This Resource Megalist is intended to centralise the resources for the IF Tumblr community to create Interactive Fiction with Twine. While most will focus on the Twine formats, other useful resources will be included.
I don’t know much about other Interactive Fiction programs or format aside from Twine. Even then, I tend to only use Sugarcube. Though this list may try to cover all Twine formats in its resources, my bias for the SugarCube format will be obvious.
If you have a resource I should include, send it to me and I’ll add it !
Official Website : Twinery (you can download Twine or use it online) Official Discord: Twine Games, the creators of Twine and most formats, as well as Twine wizard hang out there to help. Official Reddit: Twine Games, answers Twine related questions too.
Harlowe: Current version: 3.3.3 Repository, Documentation. Creator: Leon Arnott
SugarCube: Current version 2.36.1 Repository, Documentation. Creator: Thomas M. Edwards/TheMadExile/TME (Patreon - KoFi) also created the Tweego Compiler (all format).
Chapbook: Current version 1.2.2 Repository, Documentation. Creator: Chris Klimas (Patreon), who also created Twine!
Snowman: Current version 2.0.2 Repository, Documentation. Creator: Chris Klimas, but currently maintained by Dan Cox.
Many other formats have been created for Twine, and a non-exhaustive list can be found on this page. Please note that some formats may not be complete or available anymore.
Aside from Tweego, there are also other compilers. A non exhaustive list can be found here.
The Twine website has a guide to help with the Twine interface here, as well as Cookbook to help you choose the format you may want to use. The Cookbook includes explanation and tutorials on the ways the different formats operate. There is also the old Twinery Forum where many questions were solved before it closed in 2017 and the Twine Q&A (similar fate). Please note: Due to the Forum closure and the lack of update for the Cookbook, some examples/code may be out of date (though the logic may still be good).
If you are looking for a Forum style-community for help (or discuss Twine), you should go instead to the IntFiction Forum!
The documentation for each formats may still not be quite easy to get, as it often use very technical description. Below are some guides and tutorials with maybe easier explanations. There might be more (please let me know!).
YouTube Channels:
Dan Cox
Adam Hammond
Yi Weng
Note: The Twine interface changed in 2022, some aspects of these tutorial may be outdated.
Written Guides:
The 100% Good Twine SugarCube Guide by @manonamora-if (me), includes all SugarCube macros and more.
The Twine Grimoires (Harlowe and SugarCube - focus on visual) by @gcbaccaris (Patreon)
Introduction to Twine (Harlowe 2.1)
Interactive, Nonlinear Stories and Guided Interviews with Twine by the UVic Libraries
Narroscope Chapbook Talk
Kira’s SugarCube Guide (code)
@townofcrosshollow SugarCube Beginner Tutorial & Tutorial 1.02
Guide for ChoiceScript to Sugarcube/Twee Transition by @manonamora-if
Below is a list of IF creators using Twine and having created tutorials/answered asks. Please check the creator’s FAQ before sending an ask/contacting them. There might be coders for other formats making tutorials, but I do not know of them.
SugarCube
@manonamora-if : I have #coding support masterlist
@idrellegames also answered a lot of Twine questions over the years (coding asks) (Patreon - Ko-Fi) Note: she does not currently take new coding asks.
@cerberus-writes answered asks here. (Ko-Fi)
@nyehilismwriting has a coding tag. (Patreon - Ko-Fi)
@townofcrosshollow made some tutorials too.
@ramonag-if Tutorials (Patreon - Ko-Fi)
@outoftheblue-if coding/tutorials posts (Ko-Fi)
@larkin-if has started making tutorials (Ko-Fi - Patreon)
Harlowe:
@heart-forge used to answer asks. (Ko-Fi)
Below you will find Discord servers focused on coding with Twine or Interactive Fiction where you can ask question. I am sure there are others Discords or Forums out there (especially with other languages) !
Decoding Twine Discord - run by multiple IF Creators on Tumblr.
Interact-If Discord - mainly an IF discord, but coding questions can be asked there too.
Fiction Intéractive - similarly to the one above, this one is mainly an IF community but Francophone.
There are A LOT of people who created custom macros for Twine (SugarCube especially).
SugarCube:
Official Add-ons
Akjosch (GitHub) : Modules
Chapel (Website - GitHub - Ko-Fi): Macros.
Cycy (GitHub) Macros. Also created the T3LT extension for VSCode (syntax highlighter and macro checker-ish)
Greyelf (Forum + Forum) : Harlowe style animations + Right-Sidebar
Gwen (GitHub) Macros.
HiEv (Patreon): Macros, Inventory System
Hituro (GitHub - Website): Macros (+ Gordian/Paloma Format)
Hogart (GitHub) Macros.
Maliface (GitHub - Ko-Fi) Macros
Mike Westhad (GitHub) Macros and some StyleSheets
SleepyFool (GitHub) Macros
SjoerdHekking (GitHub - Patreon) Macros.
TME (GitHub) : Language Setting
Harlowe:
Chapel: Audio Library, Macro API
Inventory System
Greyelf (Forum + Forum): CSS styles
Note: I have not tested all of these below.
SugarCube
100% Good Twine Sugarcube Templates by @manonamora-if (3 Visual, 1 Setting Code)
Sugarcube Template & Twine - Sugarcube Template by @nyehilismwriting (Visual)
twine sugarcube template by @cerberus-writes (Visual)
ChoiceScript-like SugarCube template (code for copy-pasting) by brushmen (Visual & Code)
Twine/Sugarcube 2 Template by @innerdemons-if (Visual)
Fallen London Twine Template by thesharkwrites (Visual)
Tutorial: Coding Pronouns and Verbs in Twine SugarCube by Sylveranty (Code)
Twine Template and Twine Template II by @outoftheblue-if (Visual)
Simple Visual Novel Template for Twine by Sun Labyrinth (Visual)
PC98 Layout for Twine by fia glas (Visual)
A Quick Guide to Character Pages by @gamesbyalbie (Code)
Coding Pronouns and Verbs by @sylveranty (Code)
Harlowe:
Twine 2 (Harlowe) CSS Pack #1 by Candy✩Giants (Visual)
Custom Pronouns - Twine Tutorial by chewiethedoggo (Code)
Gender Inclusive Twine 2 Harlowe Code Tutorial by autistmouse (Code)
Harlowe Stylesheet (Github, Visual)
Twine 1:
Twine Texting Project by shindigs (Visual & Code)
Tweego
Tweego Installer from Chapel
Ready-To-Use Tweego Folder + Guide by @manonamora-if
Other
Turning a Twine Game into a Google App
Interact-If Twine Resources Tag (you may find some of the resources above there) : #twine #twine resources #twine templates
Knowing a bit about other coding languages can help you with customising the visual or the gameplay of the project. CSS/HTML are most helpful when understanding templates or how to build/edit the visual size; JavaScript for the gameplay/animation.
W3Schools is more accessible to new users and the explications tend to be easier to understand overall. However, MDN is thought to have the superior code and will let you know more easily if a code/rule is compatible between browsers. Both websites will include explanation for JavaScript, HTML and CSS.
If you want to learn JavaScript, you may want to start on this website.
An important point that should be included is how to make your project accessible (for screen-readers, colour-blind, visual sensitive, etc…). While the way Twine/Tweego compiles the project into an HTML file already takes some of these into account (especially for screen-reader use), but the way one codes may hinder this accessibility.
Colour Contrast Check
ARIA-rules (used by Twine)
Firefox Accessibility Inspector
Game Accessibility Guidelines
Codepen is useful to test HTML/CSS/JavaScript. There are also some cool code out there (but edits are required to work on Twine).
Pattern of CYOA Games is more of an IF Planning resource than a coding one, but is always useful to have.
Interact-If has also reblogged some resources (see the Platform Ref Tag Subsection).
~~~~~~~~~~~~
Again, this list is non-exhaustive. I’ve only added what I know/have seen around the internet. If you have Twine resources not included in this post, please let me know so I can add it.
If I have forgotten Patreon/Ko-Fi links for any of the people mentioned above, please let me know ask well!
A: Characters A and B both think they’re doing the right thing at the cost of their relationship.
B: Character A feels abandoned by Character B. Whether the abandonment is genuine or perceived is up to you.
C: Character A sacrificed the world for Character B, and Character B can’t accept what happened.
D: Character A sacrificed Character B to save the word, and Character B can’t move past how easily they let them go in the name of righteousness.
E: Despite the love between them, Character A just couldn’t stop being afraid of Character B. (Double angst points if it’s reasons that Character B couldn’t control. Lile they have incredibly strong powers that could level cities if they choose to use them that way.)
F: Character A got everything Character B ever wanted without even trying.
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every writing tip article and their mother: dont ever use adverbs ever!
me, shoveling more adverbs onto the page because i do what i want: just you fucking try and stop me
hello hello, it's me!
today I was thinking of how much you loved my masterlist featuring some free tools for writers, and I thought I would do something like that again but, this time, featuring just one or two tools per step while getting the best of "the writer's workbook" (which is also free).
before going any further, for those who don't know, "the writer's workbook" is, as the name says, a workbook for writers, with over 90 pages. it has lots of sheets divided into categories, to help you build the skeleton of your novel. (know more about it here).
however, we can get the most out of it using other complementary tools to ease this process.
Reedsy generator - it's one of my favorites, and it can be quite useful when you're stuck and want to get an idea. you're free to make changes to it so that it is as unique as possible.
Lucidspark - although it has a premium version, I find it so helpful when it comes to making a mindmap. I've used it multiple times before, including for college assignments, and it's one of the best I've found so far.
Mindmup - I'm sharing this one here as an alternative to lucidspark, since this one doesn't require to create an account, and you have access to unlimited maps. however, in my opinion, it is not as good or intuitive as lucidspark is.
Behind the name - it's a classic, but one of my favorites. you can search every name you could ever imagine, and get its meaning, history, variations, etc. it still has some tools you can use such as a name generator, anagrams, and much more.
Fake person generator - although it was not created for authors, you might find it useful since it gives lots of details and you can be interested in some fields.
Character generator - this one was made for writers, and is simple and easy to use.
Family echo - it's so simple yet so helpful.
Inkarnate - it has a paid version, but you can use it for free and create a great map.
Filteries - this is sooo complete and accurate!
hope this was helpful! have a nice day <3
me: *writes fic*
me: great! time to post to ao3-
ao3 summary box: *exists*
me:
ao3 summary box:
me:
ao3 summary box:
me:
Hey, hi everyone! I'm back again with yet another segment of Writing tips. Today I'm going to chat about something many struggle to describe. The body. Below will be several categories containing words synonymous with descriptors used when explaining someone's body. Hopefully, now y'all won't end up struggling for an hour like I have trying to figure out a socially correct way to explain that this particular character is obese :D
Angular, bony, emaciated, dainty, ethereal, frail, gangly, lanky, lean, malnourished, narrow, petite, puny, rawboned, scrawny, skeletal, skin-and-bone, skinny, slender, slight, slim, stick, twiggy, underweight.
Beefy, big-boned, bloated, brawny, broad, bulging, bulky, burly, chubby, chunky, dense, elephantine, full-bodied, gargantuan, heavy-set, husky, lumpy, massive, obese, oversized, paunchy, plump, plumpish, portly, potbellied, pudgy, robust, rotund, round, shapeless, solid, stocky, stout, thick, wide.
Compact, dwarfed, dwarfish, little, low, miniature, pint-sized, runty, squat, stunted, stubby, stumpy, tiny, undersized, wee.
Alpine, beanstalk, gangly, giant, lanky, lofty, skyscraping, stick, stretched, towering.
Decrepit, delicate, effeminate, emaciated, feeble, flaccid, fragile, frail, puny, sickly.
Beefy, brawny, burly, firm, herculean, huge, hulky, husky, muscular, powerful, ripped, robust, rugged, shredded, solid, stalwart, stout, strapping, tough, well-built.
Athletic, hardy, healthy, hearty, shapely, robust, toned, trim.
As always I hope this helps. Have a wonderful day and let your days be blessed as the best! <3
An unreliable narrator is a storytelling technique where the narrator's credibility or truthfulness is questionable. The narrator either intentionally or unintentionally provides a distorted or biased account of the events, characters, or situations in the story. This narrative approach can add complexity, suspense, and intrigue to your writing. Here's how you can create an unreliable narrator:
1. Establish a motive: Determine why the narrator is unreliable. It could be due to personal bias, mental instability, deception, or a hidden agenda. Develop their backstory, motivations, and beliefs to understand why they might present a skewed version of events.
2. Use subjective language: Incorporate language and descriptions that reflect the narrator's personal viewpoint and biases. Their opinions, emotions, and interpretations should color their narration, influencing how readers perceive the story.
3. Include contradictions and inconsistencies: Allow the narrator to make contradictory statements or present conflicting information. This creates doubt and keeps the readers engaged as they try to unravel the truth.
4. Reveal information selectively: The unreliable narrator might withhold or reveal information strategically, manipulating the readers' understanding of the story. This can create suspense and surprise as readers discover hidden truths.
5. Showcase unreliable perceptions: Explore how the narrator's perceptions and interpretations of events differ from reality. They may misinterpret actions, misremember details, or even hallucinate. These discrepancies add depth to the character and raise doubts about their reliability.
6. Use other characters as contrasting sources: Introduce other characters who present alternative perspectives or contradict the narrator's version of events. This contrast allows readers to question the reliability of the narrator and form their own interpretations.
7. Employ narrative techniques: Experiment with techniques like foreshadowing, symbolism, or unreliable memory to emphasize the narrator's unreliability. These devices can help blur the line between truth and fiction, leaving readers intrigued and uncertain.
8. Provide hints and clues: Drop subtle hints or clues throughout the story that suggest the narrator's unreliability. This allows readers to piece together the truth gradually and encourages them to engage actively with the narrative.
Transitioning between scenes is something that you’ll have to do a lot. A good scene transition blends seamlessly into the next so we hardly notice it occurring—or it stands out in order to heighten an emotional impact.
I remember teachers saying, “transitions should blend seamlessly” to me in school without ever explaining how to do that, or what it looks like. The good news is, you’ve probably read so many books and consumed so much media that you’re already subconsciously transitioning your scenes. If you’re struggling, though, here’s what to watch out for:
1. The emotion ends off and begins at the same place.
This isn’t necessarily a hard rule, but it certainly helps maintain a sort of flow to the work, and asks a lot less from your readers than putting them through an emotional rollercoaster. This counts whether it’s transitioning from the same POV or different ones.
For example, if your character is being chased by the police and the scene cuts off without knowing what happens to them, the next scene needs to begin in this heightened sense of urgency and anxiety.
However, if your character is being chased by police and dives unnoticed into their hideout, the next scene should begin within this sense of relief. From here, you can take it wherever you want—just maintain a consistency between chapter cuts, POVs, or other time/place skips.
2. Finish what you start
Unless you’re intentionally keeping the audience in the dark about something (which would require at least some acknowledgement that there are answers, they just aren’t being revealed), you should finish what one scene starts.
Say your previous chapter ends off with the character finally reaching the end of the line for the super scary haunted house attraction. The next should probably begin with them getting to enter the house. If it begins the next day, we’ll be so caught up in the missing time and the obvious lack of answers surrounding the haunted house it’ll take us completely out of the scene and make a notable cut.
An example of a story that does this notable cut really well is ‘A Face Like Glass’ by Frances Hardinge, in which nearing the end, Hardinge inserts a page that playfully acknowledges the complete jump in time and space without revealing anything to the readers about why it’s there, leaving them to discover later on what occurred in that space.
I wish I could quote it exactly but I don’t have the book with me. If anyone does, please reblog this with the page! You’ll know the one I’m talking about.
3. Keep it the same
Don’t switch to a new POV in the middle of the story when you’ve never seen it before unless intentionally making a point. Do transition your scenes however you’d like, but maintain consistency throughout the story. That way, if you ever need to make a point, you can break all the rules you’ve followed to really hammer home the impact.
Good luck!
Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.
When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.
Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.
For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.
To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.
For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.
When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.
For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.
The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.
For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.
While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.
When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.
For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.
When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.
For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.
While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.
For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.
When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.
To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.
The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.
There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.
By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.
Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.
Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.
For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.
As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.
For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.
Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.
Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.
Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.
Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.
For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.
Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.
For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.
Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.
For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.
By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.
Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.
Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.
Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.
I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!
A: A bite wound. (Wash the wound with soap and water, then cover the area with a bandage. Afterward your character will need medical care from a doctor to make sure that they aren’t going to get rabies or an infected bite area.)
B: A sprained wrist. (Your character should ice the area and avoid activities that cause pain. It’s also important to compress the area with bandages (But not so much that it cuts off circulation!) and keep it elevated.)
C: A stab wound to the stomach. (This is an emergency room visit because abdomens have a lot of vital organs. Just straight to the ER.)
D: A concussion. (A concussion is brain trauma so your character really should be checked out by someone at the ER. Afterward they should take it mentally easy and possibly take pills for pain.)
E: A black eye. (An ice pack on the swollen area should help.)
F: A broken ankle. (Your character will probably need to go to the Doctor to get their leg splinted. After leaving the hospital they’ll need to take it easy on their foot until it’s healed.)
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