for forgetting words or misspeaking and it makes it much harder for us to get to our point. and tbh itâs embarrassing and it sucks because our brains arenât doing what we want or need them to do and we donât need a reminder every time it happens.
like the jokes might seem harmless or lighthearted but it hurts nonetheless because we are constantly in a struggle against our own brains. it seems like it should be such an obvious thing, not to tease or make fun of someone with cognitive issues, but so many people do it, including some of you who donât think you doâ particularly if you donât think the reason behind it is a disability. ďżźitâs not the same as joking about your friend making a typo in the group chat. those are minor slip-ups and they happen to everyone. for a lot of us, theyâre constant. weâre almost always trying to get our brains to work with us rather than against us and pointing it out only makes it that much harder to concentrate on actually articulating our thoughts instead of focusing purely on avoiding misspeaking so you wonât point it out again. obviously this will vary from person to person, not everyone with these symptoms feels the same way i do, but i think itâs a good rule of thumb to just. not interrupt and/or draw unnecessary/unwanted attention to our speech problems. i donât think itâs too much to ask.