ROULETTE: BERLIN, Reel Queer, 2009

🪰Fly fursuit from crownedfeline on tiktok!🪰

Vintage Homoerotic Photographs from issue 93 of kink and leather magazine Drummer by photographer George Dureau depicting different bodied men

the idea that restrooms, locker rooms, etc need to be single-sex spaces in order for women to be safe is patriarchy's way of signalling to men & boys that society doesn't expect them to behave themselves around women. it is directly antifeminist. it would be antifeminist even if trans people did not exist. a feminist society would demand that women should be safe in all spaces even when there are men there.

inside me there are two lungs. and one liver. one stomach. a few meters of intestine. there's a lot inside me actually

On 12 March 1990, dozens of disabled people descended on the US Capitol and carried out a protest which became known as the Capitol Crawl. Participants were protesting against the stalling of a proposed law, the Americans with Disabilities Act (ADA), which would prohibit discrimination against disabled people. Around 1000 other protesters watched and cheered while dozens of members of ADAPT, a group campaigning for public transit access for disabled people, abandoned their wheelchairs and mobility aids and began crawling up the steps of the building housing Congress. It was a powerful illustration of the difficulties faced by many disabled people faced with a hostile environment which had been constructed without their needs in mind. Michael Winter, one of the participants later reflected: “Some people may have thought it was undignified for people in wheelchairs to crawl in that manner, but I felt that it was necessary to show the country what kinds of things people with disabilities have to face on a day-to-day basis. We had to be willing to fight for what we believed in.” In the wake of the protest, Congress passed the bill and it was signed into law in July 1990. https://www.facebook.com/workingclasshistory/photos/a.1819457841572691/2229212140597257/?type=3

Every single time I write Hugh Dancy I misspell it as Dancey and then imagine Hugh Danc(e)y having a little jig.

I’m being so fucking serious this happens at least once a week. He gets a lot of dancing done.

"Ira Jeffries (far right), with her girlfriend, Snowbaby, and her mother, Bonita (standing), celebrating Ira's sixteenth birthday in a Harlem club" from the Lesbian Herstory Archives. Captioned: "I'm the butch but I'm not allowed to dress as I please yet."

source: The Persistent Desire: A Femme-Butch Reader, edited by Joan Nestle

I would do anything to watch Mike Flanagans creations for the first time again

Midnight Mass, Book VII: Revelation

they should invent a past that doesn't beat inside me like a second heart

I’ve been thinking about Howl’s Moving Castle and how Sophie’s curse is a physical symbol of her self belief of being romantically unlovable (especially after growing up with beautiful, sought after women in her family.) How Howl tries to undo the curse the moment she steps into his castle but he *cant* because Sophie doesn’t want it to be broken. How, in the film, Sophie gets so close to breaking the curse in the field, but hearing Howl call her beautiful went against her self views, so she reinforces her sense of self by turning 90 again.

And the way that her love and kindness make her younger again and again. How film Sophie sacrifices her long hair, perhaps what past Sophie would have seen as her only beauty, for Howl but she’s grown so much that she still remains young, perhaps even confident about her grey hair, showing that Sophie no longer links her appearance to her lovability or worth and she learned to accept herself as she is. In this essay I-