Art created exclusively for last night's sold out show for @thebandghost at Uber Arena, Berlin.
Lenny Belardo would’ve killed Vincent Benitez with hammers I’ll tell you that much
There is Conclave everywhere for those with the eyes to see
dead
I don't trust anyone who dislikes Infestissumam, sorry not sorry
Daily Dose of Daddy Secondo
🖤🖤
it's giving
BLASPHEMOUS title screens from major version updates, dev. The Game Kitchen v1.0 Blasphemous (September 2019) v2.0 The Stir of Dawn (August 2020) v3.0 Strife & Ruin (February 2021) v4.0 Wounds of Eventide (December 2021)
its looks like this guy is gently telling secondo the kitchen just ran out of lasagna and he's very upset by it :(
he's so much softer, isn't he. do you remember prequelle? the anger, the justified rage and vindication that defined copia from the moment we met him; the first thing we knew about him was that he was mistreated, he was an outsider, and he was finally getting the appreciation he deserved. but perpetua? he doesn't have that edge. skeletá is all love and joy and gentle mystery, this sense of him taking his first steps in the limelight, much more nervous than he is proud. it gives you this image that where copia was raised in overwhelming noise, perpetua was raised in silence. a child of the clergy, and a child sent far away from the clergy. who raised him? who spoke these lessons into him, who taught him how to worship? it must've been someone kind, but distant. with the way he speaks about his faith, he was taught to love satan on a personal level.
copia being a clergy kid, raised deep inside this community, inside the church, gives me the general image of a child raised by a village; he knows everyone's name, he's used to constant noise, he runs around with important papers in his hands and dodges the young ghouls chasing each other through the halls.
but perpetua gives me the image of a child raised in the woods. a quiet, faraway mansion somewhere, with no other kids his age around. empty corridors that he'd explore on his own, tall portraits of antisaints that he'd pray to every night before going to bed. he was never roughed up by his peers the way copia was, he never learned to resent or to covet what others had. all he has in his heart now is fear and love, and that's what he walks out onto the stage with. he's eager. he's nervous. he's so much softer, isn't he.