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A: Characters A and B both think they’re doing the right thing at the cost of their relationship.
B: Character A feels abandoned by Character B. Whether the abandonment is genuine or perceived is up to you.
C: Character A sacrificed the world for Character B, and Character B can’t accept what happened.
D: Character A sacrificed Character B to save the word, and Character B can’t move past how easily they let them go in the name of righteousness.
E: Despite the love between them, Character A just couldn’t stop being afraid of Character B. (Double angst points if it’s reasons that Character B couldn’t control. Lile they have incredibly strong powers that could level cities if they choose to use them that way.)
F: Character A got everything Character B ever wanted without even trying.
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Transitioning between scenes is something that you’ll have to do a lot. A good scene transition blends seamlessly into the next so we hardly notice it occurring—or it stands out in order to heighten an emotional impact.
I remember teachers saying, “transitions should blend seamlessly” to me in school without ever explaining how to do that, or what it looks like. The good news is, you’ve probably read so many books and consumed so much media that you’re already subconsciously transitioning your scenes. If you’re struggling, though, here’s what to watch out for:
1. The emotion ends off and begins at the same place.
This isn’t necessarily a hard rule, but it certainly helps maintain a sort of flow to the work, and asks a lot less from your readers than putting them through an emotional rollercoaster. This counts whether it’s transitioning from the same POV or different ones.
For example, if your character is being chased by the police and the scene cuts off without knowing what happens to them, the next scene needs to begin in this heightened sense of urgency and anxiety.
However, if your character is being chased by police and dives unnoticed into their hideout, the next scene should begin within this sense of relief. From here, you can take it wherever you want—just maintain a consistency between chapter cuts, POVs, or other time/place skips.
2. Finish what you start
Unless you’re intentionally keeping the audience in the dark about something (which would require at least some acknowledgement that there are answers, they just aren’t being revealed), you should finish what one scene starts.
Say your previous chapter ends off with the character finally reaching the end of the line for the super scary haunted house attraction. The next should probably begin with them getting to enter the house. If it begins the next day, we’ll be so caught up in the missing time and the obvious lack of answers surrounding the haunted house it’ll take us completely out of the scene and make a notable cut.
An example of a story that does this notable cut really well is ‘A Face Like Glass’ by Frances Hardinge, in which nearing the end, Hardinge inserts a page that playfully acknowledges the complete jump in time and space without revealing anything to the readers about why it’s there, leaving them to discover later on what occurred in that space.
I wish I could quote it exactly but I don’t have the book with me. If anyone does, please reblog this with the page! You’ll know the one I’m talking about.
3. Keep it the same
Don’t switch to a new POV in the middle of the story when you’ve never seen it before unless intentionally making a point. Do transition your scenes however you’d like, but maintain consistency throughout the story. That way, if you ever need to make a point, you can break all the rules you’ve followed to really hammer home the impact.
Good luck!
Arrow slits - Defenders could fire arrows out, but attackers could not shoot in through these narrow holes.
Banners - Showed the symbol of the lord and his king.
Battlements - Defenders standing here could bombard attackers while staying sheltered.
Blacksmith - Skilled metalworkers provided armor, weapons, and other equipment.
Curtain wall - Thick stone walls kept the castle’s inhabitants safe from attack.
Drawbridge - This wooden bridge could be raised to cut off access to the gate.
Dungeon - Prisoners could be locked away underground, with no hope of escape.
Entranceway - A single narrow entrance meant attackers could only approach one at a time.
Gardens - Grew vegetables to eat in case of siege.
Gatehouse - The castle entrance was heavily defended. It was often built as a narrow tunnel with wood or iron gates at either end. Holes in the ceiling (murder holes) could be used to pour boiling oil or water on attackers in the tunnel.
Gatehouse towers - Towers on either side of the gatehouse allowed defenders to rain arrows, stones, or boiling water on anyone attacking.
Great hall - The feasting room, where the lord would hold banquets for his knights and guests.
Lord’s chambers - The lord and his family had private rooms in the strongest part of the castle, known as the solar.
Moat - Cut into the rock and often filled by diverting a nearby stream, the moat kept attackers away from the walls.
Postern gate - A side door acted as an emergency exit in case the castle was ever conquered.
Towers - Circular towers allowed defenders to fire arrows in any direction.
During peacetime, a castle was home to the lord, his family and servants, and guards known as men-at-arms. Many castles were like little villages inside, with kitchens, blacksmiths, gardens, stables, and a chapel. If they were attacked, the people inside had everything they needed to survive until help came.
Source ⚜ Writing Notes & References More References: Medieval Period ⚜ Worldbuilding ⚜ Plot ⚜ Character
A: A bite wound. (Wash the wound with soap and water, then cover the area with a bandage. Afterward your character will need medical care from a doctor to make sure that they aren’t going to get rabies or an infected bite area.)
B: A sprained wrist. (Your character should ice the area and avoid activities that cause pain. It’s also important to compress the area with bandages (But not so much that it cuts off circulation!) and keep it elevated.)
C: A stab wound to the stomach. (This is an emergency room visit because abdomens have a lot of vital organs. Just straight to the ER.)
D: A concussion. (A concussion is brain trauma so your character really should be checked out by someone at the ER. Afterward they should take it mentally easy and possibly take pills for pain.)
E: A black eye. (An ice pack on the swollen area should help.)
F: A broken ankle. (Your character will probably need to go to the Doctor to get their leg splinted. After leaving the hospital they’ll need to take it easy on their foot until it’s healed.)
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Custom Sugarcube 2 template inspired by Choice of Games and dashingdon
With the recent news of dashingdon shutting down I decided to dust off an old twine template. Might make the move to twine easier for some, might not, either way I had fun.
Template on itch.io
Template is compatible with the most recent Twine update (2.10.0)
Features:
Mobile friendly UI
Settings to change theme (white, sepia, dark), font (including a dyslexia friendly font), font size
Autosaving and custom save names
Toggleable notifications
A passage to choose custom pronouns; both by reader input and preset, as well as pronoun widgets for grammatical differences
Special passages labelled and explained
Multiple stat bars
Stylesheet and Javascript labelled to make everything easy to find and change
Custom macros (linked in file)
I wanted to make a post I could copy and paste and or link when I see folks asking where to buy fabrics when Joann is gone. I sew a lot, generally between 100-200 items a year and I don't do it on a big budget. Stores are not in a particular order.
Notions:
Wawak.com - start here, mostly stay here. Wawak is a supplier for professional sewing businesses and have the prices that show it. I will not pay for gutermann Mara 100 anywhere else. I buy buttons, tools, thread, and most elastic here.
Stitch Love Studio - this is where I buy lingerie supplies https://www.etsy.com/shop/StitchLoveStudio?ref=yr_purchases
Fabric:
Fabric Mart - this is one where you want to sign up for emails and never buy unless its on sale. They run different sales every day and they rotate. Mostly deadstock fabrics but I buy more from here than anywhere else. Fantastic customer service and if you watch you can get things like $6 wool suiting or $4 cotton jersey. https://fabricmartfabrics.com/
Fabrics-Store - again, buy the sales not the full price. Sign up for the emails but redirect them to a folder because it is TOO MANY. They stock linen or good but not amazing quality. https://www.fabrics-store.com/
Purple Seamstress - This is where I buy my solid cotton lycra jersey. They have other things, but the jersey is what I'm here for. Inexpensive and very good quality. If you ask she will mail you a swatch card for the solids. https://purpleseamstressfabric.com/
LA Finch - deadstock fabrics with a fantastic remnant selection https://lafinchfabrics.myshopify.com/
Califabrics - mix of deadstock and big brands, easy to navigate and always seem to have good denim in stock. https://califabrics.com/
Boho Fabrics - good variety, nice bundles. I have also gotten some really great trims from here. https://www.bohofabrics.com/
Firecracker Fabrics - garment and quilting fabrics, really nice selection and great sale section. I've bought $5 yard quilting cottons here several times. https://www.firecrackerfabrics.com/
Hancock's of Paducah - Quilting fabric and some limited garment fabric. AMAZING sale section. Do not sleep on the sale section. This is my first stop when buying quilting fabrics. Usually the last stop too. Not particularly speedy shipping. https://www.hancocks-paducah.com/
Itokri - This is something a little different. Itokri is an Indian business with incredible traditional fabrics. Shipping to the US is expensive, but the fabric is so inexpensive it evens out. I generally end up paying like $30 for shipping. Beautiful ikat and block prints. https://itokri.com/
Miss Matatabi - this is a little treat. This isn't where you go to save money, but there are so many beautiful things in this shop. Ships from Japan incredibly quickly. https://shop.missmatatabi.com/
Lucky Deluxe - Craft thrift store, always has an incredible selection and fantastic customer service. I need to close the tab fast because I never go to this website without finding something I need. https://www.luckydeluxefabrics.com/
Swanson's - the OG of online craft thrift stores, but I find their website harder to navigate. https://www.swansonsfabrics.com
Honorary Mentions: I haven't shopped at these places yet but I have had them recommended and likely will at some point.
A Thrifty Notion - https://athriftynotion.com/
Creative Closeouts - https://creativecloseoutsfabric.com/ being rebranded to sewsnip.com on March 1 - quilting deadstock
Hawthorne Supply Co. - I just got this rec and I think I need to not look too closely or I'm going to slip with my debit card. https://www.hawthornesupplyco.com/
This is not an exhaustive list of everywhere you can buy fabric, or even a full list of where I shop. There are SO many options out there in the world. You also need to think outside the fabric store box. I thrift men's shirt fabrics for quilts and sheets for backing fabric. I don't do a ton of in person thrifting and my local stores don't get a lot of craft materials but every thrift store is its own universe and reflects the community it is in. Go out and find something cool.
Oh and final note: Don't shop at Hobby Lobby.
Hey, hi everyone! I'm back again with yet another segment of Writing tips. Today I'm going to chat about something many struggle to describe. The body. Below will be several categories containing words synonymous with descriptors used when explaining someone's body. Hopefully, now y'all won't end up struggling for an hour like I have trying to figure out a socially correct way to explain that this particular character is obese :D
Angular, bony, emaciated, dainty, ethereal, frail, gangly, lanky, lean, malnourished, narrow, petite, puny, rawboned, scrawny, skeletal, skin-and-bone, skinny, slender, slight, slim, stick, twiggy, underweight.
Beefy, big-boned, bloated, brawny, broad, bulging, bulky, burly, chubby, chunky, dense, elephantine, full-bodied, gargantuan, heavy-set, husky, lumpy, massive, obese, oversized, paunchy, plump, plumpish, portly, potbellied, pudgy, robust, rotund, round, shapeless, solid, stocky, stout, thick, wide.
Compact, dwarfed, dwarfish, little, low, miniature, pint-sized, runty, squat, stunted, stubby, stumpy, tiny, undersized, wee.
Alpine, beanstalk, gangly, giant, lanky, lofty, skyscraping, stick, stretched, towering.
Decrepit, delicate, effeminate, emaciated, feeble, flaccid, fragile, frail, puny, sickly.
Beefy, brawny, burly, firm, herculean, huge, hulky, husky, muscular, powerful, ripped, robust, rugged, shredded, solid, stalwart, stout, strapping, tough, well-built.
Athletic, hardy, healthy, hearty, shapely, robust, toned, trim.
As always I hope this helps. Have a wonderful day and let your days be blessed as the best! <3
Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.
Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!
Amaryllis: Pride
Black-eyed Susan: Justice
Bluebell: Humility
Calla Lily: Beauty
Pink Camellia: Longing
Carnations: Female love
Yellow Carnation: Rejection
Clematis: Mental beauty
Columbine: Foolishness
Cyclamen: Resignation
Daffodil: Unrivalled love
Daisy: Innocence, loyalty
Forget-me-not: True love
Gardenia: Secret love
Geranium: Folly, stupidity
Gladiolus: Integrity, strength
Hibiscus: Delicate beauty
Honeysuckle: Bonds of love
Blue Hyacinth: Constancy
Hydrangea: Frigid, heartless
Iris: Faith, trust, wisdom
White Jasmine: Amiability
Lavender: Distrust
Lilac: Joy of youth
White Lily: Purity
Orange Lily: Hatred
Tiger Lily: Wealth, pride
Lily-of-the-valley: Sweetness, humility
Lotus: Enlightenment, rebirth
Magnolia: Nobility
Marigold: Grief, jealousy
Morning Glory: Affection
Nasturtium: Patriotism, conquest
Pansy: Thoughtfulness
Peony: Bashfulness, shame
Poppy: Consolation
Red Rose: Love
Yellow Rose: Jealously, infidelity
Snapdragon: Deception, grace
Sunflower: Adoration
Sweet Willian: Gallantry
Red Tulip: Passion
Violet: Watchfulness, modesty
Yarrow: Everlasting love
Zinnia: Absent, affection
Seen a couple posts on the dashboard lately about writing with ADHD. So, for the ADHD and neurodivergent folks who like writing but struggle sometimes… check out StimuWrite.
You can set it to make little sounds as you type (or leave them off), and emojis pop up in the corner. You can change the background, dark and light themes, set your word goal, and it gives you a percentage and total word count at the bottom. Though it’s more meant for getting a draft written up, so it doesn’t have spell check or anything like that. You’re meant to just copy and past what you write here into Google Docs or Word or Scrivener or whatever else you use and go from there. Honestly love it when I’m struggling to get words down, though. And apparently there’s an update now for StimuWrite 2?👀
Anyways, give it a try if it looks like it may help. It’s currently name-your-own-price.