“Oppenheimer Should At Least Represent Japanese Voices” Actual Japanese Filmmakers Have Made Dozens

books i read in 2021: “evelina” by frances burney ★★★★☆

“I revere you. I esteem and admire you above all human beings. You are the friend to whom my soul is attached as to its better half. You are the most amiable, the most perfect of women. And you are dearer to me than language has the power of telling.”

I would dye my dog like this

Ideas for Season 2

What if next season the writers kept up the unreliable narrator device? 

There could be an episode next season centering on the Massacre at Vassy - the start of the many wars of religion - where Louis de Bourbon (Prince of Conde) tells Ramira HIS side of the story. In his version he is the only one fighting for Protestants to have the same freedoms and rights as everyone else. This would make for a more rounded character and an interesting look at how Louis sees himself. With his narration he becomes a freedom fighter for the oppressed. Protestants can’t teach/study at Universities, hold certain jobs, worship in public in many cities/provinces. He sees himself as the Huguenots’ savior in many ways--their version of Martin Luther King Jr. He can even physically look thinner and more dignified instead of fulfilling the short/fat one dynamic he has with Antoine when Catherine is narrating. 

Since other shows set in this time period do not have the unreliable narrator device, this show should use it to their advantage. This story is filled with people manipulating each other--why not manipulate the audience while you’re at it? 

Plus it gives Ramira some internal conflict: who does she believe? Maybe Catherine could try to make her into one of her Flying Squadron (spy/seductresses) but Ramira doesn’t like this, so hearing Louis’s side of the story could help bring tension between her and Catherine, giving Ramira something to do next season since historically she never existed and could easily be overshadowed by the show’s historical figures and events. 

If you’re going to turn Game of Thrones into a shipping war and compare complex fictional characters with real life monsters like Hitler, and curse out anyone that doesn’t share your same opinion, then you are not mature enough to watch this show. Come back and rewatch it in a couple years when you’ve gotten some more life experience and maturity. 

For the real Madame Du Barry … is a very different person from the popular Du Barry of the pamphlets and romances and contemporary biographies.

… On three occasions did she intercede on behalf of condemned criminals, and each time with success; she gave generously, lavishly; not only during the days when she had the Treasury to draw upon, but in later years, when her means were relatively small; nothing roused her to such indignation as the sight of cruelty or the neglect of suffering; she was the best of relatives, the most loyal of friends.

–Madame Du Barry by  H. Noel Williams.

It’s interesting looking at the series’ original outline and then comparing it to what the series eventually morphed into. There’s a huge difference between how Arya in book one is written versus how someone like Sansa, Daeneryes, Jamie, or Tyrion are written in later books. Arya in GOT initially comes across as the stereotypical girl-dresses-as-boy/girl-wishes-she-was-boy trope that we see waaaay too often in fiction, especially fantasy fiction (it was everywhere in the 80′s and 90′s to the point where anything feminine in fantasy was seen as unfemminist somehow). I’m so glad the series matured and the characters with it so that we got the complex and rich story that we have with complex and well rounded characters, the types you don’t always see in fantasy. 

When she opened the door to the garden, it was so lovely that she held her breath, unwilling to disturb such perfect beauty. The snow drifted down and down, all in ghostly silence, and lay thick and unbroken on the ground. All color had fled the world outside. It was a place of whites and blacks and greys. White towers and white snow and white statues, black shadows and black trees, the dark grey sky above. A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same.

Its honestly sad that antis can’t understand that this line is Sansa’s character. They spend so much time debating the specifics of how spoiled, bratty, bitchy, selfish, and treasonous she is, when the reality of her character is so completely different.

She’s a young girl who, even after all these tragedies have happened to her, can look out upon a garden and be taken away by how completely beautiful it is. Despite how profoundly depressing her life has been for years at this point, despite seeing her family murdered in front of her, she instantly jumps to see how the snow has made a wonderland outside her door.

And then she thinks I do not belong here 

She sees all of this beauty around her, and doesn’t think she belongs; she doesn’t think she deserves something so perfect. A far cry from the narcissistic and power hungry bitch that her antis paint her to be, she can’t even include herself in the good she sees outside. 

Yet she stepped out all the same

That line says everything you need to know about Sansa. She thinks she doesn’t belong with beautiful things anymore; that she is too damaged, traumatized, or wrong to fit in with a world of whites and greys and blacks. But she steps out all the same. She so desperately wants to be a part of this world, to be a part of the beauty she sees in it. Her snow castle is her part of making something beautiful, of just being a part of the wonder she sees. 

It’s just amazing to me that you could read this chapter and miss so much of Sansa’s nature. The raw innocence in which she approaches the failed Godswood is so indicative of her character, and its a shame antis can’t see it. 

Edward’s consort, Queen Isabella, is an enthusiastic book collector. She has many volumes of religious devotion, including a spectacular apocalypse; a two-volume Bible in French; a book of sermons in French; two books of Hours of the Virgin; and various antiphonals, graduals, and missals for use in her chapel. She also owns an encyclopedia (Brunetto Latini’s Tresor, in French) and at least two history books: Brut (bound with the Tresor) and a book about the genealogy of the royal family. She also owns at least ten romances. Among them are The Deeds of Arthur (bound in white leather), Tristan and Isolda, Aimeric de Narbonne, Perceval and Gawain, and The Trojan War.

Ten romances suggest that Isabella is keen on reading. But this is not the full story. Not only does she borrow books from her friends, she takes books from the royal lending library. This contains at least 340 titles and is housed in the Tower of London. As a younger woman, she borrows romances for herself and titles such as The History of Normandy and Vegetius’ text on warfare for her sons.

The Time Traveler’s Guide to Medieval England, Ian Mortimer

Ben Whishaw and “Mrs Tish” on the set of “A Very English Scandal”…

Via Laura Ingall on IG

Der Golem, wie er in die Welt kam (Carl Boese & Paul Wegener, 1920).

They probably will in later seasons. She did NOT get on well with her youngest daughter Marguerite or her youngest son Hercule (also called Francis). Both children went on to rebel against her. So much family drama!

Sure she had to run the country while these two were growing up, but still...things got tense between them. 

i wish they expanded on catherine being a deadbeat mother. this is where series bias in her favor is showing imo (or is it catherine storytelling bias? either way it's unsatisfactory.) because none of her scenes with her children explain why francis is so bitter and untrusting with her. i believe he had strong reasons to act that way and him leaning on mary who was always here for him makes complete sense. unlike his mother who i suspect secretly liked to spent time busy with court intrigues instead of wasting her lively brain energy on clueless little kids. she's like one of those fathers who prefer to only acknowledge their kid when they are old enough to hold adequate conversation not bothering to form any kind of bond with them beforehand. but i am sure catherine will fix that mistake with little charles.