The Default Way For Things To Taste Is Good. We Know This Because "tasty" Means Something Tastes Good.

An important perspective in light of recent events.

Watch this. 

shoutout to the lord of the rings lighting directors. bold move to let the audience see what's going on in nighttime scenes. i miss that.

I passed an amazing follower milestone last month, and I’m having an ASOIAF Art Giveaway to celebrate! 

PRIZE: Commissioned watercolor art of YOUR CHOICE by metalshell, subject to certain restrictions. 

You can see some examples of metalshell‘s beautiful work here on deviantart. The examples of metalshell‘s art featured above are Winter Roses and Sharp Steel and Little Birds. 

RULES: 

You must reblog this post to enter, and you must be following me.

You can reblog as many times as you want, but don’t spam your followers.

Likes count as an additional entry.

No giveaway blogs. 

The giveaway closes on my birthday, October 14! You have until then to reblog this post. 

The winner will be chosen on October 14 at 11pm PT. The winner must have their askbox open, and they must respond within 3 days, or a new winner will be chosen.

Read the detailed rules & restrictions. 

Thank you all so much for following me, and good luck! 

Register to Vote Online in Georgia - Vote.org

Register to vote online with Vote.org. Fast, free, secure and nonpartisan. It takes less than 2 minutes to register to vote. Get started now.

The runoff for Georgia’s two U.S. Senate seats is January 5th. This will decide who will control the Senate, and if Georgians deliver for Jon Ossoff and Raphael Warnock the same way they delivered for Joe Biden and Kamala Harris, they will deliver control of the Senate to the Democrats. Why does that matter? Well, if Republicans and Mitch McConnell retain control of the Senate, they will be able to effectively suffocate anything and everything that the Biden Administration is planning to do in order to heal this nation from four years of Donald Trump. Republican control of the Senate will immediately kill any hopes we have of progressive policies getting through Congress and to President Biden’s desk and will prevent the confirmation of Biden’s appointees. It means that Mitch McConnell will be rewarded for the brazen hypocrisy of filling Ruth Bader Ginsburg’s seat on the Supreme Court just days before the November election.

Georgia, we need you again. And we know that we can count on you. If you were part of the remarkable voters that flipped Georgia from red to blue and elected Joe BIden and Kamala Harris, don’t forget to vote on January 5th. If you didn’t vote because you didn’t think it would make a difference, it did. And you can still make a difference. If you live in Georgia, you have until DECEMBER 7th to register to vote in the runoff election. But don’t wait…do it now! You can do it online, right here, and it only takes two minutes. If you weren’t old enough to vote Donald Trump out of office on November 3rd but turn 18 before January 5th, you also have until DECEMBER 7th to register to vote! 

Georgia was instrumental in electing Joe Biden and Kamala Harris and, more importantly, evicting Donald Trump from the White House. On January 5th, America needs you one more time. Take the power of Senate control from the hands of Mitch McConnell. It will make Mitch McConnell sad. Don’t you want to make Mitch McConnell sad? VOTE on January 5th. You can still register in Georgia until DECEMBER 7th. 

We’re sorry that you have to put up with two extra months of campaign ads, but we appreciate you and we know we can count on you, Georgia. Register until December 7th. VOTE ON JANUARY 5th!

NOTES AFTER THE FACT:

Wow, Phantom Thread really overperformed. I’ll be seeing that this week in 70mm, and now am looking forward to it even more.

Wonder Woman getting completely shut out was a genuine surprise; I knew it was a bit of a longshot at BP, but figured it would sneak into at least a couple of tech categories. On the other hand, I seem to have willed Logan into a frickin’ Screenplay nomination, of all things!

The Darkest Hour is in, I, Tonya is out. I maintain that I, Tonya is a much better film. I liked The Darkest Hour, but it’s a pretty good film elevated by a great performance; I, Tonya is a terrific film highlighted by a great one.

Three BIllboards got snubbed for director! That’s maybe the single most shocking thing here; so much for being the frontrunner. Honestly, I’m not even sure what the new frontrunner even would be. Very interesting.

Obligatory Oscar Predictions (now with gratuitous gifs!)

I’ll be belatedly posting my reviews of various movies including a top ten list over the next few weeks, but if I’m going to turn this into a consistent (mostly) movie review blog, I may as well start with the obvious.

BEST PICTURE

There are about a half-dozen that seem to be locks at this point – Three Billboards, The Shape of Water, Dunkirk, The Post, Lady Bird, and Get Out. (if one is missing tomorrow morning, expect it to be the last, but I doubt it) 

First off, let’s pour one out for 2017, a year so bizarre and awesome that a fantasy about a mute woman having an affair with a fish-monster and a horror-comedy are front-runners. That’s like if the 1987 Best Picture nominees had been The Last Emperor, Hope and Glory, Broadcast News, Evil Dead II, and The Witches of Eastwick.

The remaining 3 or 4 slots are where it gets trickier.

Now, the Academy obviously isn’t cool enough to go for Wonder Woman, Logan, Guardians of the Galaxy 2, and The Last Jedi. That said, if they do go for one of the critically beloved blockbusters, I’d bank on the first one, with Logan being an extremely dark horse. 

The remaining probable options are: Call Me By Your Name, I Tonya, The Darkest Hour, The Big Sick, Mudbound and Molly’s Game. All should get screenplay nominations and at least one acting nod; the question is just which of them are going to carry over to the big prize. 

The Big Sick mostly has the problem that there’s already three comedy slots taken between Three Billboards, Lady Bird, and Get  Out; they don’t typically go for one comedy, let alone a whole slate. Still, it was widely embraced enough that it certainly will have some momentum.

Call Me By Your Name is a good bet simply on the cynical account of being the serious gay romance of the year. I suspect its support will be better than for The Danish Girl but not as strong as Moonlight simply on account of it being much better than the former but not as great as the latter; that said, it’s lovingly crafted enough to push over the line, I suspect.

I, Tonya is probably a lock for Actress, and seems like the sort of film to get an extra boost on the power of that incredible lead performance; it helps that it’s a really good film that scores very strongly on feminist scales in a year where that’s going to be the groundswell in the Academy.

The Darkest Hour is trickier to guess; similarly, it’s a film built around one astounding performance, but isn’t nearly as strong as I, Tonya outside of Oldman Oldmaning the hell out of his best role in years.

Molly’s Game falls in the same category; Chastain is sensational, and I’m surprised Idris Elba doesn’t have more buzz and Costner doesn’t have any, but the movie itself is good, not great. Aaron Sorkin truly has a way with words, but as director, he’s a little too in love with his words, and too often doesn’t trust his visual telling of the story to carry it when he can dilute the impact with a 500 word speech explaining the images.

Finally, Mudbound has the severe disadvantage of Netflix’s hostility toward theaters and the traditional film business, which I suspect keeps them from really effectively campaigning. Although it’ll probably get noticed somewhere, the big prize will likely elude it.

FINAL CHOICE FOR BEST PICTURE: 

(in decreasing order of likeliness)

Three Billboards

The Shape of Water

Dunkirk

The Post

Lady Bird

Get Out

Call Me By Your Name

I, Tonya

The Big Sick

Wonder Woman

BEST DIRECTOR

The picture pool largely shows who’s in line, with the bottom three films unlikely to show up here. McDonough and Del Toro are locks, and Greta Gerwig probably is, as well. Christopher Nolan seems like he should be a lock, but you would have thought so for The Dark Knight and Inception, too; has the director’s branch has gotten over whatever their Nolan-hate? Conversely, Spielberg would normally seem to be a lock, but he has so many nominations over the years that he might seem too obvious a choice; would they be voting because he did such a great job, or just because he’s frickin’ Spielberg? (in this case, definitely the former; his work in The Post is masterful) Then there’s the question of whether Jordan Peele has even more momentum than he seems to have, and if Luca Guadagnino manages a spoiler. Peele and Nolan getting DGA nods suggests they have the strongest support among the directors; I’ll chose them, but won’t be shocked to see wither Spielberg or Gaudagnino on there. (call Patty Jenkins the one-in-a-million longshot)

Martin McDonough - Three Billboards

Guillermo Del Toro - The Shape of Water

Greta Gerwig - Lady Bird

Christopher Nolan - Dunkirk

Jordan Peele - Get Out

BEST ACTOR

Gary Oldman, Darkest Hour

Daniel Day-Lewis, Phantom Thread

Timothy Chalamet, Call Me By Your Name

Daniel Kaluuya, Get Out

Tom Hanks, The Post

POSSIBLE SPOILERS: Denzel - Roman J Israel Esq. (though nobody seemed to like anything else about the movie); James Franco - The Disaster Artist (reports of his long-known douchey, misogynist behavior may keep him down, but then again, Casey Affleck); Hugh Jackman - either The Greatest Shomwan or Logan (having both in the mix probably kills his chances, and with The Greatest Showman embraced by audiences but loathed by critics, and Logan being a superhero movie released way back in Spring, it’s a hell of a longshot either way. I just really want him to get it for Logan.)

BEST ACTRESS

Sally Hawkins, The Shape of Water

Frances McDormand, Three Billboards

Margot Robbie, I, Tonya

Saoirse Ronan, Lady Bird

Meryl Streep, The Post

SPOILERS: Jessica Chastain, Molly’s Game (honestly a tossup between her and Streep); Jude Dench, Victoria and Abdul (minor, barely seen film, but it’s Dench); Michelle Williams, All the Money in the World; Diane Kruger, In the Fade

SUPPORTING ACTOR

Sam Rockwell, Three Billboards

Willem Dafoe, The Florida Project

Christopher Plummer, All the Money in the World

Armie Hammer, Call Me By Your Name

Woody Harrelson, Three Billboards

SPOILERS: Richard Jenkins or, less likely, Michael Shannon, The Shape of Water; Michael Stuhlberg, Call Me By Your Name; Idris Elba, Molly’s Game; Patrick Stewart, Logan (I will mention Logan every chance I get in an effort to will nominations into existence) 

(and yes, that gif is from Iron Man 2)

SUPPORTING ACTRESS

Allison Janey, I, Tonya

Laurie Metcalf, Lady Bird

Mary J. Blige, Mudbound

Octavia Spencer, The Shape of Water

Holly Hunter, The Big Sick

SPOILERS: Hong Chau, Downsizing (but everyone seems to have hated the movie otherwise); Lesley Manville, Phantom Thread; Tiffany Haddish, Girls Trip (if there’s an out of nowhere nod); Kristin Scott Thomas, The Darkest Hour; Michelle Pfieffer, mother!; Dafne Keene, Logan (see above)

OTHER VARIOUS NOTES

Murder on the Orient Express was one of my favorite films this year, but it seems to have been largely forgotten by the various awards communities. Still, it should at least get nominations for Costume Design and Production Design, and just possibly Cinematography. Tragically, there is no category for “Best Mustache”, a category this film would not only win but fill all the nominations.

The Shape of Water, apparently, is not even being considered for best makeup for reasons that I can’t possibly fathom. It will be one of the films that really cleans up in the tech categories, though.

Star Wars, Wonder Woman, Beauty and the Beast, and Dunkirk will dominate the technical awards. War For the Planet of the Apes, the best in the series since the original in ‘68 and one of the highlights of the year, will be ghettoed into just Visual Effects.

OKAY, WE ARE AT THE END OF JULY AND I’M STILL OBSESSING OVER MAD MAX : FUCKING FURY ROAD, HOW IS THAT POSSIBLE ? Tell me please i’m not the only one

Can you please spread this as far as it will go? 

Natalie Portman is Asian. She was born in Jerusalem, to Jewish parents. Two of her great-grandparents died at Auschwitz

She should still be listed.

No asian woman has ever won “best actress” from the academy awards. 

Just nominated. Once. In 1935. 

If there are no leading roles “written” for asian women, that is still a problem. 

A leading role doesn’t have to be written to be asian. Or black. Or any other race. A POC can just be a person, you know. A person in a leading role. 

And I’m tired of real life POC people being played by white actors, taking that opportunity away from POC actors and actresses. 

The wiki page used to say “natalie portman” as a winner. Which has since been corrected. Natalie Portman is a wonderful person and amazing actress, but she isn’t asian. I don’t know why she was put there.

alizalichtxo

I hope everyone will read this and share it. I posted the full piece. Hamza Howidy is a Palestinian from Gaza City. He is an accountant and a peace advocate. I follow Hamza on X and his tweets are very important. Unfortunately, he is being blocked. In his words, “But the protesters aren’t interested in peace. Some of the groups have been blocking Palestinian peace activists like me—and I am from Gaza, the very place they claim to care about! Instead of blocking peace activists, they should be inviting us to join these protests and guide them in the right direction—a place without hatred with a focus on calling for the release of the hostages who have been held captive by Hamas for more than 210 days.”