Me and bestie discussing our headcanons vs me and bestie watching the actual show
“the met gala is the primary symbol of all that is wrong in society” is a pretty conservative take
"Draw Hatsune Miku from your culture," they said. "Ok," you said, proceeding to create Hatsune Miku from every culture under the sun. From Catalonian to Korean, from Nigerian to Navajo: Please enjoy this staggering abundance of Hatsune Miku fanart inspired by cultures across the world. 39!
@molenaide:
@meriahlatyar:
@marsipain:
@beastwhimsy:
@catmask:
@annbragin:
@fox-from-malta:
@sparkly-s0da:
@multiiocular-mushroom:
@spiiiiiral:
@ella-the-eevee:
@leafsei:
@auntphibian:
@biibontic:
@dr11ft:
@cowinf:
@kapustainu:
@missmisnomer:
@prixcel:
@geothermalescapist:
@noxious-fennec:
@pereczke:
@lemonpoet:
@windwenn:
@berryesque:
Chai tea bag + lil but of brown sugar + apple cider packet + 16 oz. mug of hot but not quite boiling water
it will not Fix You but like. maybe. maybe.
not to be a nerd but it’s so crazy how he (Bernini) really did that from cold hard stone……. truly a spectacle, truly breathtaking, an honor to behold
You know, y'all can make your own interpretations of greek gods without tagging them as Lore Olympus Redesigns. Better yet, you can write your own goddamn adaptation and not see it as a failure of Smythe to not have captured your meow meows the way you see them.
Also don't think I haven't noticed how a lot of you like to slim down the characters or give them thin anime faces in your "redesigns." Pathetic.
“why does this character who has done terrible things deserve a happy ending, how can you be okay with that, why do they deserve anything nice”
well see it’s because the entire concept of what people “deserve” is a messy ethical quagmire that has really troubling implications no matter how you use it
but also it’s because i like fictional miserable little assholes and i do what i want
Loving the new counterpoint that not only is posting activism, not posting is complicity. Why doesn't everyone with any fame or internet presence immediately release a lengthy but perfectly-worded statement telling us where they stand on every issue? Is it because they're evil??? It must be because they're evil
And then the usual answer is "they don't post online very much". Which is all very suspicious, don't they know everything of importance is done by posts on social media now
the need to talk about the characters vs the fear that all of my analysis is just empty prose and surface level understanding
Because I like to multi-task, I've finished Scavenger's Reign while drawing my cringe hotd fan art. Beautiful. Delicious. Finally some good fucking creature design.
Also something about the animated body horror is sooo..
Gosh, someone probably already said this so much better than me, but I absolutely love what Fallout did with the character of Barb Howard. She's this sort of subversion of both the doting 1950s housewife and the archetype of the wife who dies as character motivation, and you think that's the direction the series is going, but then you get to see bits and pieces of her outside of her marriage to Cooper.
Like these archetypes, she loves her family fiercely, but that love pushes her into an active role, not a passive one, and is one that encourages her to distrust humanity. Throughout the series, there's this ambiguity as to how much she's being manipulated by Vault-Tech and how much she's an active power player, especially when she suggests dropping the bomb in the first place. Maybe a combination of both?
I don't know, I generally dislike comparisons between Fallout and The Last of Us, because they go in very different directions outside of the general concept of a Western set in the apocalypse. However, Joel Miller and Barb Howard both embody this idea of love pushing us to be selfish, not selfless. It's a neat reversal of the theme of love as a source of redemption, and more as a love that alienates us from the rest of humanity.
ALSO, the choice of costumes and color for Barb's wardrobe! She wears these soft pinks that eventually transition into oranges, both shades that feel conventionally feminine, yet vibrant and powerful. The contrast between her dress and the meeting room in episode 8! Thank you, Frances Turner for bringing this character to life! Thank you, Amy Westcott for the costumes!
I'm crawling up the walls for a scene of the separation and divorce in S2. I want Barb Howard to be waiting for her moment in one of those cryogenic chamber thingies. Still in a very cool 1950s dress.