The River Has Roots || Amal El-Mohtar ★★★★★ Started: 22.05.2025 Finished: 01.06.2025 In The

A Certain Hunger || Chelsea G. Summers ★★★★☆ Started: 21.12.2024 Finished: 28.12.2024 Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy’s clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both. But there is something within Dorothy that’s different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man's neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority. A satire of early foodieism, a critique of how gender is defined, and a showcase of virtuoso storytelling, Chelsea G. Summers’s A Certain Hunger introduces us to the food world’s most charming psychopath and an exciting new voice in fiction.

𝔱𝔯𝔦𝔠𝔨 𝔬𝔯 𝔱𝔯𝔢𝔞𝔱! 🎃 happy halloween my friends!

“Love the erasure of everything else, a blinding worse even than the sun.”

— David Vann, Bright Air Black

Never Let Me Go || Kazuo Ishiguro ★★★★★ Started: 04.04.2025 Finished: 26.04.2025

Hungerstone || Kat Dunn ★★☆☆☆ Started: 24.02.2025 Finished: 14.03.2025 Thank you to NetGalley and Zando for providing me with an ARC and giving me the opportunity to share my honest review. "Hungerstone" is, ostensibly, a very well-researched and painstakingly crafted novel, that unfortunately amounts to very little. Yes, the clothing and the cuisine described are era-appropriate, but they only make the novel tedious, at times even dull. By contrast, the characters seem to have been afforded less thought - the husband is a painfully one-dimensional caricature of a robber baron, the Carmilla of Dunn is nowhere near as eloquent as Le Fanu's, oftentimes she is simply rude to the point you can't understand how anyone could find her alluring, and the protagonist, Lenore, flounders through the pages, puppeteered, at different times, by her husband and then by Carmilla. She psychoanalyzes herself like a modern woman, unequivocally finding the roots of her problems in her traumatic childhood, and yet does nothing with that insight until Carmilla prods her into action. There is a lot of telling instead of showing, a lot of unambiguous hammering of the author's ideas that makes for a mostly unpleasant reading experience - the reader is not allowed to draw their own conclusions at any point, everything is conveniently spelled out on the page. In short, "Hungerstone", much like "Our Hideous Progeny", is a lukewarm (at best) retelling of a much more competent, enticing, exciting novel, interspersed with poorly planted 21st century feminism, that ends up being a mind-numbingly tedious experience. I can recognize the effort that went into this work, but just because something takes a lot of time and research, doesn't mean it's good.

★★★★☆ “She gazes at Agamemnon and says, “I do not forget.” As far as post-Madeline Miller myth retellings go, this is fairly good. Sure, Helen is still a frail waif, but this novel isn't about her, per se, so I can't take much issue with that, not with how Clytemnestra is written - brutal, unforgetting, unforgiving. Testament to how much a story is set to gain if authors choose to give their mythical heroines a spine, truly. Much like in Daughters of Sparta, I would have loved for the story to cover her death, especially since I have a feeling Casati would do the scene justice, but nevertheless, Clytemnestra was a worthwhile experience.

Blood Over Bright Haven || M.L. Wang ★★★★★ Started: 01.02.2025 Finished: 08.02.2025 An orphan since the age of four, Sciona has always had more to prove than her fellow students. For twenty years, she has devoted every waking moment to the study of magic, fueled by a mad desire to achieve the impossible: to be the first woman ever admitted to the High Magistry. When she finally claws her way up the ranks to become a highmage, however, she finds that her challenges have just begun. Her new colleagues will stop at nothing to let her know she is unwelcome, beginning with giving her a janitor instead of a qualified lab assistant. What neither Sciona nor her peers realize is that her taciturn assistant was once more than a janitor; before he mopped floors for the mages, Thomil was a nomadic hunter from beyond Tiran’s magical barrier. Ten years have passed since he survived the perilous crossing that killed his family. But working for a highmage, he sees the opportunity to finally understand the forces that decimated his tribe, drove him from his homeland, and keep the Tiranish in power. Through their fractious relationship, mage and outsider uncover an ancient secret that could change the course of magic forever—if it doesn’t get them killed first. Sciona has defined her life by the pursuit of truth, but how much is one truth worth with the fate of civilization in the balance? Reading this line in the book description: “Magic has made the city of Tiran an industrial utopia, but magic has a cost—and the collectors have come calling.”, I thought the Bright Haven would come under an external threat that would have to be alleviated. What really happens is much more insidious, much more sinister, and much harder to combat, let alone overcome. The result is an exceptional standalone fantasy novel in the vein of R.F. Kuang's Babel.

Weight || Jeanette Winterson ★★★★★ Started: 13.11.2023 Finished: 14.11.2023 The story of Atlas and Heracles Atlas knows how it feels to carry the weight of the world; but why, he asks himself, does it have to be carried at all? In Weight — visionary and inventive, yet completely believable and relevant to the questions we ask ourselves every day — Winterson’s skill in turning the familiar on its head to show us a different truth is put to stunning effect. When it comes to recent retellings of Greek Myths, my approach can best be described as kissing paper frogs, hoping one of them would turn out to be a masterpiece. Most understandably didn't. With "Weight", however, my perseverance was rewarded in spectacular fashion. This is no mere recounting of events, it's a careful, considerate and thoughtful conversation with an age-old story. It's building upon the solid fundament of universal truth within the myth and intertwining it with the experiences of contemporary readers. An absolute pleasure to experience, and certainly a book to return to time and time again.