Only day you can reblog this
Why do you use tumbrl as your main social media? Is not a bit outdated and filled with weird ppl?
Very much so! It's definitely outdated and filled with weird people. But I'm afraid it has some downsides as well.
This is just the ones I could think of, tagging anyone who wants to join. Also @jesperisamfbicon Sassy characters who give off bi vibes. Bonus points if they're redheads
L to R, top to bottom:
Rohan Kishibe (JJBA), Joe (Sk8 the Infinity), Galo Thymos (Promare), Loid Forger (Spy x Family), Kento Nanami (JJK), Daisuke Kambe (Fugo Keiji: Balance Unlimited), Tsuchigomori (TBHK), Aki Hayakawa (CSM), Hatori Sohma (Fruits Basket)
Tagging: @lostinthe-jojos @giogio-gucci-gangstar @pensivespecter @angry-geese
(if anyone else wants to do this feel free)
Home?
Akutagawaism Cult members rise, I found a tiny Aku in the wild
the curse of summer is buying and eating an inadvisable amount of fruit in single sittings.
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(Source)
So a free tool called GLAZE has been developed that allows artists to cloak their artwork so it can't be mimicked by AI art tools.
AI art bros are big mad about it.
have most characters be non-minors, around the same age range. this is mostly to minimize underage nonsense.
while family relationships are important, save them as background elements, explored every now and then. focus mainly on the bonds of non-related characters and how their different backgrounds play off each other.
limit the overly edgy tone, where pain and suffering are near-romanticized. try to emphasize wholesomeness, health, and the various ways characters can have good relationships despite their differences. a lot of nintendo franchises are good examples.
avoid creating significant characters who are utterly irredeemable with harmful ethics. (for me personally, i limit elements such as abuse and discrimination for background conflicts while presenting more interesting, morally gray arguments, where either side is right/flawed) if you’re going to have a villain, either make them team rocket goofy or classic disney fun.
just. try not to have characters + relationships rely on racial tropes. if you overly rely on a tough dark-skinned / dainty light-skinned formula, you’re going to see some racist shipping. mix it up. round ‘em out.
same goes for gendered tropes. if a dude is downright violent and irresponsible and a level-headed girl has to put up with his flaws without him facing consequence, that’s a downright unbalanced relationship. and do keep in mind that if two boys utterly despise each other, people will absolutely take that a certain way. again, with #3, try to play off disdain as comedic or with exception rather than constant seething hatred.
obviously these aren’t hard and fast rules, and what/how you create will vary. but it’s how i generally approach my work
In 1970, my mother's family adopted an intellectually disabled man named Horace. Horace was 56, and had been in an institution since 1921.
My uncle, who was 19, was working as an orderly at the institution where Horace lived. He only stayed a few months as the abuse he witnessed was too much for him. He had become friends with Horace and told him "I'll come back for you."
Horace replied "They all say that."
By that Christmas, Horace lived with my uncle and his family. My grandparents did the official adoption. Horace had never seen a Christmas tree, and that was his first real Christmas.
Horace died in 2010, at the age of 96. He laid down for a nap and just slipped away.
At least two generations of children grew up with him. He felt immortal to us. He loved Hot Wheels, pizza, cartoons and to talk to the portrait of my grandparents as he sat in his rocking chair.
He knew everyone's birthday. He loved unconditionally.
He had scars on his back from the institutions. If you asked him about that place, his face would screw up and he'd say "oh, it was a bad place. Bad place."
And for 40 years, he was safe, loved, and happy. He loved us in return.
No point to sharing this. But I still miss his laugh as he held a conversation with a portrait, whispering about his day to the people who had helped rescue him.
As the artist for one of The God of Arepo comics, my version is up for consideration for the Ignatz Awards for Outstanding Online Comic.
For those of you who don't know the Ignatz is one of the highest industry awards that "recognize outstanding achievements in comics and cartooning by small press creators or creator-owned projects published by larger publishers".
The thing is, winning the award means winning an actual literal brick. Because the mascot is a brick-throwing mouse. So they have to make a bit where the trophy is a brick. Like. Look.
For a long time I thought it was just plain bricks they were handing out, but my friend who won a couple of bricks two years ago had theirs stamped (I saw the bricks in person at their house). So now I am obsessed with the idea of The God of Arepo winning an Ignatz trophy. It will have the honours stamped. On a freaking brick. That's the most Tumblr level meme trophy this comic/story could win (which is also a legit high honour industry award on its own btw don't get me wrong). But wilder than that, the brick allows me to do something. It allows me to smash that break into 5 pieces and ship one of each to the authors plus myself. Writing Prompts, sadoeuphemist, ciiriianan, stu-pot and me will get a piece of clay in recognition for our work with the farmer who built a temple out of stone. The full circle moment.
Imagine the value of this win to the lore of this Tumblr sacred text/folklore. This brick will be smashed and given to the creators, but as a collective folklore, it's also dedicated to all of us on this hellsite too. AWARD WINNING. If The God of Arepo wins I will document the entire process of smashing that brick here.