You Ever Just Have A Lot, A LOT Of Feelings All At Once About A Character And Not Even Remotely Enough

In 1944 a kitten named George (short for General Electric) was saved from drowning by a U.S. Navy crew member. George was then photographed and given a liberty card and detailed health record. Source.

Jaskier: *singing about the conjunction and using specific names*

Everyone: “There goes Jaskier, making his characters again”

Vesemir (who knows the actual story of the conjunction and how Witchers were made): “bitch what the ACTUAL FUCK?”

This is exactly why I'm only using this hellsite

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I just want Vi to get slapped around a bit by hot dominant women (cough cough Caitlyn). I think that would fix her.

Don’t get me wrong, I’m living for Frenchie and Colin but I wish they’d explored a different aspect of Frenchies back story this season. like how he finally escaped from his dad (did he kill him in the end or run away?) or being homeless and having to become a prostitute to survive when he first came to the states.

I’m also convinced that Frenchies dad actually killed his mom but he’s blocked it out due to trauma. If they went down that route then that would have been an interesting way of linking his and Colin’s storyline.

THISSSSSSSS!!!!!!

when little nina mentioned his abusive father, and when he mentioned turning tricks’ in a flashback, i instantly wanted to know so much more about his backstory. those were two story arcs that were already set up for him to explore! but instead we get him and colin, which feels a bit rushed and kind of pointless anyway since we know nothing about colin. we know frenchie is going to lose colin, there’s no way this will work out. but we don’t care if he loses colin because colin has no emotional weight on the story. maybe if we got to see colin and frenchie’s relationship develop from the start we’d care more about them, but it was thrown at us just for it to be taken away immediately in an attempt to force the audience to pity frenchie. but we already know frenchie feels regret for his kills. i want to see how other aspects of his past shape him as a person.

we could still delve into frenchie’s guilt for being a hitman — but let’s explore what drove him to become a hitman. like you said, anon, did he have to kill his dad to finally be free? did this + turning tricks in america make him feel like the only thing he was good for was his body — his physical form, only made to please or hurt others, only made to follow commands. we see how he yearns for true individual freedom, but he struggles so much to actually free himself from those who hold the end of his chain. why is that? why does he not let himself to decide his own fate when that is all he wants? does he not trust himself — after a life of listening to others, does he not feel he can think for himself? does he think that if he tries to make his own decisions he’ll fuck up, so he only lets himself do what others tell him? or does he think he doesn’t deserve it — after killing so many people, does he think he deserves to be kept on a short chain for his sins?

frenchie is SUCH an interesting character, and they could be doing so much more with him. i’ve loved how they’ve explored his character over the past three and a half seasons, but i wish they would keep going further. clearly he has issues with his perception of his own autonomy. how did an abusive, controlling father affect this? anon, if your theory about his father killing his mother is true (it makes sense to me), how would that knowledge affect frenchie? how did turning tricks to survive in america impact his own self image and worth. how does selling his body for survival — first as a prostitute, then as a weapon — affect his perception of autonomy and identity? who does frenchie think frenchie is? these are all the paths i want to be explored with his character. if the writers wont do it, give me the pen.

all my kudos to the writers and the actor for creating such a great character. to leave the audience wondering more about your character like this is a compliment — it means we’re invested and we want to see more!!

also anon, feel free to message me to talk more about the show!! having the boys brainrot rn and id love to discuss it. or you can keep sending anons!

Jaskier: I hate it when people ask me to “explain my thought process.” Like, hell if I know!

Jaskier: “what’s going on in that head of yours?” Nothing I want to be a part of!

"Afternoon nap"

I finally got around to draw some Poolverine! Or Deadclaws. Which ever you prefer haha.

I absolutely LOVED Deadpool and Wolverine! It was by far one of my favourite cinema experiences. The humor was impeccable and the fight scenes were so fun! And like the honda odyssey scene was just so queer coded! I LOVE IT SO MUCH.

I have seen a lot of really cool art in the fandom and I wanted to contribute! So I give you some soft Poolverine.

(And yes I am aware that Logan is like 300 pounds, but I'd like to think he is like an extremely heavy weighted blanket haha)

horrid fic idea day! One of those classic steddyhands izzy-gets-kidnapped fics and they realize how much they need him, you get the drift. But what if, -shocker- we fucked it up??

Ed and stede are mad at izzy when it happens. Maybe it's set, like, in the early stages of Ed and Stede getting back togethe, and they decide it's just easier to take their feelings out on izzy. Or if it's afterward, and they're upset because he's ruining the mood in his love for them and he's a fucking tragedy and they're not.

izzy gets kidnapped by the navy and puts up a big fight, you know him. In the process, he goes full on feral mode and ends up biting someone in the throat because his weapons are gone. They contact Ed (and stede, who's just kinda there) for ransom or as bait. when they do show up, the officer tells Ed to keep his dog on a leash next time. Izzy's right there, blood still on his chin, hanging in between two officers.

we as the audience are all set up to believe that this is the moment izzy realizes how much he actually means to Ed (and stede)- he's taking his weapons out, visibly angry, etc. but when the tension builds and he gets in the officers face, he just. Stops. Straightens up. And snaps his fingers. He gives Izzy his gun. Ed doesn't kill, remember? And Izzy's fucking exhausted. He's in pain. But he does whatever they want him to. He takes the gun and starts fighting like hell. Ed and Stede sit back and watch. There are so many near misses, times that he's genuinely struggling, but they do nothing.

When all the officers are dead, Izzy is the one who apologizes. For the blood everywhere, for the inconvenience, for the fact that he ever dared to think they'd help him.

Bonus points if they treat it like such, a minor inconvenience. Bonus points if they walk out without looking behind them to help Izzy, who still follows. Bonus points if his reward is a brush of the hand and a murmured, slightly sarcastic, "good dog".

1st year of traveling together:

Geralt and Jaskier wake up and realize they're cuddling. They move away from each other awkwardly. They don't speak about it.

2nd year:

They wake up cuddling each other and if it's too early, they go back to sleep in the same position. It's not awkward anymore. They still don't talk about it.

3rd year:

They stop getting rooms with two beds, in order to save coin.

4th year:

Jaskier: Do you want to be big spoon or little spoon?

Geralt: Hm. Can I be little spoon?

Jaskier: Yes ♡

William Byers: *passes the town line*

Vecna: