Oblivion Gate (Large)

Oblivion Gate (Large)

Oblivion Gate (Large)

Concept art for The Elder Scrolls IV: Oblivion

Art by R Todd Broadwater

More Posts from Foscos-temps and Others

2 months ago

Naakhum - Els Segadors (Versió ancestral) [Cathalunya Ancestral, 2020]


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2 months ago
Source Details And Larger Version.

Source details and larger version.

You be the judge of how my vintage wizard collection is materializing.

2 months ago

We need to change how we view the Anthropocene. While human impact is ubiquitous, it does not mean all interactions have led to destruction. This mindset distances both us from nature and nature from us. In contrast, the mindset of indigeneity sees humans as part of nature and has evolved technologies that use biodiversity as a building block. A new mythology of technology in the era of the Anthropocene can replace the pending threat that Nature will destroy us with the optimism that a collaboration with Nature can save us.

Julia Watson, Lo-TEK: Design by Radical Indigenism


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1 month ago
Words From Wild Geese By Mary Oliver
Words From Wild Geese By Mary Oliver

words from wild geese by Mary Oliver

1 month ago
Seated Male Deity Holding A Cuirass (Chest Armour). Last Quarter Of The 10th–first Half Of The 11th

Seated Male Deity Holding a Cuirass (Chest Armour). last quarter of the 10th–first half of the 11th century. Credit line: Samuel Eilenberg Collection, Gift of Samuel Eilenberg, 1987 https://www.metmuseum.org/art/collection/search/39047

2 months ago
'stag Lying Down,' Rosa Bonheur, French, C. 1875-85.

'stag lying down,' rosa bonheur, french, c. 1875-85.


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2 months ago
Landscape - Solitude (Richard Westall, 1811)

Landscape - Solitude (Richard Westall, 1811)


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2 months ago

“The human mind is only capable of absorbing a few things at a time. […] We observe a fraction of the process, like hearing the vibration of a single string in an orchestra of supergiants. We know, but cannot grasp, that above and below, beyond the limits of perception or imagination, thousands and millions of simultaneous transformations are at work, interlinked like a musical score by mathematical counterpoint. It has been described as a symphony in geometry, but we lack the ears to hear it.”

— Stanisław Lem, Solaris


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2 months ago
Clarence John Laughlin (1905–1985) - “The Search For Identity No. 2”, 1940

Clarence John Laughlin (1905–1985) - “The Search for Identity No. 2”, 1940


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foscos-temps - La llum fa ombra.
La llum fa ombra.

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