Latest Posts by doyoulikeslimes - Page 10

Saiki K has this interesting sort of chill atmosphere and monotony about it. It's called "the disastrous life of Saiki K" but the disasters are often like... him not having enough pocket money for something, or having to get through a sports festival. Occasionally the disasters are him having to save the world or his brother being an actual freak, but the show treats these times almost with the same stakes and importance as everything else.

I find this really interesting because what just feels like a "vibe" at first becomes an actual plot-point later on, with Saiki rewinding the Earth every year and repeating the same stage in his life over, and over, and over again... nothing has any real consequences, it's as dull as it is funny, and while it is a comedy I feel like there is this quiet sense of horror underneath it all. The intro with the flower petals falling and then being rewound kind of illustrates this for me - Saiki constantly controls everything around him in an attempt to hold it in some kind of stagnant peace, slowly growing accustomed to the people around them but none of them truly moving forward, like everyone is being held in a dream.

I don't really know where I'm going with this, it's really hard to put into words, but does anyone get what I'm talking about? Is this coherent in any way?

Favorite joke is whenever Saiki brings up dark reunion as a real option whenever someone or something is being shady

The fact that people think that Saiki is emotionless is so funny to me, because that’s the most dramatic guy you’ll ever see.

LUFFY WEEK HAS BEGUN. ☀️🌞

Luffy Week Day 1: Smile!

God told me to draw this

he'd wager that you are dead meat

Do y'all ever remember that we only have Luffy's backstory starting at 7 years old? What was he doing before Shanks? Where was he living? Who is his mom? Where is she? Did he have any friends? Why is he so scared of being alone?

Theory and analysis under the cut

Like, I think about that scene after Ace and Sabo had saved him from Blue Jam's lackeys a lot. Ace asks why Luffy wants to be his friend so bad and Luffy says that being alone is worse than being hurt. That's a child speaking from experience.

I also think about that scene in Chapter 137 where Luffy saves the parent of the baby Lapin even though it had almost killed him and two of his crew.

Maybe this was just showcasing how merciful and kind Luffy can be, but I don't think so. I think, in that moment, Luffy was relating to the baby Lapin. I think Oda was drawing a direct parallel to something Luffy may have experienced as a child, basically giving us a hint to more of Luffy's past. I'm not sure if it was his birth mom or a caregiver, but I think Luffy has been in a situation where a parental figure died because no one was around to help them and Luffy was too young and weak to save them.

I feel like this explains the shadowed eyes in the image. We've seen Luffy save many previous enemies without the indication that Luffy is so personally affected. I could believe that it's because he's worried about his crew, but in the next scene he has a serious expression that would've been plenty fitting on pulling up the Lapin. Maybe I'm overthinking, but I truly think there's more than concern for his crew or anger at the Lapins affecting him here.

On top of that, Luffy having a traumatic experience as a young child where he felt helpless would follow a recurring theme in his character arc. We've seen Luffy at three of his lowest points in the manga where he has been too weak to protect his loved ones.

First, chronologically, was Sabo.

Luffy has always been a passionate kid, so maybe this is his first experience with loss, but I don't think so. This seems like a reaction to feeling like being too weak to save his loved ones is a pattern. Most kids Luffy's age have a hard time grasping death. They might know that it's not a good thing, but most don't understand exactly what it means. It might be different for him because he has been around Grey Terminal, but I doubt it. Yet, he knew instantly what Dogura was saying and what it meant. There was barely a period of shock or denial.

Luffy is experiencing grief at a level of intensity that fits more with someone who knows exactly what death is. I really don't believe that this is his first time losing someone.

Second was being unable to protect his crew from Kuma.

The phrase "What's wrong with me...?!" really stands out to me here. Luffy definitely takes his role as captain seriously and knows that it's his duty to protect his crew, but we know this self-blame is also influenced by the reopening an old wound. He has worked hard for a decade to make sure he was strong enough to protect his people, and here he has failed once again.

Finally, third is the loss of his other older brother, Ace.

This, of course, led to the two year break where Luffy and his crew focused on training and becoming stronger to take on the New World. I would also like to point out that Luffy didn't emotionally stabilize until Jimbe reminded him that he still has his crew. He was grieving his brother, dealing with a sense of helplessness, and feeling alone in the world. Garp may be Luffy's grandfather, but he obviously neglected Luffy. The bandits might have grown on Luffy by the time he set sail, but I don't think Luffy considered them family in the same way as Ace and Sabo. Ace and Sabo were the only family he had until he met his crew. This isn't the grief of someone with a support network and people to motivate him. In this moment, and in all of the time since deciding to go after Ace, Luffy has pushed his nakama out of his mind. This is the grief of someone who has been too weak and feels like there's no one left to even try to protect. Someone all alone.

Luffy's character is one who's weaknesses are loneliness and helplessness, and that implies a lot about his developmental years. I truly believe that Luffy's backstory will involve the death of a parental figure. I also think that Garp either was even more neglectful than we realize or didn't know Luffy existed until he found out through Dragon.

I also think that Luffy's longing for freedom will also tie in somehow. We know he and no one who knew him as a child was a slave for the Celestial Dragons because he didn't recognize the symbol on Hancock, but maybe there was a nami and arlong-esque situation.

I'm so desperate for his backstory 24/7 lmao.

Luffy vs. Usopp: Luffy's Turmoil

The fight between Luffy and Usopp in Water 7 is one of many iconic moments in One Piece and the fact that it's been analyzed to hell and back is a testament to that. However, what is usually discussed about it are Usopp's actions and why he reacted to Luffy telling him they have to get a new ship the way he did. But rarely do I see people talk about Luffy's side of things and why he snapped at Usopp so hard Sanji had to kick him. And that's a shame. So I decided to do just that. This is an analysis of Luffy's POV of the whole ordeal.

When Luffy hears that the Merry is beyond repair from the shipwrights, he reacts with anger and denial - just like Usopp later that day, although not as aggressive as he is willing to listen to the shipwrights' explanation. He clearly cares about the Merry; that is his nakama and they are telling him to abandon her? No way! He would never do that! (see: Nami, Robin, Sanji.) He actually raises the same points in objection as Usopp later.

But then Iceburg reminds him that he's the captain and would be putting the rest of his nakama in danger if he doesn't pull himself together.

And Luffy takes that to heart for Iceburg is right.

So, after taking out his pent up feelings on the Franky Family, he makes the hard decision as the captain, because as much as the Merry is their nakama, unlike the rest of the crew, she is not a living being (he doesn't know about the Klabautermann at this point but the point stands even if he knew). But he is still grieving for her! His nakama is at the end of her life and there's nothing he can do about it. So when it's time to tell Usopp the sad news, he deals with it like ripping off a band aid. He goes straight to the point, no feelings, just the cold hard truth. Because thats how he deals with delivering sad news that deeply affect him as well (as seen in Wano when he tells Tama about Ace's death) because he is grieving and it's hard for him, too. Luffy doesn't like complicated things and dealing with his own grief is complicated. So he simplifies it. To appear calm and steady, because he is the captain and must show his resolve - no weakness allowed, he delivers the news with a smile.

But he overdoes it. Luffy is hurting so he wants to move on from this painful topic as soon as possible. Unfortunately, that is not the way to go about it. Usopp's already been in distress after losing the money and getting beaten up and now Luffy's telling him they are abandoning the Merry like it's no big deal. Usopp can only interpret Luffy's actions as cold-hearted. But that can't be, this is Luffy we're talking about! He cares about his nakama, right? So Usopp demands an explanation. But Luffy is hurting and just wants to move on so please Usopp just stop questioning his decision he is the captain and has the final word!

And so they shout; unable to listen to the other over their own feelings.

Until it culminates in Luffy finally shouting the painful truth that he's been avoiding this entire time. Their nakama is at the end of her life and there is nothing that can be done. A catharsis.

Luffy visibly calms down after that. But only for a little bit. Usually, this would be the end of the misunderstanding and thus the end of the argument and both parties would go on to support each other in their shared grief. But that would require both parties to get their catharsis. While Luffy got his catharsis by finally confronting the harrowing truth of the Merry's impending demise which reflects his deep fear of loneliness and losing loved ones, Usopp's true deepest anxieties lie somewhere else - the feeling of his own inadequacy and the fear of being abandoned for not being enough which he projects on the state of the Merry. And so the argument continues.

Usopp starts questioning Luffy's judgment (calling him dumb for trusting some strange guys and doubting the shipwrights' integrity) his captaincy, and, most importantly, he starts questioning whether Luffy even cares for the Merry, whether he actually cares about his nakama. And that hurts. We as the audience know the extent to which Luffy is willing to go for his nakama. We know how deeply and freely Luffy loves. And his nakama know it, too. That's one of the reasons they stand by him. Or at least they should know that. Usopp is too blinded by his own fears and insecurities that, in that moment, he forgets this undeniable truth. He accuses Luffy of turning his back on an injured comrade, of only pretending to care. Usopp's words hit like a gut punch. Luffy snaps.

"Don't think you're the only one taking this hard! Everyone on this ship feels the same way!"

That includes Luffy as well. If Luffy wasn't dealing with his own pain, I'm sure he would have noticed the hidden meaning behind Usopp's hurtful words or at least realized that Usopp was just lashing out and doesn't actually mean what he is saying, that he is actually crying out in pain, wallowing in his own anxiety, because Luffy is an excellent judge of character. But at this moment, his judgment is clouded. How dare Usopp accuse him of such a horrible thing! Usopp is his nakama and should know that Luffy does care! How dare he! And just like Usopp, in his anger that stems from hurt, Luffy (almost) says something so hurtful that Sanji rightfully kicks him. But it's too late. It doesn't matter that Luffy didn't actually mean it and apologizes after realizing what he said. The damage's been done. Usopp's fears have been confirmed. And so he leaves and challenges Luffy to a duel. If Luffy were to refuse or fight him half-heartedly, it would only add insult to Usopp's injury by hurting even the little pride Usopp has. So Luffy accepts and fights with his whole chest.

It is a hollow victory.

In one single day, he learns one of his nakama is too badly damaged to accompany them on their journey any longer, pushes another nakama away in his grief and anger, and Robin is still nowhere to be found. Luffy is the captain and it's his duty to be the steady rock for his crew in tumultuous times. But when he is torn between dealing with his emotions and being a captain that his crew can rely on, Luffy is on the verge of breaking.

However, Zoro says it best:

And so, Luffy hides his tears under the brim of his hat.

I came up with maybe not a theory but more of just an observation that the east blue 5 seem to parallel the 5 love languages and it's kinda reframed all of their actions and behaviours towards each other so much for me on my watchthrough. Got brainworms from that one oda interview where he said zoro doesn't like verbally expressing gratitude and prefers to show appreciation through actions and it got me thinking

The 5 languages:

Physical touch - Luffy

Acts of service - Zoro

Quality time - Usopp

Receiving / giving gifts - Nami

Words of affirmation - Sanji

Funnily enough in OPLA we definitely see a lot of physical touch Luffy. He's always playfully punching or hugging crewmates, despite having known the crew for such a short time he's just instantly clingy and physically present around them in east blue.

Zoro is very much an actions person. He's a little emotionally constipated and doesn't verbalise his feelings very much, in fact that seems like the last thing he wants to do, but he will always be looking out for any member of the crew silently, and is almost always the first to spring into action when it's called for. He shows he cares through acts of service and being there for his captain and crew.

Usopps language being quality time is shown pretty well in syrup village with his relationship with Kaya. Kaya is a girl who has everything she could wish for financially, but ussop provides her with a much needed friend, someone to support her and just physically be present and talk to her. He risks so much just to make her smile because being there for his friends is such a crucial and important thing for him.

Nami's love language being giving/recieving gifts means so much to me because it is so often seen as the most shallow of the love languages and I have seen so many poor analysis and digs at Nami's character, reducing her to just being greedy and money hungry. Did they watch Arlong park with their eyes closed??? For Nami, gold or money is a means for her to provide for the people she cares about, to ensure their financial stability and freedom and to keep her crewmates fed and afloat. She spent so long scorned and alone and (believed she was) hated because she created this money hungry persona to save her village and to best Arlong. Every piece of gold she bled to get was meant for that end goal. Nami deserves the financial freedom and gold that being a strawhat pirate could give because for years and years every bit she earned was tucked away for the well-being of others and was then stolen from under her nose. (This paragraph got very long but I'm not sorry I am the captain of the Nami defense squad.)

And finally Sanji reflects words of praise as a love language. I think it's the most clear to see with how Sanji is so quick to praise any female character he comes into contact with, especially Nami, but I think it also reflects his strained relationship with zef while working at the baratie. Zeff is always verbally critical of Sanji as a way to rile him up and to encourage him to leave the restaurant. Zef weaponises what makes Sanji tick to antagonise him and tries to get him to leave that way, but Sanji is far too stubborn and feels too great a debt to leave.

I think east blue definitely shows the 5 dynamics in a pretty clear way and kinda helped me understand what makes the characters tick. Also why some of the characters end up butting heads or getting into arguments. They all show and recieve love in different way, sometimes there are misunderstandings or clashes but at the end of the day they all trust each other with their lives and it's such a strong bond.

Anyways I'll eventually draw some more OP but I'd love to hear any thoughts or other people's ideas if they have any on the matter. Sometimes I get analysis brainworms, and I first shared the idea on discord, but figured why not post it to Tumblr too

ALSO please if anyone has examples from the series that fit the love languages PLEASE share it, makes my heart oougggghhghg.

Shanks' Savior Complex

A few months ago, I posted a joke tweet about Shanks’ savior complex and Buggy’s inferiority complex. While Buggy’s feelings of inadequacy are pretty obvious in the source material, Shanks is constantly evading serious analysis because of how little he appears in the manga and how nebulous those few appearances are. So, naturally, I was met with a lot of confusion. (What do you mean by ‘savior complex?’ Why Shanks specifically?) I thought I’d address all that now in one comprehensive, all-inclusive post.

Before I dive in, please note just a few things:

A SAVIOR COMPLEX is a pattern of unconscious behaviors. It is associated most often with self-sacrificial people – those who help others even at the cost of their own personal well-being, mental or physical.

Within the field of psychology, ‘complexes’ are just constructs. My goal is not to diagnose. Rather, this post is a conceptual analysis using the idea of a “savior complex” to better explore Shanks as a character.

Now that all that’s out of the way, let me begin!

For a character who is so significant in the grand scheme, Shanks is remarkably absent for the better part of One Piece. Really. He is so nonexistent, actually, that the first chapter of the manga is probably the most we’ve ever seen from him uninterrupted. This is for good reason, though; Shanks is the catalyst for Luffy’s entire journey. He owes a lot to Shanks: his devil fruit, his life, and even his dream, to an extent. Luffy learned a lot about being a captain from Shanks, and much of his advice – like picking and choosing your battles, for example – Luffy puts to good use later down the line.

So, considering his role as Luffy’s mentor, it’s fitting that Shanks’ character is defined by RESPONSIBILITY. He’s goofy, sure, but don’t let that devil-may-care attitude fool you – Shanks is a knowledgeable pirate, grounded by the weight he carries. His dialogue and actions throughout the first chapter reflect this. When Luffy demands to be taken out to sea, Shanks refuses, claiming he is too young. While the rest of his crew wax poetic about the freedom and joy of being a pirate, Shanks is the one bringing them back down to reality, telling them not to fill Luffy’s head with “crazy ideas.”

Those who know him best seem to agree. “The captain’s just doing what’s best for everyone,” Beckman states. “The safety of the entire crew and ship rests on his shoulders.”

Although Shanks is realistic, he is not a pessimist, and he certainly still values dreams. Let’s not forget: Shanks entrusted Luffy with Roger’s hat. Not only that, he asks Luffy to give it back when Luffy has become a great pirate – not if. Of course Shanks has hope for the future and the new generation. He's just also experienced enough to know the dangers and horrors of the current world, and curbs his own expectations as a result. Yet again, Beckman reinforces this when he talks to Luffy.

The future needs a strong foundation. Anything is possible, including what Luffy wants to achieve, but there are necessary sacrifices to make dreams a reality.

I believe Shanks sees himself as one of those necessary sacrifices.

Oda may not have envisioned Shanks losing an arm in the original draft of the story, but this decision sets a precedent going forward, for both Shanks as a character and the series at large. Sacrifice is at the core of One Piece’s identity; previously, I’ve discussed its emotional significance as an act of love. But sacrifice also serves as the foundation for the new generation. Corazón’s sacrifice, for example, enabled Law to outlive him and change the future. Toki and Oden’s sacrifices enabled their children and the Nine Red Scabbards to change the future. Queen Otohime, Fisher Tiger, Shimotsuki Yasuie… although these characters died without ever seeing the future they hoped for, their sacrifices are the foundation upon which their successors enact change.

And who do we also see facilitating the changing world, ensuring the “new age” succeeds?

Shanks.

Whenever Shanks reappears in the manga, it is usually on the precipice of a dangerous conflict, or at exactly the perfect moment to intervene in said conflict. Take Shanks visiting Whitebeard, for example; here, he attempts to navigate the growing tension between Ace and Blackbeard, which eventually results in the war at Marineford. Although he fails at convincing Whitebeard to stop Ace’s revenge quest, it’s clear that Shanks has a vested interest in balancing the current forces at play, including marines and pirates.

At Marineford, not only does Shanks intervene to stop the war, but he saves Koby, a member of the new generation who will undoubtedly change the future on the marines' side of things. His words also reflect my point about sacrifice as a foundation for change. As he stops Akainu, he praises Koby for putting his life on the line: “The seconds of courage you bet your life on creating, for good or bad, have just now greatly changed the fate of the world!”

This aspect of his character remains consistent in Film Red, too. Even though he has grown to love Uta as a daughter, Shanks still encourages her to stay behind because her singing brings happiness to a world where "peace and equality don't exist." Afterwards, when Uta causes the massacre on Elegia, Shanks shoulders all the blame, effectively hiding the truth to protect her. He sacrifices his own connection with his daughter for what he believes is the greater good. Note that Shanks’ own personal feelings on that decision are never explored or discussed; obviously, Shanks loved his daughter, and it's safe to assume he didn't want to leave her. But he set aside his own happiness and made the hard choice anyway. (Sound familiar? The "savior complex" alarm bells should be ringing in your head.)

Even as an emperor, Shanks sacrifices his own strength, influence, and reputation. His fleet is “notoriously weak.” The pirates within it even admit that they never would have survived this long without Shanks protecting them. This fleet is another responsibility weighing Shanks down, and yet he takes on that burden anyway for their sake. 

We don’t have the full context behind Shanks’ decision at Loguetown either, but it’s likely that his refusal to go Laughtale right away ties back to responsibility, too. We know whatever Roger said to Shanks the day their crew disbanded rendered him to tears. (Did Roger’s answer to his question change his mind?) We also know he regards Luffy as Roger’s successor, and claims Luffy acts just like he did as a kid. (Shanks "crowning" Luffy with Roger's hat also parallels Shanks' moment with Roger visually, placing them in similar roles.)

Given this, it’s possible that Shanks believed he could take on Roger’s legacy, but later realized he would not be the one to change the world. Roger might have even tasked him with finding the “true” successor, who will “turn the world upside down.” (Shanks’ fixation with the “new age” would also make sense in that case.) This is all speculation, but I thought I’d throw it out there anyway, because if this were true, Shanks would have sacrificed his own dream for the sake of the world. (Very fitting!)

But how does Shanks feel about his role in the bigger picture? The short answer: we don’t know, and I think that’s purposeful. Oda consistently draws Shanks looking wistful and resigned when it comes to his choices; although he has severed relationships and damaged his body, not once has he expressed resentment, anger, or sorrow. In fact, he's usually smiling.

Shanks also has his own monologue where he discusses the act of crying.

If you apply his advice to his own character journey, it raises a lot of questions. Does Shanks view his current sacrificial actions as “overcoming” his own tears from back then? Is that why we so rarely see him cry now? Considering how reserved Shanks is in expressing negative emotions, I think it’s possible. His emotional restraint could also be seen as “saving face” for the sake of others – something I’ve discussed before. That is my own interpretation, though, so take it with a grain of salt. 

Speculation aside, Shanks has shown time and time again that he prioritizes the future over his own life. His dedication to/fixation with the "new age," his role as a mentor, how he believes in putting his life on the line and "overcoming" negative emotions... these indicate a pattern of behaviors seen in those with savior complexes. Even if it's at the cost of his own mental/physical well-being, Shanks plans to facilitate the world as Luffy changes it.

Is the "new age" his dream, or did he sacrifice his real dream for the sake of the new age? Does that dream even matter to him, anymore? The reasoning for Shanks' motives is still unknown, but the answer must lie in whatever mysterious question he asked Roger – otherwise, why hide the context for his massive turnabout at Loguetown? Once the curtain is drawn back on that moment, I think we will begin to see Shanks in a new light.

Chapter 1073 really had this:

And I am so happy.

Since practically the very beginning the World Government has been presented with their negative side.

Captain Morgan was The Marine at the beginning but we quickly learned he was not a man of the people. He was only in it for himself, and was 100% willing to 1-lie and go back on his word and 2- step on anyone to keep a strangle hold on power. (A great foreshadowing for the whole WG throughout the series and their void history). This was also the first time we saw the WG flag and I looked at it, thought about the fact I was committing to watching a Pirate Show, then I tilted my head sideways about 45 degrees:

Look at that hidden Skull and Cross Bones design. It’s like some modern deconstruction that is supposed to be edgy and simplified.

There are some exceptions in the Marines (like Bell-mere or Garp or Koby or Tsuru-even Smoker and Tashigi) but for each of those they also have Morgan, the rat faced man from Arlong Park, Spandam, and this guy in 1073 (off the top of my head). Plus all that went down for the Buster Call. They (and the actual CD/World Government) are only around for what they can get for themselves. They do not care about the people. They do not care about who is hurt. They fit the classic idea of a pirate; liars, prying on the weak/defenseless, selfish, lawless, cruel.

And these are the characteristics the WG pushes on the pirates we know. (Kidd was known to kill people, Gold Roger hoarding treasure/wealth, Pirates send many scrambling, the legal slave trade, not to mention all the reactions people in the East Blue and early Grand Line had when they learned about Luffy being a Devil Fruit eater) But the narratives are opposite. Yes Luffy is all about personal desires and governments are all about imposing rules on society (in theory to complete a just social contract). But! Luffy has a strict moral code and rules he follows and makes sure his crew obeys (dreams, not beating people up for nothing, making sure they know HE is the Captain) These Marines actively disobey the laws they are supposed to be enforcing and don’t care about the chain of command they are under to the point where characters shouldn’t even trust their words.

Plus there is the rest of the 1073 story:

Can I just point out that Whitebeard’s island is not part of the World Government, and so, like Wano or Fishman Island, you would think that the Marines have no actual jurisdiction. These people the Marine is asulting/terrorizing are actually the ones with rights, and the Marine is invading. But he doesn’t see it like that, and his overwhelming use of force only helps him impose his own will. Besides, the WG would never tell him to not. (Especially after WB’s death, and that they would probably consider the island “hostile.”)

and thinking about WB, the fact that his (redesigned) flag is similar to the WG flag makes me think there is an argument that WB was more of a fair government to his people, actually upholding a just social contract for those under his protection.

tldr; The World Government/Navy are “Just Like Pirates” and were established to act as such from the beginning of the story. Their Flag and many Marine characters help push this point time and again in the story.

Omg omg omg I’ve read your post for the gear 5 luffy charm giveaway and I ABSOLUTELY agree with you. I went insane during this whole scene. I love love love love when Luffy embraces his captain role. He really is The Best. I really wish we had more scenes like that because god damn I still cannot get over it. How he takes command and deals efficiently with the situation while still inspiring hope and confidence in his crew… just wow. And it broke my heart when he forced himself to smile when giving his last reassurances to the crew through the mirrors shards. Such a good captain. Incredible moment.

oooh yeah i went ahead and made that analysis it's own post!!! thank you for the reminder lol. (for reference, that's basically a breakdown of the dialogue in ch. 878)

YEAH!!! god it's literally so, so, so good!!! i didn't talk a lot about the glass thing specifically because i could have gone on for two more hours about it because there's so much there--in addition to like "oh, cool captain moment!" (which it is) the fact that he's willing not only to be injured (re: fighting katakuri) but to injure himself just so he can talk to his crew is just soooo much. like, we talk a lot about sanji and zoro throwing themselves in front of death to protect the crew, but i really think there's room to explore luffy's own lack of self-preservation when it comes to how much he cares about the straw hats--like, in little ways. (aughghghg i have so many feelings.)

ANYWAY!! LUFFY!! IS!! THE!! BEST!!!

a lengthy breakdown of why ch. 878 is one of the best luffy moments in the entire series (to me)

question: favorite luffy moment?

oooomg it would have to be the scene in ch. 878 immediately after pedro's death--when luffy 1) snaps the crew out of their grief because they're in danger, 2) comes up with an extremely efficient escape plan for his crew 3) comes up with an extremely efficient plan to deal with katakuri 4) snaps the crew out of their grief again 5) gets the crew to execute their escape 6) executes his own plan (+ bonus moment in 880/881 because it's technically the "end" of this scene).

this whole moment on the ship is the Captain Of The Straw Hat Pirates moment for me. hang on, i'm gonna include manga caps because i dont think ive ever talked about the way the dialogue is set up in this scene before and im stealing this opportunity lmao

like, we almost never see luffy really engage with his role as captain and leader in a traditional sense--yes, he's captain, but in most arcs he fits the "The Big Guy" role more than the leader, and often the broader captain-ish duties fall to other characters (e.g. planning and executing strategy outside of battle, mostly). like, half of the entire joke in both dressrosa and wano is that luffy doesn't plan (even though we, the readers, know that he does) and yet in WCI he not only showcases his skills as a leader but does so flawlessly.

(for context, "The Big Guy" is basically the trope of like... the most powerful person, the one you know is always going to win/solve any problem by the end of it--the character who's going to fight the biggest bad in a story and who often can't deal with "little" problems within a story because it would undermine the internal logic of a story's power-scaling. i have many thoughts on The Big Guy and i think one piece is one of the few series that does it well, along with spyxfamily re: yor... but i digress.)

so here's where i think the "moment" starts in ch. 878. for a refresher, in ch. 877 luffy+co reach the sunny, fine chopper/brook encased in candy, katakuri attacks, big mom attacks, the sunny gets stuck in candy, and then pedro sacrifices himself. at this point in time, luffy+co have been on the ship for all of a few seconds--in 877, nami is trying to set up a coup de burst and explain how it works to jinbei at the same time, luffy is holding off katakuri, but nothing is really happening. when pedro sacrifices himself no one knows what his plan is so they don't have time to incorporate it into their escape strategy (which is basically nonexistent at this point). then--wham! pedro is down, the candy breaks, and there's a split-second of decision time that luffy jumps on, which brings us to 878

everyone is shocked and grieving, their tentative set-up is completely derailed, and luffy immediately takes charge--starting with "can we fly, nami?!"

he addresses nami as the navigator/in charge of the physical ship itself a this point (+ she set up the coup de burst in 877), then addresses the crew as a whole in "let's set sail, people!!"--like, the way this is phrased sets him apart slightly as someone with the authority to speak to the group as a whole; he's getting everyone's attention. then his declaration!!! "if we waste this moment... then we throw away his sacrifice!!"

he's completely taking charge of the situation and focusing on getting the rest of the crew to safety. it is his job as captain to look out for the whole, so he doesn't waste a second--which is so incredible, because we know luffy is emotional, that's his whole thing. he's incredibly emotionally-driven and emotionally-intelligent, but during this entire scene he is being emotionally driven to protect his crew, which in turn gives time for his (often-overlooked) intelligence and pragmatism to shine.

once he has everyone's attention as a group, he goes back to addressing crew members individually--which i think is really important because that's, like, literally what you do in a crisis when you're taking charge. you get everyone on the same page, then you single people out so no one feels lost or unmoored--everyone has something to do, everyone feels included in the solution in some way.

in these two pages alone, he addresses nami, chopper, and brook individually, and then jinbei responds (so he's also participating individually). i think the fact that carrot is excluded here also kind of supports this whole thing, because carrot isn't technically a straw hat--luffy isn't her captain, even though she's under his protection at this point. here, he's ordering his crew in his capacity as a leader.

and then, of course, there's the moment:

yes, he's talking to katakuri here, but he's also on the sunny's deck screaming--and his address to the crew doesn't have a distinct "end point" from a dialogue perspective, he just gets cut off when katakuri attacks carrot. here, i think he's declaring this as much to katakuri as the straw hats themselves. i think the "end" of this whole scene in 880/881 when he reassures the crew (after holding the fucking mirror shards in his mouth--god this whole scene is just so good) that everything will be fine supports this, too, because that feels like the end of the crew address to me. but i'll get there.

now that he has the crew on track to execute their own escape (by giving them step by step orders to do so, basically), he tackles the katakuri problem. at this point, he's already figured out what to do, because he's gearing up for the elephant gun grip that he uses to pull katakuri into the mirror world, and he doesn't tell anyone else his plan because it's his responsibility as captain to take care of the crew (as opposed to just his responsibility as The Big Guy to take out the strongest enemy, which--if we were just adhering to The Big Guy trope, i think he would have shouted his plan along with everything else. basically authority [no one needs to know my plan because it's my responsibility to handle it and i know i will] vs. equality [im the strongest but we're all in this together so here's what im going to do], and he's authority.)

then we get another crew address, this time starting individually then talking to the group. they see the shadow--they realize pedro has died but perospero has survived--nami is seconds from absolutely spiraling again (just look at that panel of her, oh my god). further proof that luffy is the most emotionally intelligent character in the entire series, luffy immediately redirects everyone's attention a second time, focusing them away from their grief again and onto their own escape again.

since this is, like, a second wave of grief/horror, he starts with the individual address--snapping everyone out of it directly because a whole-crew address might not cut it and he needs to include carrot, here.

then mid-address, he grabs brulee and starts executing his katakuri takedown plan. his focus here is entirely on keeping his crew safe in the most efficient way possible, and in two pages we get: assessing the situation (grief 2) -> solving the immediate problem (the escape plan starts to derail, everyone needs to snap back out of it) -> solving the next problem (katakuri) -> inspiring them to carry on because he's about to leave.

(seriously. i cannot overstate how great the brulee grab mid-dialogue is in the broader context of this scene. seriously.)

(also, the way the group -> individual -> individual -> group address works in this whole scene feels like such a beautiful closed dialogue loop... even on a structural level it's designed to have the biggest possible impact. love u oda.)

then, of course, we have the culmination of this whole thing--the mirror smash. with ruthless efficiency, he not only isolates the biggest immediate threat (katakuri) but also the character who poses the biggest danger to the crew's escape--brulee. all three of them have been completely separated from his crew, and now he can both keep an eye on brulee and the mirrors (which is most of 880/881), the "intelligence" part of the plan, and confront katakuri directly, the "battle" part of the plan.

also, the decision to isolate katakuri works both ways here--he's not only protecting the crew from katakuri as an enemy, but he's also protecting the crew from their fight. we see in subsequent chapters that the katakuri fight absolutely decimates the mirror world. if they were to face off anywhere near the sunny, people would get hurt. if katakuri were to escape, not only could he harm the crew but luffy would have to give chase and bring the fight back to katakuri, wherever he ends up (attacking the crew). i fully believe the decision to isolate brulee shows that he's aware of this--their fight has to stay in the mirror world, because the only way he'll win is by operating at full power and his full power is destructive.

also--this moment is just really cool, okay? it's so, so cool.

honorable mention to the rest of this "scene" as it's continued in the next few chapters, specifically the way this whole thing culminates--luffy holding the last mirror shards in his mouth to make sure he can communicate his final reassurances to the crew without the risk of those shards falling into enemy hands.

to me, this is as solidly and completely an "i'm the captain of this ship!" moment as the declaration itself, and every time i think about it for more than 0.2 seconds i start to go crazy. but. it it technically a different "moment" (and is also extremely self-explanatory) so i won't go into it here.

also, side note because this didn't fit anywhere--i think this scene not only stands on its own as one of luffy's most badass moments but also works as a really amazing example of his character growth--particularly compared to scenes like the usopp fight in water 7 (different scenario technically because usopp isn't an enemy, but it is one of the premier moments when he struggles with the burden of being captain).

anyway, sorry this got stupid long *jazz hands*

Gear 5 Foreshadowing/Analysis

One of the things that absolutely delighted me about gear 5 was how natural it felt for Luffy. It was Luffy to a T - which is what makes it so incredible! That's the best part of him :)

I learned about Gear 5/Joyboy/Sun God Nika like a month after starting One Piece, and I was just able to see how every element of the show was building up to this.

luffy vs. kaido fight spoilers under readmore

GEAR 5 GEAR 5 GEAR 5!!

Part of the reason it feels so natural is because of how it shows that the Devil Fruit's Awakening builds on Luffy's growth and understanding of his powers, particularly his use of all 4 gears, which are all incorporated and clearly referenced in the Gear 5 fight:

Gear 1- Luffy interacting with lightning!! Because since we have known since Skypiea, rubber is nonconductive, meaning luffy isn't affected by it. Luffy grabbing the lightning strikes and using it to catapult him around? That's gomu gomu no rocket! On top of that, he manages to become the lightning and swoop towards Kaido (in a move that looks a lot like Python). He's able to combine his base rubber powers in a wild and wacky way, and absolutely loves it :)

Gear 2 comes in play in this incredible screenshot from the fight after Luffy restarts the Drums of Liberation. Gear 2 is also about controlling bloodflow and breathing - and by extension, the heartbeat!! Its all there. Thank Gear 2 for luffy's auto-defibrillation skills.

Gomu Gomu no Giant is the logical progression of Gear 4 Boundman, (which builds on gear 2 and gear 3 as well). It's like a version of Luffy without the additions

Gear 3: ... Yeah, this one is pretty obvious.

But the most important aspect of Luffy it brings in from his previous fights is his silliness. From the shocked face Crocodile gives him when he sees Water Luffy to Kaido's eyes popping out as he uses him as a jump rope. Things that seem meaningless, like his Gomu Gomu no UFO move. (I had to include this because I thought about how Joyboy it was from the moment i saw it. He's just joyously having fun in weird ways!! <3)

The magic of Gear 5 is in how everything from before comes together and combines seamlessly, which brings us to section 2:

Foreshadowing of Joyboy

Luffy has always been the sun. Tanjiro has nothing on Luffy for Most Sun Coded Anime Protagonist. Luffy is from the East Blue on Dawn Isle. One could say he rose from the East. The beginning of his story is called romance DAWN. This is from other posts that delve into it more, but luffy has been liberating people from the start- Koby, Zoro, Shells Town. Thats just how he rolls, it's part of his existence- Luffy will see someone oppressed, think "Is anyone going to help them free themselves?" and not wait for an answer. Punching a celestial dragon? That's ridiculous. But Luffy was made to do ridiculous things.

Skypiea, which is where we learn about Joyboy, has Luffy facing off against Enel and winning easily because of his nonconductiveness - the true god destroying the false one.

On Fishman Island, he frees Shirahoshi from her prison and promises to take her to see the sun. Another aspect is the symbol of the sun pirates being changing the celestial dragon's slavemark into a SUN. Luffy also takes away the giant shadow of Noah hanging over them.

Dressrosa? Known for it's SUNflowers.

When Luffy loves and accepts sanji, freeing him, the sun literally dawns on him. One of my fave moments with him. (To go into sanji & his wano arc i would need a whole different 1000 word essay on him. Bbg u are simply so fucked up)

Wano arc amps up the dawn = freedom references by 100. referencing the dawn 24/7, having luffy become a slave

Luffy has always been free because he is himself.

Luffy = sun god, Law = moon god?

Some long-ass Analysis of this Theory! Enjoy !!

Warning: op manga spoilers ahead

first thing first,

Let us break down Law's name again. I found on Twitter, a translated tweet from a Japanese fan explaining that Law's taboo name isn't actually 'Water' but 'War Tale'.

The word used is ワーテル which is pronounced as "wāteru" and has no direct translation in English or any Language, unlike "水" (mizu) in Japanese. they point out that the same 'word manipulation' that happened to 'Laugh Tale' is applied here.

'war tale' according to Law is a taboo name, and his family for generations has...?

Let's take a minute and look at the Nefertiti family, for example, their duty was to protect the Ponegliffs all these years, also, The Kozuki Family's duty was to write the History on those Ponegliffs. ( there's actually a theory of them having a secret D as well)

Then, what is Law's Family rule? I am guessing something relating to inheriting or maintaining the records of the war that happened in the void century -The Story of War/ War tale- or some sacred wisdom or piece of Information. maybe Law had heard of the name Imu from his parents just like Copra did and that is why they keep their names secret - from Imu, which shockingly, knew Liliy for 800 years, and just now did Imu realize she is a D. So it runs in families?

Let me go back to why I think Law is related to the moon god despite the popular belief that Blackbeard is, in fact, the moon god.

here is Oda's statement for their flower:

Luffy=Sunflower

Law=Queen of the Night

So, these D boys are:

Luffy is the sun, Law is the moon, and Blackbeard is the eclipse and not the moon.

(Credit: @moustawott, on Tumbler)

Let's ponder Egyptian mythology for a sec, The god of the moon, Thoth, he is known for several things that sort of matches Law's actions and Characteristics:

( please notice the blue feather im dying)

Thoth helped the sun god ''Ra'' by providing him with magical spells to overcome obstacles during his nightly journey through the underworld( Luffy+ Law = Marineford).

2. He was depicted holding a writing palette and a reed pen, symbolizing his role as the divine record-keeper and lawgiver(war tale- Law's Family duty).

3. Thoth was also associated with medicine and healing. He was believed to possess knowledge of magical spells and remedies that could cure ailments and protect against diseases ( basically Law).

4. He was responsible for recording the verdict of the heart-weighing ceremony that determined if the person was able to continue on to the Afterlife (final operation theme).

5. in the eye of Hours, the sun is a symbol of good luck& the moon is a symbol of healing powers.

The moon is not the enemy of the sun, they co-exist, the moon is an ally that comes before the dawn. As Law broke the gear of the world in Punk Hazard, and announced the beginning of the new Area, a.k.a beginning of the Dawn.

Maybe Law isn't the moon god himself but he acts like a moon knight at least, since Luffy got to the new world, Law was at his side, as his guide from the darkness to the new dawn ( a bit romantic lol? not my intention really) and what drove Law to save Luffy at the Marineford was his instinct to protect the sun.

Another point is, Law's chest and back tattoos are clearly devoted to Cora, but his arms and hands show a wheel and sun-shaped circles, plus, his jolly roger, which I know is a rip off of doffy to piss him off BUT

when putting those next to each other, makes you wonder, right?

what made me come up with those biased, wild, and crazy ideas is this:

this cross is within a circle, the Solar Symbol cross. ( pointed out by @DawnDuskJapan on youtube, check it out)

the cross representing the rays of the sun and the circle representing the sun itself. It symbolizes life, vitality, and the power of the sun.

The ancient Shandians worshiped a Sun God, and The giants of Elbaf worship a Sun God as well, so maybe, The white city also worshiped the sun god? which Law subconsciously, added those features to his jolly Roger and tattoos.

Let's not forget, Both Law's and Luffy's devil fruits were what the WG wanted THE most.

in the end, I am ok with anyone calling me a nuthead.

You have a lot of thoughts about Sanji and how the Germa modification may come back to bite him later in terms of his own free will (& I agree that it will eventually come up)—but do you have any thoughts about Luffy having a mythical Zoan and whether Nika might be bleeding over into him? Zoan fruits supposedly have a will of their own especially after awakening, and I’m guessing mythical humanoid ones might take that a step further.

I remember being super unsettled by Gear 5 up until Luffy officially reiterated that he’s Luffy, going to be the pirate king, etc. There was something really eerie about it to me, like I was legit concerned that we were looking at something that wasn’t Luffy anymore.

What does it mean for Luffy, who ultimately is a personification of freedom and free will to be potentially a reincarnation of Joyboy/some sort of prophesied person with a destiny? Does it run kind of counter to his whole character? Is it fine so far because Luffy and Nika/Joyboy are so similar, and could that change?

Interested if you have any thoughts about it! Love your character analysis videos.

I've said this on twitter ages ago BUT somehow I don't think joyboy is gonna be a reincarnation or anything. I feel it's just the gum gum fruit itself has a will that it couldn't carry out 800 years ago with its previous user, and it's now found Luffy who can help carry out its will with Luffy's own. Ie, Luffy has not been forced on a path as the chosen one, he's simply so strong of mind and soul that the fruit has found someone to help it reach its peak form and power.

People like Luffy are a rarity, in terms of their pure determination and guts. Luffy makes his own path, and now he's yanked into the soul of his devil fruit, and has forced it to awaken for his own gain. But, since one piece is about continuing wills, it also makes perfect sense that either joyboy or the fruit itself has a will that Luffy is picking up. This is by no means fate, and is instead Luffy tearing the world apart due to who he is.

I also do think there's a possibility of devil fruits overtaking someone's mind and soul, but I don't know! Haven't seen that happen yet I think, so I'm keen to find out!

Also thank youuuu! 🫶

Gear 5 evolution

I love how Oda shows that Gear 5 is getting more powerful. Not through how much destruction it causes, but that Luffy is now using other kinds of slapstick.

When fighting Kaido Luffy was using body/environment squish and strech (I have no idea what any of the terms I'm trying to use are). Growing in size, bouncing off the ground, turning Kaido into a balloon and jump rope, most of that fight had rubbery qualities to its gags, even the eye stretches can be categorized as stretching, as none truly fell out. (Ussop is able to do a similar thing with the wasabi grape, but that's a whole nother post and another reason for his godhood.)

Against the Gorosei though, he's turned them into paper (which is distinctly NOT rubber,) had all his scars blown off, and created a baseball bat and helmet with paint seeming out of nowhere!

Oda is making it so that Luffy can do anything to anyone so long as it'll get a laugh from us, and while I'm not qualified to do an analysis on that subtle 4th wall breaking. I for one can't until he does the ultimate attack and shoves Pies into all their faces!

The (Laugh?) Sad Tale of Joy Boy

(Spoilers ahead, don’t read if you haven’t caught up with the manga)

This analysis came about from me remembering the ending of Wind Waker and the line from Amphibia’s true colors: “That’s the thing about friends isn’t it? The more you love ‘em the more it hurts when they go”

I don’t think a lot of people have caught on to the truly heartbreaking irony in the title of Joy Boy. That, despite his cheery name, his story did NOT have a happy ending.

We already know that the 20 kings (and Imu, most likely) won 800 years ago and destroyed most of what Joy Boy and his allies and friends accomplished.

This not only means that the many races of the world were doomed to persecution and racism by humans but it also means that the technology of the world was regressed to the point that they can only begin to catch up after 800 years (and largely because the man responsible is said to be 500 years ahead of his time) and the people don’t even know what they have lost.

Think about it, in the Jaya arc Robin examines a skull from the fallen galleon and deduces that they medically relieved him of a tumor by making a hole in the skull, without anesthesia. It’s a forgotten practice by the present time, but it still proves that medicine had to evolve to resort to less gruesome methods. And in the East Blue they mentioned that scurvy was only recently fully understood. None of these things are an issue for us because of current medical knowledge.

Of course not every technological advancement is good and some of them have actually caused horrific results both in the One piece world and real life. But people have an unfortunate tendency to take for granted the good things science has given us.

Back to the original topic though, if the Ancient Kingdom had won the One piece world would be unrecognizable to the one we’ve come to known. We don’t know how much for the better, but the 20 kings were very much afraid that such a world could have existed and of a man who‘s implied to have had a pretty innocent dream

When someone who doesn’t make sense to the rest of the world appears there’s two things that can happen with them. Either the world destroys them and who they are at their core, or the world is forced to change to make sense of them.

Joy Boy was definitely one such person in the past like Luffy is in the present. But unlike Luffy, when met with the violent nature of the world, he couldn’t beat it because of some cruel twist of fate. (Or perhaps betrayal? I think Imu knew the first Joy Boy or they wouldn’t keep the frozen straw hat).

Even if (when) Luffy wins and fulfills the original Joy Boy’s dream, the original Joy Boy didn’t, no matter how hard he tried.

But the 20 king were still unable to destroy who Joy Boy was at his core: a dreamer. The very reason that he had friends who loved him. And because of that, Joy Boy had to dream even further than thought posible and imagine that someone else would appear in the future who was like him. Surprise, surprise, that came true.

But he still died without fulfilling his promise. And he and his friends, like all people eventually do one way or another, had to part ways.

But no matter how much Joy Boy may think he failed his friends, they love him no matter what and believe in him. And go on to make sure Joy Boy’s dream of a new person like him appearing comes true. (And adopt the name D. as one of their methods?)

Even so, Joy Boy himself lost and his loss is felt by all who knew him because he is no longer there. Which isn’t the same as the memory of a person. Luffy may be the heir of Joy Boy, but he isn’t Nika (or whatever his real name was).

Imagine if Brook didn’t have the Revive fruit. Laboon would have kept waiting for someone who wouldn’t come back; and even if Luffy gave him a new reason to keep waiting, it still would be a very different person than the perverted-dad (skull?) joke telling-musical gentleman that Laboon knew, wouldn’t it? In this regard Brook is luckier than Joy Boy was.

That always was one of the most horrible things about the World Government, thinking people are expendable. They are not. Galley-La couldn’t make a new Going Merry even if they had the original blueprints because the crew that sailed her would notice small things that are not there anymore.

Although his memory and dreams for a new Dawn in the world are very much alive, the fact he lost so long ago after giving it his all cannot be undone. Similarly the 800 years of abuse the Government, the Celestial Dragons and Imu have inflicted cannot be undone either and many people who dreamed to see themselves free did not live to see it happen.

Is it any wonder then that a piece of the Rio Poneglyph, one of the only means of the Ancient Kingdom to communicate and perhaps the most crucial historical document in the One Piece world, is an apology letter from Joy Boy?

His dream will come true after all in such a way that will be mind-boggling to the point of it being funny, no matter what the world has thrown his way, which may be why Roger laughed.

What I mean to say is that I’m sure Joy Boy’s story will be extraordinarily tragic and yet triumphant somehow. And in line with who Luffy is, he’s not unbreakable.

But he’s not finished yet.

What is Buggy's Endgame? A Post-1082 Analysis

Since the release of chapter 1082, we’ve gotten more insight into Buggy’s character than ever before, especially regarding his dreams and thoughts on past events. So, given our new information, I thought I’d revisit Orange Town Arc to see if 1082 re-contextualizes anything. What’s in the cards for Buggy as a character? What direction does Oda plan on taking him in?

To give you my answer, let me begin in a bit of a random place: the relationship between Shanks and Buggy. 

From the moment Oda first introduced their relationship in chapter 19, Shanks and Buggy already solidified themselves as character foils. Their first panel together is literally a fight over whether the North or South Pole is colder, which is pretty on the nose if you ask me (sorry… I had to). Their red-blue color contrast is also pretty self-explanatory; although green is technically red’s complement, red and blue are often used as visual “opposites.”

Beyond all that surface level stuff, though, what makes these two foils of each other are their opposing values. As a pirate, Shanks wants to “make time to see the world." He has no sense of urgency and no inherent desire to conquer the world — at least, not right away. Buggy, of course, calls this a “soft way of thinking.” Unlike Shanks, he views treasure as the sole purpose of being a pirate. And not just any treasure, but material wealth, gold and jewels which "make its possessor a king."

Shanks and Buggy’s contrasting viewpoints also embody the underlying themes of Orange Town Arc. One man's trash is another man's treasure, and Oda takes great care to emphasize this point, from Chouchou to the mayor.

Luffy's hat ends up taking center stage in Orange Town, however, which I think is a great decision. The straw hat is what tethers Luffy and Buggy to Shanks. It's a weighted symbol, one that helped shape both of their characters — albeit in antithetical ways. Thus, when it’s used as a tool to explore their relationships, it works really well.

Take Luffy, for example. In his youth, Shanks was a pillar of support, friendship, and sacrifice; the straw hat is his treasure because it reminds him of Shanks, but also because it symbolizes what Shanks gave up for him. He owes his life to Shanks, but he uses that gratitude to fuel his own ambition, and to hopefully reunite with Shanks one day as a great pirate.

Shanks allowed him to go after his dream. Luffy knows this well.

Now look at Buggy. He sees the straw hat as worthless, and it’s clear why he does: it’s a painful reminder of the dream that Buggy gave up on, a representation of everything he lacks in comparison to Shanks. And to add insult to injury, Shanks gave that straw hat away to what Buggy sees as an insignificant kid. Of course that would hurt. Seeing Shanks give up Roger’s legacy so easily, abandoning his potential to become Pirate King, when that’s all Buggy ever wanted in life… I mean, wow. It's an amazing role reversal. Buggy gave up on his dream for Shanks, but Shanks gave that dream to Luffy instead.

I think 1082’s context adds some much-needed character depth, and explains a lot of Buggy's rationale. We know Buggy does not value sacrifice or friendship like Luffy does, nor is he the type to go out on a limb for someone. He’s greedy, manipulative when it suits his interests… I could go on forever. So to see that Buggy once sacrificed his own dreams for the sake of Shanks’ — only to have it backfire — makes so much sense. Of course he became a bitter, cynical, and selfish adult. One of the people he believed in most broke his unwavering trust, and he never healed from that experience. (Not to mention that this happened directly after Roger's execution. His faith was already shaken, and it was just one heartbreak after the next.)

The impact of that betrayal only feeds into his greedier tendencies; Buggy is a character who keeps things close to his chest, figuratively and literally. He learned to fear trust, and it shows. All of his adult relationships (Alvida, Galdino, Crocodile, Mihawk) are strictly rooted in business and mutual, self-serving interests. Nothing more.

Just take a look at Buggy and Luffy's reactions to the Bara Bara no Mi story. Buggy can only focus on the things he lost, instead of what he had: a friend who was willing to jump overboard for him in a heartbeat. But Luffy, a character who values the people he loves, obviously has a different perspective. He concludes, “So Shanks saved your life?” Where Luffy sees hidden treasure, Buggy sees nothing but loss.

So why am I bringing this all up? Well, I don’t find it surprising at all that two of Buggy’s most prominent arcs — Orange Town and Impel Down — emphasize his struggle between selfishness and altruism. The internal conflict is played off as a joke in Impel Down, but Buggy has always been simultaneously comedic and complex. He actually parallels Luffy in that sense, but that's another meta for another day.

The position Oda has placed Buggy in is rife with potential. He's now closer than ever to the things which would fulfill his materialistic nature: the One Piece, Captain John’s treasure, and the title of Pirate King. Yet, at the very same time, he's closer to one of his most honest connections in life: Shanks. If there was ever a time for a character to be forced to make a fateful choice, I’d say it’s right about now. People have been wondering why Oda made Buggy a final contender for the One Piece. Why has he “failed upwards” for so long? Comedy aside, I think the answer is a lot simpler than we’re all making it out to be: Buggy’s story just isn’t over yet. 

Oda still has something he wishes to impart to readers, and he clearly believes it will be told best through Buggy’s character. Based on what we know about Buggy — his greed, his guilty conscience, his past with Shanks — I think that story will lead his character to some very interesting places.

Do I think Buggy is going to have a change of heart? Maybe, maybe not. In that regard, he’s already been in a gray area since Impel Down. I wouldn’t be surprised if he accidentally ends up allying himself with Luffy again during One Piece’s conclusion. But with the Cross Guild putting bounties on marines, a (potential) three-emperor interest in going after Blackbeard, and an open-ended Shanks-Buggy plot thread about going to Laugh Tale... Well, there's a lot of places this could go. Would Buggy be willing to give up the greatest treasure in dire circumstances? For Shanks? For the world? Will he become king, and then lose it all? Will he make a sacrifice that parallels Shanks' when they were kids? Who knows!

What do you guys think? Is Buggy going to play a larger role in One Piece’s third act? What is your ideal conclusion for his character in the story? I'd love to hear your thoughts.

What is Buggy's Endgame? A Post-1082 Analysis

Since the release of chapter 1082, we’ve gotten more insight into Buggy’s character than ever before, especially regarding his dreams and thoughts on past events. So, given our new information, I thought I’d revisit Orange Town Arc to see if 1082 re-contextualizes anything. What’s in the cards for Buggy as a character? What direction does Oda plan on taking him in?

To give you my answer, let me begin in a bit of a random place: the relationship between Shanks and Buggy. 

From the moment Oda first introduced their relationship in chapter 19, Shanks and Buggy already solidified themselves as character foils. Their first panel together is literally a fight over whether the North or South Pole is colder, which is pretty on the nose if you ask me (sorry… I had to). Their red-blue color contrast is also pretty self-explanatory; although green is technically red’s complement, red and blue are often used as visual “opposites.”

Beyond all that surface level stuff, though, what makes these two foils of each other are their opposing values. As a pirate, Shanks wants to “make time to see the world." He has no sense of urgency and no inherent desire to conquer the world — at least, not right away. Buggy, of course, calls this a “soft way of thinking.” Unlike Shanks, he views treasure as the sole purpose of being a pirate. And not just any treasure, but material wealth, gold and jewels which "make its possessor a king."

Shanks and Buggy’s contrasting viewpoints also embody the underlying themes of Orange Town Arc. One man's trash is another man's treasure, and Oda takes great care to emphasize this point, from Chouchou to the mayor.

Luffy's hat ends up taking center stage in Orange Town, however, which I think is a great decision. The straw hat is what tethers Luffy and Buggy to Shanks. It's a weighted symbol, one that helped shape both of their characters — albeit in antithetical ways. Thus, when it’s used as a tool to explore their relationships, it works really well.

Take Luffy, for example. In his youth, Shanks was a pillar of support, friendship, and sacrifice; the straw hat is his treasure because it reminds him of Shanks, but also because it symbolizes what Shanks gave up for him. He owes his life to Shanks, but he uses that gratitude to fuel his own ambition, and to hopefully reunite with Shanks one day as a great pirate.

Shanks allowed him to go after his dream. Luffy knows this well.

Now look at Buggy. He sees the straw hat as worthless, and it’s clear why he does: it’s a painful reminder of the dream that Buggy gave up on, a representation of everything he lacks in comparison to Shanks. And to add insult to injury, Shanks gave that straw hat away to what Buggy sees as an insignificant kid. Of course that would hurt. Seeing Shanks give up Roger’s legacy so easily, abandoning his potential to become Pirate King, when that’s all Buggy ever wanted in life… I mean, wow. It's an amazing role reversal. Buggy gave up on his dream for Shanks, but Shanks gave that dream to Luffy instead.

I think 1082’s context adds some much-needed character depth, and explains a lot of Buggy's rationale. We know Buggy does not value sacrifice or friendship like Luffy does, nor is he the type to go out on a limb for someone. He’s greedy, manipulative when it suits his interests… I could go on forever. So to see that Buggy once sacrificed his own dreams for the sake of Shanks’ — only to have it backfire — makes so much sense. Of course he became a bitter, cynical, and selfish adult. One of the people he believed in most broke his unwavering trust, and he never healed from that experience. (Not to mention that this happened directly after Roger's execution. His faith was already shaken, and it was just one heartbreak after the next.)

The impact of that betrayal only feeds into his greedier tendencies; Buggy is a character who keeps things close to his chest, figuratively and literally. He learned to fear trust, and it shows. All of his adult relationships (Alvida, Galdino, Crocodile, Mihawk) are strictly rooted in business and mutual, self-serving interests. Nothing more.

Just take a look at Buggy and Luffy's reactions to the Bara Bara no Mi story. Buggy can only focus on the things he lost, instead of what he had: a friend who was willing to jump overboard for him in a heartbeat. But Luffy, a character who values the people he loves, obviously has a different perspective. He concludes, “So Shanks saved your life?” Where Luffy sees hidden treasure, Buggy sees nothing but loss.

So why am I bringing this all up? Well, I don’t find it surprising at all that two of Buggy’s most prominent arcs — Orange Town and Impel Down — emphasize his struggle between selfishness and altruism. The internal conflict is played off as a joke in Impel Down, but Buggy has always been simultaneously comedic and complex. He actually parallels Luffy in that sense, but that's another meta for another day.

The position Oda has placed Buggy in is rife with potential. He's now closer than ever to the things which would fulfill his materialistic nature: the One Piece, Captain John’s treasure, and the title of Pirate King. Yet, at the very same time, he's closer to one of his most honest connections in life: Shanks. If there was ever a time for a character to be forced to make a fateful choice, I’d say it’s right about now. People have been wondering why Oda made Buggy a final contender for the One Piece. Why has he “failed upwards” for so long? Comedy aside, I think the answer is a lot simpler than we’re all making it out to be: Buggy’s story just isn’t over yet. 

Oda still has something he wishes to impart to readers, and he clearly believes it will be told best through Buggy’s character. Based on what we know about Buggy — his greed, his guilty conscience, his past with Shanks — I think that story will lead his character to some very interesting places.

Do I think Buggy is going to have a change of heart? Maybe, maybe not. In that regard, he’s already been in a gray area since Impel Down. I wouldn’t be surprised if he accidentally ends up allying himself with Luffy again during One Piece’s conclusion. But with the Cross Guild putting bounties on marines, a (potential) three-emperor interest in going after Blackbeard, and an open-ended Shanks-Buggy plot thread about going to Laugh Tale... Well, there's a lot of places this could go. Would Buggy be willing to give up the greatest treasure in dire circumstances? For Shanks? For the world? Will he become king, and then lose it all? Will he make a sacrifice that parallels Shanks' when they were kids? Who knows!

What do you guys think? Is Buggy going to play a larger role in One Piece’s third act? What is your ideal conclusion for his character in the story? I'd love to hear your thoughts.

Love my two clowns 🤡👒

I found a one shot of Luffy with braids and I absolutely adore the concept, especially when it was described of him having the beads of his crew (I think??) within the braids that circles his head like a crown. I thought it was adorable. It’s A Story in Braids on AO3 by @islenthatur if you haven’t read it go read it ᕦ(ò_óˇ)ᕤ

luffy now using 'dawn' in his gear 5 attack names gives me the opportunity to point out something i don't know if i've mentioned before on this blog but that's been on my mind for actual years.

so, the english word 'dawn' is written in japanese as ドーン/dōn; for example, that's also how it's written in these attack names, and also in the name of dawn island (ドーン島/dōn-tou). and don/dōn is the same sound effect one piece uses ubiquitously to emphasize impactful or important panels or beats. (i think the official english translation usually renders it DOOM?) it also shows up in tom the fishman's speech pattern and the lyrics of binks no sake- i associate it very heavily with the comic as a whole.

and in thinking about gear 5, it's also occurred to me that the constant use of don for emphasis is potentially reminiscent of the sound of a drumbeat- especially since in wano, it's partially supplanted as the default 'emphasis' sound effect by the べん/ben or べべん/beben of hiyori's shamisen, another instrument.

oh he's a little bit fucked up actually

ACTIOOOOOON!!!

Gear 5

and he’s SO good at playing the fool and making people smile

i’ve been watching through the anime with my girlfriend and i’ve started collecting frames that make me go hey nika

(pt 2)

everyone take a look at the specialest boy