הנני הנני
a Dr. Michael "Robby" Robinavitch mix
You Want It Darker - Leonard Cohen Tickle Me Pink - Johnny Flynn Oh My Heart - R.E.M. Sisyphus - Andrew Bird Love Love Love - The Mountain Goats There Is A Place - Silver Jews Think You Can Wait - The National Heart of Gold - Neil Young Day Is Done - Nick Drake
[Listen of Spotify]
Chinese street fashion in Chengdu
Videos compiled by me. Videos were filmed with the subject's knowledge.
song: 好久不见 - Lil Jet
You need help. What about you, man? What about you? I'm not the only one who's a little fucked up here, Robby. Why don't you look in the mirror?
For my money, the most (only?) interesting thing about Frank Harkness is seeing where River Cartwright gets his crazy streak from.
River spent most of his childhood and youth raised by his grandparents, in what I can only imagine was a mostly pleasant stereotypically repressed British upbringing. His hometown is wealthy and picturesque. He probably went to a nice university and did mostly normal university things there. And yet he is, canonically, a maniac, who is ready to commit violence at any given moment. My two favourite examples:
s1: beats his erstwhile friend unconscious
s2: chokes a random cab driver (and then tells him "I'm one of the good ones". Lol, okay honey bunny)
And he also has the other side of the coin, which is that he's unruffled by the prospect of enduring physical violence himself.
And Frank sees this in him, instinctually.
When Frank tells Taverner that River is a poor fit for MI-5 and that's why he's mouldering in Slough House - ask yourself, where is the lie? River is constitutionally ill-suited for life in a modern bureaucratic institution, even if that institution does spy stuff.
He would never join Frank's operation because unlike Frank, he has good in him, or at least he wants to do good. But ooh, he also wants to be good at what he's doing. He wants to feel good in the way you feel good when you're doing something that comes naturally to you.
The most best thing about the scene between Frank and River at the bar in season 4 is when Frank gives him a few crumbs of praise and River just fucking eats it up, despite himself. Because actually he IS good at the kinetic stuff. But what drives that side of him is also what gets him continually shit on by the Service. And it must feel amazingly good to have someone recognize and validate that potential in him, even if it's coming from his nutcase absent father.
Lamb sees River's potential, of course, but he never shows it or overtly encourages him because Lamb understands him and knows that he's already got a big head and no impulse control and that he needs to learn to get over himself and calm the fuck down. He doesn't need the OB filling his head with Rudyard Kipling nonsense or Frank Harkness selling him American-style on the glamour of being a mercenary. He needs someone who can show him how the world, in all its ugliness, really works. That's what's going to keep him alive and possibly intact in some sense.
I think this is all pretty obvious but I've been trying and failing to plot a River Harkness AU so here are some thoughts that arose on father/son dynamics.
JACK LOWDEN as River Cartwright in Slow Horses (Season 2)
JACK LOWDEN as River Cartwright in Slow Horses 3.01
I know we been knew that fandom in general is terrible at tolerating gray areas, but I find myself beyond irritated with this song and dance when it comes to the Pitt because the fallibility of the characters is the whole entire point.
The show is not subtle about its themes. Every single episode and character arc is hammering home that impossible, high-stakes judgement calls are an occupational hazard and a torturous burden placed on healthcare workers, and they can never be 100% sure in the moment if they're making the right decision. Sometimes you order a BiPAP and you accidentally make the patient's condition worse; sometimes you do a REBOA against literally every superior's instruction and you save a life. You do your best in the moment, and it's only after the fact, once the results come in, that people will decide whether you're a stupidly cocky student or a heroic cowboy-doctor.
That trade-off is present even when it's not life-or-death. Taking extra time and care to get to know your patients is great for the ones already in the bed; it's not great for the ones still out in the waiting room. Which type of patient satisfaction should we prioritize? Do you involve law enforcement before you know a crime has been committed? When does preemptive action prevent harm and when does it cause more? How do you adhere to "Do no harm" when someone always gets shortchanged no matter what decision you make?
Hell, the inherent unfairness is baked into the very premise of a teaching hospital: these patients didn't necessarily sign up for their once-in-a-lifetime emergency to be a med student's teachable moment. Nobody really wants a newbie doing their stitches—but also, practical experience is an absolute must for medical training. Without interns now, you can't have experts later, so here we are.
So with all that in mind, I don't think debating which character was Right or Wrong in a given scene has ever been a less productive way of engaging with a show. For all I disdain the mentality that refuses to engage with the Trolley Problem because "the REAL problem is whoever tied those people to the tracks in the first place!!1!" sometimes you actually are supposed to consider the bigger, systemic picture. The Pitt is inviting us to engage with very real problems with the state of healthcare in modern America by showcasing how it's literally impossible for these doctors to make the perfect decisions every time, and no it's not fair. To anyone.
idk I just think in light of that very clear message, fighting over which blorbo was the rudest or made the worst fuck up or whose reaction to stress and trauma is more valid is the height of media illiteracy.
Look, I love Kingdon but Abbot x Walsh is actually my OTP for this show.
coming out as an abbot x walsh truther
⚡️10 People I want to know better ⚡️
Thanks @daydreamgoddess14 for tagging me. I'm doing this so I will feel like less of a creep commenting all over your fic. 😄
Last song: Death From Above 1979 - Romantic Rights
Favorite color: green
Last movie: Barbie? I think?
Last TV show: Shafted (aka Super Males)
Sweet/savoury/spicy: Thai food so I can have them all at once
Relationship status: married
Last thing I googled: "requin ou raquin"
Current obsession: Slow Horses/Slough House series, Jack Lowden, Paul Mescal (I've never seen anything this man has been in but I watch his interviews, wtf self). I'm about to finally start Onyx Storm, so good chance I'll get pulled back into those books (they are so bad! but also so addictive).
Looking forward to: The improv class I signed up for starts next week.
No pressure tags: @ghost-woods @jamietarttsnorthernattitude @rivercartwrong @bobfloydpilled @too-many-rooks @cartwrong @ofnightandlight @louisaguy