Part 1. Best viewed on the main page.
It’s finally here! I’ve wanted to tell this story for a long time. I hope you can enjoy reading it as much as I have enjoyed making it. This is just the beginning!
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Thank you!
wild girls by bruno biazotto Spectrum 15: The Best in Contemporary Fantastic Art
How did the movie compare with your expectations?
Traci Kato-Kiriyama: It was stunning visually, but emotionally it didn’t draw me in.
Keiko Agena: It was harder to watch than I thought it was gonna be. To get emotionally invested, you have to really care that she needs to find out who she is. But when she finally meets her mom, my gut felt so weird in that moment.
Kato-Kiriyama: That scene was devastating on all levels. It got me because of the emotion of the mother [veteran Japanese actress Kaori Momoi]. She’s really wonderful. That scene should have been beautiful, but Major had nothing in her eyes. Acting-wise, what a missed moment.
Atsuko Okatsuka: I wasn’t aware they were gonna explain the whitewashing. I thought it was just going to be an action film, no explanation, just go with the fact that it’s a future Japan with this robot cop. And then to be like, “Oh shit, I used to be a Japanese woman!” (Laughter) That was against my expectations.
How did you feel when that twist was revealed?
Agena: That was hard, y’all. Hard and awkward.
Ai Yoshihara: Major’s backstory is white people trying to justify the casting.
Okatsuka: And they f—ed up in the process because now it looks even worse. The text at the beginning of the movie explained that Hanka Robotics is making a being that’s the best of human and the best of robotics. For some reason, the best stuff they make happens to be white. Michael Pitt used to be Hideo.
Agena: That was the other cringe-worthy moment, when they called each other by their Japanese names. We’re looking at these beautiful white bodies saying these Japanese names, and it hurt my heart a little bit.
Kato-Kiriyama: It was supposed to be so touching and intimate, and it felt gross. And kind of laugh-worthy at the same time.
Okatsuka: I would have preferred them just using American names. “You used to be Bob.”
Get these, its heart breaking at the beginning but it gets better and its darn worth it!
Under My Skin and Flesh & Blood are stories by queer indie writer A E Dooland (me!) which feature non-binary transgender character Min Lee, as well as a cast of overworked professionals, a crazy schoolgirl, and a few everyday antagonists you might recognize from your own life.
For more info about the individual stories including blurbs and promo art, click here for Under My Skin and here for Flesh & Blood.
To download samples and purchase these books:
Under My Skin:
eBook: [Amazon | Smashwords]
Paperback: [Amazon | CreateSpace]
Flesh & Blood:
eBook: [Amazon | Smashwords]
Paperback: [Amazon | CreateSpace]
…and heaps of other stores like iBooks, Barnes & Noble, Kobo, etc!
Sound interesting? Buy my books! Help me finance writing more big queer books for you! :D
As a mexican, saddens me to read this on Tumbrl, here but not on our National News Programs, or newspapers or even on goverment websites. We read this on facebook, we see this on youtube but not in open tv, why? Because the tv network that rules over Mexico doesnt wants us to know what really happened, because that tv network made this "Ken Doll Like" be the president of this country, because they want to keep us blinded with futbol and next-to-nude girls on tv.
Powerful photos capture the student protests in Mexico barely anyone is talking about
While the world has focused its attention on the pro-democracy protests in Hong Kong, there’s another student movement gaining steam on the other side of the world.
The unfolding protests gripping Mexico began in the small town of Iguala, in the southwest region of Guerrero state, where the disappearance of 43 student teachers on the night of Sept. 26 has sparked outrage amid allegations of collaboration between local police and organized crime.
This is a forward by a brave girl of what happened in the indigo flight yesterday with her ! 'This man on the seat behind mine, put his fingers in the seat g...
When they say ‘stop’, you stop.
When they say ‘maybe’, you get ready to stop.
When they say ‘go’, you go.
And like a traffic light, their signals are not optional.
For example, if they say ‘stop’ or ‘maybe’ and you decide to keep going, you will get hit by a truck.
MY truck.
I will run you over.