Never In My Life Have I Wanted Two People To Lose Focus And Have A Consensual Workplace Relationship

set dec saturday

from these below 100% exposure, shadow removed screen shots of River's bedroom from 4x04

Dr No. Poster- [setdec creation]

I can't find the exact photo they used to make it but it says 'Dr No.' + 'Ian Fleming' on it over a photo of Ursula Andress as Honey Ryder in the 1962 movie-- the closest photos i could find are:

100 years of flight poster- [setdec creation]

Based on this Poster in a 2003 issue of National Geographic which works because he has a few national geographics on his windowsill

Old map of Cornwall- [real!]

Overhead View of London- [Real!]

Six Nations Fixtures | '05 (or 02 or 03)- [idk real or not]

Postcards: Iceland, Whistler, Kenya

All of this. I am so obsessed with imagining their relationship before the series starts.

Also, River is all about River in a lot of ways. And he's sad about Spider's death because it's not only the final death of what their *relationship* once was, it's also a symbol of him losing who *he* once was. Or who he thought he was going to be.

I think that the insane yearning and obsession they have for each other is driven a lot by how needy they both are for a certain kind of success and recognition. They recognize each other as fellow travellers. They also have those feelings you have when you have a crush on someone and it's kind of about how you think that person has something amazing about them that makes you want to bask in their aura but also you kind of resent them because you're envious of their sparkle.

The seething disdain they feel for each other after the Falling Out is a reflection of their disappointment in how the other has failed to live up to the (still nascent) image they projected and the grimy mirror that holds up to their own respective reflections.

Instead of Britain's most dangerous field asset, River is a fuck up who can't follow basic instructions (for his surveillance assignment - hence Stanstead/King's Cross). Instead of an astute political operative climbing the ranks and pulling strings behind the scenes, James is babysitting a bunch of filing cabinets and only gets trotted out when some woman with actual power needs a biddable warm body for her own purposes. They both suck and they hate looking at the other man and being reminded of the abjectness of failure, of falling short, of being so desperately close but so far. It's embarrassing watching the other one hanging from the cliff by his fingernails while he puts on a show like he's still climbing the mountain.

I think the saddest thing about their relationship is that these boys never even really knew each other. And they couldn't because they didn't even know themselves. They were too young and trying too desperately to outrun themselves and become perfect, unassailable, lovable.

They're both so deeply lonely. And then Spider dies and River is even more alone. They ended up hating each other but James also understood what it was like to live with that black hole in the centre of himself and there was a type of company in that, even after the love was gone.

river and spider are just such a tragedy to me. the way they both (in the books) are just. constantly wistfully thinking about Back When They Were Friends… and it’s about more than just their friendship in a lot of ways, it’s that Back Then was when they still had bright unbounded futures, back when they thought they’d wander straight into influential spots at the service and be bestest friends forever while they changed the world and got everything they ever wanted.

and like. the thing is, that is already gone. they’re never getting that back. even if they somehow put all their bitterness and history aside and became close again, it wouldn’t be the same as before… they’ll never get that youthful optimism that (in my head at least) defined their pre-series relationship back. that version of their friendship is gone forever already.

but then spider dies and, well. now it’s really really gone. now even the hope of a “different from before but close enough to what they had once” reunion is gone.

just. agh. this idea of like. that, that version of their relationship, the version that they miss, is already dead and buried before the series starts and there’s no getting it back. there’s already no getting it back. but they still keep hoping (or at least, river keeps hoping, though i think spider does too) that it somehow, against all rules of logic, WILL come back anyway. until spider dies and river has to face that that hope, while impossible before anyway, it now for real actually impossible impossible…

heartbreaking, man. they’re such a tragedy.

Reblogging for #2

some more for the collection while i finish writing the fic!

SLOW HORSES 3.01

I know we been knew that fandom in general is terrible at tolerating gray areas, but I find myself beyond irritated with this song and dance when it comes to the Pitt because the fallibility of the characters is the whole entire point.

The show is not subtle about its themes. Every single episode and character arc is hammering home that impossible, high-stakes judgement calls are an occupational hazard and a torturous burden placed on healthcare workers, and they can never be 100% sure in the moment if they're making the right decision. Sometimes you order a BiPAP and you accidentally make the patient's condition worse; sometimes you do a REBOA against literally every superior's instruction and you save a life. You do your best in the moment, and it's only after the fact, once the results come in, that people will decide whether you're a stupidly cocky student or a heroic cowboy-doctor.

That trade-off is present even when it's not life-or-death. Taking extra time and care to get to know your patients is great for the ones already in the bed; it's not great for the ones still out in the waiting room. Which type of patient satisfaction should we prioritize? Do you involve law enforcement before you know a crime has been committed? When does preemptive action prevent harm and when does it cause more? How do you adhere to "Do no harm" when someone always gets shortchanged no matter what decision you make?

Hell, the inherent unfairness is baked into the very premise of a teaching hospital: these patients didn't necessarily sign up for their once-in-a-lifetime emergency to be a med student's teachable moment. Nobody really wants a newbie doing their stitches—but also, practical experience is an absolute must for medical training. Without interns now, you can't have experts later, so here we are.

So with all that in mind, I don't think debating which character was Right or Wrong in a given scene has ever been a less productive way of engaging with a show. For all I disdain the mentality that refuses to engage with the Trolley Problem because "the REAL problem is whoever tied those people to the tracks in the first place!!1!" sometimes you actually are supposed to consider the bigger, systemic picture. The Pitt is inviting us to engage with very real problems with the state of healthcare in modern America by showcasing how it's literally impossible for these doctors to make the perfect decisions every time, and no it's not fair. To anyone.

idk I just think in light of that very clear message, fighting over which blorbo was the rudest or made the worst fuck up or whose reaction to stress and trauma is more valid is the height of media illiteracy.

Jack Lowden as River Cartwright Slow Horses – S04E03 – Penny for Your Thoughts

JACK LOWDEN as River Cartwright in Slow Horses (Season 2)

🏛️ THE GREEK PITT-THEON 🏛️

Jack Lowden as River Cartwright Slow Horses – S01E01 – Failure’s Contagious