*
j. sullivan
GOD the facial acting is unreal. And it’s also HILARIOUS, like I can’t help but laugh with them every time. but it’s only possible in a show with characters as well-realized as this. like, it’s a simple interaction, but you can follow each individual beat so clearly, and the comedy arises so simply from the circumstance, and the insane history of their relationship. this is my favorite relationship in any show ever
SUCCESSION ▸ 4.06 living+
tl;dr some thoughts/speculation on– the insecurities logan has developed as a billionaire who didn’t come from money, his simultaneous loathing and longing for generational wealth and legacy, the significance of him leaving his first wife for an aristocrat, and how all of that affects his relationship with connor.
Keep reading
"I would kill for you. I would die for you" would you take a break for me? Would you sit down and rest? For a day, a week, a year? Would you let others take care of your needs for me? Would you let yourself be held for me? By me?
Well, it was nice knowing you, then. Yep.
by Adrian Scott Stokes
kendalling in oil
by Kyle Tran Myhre
When the haunted house catches fire: a moment of indecision.
The house was, after all, built on bones, and blood, and bad intentions.
Everyone who enters the house feels that overwhelming dread, the evil that perhaps only fire can purge.
It’s tempting to just let it burn.
And then I remember: there are children inside.
i love it when the insane bitches make films
Armed Kazakh Woman on the Steppes of Western China, 1982
243 posts