Zack Could Use Some Help! The Link To Their Gumroad Will Be Reblogged.

Now I can’t unhear Marvin the Martian whenever RJ speaks. Thanks for that, lmao

Look, I love the changes in art style over time, but I will never forgive Morrison for going from ‘RJ’s face is always shrouded in shadow’ to ‘RJ is Marvin the martian’

Dragons and unicorns have such variety in designs!

“Dragon” is such a vague category of creature with such a ridiculous diversity of bauplans. It doesn’t matter how big it is or how many legs it has or whether it has wings or not: you can call it a dragon if it is kind of snakey, and/or breathes fire (virtually anything that can breathe fire has the potential to qualify as a dragon).

Case in point, look at all these different things that are dragons:

Do you have any advice for writing an intense, overwhelming chase scene?

So, this is a little unusual, in that it's something I haven't really thought a lot about.

For a real world situation, the process is to identify or create an opening, and escape. Usually this advice is more focused for situations for situations where someone's cornered you.

Also, the real world advice is to avoid a chase if at all possible. You don't want to get into a situation where you're directly testing your endurance against your enemy.

As for writing a chase scene. This is one of those times when you want to be efficient with your words, keep things as concise as possible. When you get more verbose it “slows down” the scene because it is literally slowing your reader's progress down.

Chases can be very logistically intensive for you, simply because you need a fairly coherent mental image of how the locations in your story fit together. Maps can be extremely helpful for this, whether you choose to share them or not.

I don't think I've talked about this on the blog, maps can be very helpful for getting a concrete image of how your world is put together, though, they can also, easily, start soaking up more time than the value they offer. That said, even pretty crude maps could be very useful in planning a chase scene. This is one of the times when your world needs to lock together into a unified space, instead of being able to move characters between loosely connected locations.

If you want the reader to have a detailed mental image for the locations, then you should probably have them in those spaces before the chase. Though, this is a situation where some, “stock locations,” could work for you. Liminal spaces can work pretty well for this, because most of your readers are going to have a preexisting basis for understanding what those areas look like. For example: even if their image of an airport causeway is different from yours, you'll both be close enough to the same space that you shouldn't run into many problems where you need to define the entire area.

It's also worth considering that as the chase progresses, it's possible to get gradually more verbose. As mentioned above, this will slow the reader, and as a result the scene, but it can convey the loss of inertia as your character tires or finds themselves having to slow down because they're now in unfamiliar (and possibly unsafe) territory, without being extremely direct about your character's exhaustion. This is an area that can benefit from some pretty careful word selection to hint at fatigue without outright stating it.

I do apologize that this is all pretty high level, concept advice, and a lot of this can be applied in other contexts. And, a lot of the above advice are things to keep in mind for all of your writing, but chases do stress these specific parts of your writing and world building.

Beyond that, it's the normal advice: Remember your world is a living place, so other people would be going about their daily lives while the chase rampages through. Remember persistence consequences, such as prior injuries, or injuries inflicted during the chase. Chases might lead into situations where other kinds of consequences might become unexpectedly relevant, such as your character being forced to run through the territory of a gang they angered earlier in the story. This is an opportunity to bring in unexpected consequences. Even if you don't stick to it, at least have an initial idea for what you want from the chase, then let the sequence play out as you go. (Cleaning this up is what rewrites are for, but it is important to let the chase flow, before you go back and worry about cleaning it up.)

Like I said at the beginning, this is something I don't generally think about, so it's been a bit before I could get back to this question, and I hope this helps.

-Starke

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Young American Alligators Can Regrow Their Tails, Study Shows

http://www.sci-news.com/biology/young-american-alligators-can-regrow-their-tails-09084.html

The merit of your writing.

So, you’ve read something that has resonated with you. It’s everything you’ve wanted in terms of characters, prose, plot and pace. It’s the best you’ve read in years. You reread your favourite lines. You have to take a break just to absorb every meticulously crafted line. You are in awe of how something so small can seem to take up so much space.

And in a perfect world, it would inspire you to go out and create. To work on that story that is languishing in your save files, to pick up that WIP you abandoned, to make you want to write something different and new and better. 

Instead, it makes you feel inferior. The words are too good. You could never write like that. The characters are too perfect. You don’t have that insight. The story is too captivating. Your ideas are boring, cliche, plain. The insight is remarkable. You can barely string a thought together coherently. 

Why even bother, you think.

Don’t fall into that trap. I have been there so many times. I have abandoned writing for years because of “why even bother”. I have let it destroy my confidence, only to patch it back up in a cheap imitation of what it once was, just to let it invade my thoughts again. I have questioned every thing I’ve written, every choice, every line, because why even bother if someone is so much better. 

YOUR WRITING HAS MERIT. What you don’t realize is that it’s not in terms of better, but different. Different style, different story, different interpretation, different mind.

Someone out there will love the way you describe the night sky in poetry. Someone out there will love the way you describe the look on someone’s face when their heart breaks. Someone out there will love your idea, that strange one that seems impossible or already done, because it’s new and exciting or they love endless amounts of that same story. Someone out there will love your interpretation of that character, whether more gentle or bitter or broken or healed. Someone out there will love the words you write, the grandiose use of adverbs (my guilt) or the minimal scattering of dialogue. Someone out there will love your abundance or lack of something you saw in that story you so loved, the one that rendered you speechless and snuffed out your fire. 

Someone out there will love your words. And you need to share them. 

Speaking as a writer, no one sets out to create something to discourage others. No one wants to dominate their corner and be the only one there. No one wants to be alone in their craft. If they do, they are doing it for the wrong reasons. Speaking as a writer, I would never want you to read my writing and think, why bother. 

I want you to think, why bother waiting?

Your story matters. Your writing matters. It’s beautiful and defined and gorgeous and a work in progress and growing and already there and insightful and mysterious: it all has merit. 

Never stop. Never stop writing and practicing and doing and creating and learning and loving the words you weave.

You may think someone has done it more beautifully or better or too many times or never because who wants to read it? 

They maybe have done all those things, but they lack one thing: they haven’t done it like you have.

#crocodiles #science #cool stuff! #some crocs will totally still eat fruit #it’s rather fun to see them chomp down on a mango

Ancient crocodiles may have preferred chomping plants, not meat

Fossil teeth of ancient crocodilians suggest that some ate plants and that such green diets evolved in crocs at least three times more than 60 million years ago.

Some extinct crocs may have been salad eaters.

Studies of fossil teeth suggest some ancient kin of modern crocodiles ate plants. These ancient plant-eating crocs evolved at least three times during the Mesozoic Era. This era stretched from about 252 million to 66 million years ago. Researchers reported their findings June 27, 2019 in Current Biology.

Today’s crocodiles eat mostly meat. Their simple, cone-shaped teeth are typical of meat eaters. Those teeth were different in certain of their ancient relatives. There was “tremendous diversity [in tooth shape] that we don’t see today,” says Keegan Melstrom. This paleontologist is a coauthor on the study. He works at the University of Utah and Natural History Museum of Utah. Both are in Salt Lake City.

soft scaly water child

huggable boy!..

What a wonderful piece of art! Check out the artist for more of their cool stuff! Pixel art is always fantastic to see.

I wanted to work on a little bit of pixel art, because I haven’t touched the stuff in awhile.

Here’s some prompts for Spectober! I can’t wait to see all the different spins on these prompts!

Alright, the art prompt is out! Remember, the event is planned for October, but that doesn’t mean you can’t start planning ahead :) And as one last reminder, we’ll be using the #spectober2020, which I’ll be looking out for on here, twitter, and instagram.

Prompts listed again beneath the cut

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